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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Rally Up
Partitions à imprimer
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Lift Me Up
Bass Voice,Guitar,Piano - Level 1 - Digital Download SKU: A0.1313808 By Rihanna. By…
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Bass Voice,Guitar,Piano - Level 1 - Digital Download SKU: A0.1313808 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Arranged by Hollywood Charts. Film/TV,Pop,R & B. 3 pages. Hollywood Charts #902526. Published by Hollywood Charts (A0.1313808). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for piano, guitar, and bass. This ensures your entire band will be on the same page, literally!Experience the captivating essence of Rihanna's Lift Me Up from the blockbuster Marvel movie, Black Panther: Wakanda Forever, through this rhythm section sheet music transcription. As the lead single from the film's soundtrack album, Lift Me Up marks Rihanna's triumphant return to the music scene, offering an stripped down ballad that resonates with a heartfelt message​.This rhythm section sheet music invites you to delve into the poignant narrative encapsulated within the song's melody and lyrics. The song, co-written by a stellar team including Rihanna, Tems, Ludwig Göransson, and the film's director Ryan Coogler, stands as a beautiful tribute to the late Chadwick Boseman, echoing the enduring legacy and indomitable spirit of the beloved actor​​.Not only is this song an integral part of the Black Panther: Wakanda Forever narrative, but it also shone brightly on the grand stage of the 2023 Oscars, earning Rihanna her first Oscar nomination. This rhythm section arrangement will enable you to recreate the soft glory and lustrous performance that left the audience in awe on that memorable night​​.With this rhythm section sheet music transcription of Lift Me Up, you're not just playing a song; you're partaking in a narrative of hope, resilience, and tribute that transcends the cinematic realm to touch real emotions and honor a real hero. This music piece is not just a collection of notes, but a story waiting to be told, a legacy waiting to be celebrated, and a melodic journey waiting to be embarked upon.
$12.99
11.96 €
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Rihanna
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Hollywood Charts
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Lift Me Up
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Hollywood Charts
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SheetMusicPlus
Woke Up In Love
Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1398067 By Griffin & Call…
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Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1398067 By Griffin & Callum Scott Kygo. By Daniel Griffith, Joseph Taylor, Kyrre Gorvell-Dahl, Nathan Nicholson, and Sam Gray. Arranged by Hollywood Charts. Pop. 5 pages. Hollywood Charts #981344. Published by Hollywood Charts (A0.1398067). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for keys, guitar, bass, and drums. This ensures your entire band will be on the same page, literally!Introducing the rhythm section chart for Woke Up In Love by Kygo, available now for passionate musicians and Kygo fans! Dive into the captivating world of Kygo's signature sound with this meticulously transcribed sheet music. Perfect for musicians looking to replicate the entrancing beats and rhythms of this modern electronic masterpiece.Unlock your musical potential and experience the joy of playing one of Kygo's most enchanting songs. Get your copy of Woke Up In Love rhythm section chart today and keep the spirit of electronic dance music alive in your performances!
$24.99
23.01 €
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Griffin & Callum Scott Kygo
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Hollywood Charts
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Woke Up In Love
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Hollywood Charts
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SheetMusicPlus
Savage
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Horn,Tenor Saxop…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.976901 By Megan Thee Stallion. By Anthony White, Bobby D. Session Jr., Bobby Session, Bobby Sessions, and Megan Pete. Arranged by Matt Farmer. Contemporary. Score and parts. 6 pages. Matthew Thomas Farmer #6049049. Published by Matthew Thomas Farmer (A0.976901). I'm a savage...This new hit has gained millions of streams within the last month thanks to TikTok. This is the first arrangement of the song for any marching or instrumental ensemble. Short and sweet, this arrangement is meant to be played in the stands, featuring the tenor drums on the main melody. Yes, you read that right: the marching tenor drums have the melody. Whether it's a football game, basketball game, pep rally, or anything else, I am positive that your audience will pick up and sing and dance to this widely recognizable tune.
$12.99
11.96 €
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Megan Thee Stallion
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Matt Farmer
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Savage
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Matthew Thomas Farmer
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SheetMusicPlus
Growing in the Grace
Instrumental Duet Instrumental Duet,Piano and Keyboard,Voice - Level 1 - Interactive Downl…
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Instrumental Duet Instrumental Duet,Piano and Keyboard,Voice - Level 1 - Interactive Download SKU: A0.480439 Composed by Melissa Blanton. This edition: Interactive Download. Children,Praise & Worship. Score and parts. 6 pages. Duration 41. Melissa Blanton #6LLUrchGxTEBdiIeCvRjer. Published by Melissa Blanton (A0.480439). Key: F major.Your kids will love singing this scripture song- especially with actions! Kids will naturally crouch down and with each growing stand up a littler taller! My group liked to march in place on the growing in the grace... part! See what your kids come up with ! Its an easy and catchy tune! Enjoy! S.D.G.
$2.99
2.75 €
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Melissa Blanton
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Growing in the Grace
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Melissa Blanton
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SheetMusicPlus
Mary Had A Baby - 6 guitars/large ensemble
Guitar - Level 2 - Digital Download SKU: A0.797753 Composed by Traditional. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.797753 Composed by Traditional. Arranged by Derek Hasted. Christmas,Spiritual. 24 pages. Derek Hasted #4804965. Published by Derek Hasted (A0.797753). MARY HAD A BABY - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This American 19th Century Spiritual about the arrival of the Baby Jesus contains the words The people keep a-comin’ but the train done gone.It’s generally accepted that references to the train in afro-American Gospel Music often refer to The Gospel Train or The Way To A Better Life. But regardless of the actual interpretation for those words, this arrangement just wouldn’t be remotely authentic if it didn’t sound like a steam train. So hopefully, it does!This piece starts in the key of F, and the lower three parts generate a pulse which mimics the power-stroke of a steam locomotive. There’s a train whistle too - the top three parts sound an augmented chord - you might like to slide up into the chord, or fall down the neck after the chord is resolved. Or just play it as written...In the centre, the music rises a semitone then another semitone, picking up speed as it does so, playing the same music a tone higher. At the end of the piece, the music slows, and slows and slows to a standstill with a final bass G to tell the audience that the train has stopped...Before the train picks up speed, there is a gentle choral section, and the dynamic markings will show you where the tune moves about.The amount you choose to pick up speed is entirely your choice - the occasional strange number in the metronome mark is simply the result of my typesetting software performing a long, steady speed change.I hope you enjoy playing this piece!
$3.49
3.21 €
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Traditional
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Derek Hasted
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Mary Had A Baby - 6 guitars/large ensemble
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Derek Hasted
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Timpani
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Be…
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
The Big Book of Pentatonics & Fourths
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,P…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
18.37 €
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Eric Bolvin
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The Big Book of Pentatonics & Fourths
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ERIC V BOLVIN
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.83 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.73 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Dance of the Hours
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.996139…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.996139 Composed by Amilcare Ponchielli. Arranged by Erik Cole. Romantic Period. 101 pages. Erik Cole #6498527. Published by Erik Cole (A0.996139). A double reed transcription of the Dance of the Hours from La Gioconda, made famous by Disney's Fantasia. The Night section has been cut, as it's the least famous and included many string techniques that weren't very practical for winds to mimic, but it is otherwise true to the original. The 3rd parts are significantly easier than the others, but it is a challenging piece to take up to tempo, regardless. All oboe and bassoon parts are divisi. I was pleasantly surprised at how well almost all of it worked, especially after lowering the key to an easier C/F major which suits the oboe/bassoon range much better. The numerous rubatos/tempo changes were tough to accurately portray in a multi-track recording done to a click track, but I thought it generally came out well without too many inconsistencies. It's a very fun piece to play if your group is up to the challenge.
$36.75
33.84 €
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Amilcare Ponchielli
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Erik Cole
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Dance of the Hours
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Erik Cole
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SheetMusicPlus
Carousel - Score Only
Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Centu…
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Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Holiday. 3 pages. Robert A. Howard #989943. Published by Robert A. Howard (A0.1407270). Carousel is flexibly scored in up to seven instrumental parts. The piece attempts to evoke the motion and momentum of a fairground merry-go-round. This work is texturally cumulative as each of the 7 parts is added in turn, in crescendo, until the whole ensemble is playing and repeating, in a series of contrasting, but related musical figures. The simplicity of the piece's concept belies the increasing complexity of the music. Note: this document is the score (includes transpositions). The set is also available by searching via the COMA Music Library. No audio track is provided due to the flexibility and variability of the work.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
2.75 €
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Robert A
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Carousel - Score Only
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Robert A. Howard
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SheetMusicPlus
Trust In the Lord - Brass, Sax and Rhythm Score and Parts
2 Trumpets and 2 Trombones, Alto Sax, Rhythm Section - Digital Download SKU: LX.30-2507…
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2 Trumpets and 2 Trombones, Alto Sax, Rhythm Section - Digital Download SKU: LX.30-2507L Composed by Lloyd Larson. Sacred Anthem, All Saints' Day, General. Brass, Sax and Rhythm Score and Parts. 50 pages. Lorenz Publishing - Digital Sheet Music #e30/2507L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2507L). This gospel original by Lloyd Larson is so expertly written that it sounds like a gospel classic and leads quite naturally to a section of the traditional hymn, “‘Tis So Sweet to Trust in Jesus!†Stylized harmonies, keyboard accompaniment, and choral writing abound, including sections of three-part women’s vocals serving as the back-up choir for the men’s melody. Add the optional brass and rhythm accompaniment, and you’re sure to have everyone catching the toe-tapping, hand-clapping spirit! Instrumentation: 2 Tpt, 2 Tbn, A Sax, Rhythm.
$34.95
32.18 €
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Lloyd Larson
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Trust In the Lord - Brass, Sax and Rhythm Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Senorita
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.928250 Composed by Lynieve Austin, Simon James. Contemporary,Latin,World. Score and parts. 6 pages. DML #5334939. Published by DML (A0.928250). This song is based on a Colombianas a Flamenco style imported, as the name suggests, from South America. There has always been a rich interchange between Spain and South America, not so surprising perhaps. I had written the beginning as a solo piece but when Lynieve heard it she said it gave her a strong image of a little girl playing outside in the sun. So I just let her go with it. The lyrics are mostly hers but I added a line here and there and a lot of the melody sprang naturally from the lyrics. We tried to retain that original image of childhood but with just a hint of the unavoidable growing up. Although the lyrics are in English it forms a group with Torito and Una Pena Quita Pena as it is based on various styles of Flamenco.
$2.99
2.75 €
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Lynieve Austin, Simon James
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Senorita
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DML
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SheetMusicPlus
Los ñoquis del veintinueve
Small Ensemble - Level 2 - Digital Download SKU: A0.596601 Composed by Juan MarÃ…
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Small Ensemble - Level 2 - Digital Download SKU: A0.596601 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score and parts. 7 pages. Juan Maria Solare #6057663. Published by Juan Maria Solare (A0.596601). Los ñoquis del veintinueve – The Gnocchi of the Twenty-Ninth – by Juan MarÃa Solare Audio: https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS Comments The order of these 29 numbers is rigorously random, as is the election of the six sizes of the fonts (12, 16, 20, 24, 28 and 32 picas). In order to determinate both dimensions I used the program I-Ching by Andrew Culver (assistant to John Cage in the '80 and '90), a program that is distributed as shareware in internet (thanks). The colour version follows the following criterion: - (a) prime numbers (see green) - (b) multiples of 3 (red) - (c) all other numbers (blue) ...if it ends up being good music then what matter the procedure involved? (David Cope, New Music Composition, p. 117) About the expression los ñoquis del 29: The Italian word gnocchi (gnocchi is plural of gnocco, which meaning is lump) is used in Spanish often as ñoqui or ñoquis. In the RÃo de la Plata (Argentina and Uruguay) are traditionally eaten on the 29th of each month, the day before payday, when people has less money. This tradition is called los ñoquis del 29 - the gnocchi of the twenty-ninth. There are naturally other versions. The most picturesque comes from a legend of the VIIIth century (or even IIIrd century). A young physician called Pantaleon (Panteleimon) lived in Nicosia (Cyprus), who after converting to Christianity, journeyed through the North of Italy. There he practiced miraculous healings due to which he was canonized. In a certain occasion, he asked some Venetian villagers for bread, and they invited him to share their poor table. Grateful, he announced them a year of excellent fishing and harvest. The prophecy was fulfilled. Saint Pantaleon was consecrated –along with Saint Mark– patron of Venice. That episode occurred on a 29th, for this reason that day is recalled with a simple food represented by gnocchi. The accompanying ritual of putting money below the dish represents the yearning of new gift. Outside the culinary realm, certain Argentine and Uruguayan functionaries are dismissively called ñoquis, because they only go to work at the end of the month, to justify their salary or simply to cash in for a not fulfilled work. This meaning was spread since the 1970's. Premiere: Luis Mihovilcevic, Saturday 25 October 2008, Centro Cultural Islas Malvinas, La Plata (Argentina). * JMS * DonSolare@gmail.com *https://soundcloud.com/mihovilcevic/juan-maria-solare-los-noquis/s-bOICUjXTDyS
$2.25
2.07 €
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Juan MarÃa Solare
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Los ñoquis del veintinueve
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Juan Maria Solare
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SheetMusicPlus
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Classical. 32 pages. Geraldine (Denny) Green at Oakmountmusic #888475. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298596). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.Â
$21.00
19.34 €
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Geraldine
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Minuet For Margaret.
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Geraldine
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SheetMusicPlus
Footsteps In The Dark "Part 1&2"
Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1409093 Composed by Chris…
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Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1409093 Composed by Chris Jasper, Ernest Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Hollywood Charts. Funk,Hip-Hop,Pop,R & B,Soul. 6 pages. Hollywood Charts #991698. Published by Hollywood Charts (A0.1409093). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for synth, bass, and drums. This ensures your entire band will be on the same page, literally!Dive into the heart of rhythm and soul with our rhythm section transcription of the Isley Brothers' timeless classic, 'Footsteps in the Dark (Parts 1 & 2),' now available for music enthusiasts and performers. This comprehensive sheet music edition captures the essence of the Isley Brothers' iconic track, offering a unique opportunity to explore the intricate layers that make up its unforgettable rhythm section.Expertly transcribed, this sheet music offers an authentic representation of the original song's rhythm parts, including the important piano, guitar, bass, and drum figures. It's perfect for bands, ensembles, or individual musicians aiming to replicate or reinterpret the classic grooves and nuanced rhythms that define this masterpiece.'Footsteps in the Dark,' renowned for its smooth blend of soul, funk, and R&B elements, provides a rich tapestry of sound that has influenced generations of musicians. The master rhythm transcription brings to life the subtle interplay between instruments, offering a detailed guide through the song's captivating beats and harmonies.Whether you're a seasoned professional or an aspiring musician, this transcription provides both the challenge and inspiration to deepen your understanding and appreciation of one of the greatest rhythm sections in music history. The sheet music is arranged in an easy-to-read format, ensuring accessibility for players of varying skill levels.Embrace the opportunity to immerse yourself in the rhythmic genius of the Isley Brothers with this 'Footsteps in the Dark (Parts 1 & 2)' transcription. Perfect for practice, performance, or simply enjoying the art of music, this piece is a must-have for your collection. Add it to your repertoire today and step into the soul-stirring world of one of the most influential bands in the history of R&B and soul music.
$24.99
23.01 €
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Chris Jasper, Ernest Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley
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Hollywood Charts
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Footsteps In The Dark "Part 1&2"
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Hollywood Charts
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SheetMusicPlus
L'Incubo
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.1017441 Compose…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.1017441 Composed by Elsie Loftus. 20th Century,Contemporary. Score and parts. 8 pages. Elsie Loftus #6103815. Published by Elsie Loftus (A0.1017441). L'Incubo is a short piece (roughly three minutes long) intended for a string quintet. L'Incubo, translating literally to The Nightmare, is in three parts mimicking the construct of a nightmare or night terror. The introduction hastily expresses the beginnings of a night terror through the minor runs in the first violin part, then developed into organized chaos with merging duple and triple meter in the first major section. The first major part fades into a lulling second 'movement', to where the strings terrace in harmonizing parts that increasingly become more minor and blurred as the nightmare comes back to the surface. The initial chaos from the first miniature movement repeats, then fades as the listener 'wakes up' from the nightmare. The piece is relatively easy to read pitch wise, but rhythmic accuracy is a must due to the eerie, combined duple and triple meter. L'Incubo would be well suited for intermediate or advanced musicians. .
$4.99
4.59 €
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Elsie Loftus
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L'Incubo
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Elsie Loftus
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SheetMusicPlus
When I'm Sixty-four
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.80…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.807667 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Genessa West. 20th Century,Contemporary,Film/TV,Pop,Rock. 22 pages. Genessa West #5954633. Published by Genessa West (A0.807667). This Classic Song Full Clarinet Choir by The Beatles, lasting just 3 minutes, surely shows the Fab 4 at their best! This arrangement for Full Clarinet Choir (Eb, 3 Bbs, Alto, Bass,Contrebass) does it full justice. Skillfully arranged for the saxophone by Genessa West. This piece will bring the house down at literally any kind of performance. Snap it up now! This also available for 3Bb Clarinets and Bass Clarinet https://www.sheetmusicplus.com/title/when-i-m-sixty-four-64-by-the-beatles-for-clarinet-quartet-or-c...This is also available for Clarinet Quartet (3 Bbs & Bass) https://www.sheetmusicplus.com/title/when-i-m-sixty-four-64-by-the-beatles-for-clarinet-quartet-or-c.....
$24.99
23.01 €
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The Beatles
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Genessa West
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When I'm Sixty-four
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Genessa West
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SheetMusicPlus
Super Mario Bros Theme
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1048175 Composed by Koji Kondo. Arranged by Ryan Gabbart. Film/TV,Pop,Video Game. Brass Band. 35 pages. Ryan Gabbart #652615. Published by Ryan Gabbart (A0.1048175). Grade 4. 1:30 duration. B-flat major. This is a short and fun original arrangement of the 1980s video game main theme, featuring the fanfare level-complete ending to finish on a high note (literally)! This classic theme song by Koji Kondo is a crowd pleaser for all audiences. Experienced high schoolers to college-level players should have no problem working this up quickly for performance.
$25.00
23.02 €
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Koji Kondo
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Ryan Gabbart
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Super Mario Bros Theme
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Ryan Gabbart
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SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.21 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
Super Mario Bros Theme
Small Ensemble B-Flat instrument,Baritone Horn TC/Euphonium,Bass Clef Instrument,Bass Trom…
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Small Ensemble B-Flat instrument,Baritone Horn TC/Euphonium,Bass Clef Instrument,Bass Trombone,E-Flat Cornet,E-Flat Instrument,Horn in E-Flat,Tenor Saxophone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1048173 Composed by Koji Kondo. Arranged by Ryan Gabbart. Film/TV,Pop,Video Game. Score and parts. 35 pages. Ryan Gabbart #652613. Published by Ryan Gabbart (A0.1048173). Grade 4. 1:30 duration. B-flat major. This is a short and fun original arrangement of the 1980s video game main theme, featuring the fanfare level-complete ending to finish on a high note (literally)! This classic theme song by Koji Kondo is a crowd pleaser for all audiences. Experienced high schoolers to college-level players should have no problem working this up quickly for performance.
$20.00
18.42 €
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Koji Kondo
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Ryan Gabbart
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Super Mario Bros Theme
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Ryan Gabbart
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SheetMusicPlus
Super Mario Bros Theme
Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level…
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Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1048169 Composed by Koji Kondo. Arranged by Ryan Gabbart. Film/TV,Pop,Video Game. Score and parts. 35 pages. Ryan Gabbart #652608. Published by Ryan Gabbart (A0.1048169). Grade 4. 1:30 duration. B-flat major. This is a short and fun original arrangement of the 1980s video game main theme, featuring the fanfare level-complete ending to finish on a high note (literally)! This classic theme song by Koji Kondo is a crowd pleaser for all audiences. Experienced high schoolers to college-level players should have no problem working this up quickly for performance.
$20.00
18.42 €
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Koji Kondo
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Ryan Gabbart
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Super Mario Bros Theme
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Ryan Gabbart
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SheetMusicPlus
When I'm Sixty-four
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Tenor Saxophone - Level 3 - Digital Download SKU: A0.997716 By The Beatles. By John Lennon and Paul McCartney. Arranged by Genessa West. 20th Century,Contemporary,Film/TV,Pop,Rock. 53 pages. Genessa West #603383. Published by Genessa West (A0.997716). This Classic Song Flexible Wind Quartet by The Beatles, lasting just 3 minutes, surely shows the Fab 4 at their best! This arrangement does it full justice. Skilfully arranged by Genessa West, a professional clarinettist and teacher of clarinet and sax.,. There are 4 parts, each for Instruments in C, Bb and Eb. of varying difficulty Part 1 is the hardest. This great piece will bring the house down at literally any kind of performance. So what are you waiting for?! Snap it up now!
$15.99
14.72 €
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The Beatles
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Genessa West
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When I'm Sixty-four
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Genessa West
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SheetMusicPlus
When I'm Sixty-four
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Oboe,Tenor Saxo…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Oboe,Tenor Saxophone - Level 3 - Digital Download SKU: A0.965718 By The Beatles. By John Lennon and Paul McCartney. Arranged by Genessa West. 20th Century,Contemporary,Film/TV,Pop,Rock. 41 pages. Genessa West #571416. Published by Genessa West (A0.965718). This Classic Song by The Beatles for Flexible Wind Ensemble, lasting just 3 minutes, surely shows the Fab 4 at their best! This arrangement for Flexible Wind Quartet. does it full justice. Skilfully arranged by Genessa West, a professional clarinettist and teacher of clarinet and sax.,. There are 4 parts, each for Instruments in C, Bb and Eb. of varying difficulty Part 1 is the hardest. This great piece will bring the house down at literally any kind of performance. So what are you waiting for?! Snap it up now!
$19.99
18.41 €
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The Beatles
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Genessa West
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When I'm Sixty-four
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Genessa West
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SheetMusicPlus
Philadelphia Morning
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472…
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility. At the end, the [music] trails off and there is uncertainty in the air.” [From: Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness. Phrases passing from one player to another need to flow as if being played on a piano. The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage. (The film soundtrack recording features Vincent DeRosa on horn.) The bass trombone part can be played on a tuba.
$12.99
11.96 €
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Bill Conti
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Mary Clark
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Philadelphia Morning
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Second Wind Music
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SheetMusicPlus
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