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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.54 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.54 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Overture: Der Schauspieldirektor/The Impresario (Mozart) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.752286 Composed by Wolfgang Amadeus Mozart. Arranged by Rob Bushnell. Classical. Brass Band. 105 pages. RBMusic #2924253. Published by RBMusic (A0.752286). ‘Der Schauspieldirektor’ (or ‘The Impresario’), by Wolfgang Amadeus Mozart was one of two works commissioned by the Austrian Emperor Joseph II for a competition he held in the Orangery at Schönbrunn in 1786. The competition was conceived in an attempt to prove that the German Singspiel - comedy with music - had become as popular as the Italian Opera Buffa - opera where musical numbers were linked by sung recitatives. The Italian entry was written by Antonio Salieri and, to the disappointment of the Emperor, he won the contest (leading to ‘Der Schauspieldirektor’ being one of Mozart’s least performed works). However, considering that it was commission around the time that he was busy writing his comedy ‘Le nozze di Figaro’ (or ‘The Marriage of Figaro’), this really comes as no surprise. ‘Le nozze di Figaro’ was not only an instant success, with 5 numbers encored at its premiere on 1 May 1786 at the Burgtheater in Vienna, but it had also not just lost a music competition.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The MP3 audio clip is a live performance by a scratch band who had limited rehearsal time. An additional live performance of the piece can be found here (quality is reasonable): https://youtu.be/h7ptPsD3_nE
$35.00
31.61 €
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Wolfgang Amadeus Mozart
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Rob Bushnell
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Overture: Der Schauspieldirektor/The Impresario
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RBMusic
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.08 €
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Psalm 22-Mendelssohn-Clarinet octet
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.84…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.845199 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. 48 pages. Phil Beaman #6358137. Published by Phil Beaman (A0.845199). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
15.35 €
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22-Mendelssohn-Clarinet octet
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Phil Beaman
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SheetMusicPlus
Psalm 22-Mendelssohn-Low Brass octet
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.845203 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.845203 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score and parts. 48 pages. Phil Beaman #6362499. Published by Phil Beaman (A0.845203). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
15.35 €
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22-Mendelssohn-Low Brass octet
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Phil Beaman
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SheetMusicPlus
Psalm 22-Mendelssohn-Flute octet
Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.845201 Composed b…
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Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.845201 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. 48 pages. Phil Beaman #6362239. Published by Phil Beaman (A0.845201). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
15.35 €
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Felix Bartholdy Mendelssohn
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Phil Beaman
#
Psalm 22-Mendelssohn-Flute octet
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Phil Beaman
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SheetMusicPlus
"Al Combate" Oda a Carlos III - Ignacio Jerusalem - Score Only
Digital Download SKU: A0.1245488 By Arturo Escorza. By Ignacio Jerusalem. Arranged …
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Digital Download SKU: A0.1245488 By Arturo Escorza. By Ignacio Jerusalem. Arranged by Arturo Escorza. Baroque,Chamber,Classical,Historic,Opera. 71 pages. Arturo Escorza #840369. Published by Arturo Escorza (A0.1245488). Al Combate Oda a Carlos III - Ignacio JerusalemAmorosa contienda de Francia, Italia, y España sobre la augusta persona de el señor don Carlos III exaltado al trono español(Ode for the coronation of Charles III)Ignacio Jerusalem was Kapellmeister of the Cathedral of Mexico City, where he was known as The musical miracle for his magnificent galante style. This work is one of the secular music jewels of 18th century Mexico, then part of the Spanish Empire.Full Score1. Overture (Allegro-Andante-Allegro)2. Recitativo / Recitative Al combate, no al arma3. Chorus A la competencia4. Recitativo Italia, Francia, España a Carlos dirigidas5. Aria Todas pueden alegar6. Recitativo Ya España victoriosa7. Aria Propicia estrella8. Recitativo El vÃnculo altamente establecido9. Chorus Mexicana MinervaFor 2 horns, 2 trumpets, timpani, violin 1, violin 2, Solo Alto, Solo Bass, SATB choir, Continuo.
$40.00
36.13 €
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Arturo Escorza
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Arturo Escorza
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"Al Combate" Oda a Carlos III - Ignacio Jerusalem - Score Only
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Arturo Escorza
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SheetMusicPlus
Psalm 22-Mendelssohn-Low Strings octet
String Ensemble Cello,Double Bass,Viola - Level 3 - Digital Download SKU: A0.845204…
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String Ensemble Cello,Double Bass,Viola - Level 3 - Digital Download SKU: A0.845204 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score and parts. 48 pages. Phil Beaman #6364177. Published by Phil Beaman (A0.845204). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
15.35 €
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22-Mendelssohn-Low Strings octet
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Phil Beaman
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SheetMusicPlus
Psalm 22-Mendelssohn-Double Reed octet
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.845202…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.845202 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. 48 pages. Phil Beaman #6362315. Published by Phil Beaman (A0.845202). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
15.35 €
#
Felix Bartholdy Mendelssohn
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Phil Beaman
#
Psalm 22-Mendelssohn-Double Reed octet
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Phil Beaman
#
SheetMusicPlus
Psalm 22-Mendelssohn-Woodwind octet
Woodwind Ensemble Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0…
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Woodwind Ensemble Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.845196 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. 48 pages. Phil Beaman #6353429. Published by Phil Beaman (A0.845196). Psalm 22 is a well-known and loved choral work by Felix Mendelssohn. I have here arranged it for Instrumental Octet. Since it no longer has lyrics to convey the meaning I have added extra markings and altered some harmonies and rhythms to add the appropriate interest and emotion. Several parts now contain short unmetered solos to be done freely in recitative fashion. The individual parts are not difficult with just basic notes and rhythms; the beauty is in the way they fit together creating harmony and polyphony. With a 6 minute performance time, this is a major work which bridges the Classical and Romantic eras.
$16.99
15.35 €
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22-Mendelssohn-Woodwind octet
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Phil Beaman
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SheetMusicPlus
Judicium Salomonis. Prima Pars [2. Recitative] - 6 Prints by Marc-Antoine Charpentier - Choir and Accompaniment
Marc-Antoine Charpentier - Judicium Salomonis. Prima Pars [2. Recitative] - Part 2 of 11; …
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Marc-Antoine Charpentier - Judicium Salomonis. Prima Pars [2. Recitative] - Part 2 of 11; includes No. 3, Chorus Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Choir and Accompaniment;Solo & Accompaniment, instruments: Choir;Strings; 35 pages -- Baroque~~Classical~~Sacred
$3.25
2.94 €
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6 Prints by Marc-Antoine Charpentier
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Musicnotes
Birthday Suit
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122…
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
1.82 €
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Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
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