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--INSTRUMENTS--
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Reflections [Bass Tab]
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Reflections [Bass Tab]
Partitions à imprimer
33 partitions trouvées
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Ottinger Reiter-Marsch - Oboe (Flute) and Bassoon Duet
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J Strauss II
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Catriona Melville-Mason
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Ottinger Reiter-Marsch - Oboe
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956627 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert...
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Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956627 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6487635. Published by C Melville-Mason (A0.956627). This arrangement of a Strauss march is intended for double reed duo of oboe and bassoon, but the upper part is also playable by flute.In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.
$4.50
Psalms for Bassoon and Cello
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Musique Sacrée
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Nicole Doran
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a longing prayer to a lullaby
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Psalms for Bassoon and Cello
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Nicole E Doran
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SheetMusicPlus
Woodwind Ensemble - SKU: A0.968677 Composed by Nicole Doran. 20th Century,Contemporary,Jewish,Sacred. 9 pages. Nicole E Doran #6571741. Published by Nic...
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Woodwind Ensemble - SKU: A0.968677 Composed by Nicole Doran. 20th Century,Contemporary,Jewish,Sacred. 9 pages. Nicole E Doran #6571741. Published by Nicole E Doran (A0.968677). A meditative piece excellent to reflect the character of Psalm 1-4 from a walking tempo to an angry war; a longing prayer to a lullaby; relive David's prayers in the mellow range of bassoon and cello. (also suitable for 2 cellos or 2 bassoons).
$8.31
18/04/'21 A Reflection
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Contemporain
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Jeremy Hart
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18/04/'21 A Reflection
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 page...
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Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 pages. Jeremy Graham Hart #705661. Published by Jeremy Graham Hart (A0.1102258). 18/04/’21: A Reflection is written as a tentative expression of the tumultuous emotions experienced by the composer, upon watching so many landmarks of their home be threatened or destroyed by the fire which ravaged Table Mountain on the 18th and 19th of April 2021. The most impactful symbol of this tragedy is, for the composer, the heart-rending body of images showing the Jagger Reading Room ablaze. The score expresses the composer’s experiences in a collage, drawing from C. Debussy’s La Cathedral Engloutie and W. A. Mozart’s Requiem in evocation of the emotions surrounding the burning library, and enacts them in a three-part narrative. The opening is articulated as a collection of sporadic outbursts heard against a slower melody and a rising bell motif. This is an evocation of the shifting uncertainty of the early hours of the fire shortly after it had consumed the Rhodes Memorial Restaurant. This slowly becomes the evocation of horror and dismay that characterises the second section, as the fire takes hold of Mostert’s Mill, various parts of the University of Cape Town forcing students into a full evacuation of their residences, and eventually the Jagger Reading Room. The finality of the second section’s ending is followed by the muted resignation and mourning of the third and final section. The slowed melody from the first section returns, without the frenetic outbursts. All the listener is left with is the certainty of what has happened. The melody tries to rise to triumph, as the fire is held back from any further destruction, but ultimately falls back down and limps its way to an unsatisfactory and inconclusive closing statement.
$14.95
We Need You, Lord - Orchestral Score and Printable Parts
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Musique Sacrée
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Mary McDonald
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We Need You, Lord - Orchestral
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SKU: LX.30-3182L Composed by Mary McDonald. Sacred Anthem. Orchestral Score and Printable Parts. 83 pages. Lorenz Publishing - Digital Sheet Music #e30/...
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SKU: LX.30-3182L Composed by Mary McDonald. Sacred Anthem. Orchestral Score and Printable Parts. 83 pages. Lorenz Publishing - Digital Sheet Music #e30/3182L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3182L). Orchestrated by Michael Lawrence.This fervent prayer will set the tone for a meaningful worship experience. Mary McDonald's lyrics plea for God to be present in our midst and to change our lives through the power of the Holy Spirit. The music builds from a reflective opening to a passionate affirmation: We need you, Lord! The instrumental ensemble includes a score and printable parts for Piccolo, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 Horns, 2 Trumpets, 2 Trombones, Tuba, Timpani, Percussion, Harp, Piano, 2 Violins, Viola, Cello, and Bass.
$69.95
Mozart: Viennese Sonatina No.4 (selection of Mvts from 5 Divertimenti K439b) - mixed wind trio
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Viennese Sonatina No.4
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - SKU: A0.1168625 Composed by Wolfgang Amadeus Mozart. Arranged ...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - SKU: A0.1168625 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 19 pages. RayThompsonMusic #768963. Published by RayThompsonMusic (A0.1168625). Arranged woodind trio (playable as double reed trio, clarinet trio or mixed trio) Part 1 oboe (flute) / clarinet Part 2 clarinet / cor anglais Part 3 bassoon / bass clarinet The Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of movements from the Five Wind Divertimentos for 3 basset horns, K. 439b which Mozart wrote in 1783.The Divertimentos are notable for their conciseness of form and their melodic richness. Each divertimento has 5 mvts.They therefore make an excellent introduction to Mozart's piano music, even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement, but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover, some of the Trios have been exchanged and recapitulations have been shortened in some instances.Thry are in varying keys, unlike the original divertimenti, so my arrangements reflect thus.This is my arrangement for  mixed wind trio of Sonatina No.4 in Bb major.There are 3 movements: Andante grazioso Menuetto and Trio Rondo
$19.95
L' heure de la Mort (for Orchestra with Cello Solo)
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Contemporain
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Tito Abeleda
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L' heure de la Mort
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Visionary Quest Records
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Viola,Violin - SKU: A0.1070268 Composed by Tito ...
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Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Viola,Violin - SKU: A0.1070268 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Full Performance. Duration 630. Visionary Quest Records #5712567. Published by Visionary Quest Records (A0.1070268). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to to reflect, to contemplate, to grieve, and to ponder one's existence. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid passionate journey filled with much pathos. L’ heure de la Mort not only embraces death but also takes listeners on an epic journey infused with courage, nobility, respect, and courage to overcome our greatest challenges. The piece begins with a dark, foreboding, expressive cello solo motif symbolizing death’s existence. Then it takes an epic climactic build to convey life’s journey with a sense of overcoming adversity as one does throughout life. The strings and woodwinds herald a sweeping triumphant melody while the brass rise gloriously heralding the joys of life. However, the return to the opening theme in the closing represents death’s natural, respectful inevitability, concluding this life as a step to moving onward to the hereafter.L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.
$1.99
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8386DP Arranged by Jack Schrader. Musicals & Cantatas, Orchestra. Christmas, Sacred. Preview Pack - Score & Listening CD. 74 pages. Hope Publish...
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SKU: H1.8386DP Arranged by Jack Schrader. Musicals & Cantatas, Orchestra. Christmas, Sacred. Preview Pack - Score & Listening CD. 74 pages. Hope Publishing - Digital #8386DP. Published by Hope Publishing - Digital (H1.8386DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$17.95
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8384DP Arranged by Jack Schrader. Christmas Musicals. Musicals & Cantatas, Orchestra. Christmas, Sacred. Set of Instrumental Parts. 457 pages. H...
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SKU: H1.8384DP Arranged by Jack Schrader. Christmas Musicals. Musicals & Cantatas, Orchestra. Christmas, Sacred. Set of Instrumental Parts. 457 pages. Hope Publishing - Digital #8384DP. Published by Hope Publishing - Digital (H1.8384DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$325.00
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8381DP Arranged by Jack Schrader. Musicals for Adults. Musicals & Cantatas, Orchestra. Christmas, Sacred. Score. 74 pages. Hope Publishing - Dig...
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SKU: H1.8381DP Arranged by Jack Schrader. Musicals for Adults. Musicals & Cantatas, Orchestra. Christmas, Sacred. Score. 74 pages. Hope Publishing - Digital #8381DP. Published by Hope Publishing - Digital (H1.8381DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$12.95
Tears from My Eyes: Remember Your Feelings (For Orchestra)
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Contemporain
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Tito Abeleda
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reflect on memories past &
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Tears from My Eyes: Remember Y
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Visionary Quest Records
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SheetMusicPlus
SKU: A0.1070238 Composed by Tito Abeleda. Contemporary. Full Performance. Duration 506. Visionary Quest Records #4718093. Published by Visionary Quest R...
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SKU: A0.1070238 Composed by Tito Abeleda. Contemporary. Full Performance. Duration 506. Visionary Quest Records #4718093. Published by Visionary Quest Records (A0.1070238). Tears from My Eyes: Remember Your Feelings expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr - bit.ly/RememberYourFeelings_SongtradrSpotify: spoti.fi/2CwHt8KDeezer: bit.ly/TearsAlbum_DeezerTidal: bit.ly/TearsAlbum_TidaliTunes/Apple Music: bit.ly/TearsAlbum_iTunesGoogle Play: bit.ly/TearsAlbum_GooglePlayAmazon Music: amzn.to/2tG2hFZiHeartRadio: ihr.fm/2Toc5ijNapster: bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn: bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Contact Tito for original compositions: bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: www.facebook.com/titoabeledaTwitter: twitter.com/titoabeledaInstagram: www.instagram.com/tabeledaYouTube: www.youtube.com/c/titoabeledaSpotify: bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: bit.ly/TitoAbeleda_iTunes
$2.99
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts...
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Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
Two Songs From the Children's Album, - instruments in four parts
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Classique
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Peter Ilyich Tchaikovsky
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Paul Burnell
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Two Songs From the Children's
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835846 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Children,Classical. Score and parts. 17 pages....
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Small Ensemble - Level 3 - SKU: A0.835846 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Children,Classical. Score and parts. 17 pages. Paul Burnell #5303375. Published by Paul Burnell (A0.835846). Two Songs From the Children's Album (Op.39), composed by Pyotr Ilyich Tchaikovsky (1840 - 1893), arranged by Paul Burnell for instruments in four parts.Duration 2:00Score in CI Old French Song (No. 16)II German Song (No. 17)Each movement has been transposed from the original key. The metronome marks and rallentando indications have been added to reflect the different characters of the two pieces.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:The 'Children's Album' is a set of 24 piano pieces composed by Pyotr Tchaikovsky in 1878. The collection is subtitled '24 simple pieces à la Schumann'. The two pieces featured here are No. 16 'Old French Song' and No. 17 'German Song'.
$3.99
Ave Maris Stella arr. for woodwind quartet
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Anonymous
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Ruth Raubertas
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Ave Maris Stella arr. for wood
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White Bird Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.1411123 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Early M...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.1411123 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Early Music,Medieval,Sacred. 3 pages. White Bird Music #993445. Published by White Bird Music (A0.1411123). This is a short woodwind quartet featuring a Gregorian melody on oboe with harmony provided by an additional oboe and 2 bassoons. Â It is meant to be played in a free chant style with rubato; however, mixed meters are provided to give an approximate idea of the counting. Â This piece would be suitable for a school or church setting and is derived from ancient sacred music written for the Catholic Church. Â It is quite an easy piece in D Dorian mode, thus no sharps or flats. Â The quiet beauty of this piece is suitable for meditative or concert use. Â An interlude of gentle improvisation could be added with a repeat of the theme at the end if a longer piece is desired (permission to do that hereby granted). Â Students, teachers and church music directors as well as professional musicians looking for a short easy work may find this a useful addition to their repertoire. Â (Please note: Â the audio recording is a guide and does not necessarily reflect the proper phrasing as indicated in the score.).
$4.99
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C ...
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Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
Christchurch Alive!
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
Violin Concerto
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Ryan Wigglesworth
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - SKU: S9.Q42526 Fur Violine und Orchester. Composed by Ryan Wigglesworth. This ...
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2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - SKU: S9.Q42526 Fur Violine und Orchester. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 16 minutes. Schott Music - Digital #Q42526. Published by Schott Music - Digital (S9.Q42526). My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the ‘journey’ of the piece. The work’s straightforward formal scheme consists of three movements (roughly fast–slow–fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to ‘recapture’ the simple melodic material stated by the solo violin – accompanied by the harp’s bass register – during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth).
$30.99
Stand By Me
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Ben E
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Anna Elizabeth Mancl
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Stand By Me
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Anna Elizabeth Mancl
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SheetMusicPlus
Small Ensemble,Strings Bass Clef Instrument,Bass Voice,Cello,Electric Bass Guitar,Flute,Marimba,Piano Accompaniment,Treble Clef Instrument,Viola,Violin,Xylophon...
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Small Ensemble,Strings Bass Clef Instrument,Bass Voice,Cello,Electric Bass Guitar,Flute,Marimba,Piano Accompaniment,Treble Clef Instrument,Viola,Violin,Xylophone - Level 3 - SKU: A0.1516716 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Anna Elizabeth Mancl. 20th Century,Film/TV,Jazz,R & B. 25 pages. Anna Elizabeth Mancl #1090888. Published by Anna Elizabeth Mancl (A0.1516716). This classic and catchy tune is suitable for anyone from middle school students to adults of all ages to enjoy. Created to be a flexible arrangement for a variety of instrumentations, this selection can be played on any instrument in the key of C, although it was originally written for stringed instruments with a vocal solo. Sharing themes of caring for one another, empathy, and being a dependable friend, this song allows the performers and audience to reflect on how we can all support one another. Share the joy of Stand By Me in this flexible arrangement with your ensemble today.
$18.95
Goodbye Rio
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Kevin Morgan
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Goodbye Rio
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trombonemusic.co.uk
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SheetMusicPlus
Brass Ensemble Trombone - SKU: A0.886318 Composed by Kevin Morgan. Contemporary,Latin. Score and parts. 40 pages. Trombonemusic.co.uk #5868789. Publishe...
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Brass Ensemble Trombone - SKU: A0.886318 Composed by Kevin Morgan. Contemporary,Latin. Score and parts. 40 pages. Trombonemusic.co.uk #5868789. Published by trombonemusic.co.uk (A0.886318). Goodbye Rio is a latin instrumental in this version scored for four trombones and rhythm section. It is lively and rhythmic and has a short, contrasting, reflective piano solo. It is 4 minutes and 40 seconds long and is suitable for intermediate to advanced players. 3 tenor trombone parts in both bass and Bb treble clef, bass trombone in bass clef. Look out for the alternative arrangements for full big band on SheetMusicPlus.Check out the audio file with real, live instruments!Free playalong track available at www.trombonemusic.com.uk for a limited time.
$12.99
Two Miniatures
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Graham Nelson
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Two Miniatures
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Forton Music - Digital
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SheetMusicPlus
Ob. Cl. Bsn. - Intermediate - SKU: F2.FM511 Composed by Graham Nelson. Oboe Clarinet and Bassoon. Score and Parts. 19 pages. Forton Music - Digital #FM5...
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Ob. Cl. Bsn. - Intermediate - SKU: F2.FM511 Composed by Graham Nelson. Oboe Clarinet and Bassoon. Score and Parts. 19 pages. Forton Music - Digital #FM511. Published by Forton Music - Digital (F2.FM511). ISBN 9790570484102.My fascination with the timbral qualities and myriad colours of the woodwind family was the stimulus that led to the creation of these two short pieces for this combination. Composed a number of years ago, both have been revised in the light of experience gained over the passage of time. Aside from the fanfare-like opening, each Miniature is cast in ternary form. The harmonic language could best be described as neo-tonal but with a chromatic twist (notably in the second). Melodic opportunities are shared consistently between the three instruments, often being extended by imitative interplay or antiphonal exchange (especially in the first). A recurring rhythmic motif in both pieces - a dotted quaver idea in the former and a triplet quaver figure in the latter - helps to bind the texture together. The descriptive titles are intended to convey the underlying character of each: 'The Dancing Doll' should sound bright, breezy and playful, whereas 'The Doleful Doll' is much more introspective and reflective in mood. Finally, the technical and musical demands in the two Miniatures should be within the capabilities of players of intermediate to advanced standard.
$12.95
Acute Suite No. 1
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Contemporain
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Paul Burnell
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Acute Suite No. 1
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Published by Paul B...
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Small Ensemble - Level 3 - SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Published by Paul Burnell (A0.835751). Includes score and parts in various transpositions. For ensemble in four parts with optional percussion, optional keyboard and optional bass.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments.The instrumentation is not specified. The score shows clefs for parts 1-4 as if written for a string ensemble but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. The movement titles may suggest possible instrumentations. Movement I, Highlighting. Duration 3:20 approx Movement II, Swirling. Duration is 3:30 with Dal Segno repeat, 2:00 without the repeat Movement III, Lowering. Duration 5:00 approx. Movement IV, Flickering. Duration 1:30 approx.Programme Note:The movements that comprise the three Acute Suites were composed between 2010 and 2016 and each may be performed by a range of different instruments. The use of the word 'acute' refers to the relatively high pitch of the instrumental parts. Acute Suite No. 1 is for flexibly scored ensemble in four parts with optional percussion, optional keyboard and optional bass. The movement titles of the first suite – ‘Highlighting’, ‘Swirling’, ‘Lowering’ and ‘Flickering’ - reflect the characters of the movements.
$3.99
Elizabethan Serenade - Ronald Binge (Mixed Ensemble)
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Contemporain
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Ronald Binge
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Elizabethan Serenade - Ronald
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Peet du Toit
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Flute,Multi-Percussion,Tenor Saxophone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.802573 Compose...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Flute,Multi-Percussion,Tenor Saxophone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.802573 Composed by Ronald Binge. Arranged by Edrich Siebert & Richard Pollen & Peet du Toit. Contemporary. Score and parts. 40 pages. Peet du Toit #5798651. Published by Peet du Toit (A0.802573). Elizabethan Serenade is a light music composition by Ronald Binge. When it was first played by the Mantovani orchestra in 1951, it was simply titled Andante cantabile, although the original orchestral manuscript parts in Ronald Binge's own hand show the title The Man in the Street (possibly the title of an early television documentary). The name was altered by the composer to reflect the post-war optimism of a new Elizabethan Age that began with the accession of Queen Elizabeth II in February 1952. The Günter Kallmann Choir also made it famous by recording it in the Kango Caves in South Africa.Here is an interesting combination of instruments to give it a different touch in your presentation. Enjoy!
$21.00
Song For A New Beginning
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Secret Garden
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Derek Hasted
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Song For A New Beginning
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Derek Hasted
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1195957 By Secret Garden. By Rolf Loevland. Arranged by Derek Hasted. New Age,Pop. 13 pages. Derek Hasted #795132. Published ...
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Guitar - Level 2 - SKU: A0.1195957 By Secret Garden. By Rolf Loevland. Arranged by Derek Hasted. New Age,Pop. 13 pages. Derek Hasted #795132. Published by Derek Hasted (A0.1195957). SONG FOR A NEW BEGINNING - 3 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely music is dedicated to my Guitar Workshop - an informal ensemble for adult novice and intermediate guitars that I have had the privilege to found and then run for 35 years. It’s time to hand on the baton to a younger guitarist to lead the Workshop for perhaps another 35 years.This piece was composed by Rolf Løvland (Secret Garden).My arrangement suits an early intermediate trio - indeed the bass line is even suitable for a beginner who can understand 6=D tuning. My arrangement is in a key that helps fit the music to the sweet spot of the guitar’s compass and sound. There’s no fingering - please take the notes where you find them most reliable.Guitar 2 has the tune in the middle section - the dynamics reflect how to balance the sound to best effect.I hope you enjoy this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
A Christmas Trilogy
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Noël
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Franz Gruber, Trad
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Frank Stubbs
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A Christmas Trilogy
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Frank Stubbs
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SheetMusicPlus
Level 3 - SKU: A0.985037 Composed by Franz Gruber, Trad. English and William Kirkpatrick. Arranged by Frank Stubbs. Christmas. 12 pages. Frank Stubbs #6...
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Level 3 - SKU: A0.985037 Composed by Franz Gruber, Trad. English and William Kirkpatrick. Arranged by Frank Stubbs. Christmas. 12 pages. Frank Stubbs #6051463. Published by Frank Stubbs (A0.985037). A fantastic set of reflective melodies written for Flexi Brass with parts for Trumpet/Cornet, French Horn/Tenor Horn, Trombone, Baritone, Euphonium and Tuba in Treble and Bass Clefs. Music includes Silent Night, Coventry Carol and Away in a Manger. This arrangement is suitable for Grade 4 and above and would fit nicely in a period of contemplation in any Christmas service or concert.
$19.99
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