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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reflections II
Non classifié
33
Piano & claviers
Piano seul
36
Orgue
8
Piano, Voix
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 4 mains
1
Piano Facile
1
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
4
Voix
Chorale SATB
5
Voix Soprano, Piano
1
Chorale 3 parties
1
Vents
Quintette de Saxophone: 5 saxophones
4
Clarinette et Piano
2
Flûte, Clarinette (duo)
1
Saxophone Alto et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Flûte traversière
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Alto
1
Flûte, Hautbois, Clarinette, Basson
1
2 Saxophones (duo)
1
Clarinette, Basson (duo)
1
2 Clarinettes (duo)
1
2 Flûtes traversières (duo)
1
+ 8 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trio de Cuivres
4
2 Cors (duo)
2
Trombone et Piano
1
Trompette
1
Trompette, Piano
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
7
Violoncelle, Piano
4
Violon et Piano
3
2 Violons (duo)
2
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe
1
Piano Trio: Violon, Alto, Piano
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre
10
Cloches
5
Orchestre de chambre
2
Orchestre d'harmonie
2
Ensemble de Percussions
1
Orchestre à Cordes
1
Ensemble de cuivres
1
Conga
1
+ 3 instrumentations
Retracter
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Reflections II
Partitions à imprimer
33 partitions trouvées
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26
Psalm 122: Let Us Go Rejoicing (ii) - leadsheet
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Musique Sacrée
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Bill Hayes
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Psalm 122: Let Us Go Rejoicing
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www.HayesMusicPublishing.com
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SheetMusicPlus
Level 3 - SKU: A0.832578 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #6429367. Published ...
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Level 3 - SKU: A0.832578 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #6429367. Published by www.HayesMusicPublishing.com (A0.832578). Psalm 122: Let Us Go Rejoicing (ii) is written in a leadsheet format with ICEL lyrics and chord symbols; Appropriate for the 1st Sunday in Advent, Year A, as well as personal reflection.
$1.99
Psalm 130: With The Lord (ii)
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Musique Sacrée
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Bill Hayes
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Psalm 130: With The Lord
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www.HayesMusicPublishing.com
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SheetMusicPlus
Level 3 - SKU: A0.832363 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #4967131. Published ...
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Level 3 - SKU: A0.832363 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #4967131. Published by www.HayesMusicPublishing.com (A0.832363). Psalm 130: With The Lord is suitable for use in Catholic liturgy and other religious services with a simple refrain and common verse melody, written in a leadsheet format, with chord symbols and ICEL lyrics. Easy to learn. Appropriate for the 10th Sunday in Ordinary Time, Year B, as well as personal reflection.
$1.99
Peace Like a River (Downloadable)
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Peace Like a River
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SheetMusicPlus
This collection of nine accessible reflections of popular African American hymn tunes is useful throughout the church year.Contents:I Want Jesus to Walk...
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This collection of nine accessible reflections of popular African American hymn tunes is useful throughout the church year.Contents:I Want Jesus to Walk with MeI’ve Got Peace Like a River / Swing Low, Sweet ChariotIn Christ There Is No East or West (Setting I in Bb)In Christ There Is No East or West (Setting II in C)Keep Your Lamps Trimmed and BurningMy Lord! What a MorningSomebody’s Knocking at Your DoorWe Are Climbing Jacob’s LadderWe Shall Overcome
Song List
:
Keep Your Lamps
My Lord, What A Morning
Somebody's Knockin'
Jacob's Ladder
McKee
Peace Like A River
Sojourner (Walk With Me)
Swing Low, Sweet Chariot
We Shall Overcome
$17.95
They Were Not Here (Downloadable)
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Howard Goodall
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They Were Not Here
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Children - Medium - SKU: MQ.56-0042-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0042-E. Published by ...
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Children - Medium - SKU: MQ.56-0042-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0042-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0042-E). English.Commissioned by The Voices Foundation in commemoration of the 50th anniversary of the ending of World War II, this most somber and dramatic piece uses texts from David Geraint Jones and William Shakespeare to chronicle the recollections and reflections of a soldier, which are not for the faint of heart. Thinking back on a more carefree past, the “speaker†assures his love that the future will again hold quiet and wonder. However, the price to be paid in between the past and the future is in blood and death. The soldier predicts poppies swaying over him as he lies freed of pain, yes, but also of passion. And he concludes, “Your peace is bought with mine, if but the echo of your laughter reaches me in hell.â€.
$3.35
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8386DP Arranged by Jack Schrader. Musicals & Cantatas, Orchestra. Christmas, Sacred. Preview Pack - Score & Listening CD. 74 pages. Hope Publish...
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SKU: H1.8386DP Arranged by Jack Schrader. Musicals & Cantatas, Orchestra. Christmas, Sacred. Preview Pack - Score & Listening CD. 74 pages. Hope Publishing - Digital #8386DP. Published by Hope Publishing - Digital (H1.8386DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$17.95
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8384DP Arranged by Jack Schrader. Christmas Musicals. Musicals & Cantatas, Orchestra. Christmas, Sacred. Set of Instrumental Parts. 457 pages. H...
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SKU: H1.8384DP Arranged by Jack Schrader. Christmas Musicals. Musicals & Cantatas, Orchestra. Christmas, Sacred. Set of Instrumental Parts. 457 pages. Hope Publishing - Digital #8384DP. Published by Hope Publishing - Digital (H1.8384DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$325.00
Go Tell It
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Jack Schrader
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Go Tell It
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8381DP Arranged by Jack Schrader. Musicals for Adults. Musicals & Cantatas, Orchestra. Christmas, Sacred. Score. 74 pages. Hope Publishing - Dig...
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SKU: H1.8381DP Arranged by Jack Schrader. Musicals for Adults. Musicals & Cantatas, Orchestra. Christmas, Sacred. Score. 74 pages. Hope Publishing - Digital #8381DP. Published by Hope Publishing - Digital (H1.8381DP). Christmas Musical This Christmas cantata is a faithful retelling of the Christmas story, the gospel, in song and narration, and a wonderful mixture of the new and the old, the traditional and the freshness of the contemporary. The narrations are deep and insightful, demanding much passion and heartfelt emotion. The choir will enjoy these choral arrangements, including one of Jack Schrader's top-selling pieces, Mary, Did You Know? The work makes a strong impact when done with simply choir, piano, and narration; however, full orchestrations are available. Also, the narrations are perfect to suggest the inclusion of costumed actors creating tableaux of the various scenes, so, the work may be fully staged or as simply presented as necessary. Go Tell It! has moments of quiet worship and reflection, as well as the exuberant times of joy and celebration. The congregation is frequently involved, being asked to sing on four occasions, which leads to a satisfying experience for all who participate. Performance time is approximately 39 minutes. The Orchestration contains a full Conductor's Score and parts for: Piano/Rhythm, Bass, Flute, Oboe, Clarinet, Trumpet I, II & III, Horns I & II, E-Flat Alto Sax, Trombones I, II (III), Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos, Basses.
$12.95
Ottinger Reiter-Marsch - Oboe (Flute) and Bassoon Duet
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J Strauss II
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Catriona Melville-Mason
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Ottinger Reiter-Marsch - Oboe
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956627 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert...
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Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956627 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6487635. Published by C Melville-Mason (A0.956627). This arrangement of a Strauss march is intended for double reed duo of oboe and bassoon, but the upper part is also playable by flute.In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.
$4.50
It Is Well With My Soul
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Folklorique/Traditionel
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Horatio G
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Billy Madison
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It Is Well With My Soul
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Marimba Duet - Grade 2.75 - SKU: DX.156201 Composed by Horatio G. Spafford. Arranged by Billy Madison. Sacred instrumental music. Sheet Music. Tradition...
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Marimba Duet - Grade 2.75 - SKU: DX.156201 Composed by Horatio G. Spafford. Arranged by Billy Madison. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 8 pages. David E. Smith - Digital Sheet Music #156201. Published by David E. Smith - Digital Sheet Music (DX.156201). A duet for marimba- two players on one instrument. Marimba I plays music in the treble clef, while Marimba II plays music in the bass clef. The first and last sections of the piece are in a solemn style while the middle section moves along at a faster pace. As one would expect most of the notes are played with a tremalo technic and often in duet lines. The middle section is highly arpeggiated in part II. As one would expect the piece is gnerally queit and reflective.
$4.50
In the Garden-MP3 accompaniment
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Musique Sacrée
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Austin Miles
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Deborah Johnson
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In the Garden-MP3 accompanimen
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Deborah Johnson
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SheetMusicPlus
Choir,Piano - SKU: A0.1068170 Composed by Austin Miles. Arranged by Deborah Johnson. Easter,Praise & Worship,Sacred. Accompaniment. Duration 166. Debora...
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Choir,Piano - SKU: A0.1068170 Composed by Austin Miles. Arranged by Deborah Johnson. Easter,Praise & Worship,Sacred. Accompaniment. Duration 166. Deborah Johnson #6733707. Published by Deborah Johnson (A0.1068170). This is the MP3 accompaniment track for In the Garden, one of our top sellers because it is such a beloved song for so many. There is no piano or vocals included in the accompaniment track, but a easy-to-follow accompaniment guide to where you can just play along with one or two pianos and add the beautiful vocal oohs and ahs with your small ensemble or choir. NOTE: the track picks up at measure 27. The beginning of the piece is performed acoustically and the instrumental track adds a wonderful build to the arrangement.Our family performed In the Garden for both my grandparent’s memorial services as they loved the song. This arrangement is for piano I and II, octave unison and vocal chorus.In the Garden is arranged as a flowing ballad with piano as the focus. Simple ooh and ah vocals are added for color on a countermelody in this reflective arrangement. Piano II adds an octave melody in a higher register to add more color and can be played by even a beginner pianist. The whole arrangement is easy Intermediate level.Up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ In the Garden was written by Austin Miles (1912), a pharmacist who became an editor of hymnals and songbooks as well as a popular music director. His hobby was photography and he composed the beginning of this song as he waited for some film to develop.For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$8.99
Ev'rybody Ev'ry Payday
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Dick Uhl
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Ev'rybody Ev'ry Payday
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice, ukulele, guitar, banjo - SKU: LV.6569 Composed by Dick Uhl. Crowds, Coins, Dimes, Patriotism, World War II. Lester S. Levy Collection. ...
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Piano and voice, ukulele, guitar, banjo - SKU: LV.6569 Composed by Dick Uhl. Crowds, Coins, Dimes, Patriotism, World War II. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6569). Ev'rybody Ev'ry Payday. Lyric by Tom Adair. Music by Dick Uhl. Published 1942 by in n.p. Composition of introduction and chorus with piano and voice, ukulele, guitar, banjo instrumentation. Subject headings for this piece include Crowds, Coins, Dimes, Patriotism, World War II. First line reads Ev'ryone can help to save the nation.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
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Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
Summer Sun Dance - 11/8 - Folk Dance Style - Wind Ensemble
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Contemporain
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Thomas Graf
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Thomas Graf
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Instrumentation:
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Summer Sun Dance - 11/8 - Folk
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Clarinet,Flute,Oboe - Level 3 - SKU: A0.569631 Composed by Thomas Graf. Arranged by Thomas Graf. Contemporary. 41 pages. Thomas Graf -...
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Woodwind Ensemble Clarinet,Flute,Oboe - Level 3 - SKU: A0.569631 Composed by Thomas Graf. Arranged by Thomas Graf. Contemporary. 41 pages. Thomas Graf - the-hit-factory.com #6567869. Published by Thomas Graf - the-hit-factory.com (A0.569631). Something special for your ensemble: A lively and very unusual arrangement on 11/8, - a bouncing rhythm and cheerful melodies reflect the mood of Summer Sun Dance-. Different Clave patterns provide much fun for the musician and the audience and bring Folk Dance - feeling on stage. A solo part in an easily comprehensible long-meter blues form provides space for improvisation - relaxed, yet powerful backgrounds support the soloist. A piece that exudes from the first bar a positive mood and its uniqueness is the highlight of your concert program. Instrumentation: Part I Piccolo Part I Flute Part I Clarinet in Bb Part II Flute Part II Clarinet in Bb Part III Flute Part III Clarinet in Bb Part IV Clarinet in Bb Part V Clarinet in Bb Part V Bass Clarinet in Bb Part V Bassoon percussion ad. lib Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$19.99
Vignettes (Three Scenes for Bassoon and String Quartet)
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Kari Cruver Medina
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Kari Cruver Medina
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Vignettes
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Kari Medina Music
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SheetMusicPlus
Bassoon,Cello,Viola,Violin - Level 4 - SKU: A0.1260983 Composed by Kari Cruver Medina. Arranged by Kari Cruver Medina. 21st Century,Chamber,Classical,Co...
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Bassoon,Cello,Viola,Violin - Level 4 - SKU: A0.1260983 Composed by Kari Cruver Medina. Arranged by Kari Cruver Medina. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 71 pages. Kari Medina Music #854070. Published by Kari Medina Music (A0.1260983). Wonderful newly written chamber music (2021) by a female composer, Vignettes is a delightful work for Bassoon and String Quartet. Refreshing and evocative, Vignettes creates three distinct moods as it explores solo bassoon in relationship to the texture and color of the strings. The first movement, “Hopespun†is joyous and accessible, celebrating a dotted note pattern both dancelike and carefree. The second movement, “Somewhere, Tears†is lyrical and reflective, characterized by a poignant descending melody that moves throughout the ensemble.  “Infinite Imagines,†the third movement, is playful and imaginative, with a curious pizzicato theme that weaves its way through a series of short whole-tone scale patterns that are interrupted by comedic melodic bursts from the bassoon. Vignettes is a marvelous concert or competition piece, sure to please both performers and audience alike. Vignettes (Three Scenes for Bassoon and String Quartet)I. HopespunII. Somewhere, TearsIII. Infinite ImaginesInstumentation: Bassoon, Violin I, Violin II, Viola, CelloParts and Full Score included(each movement between 3-4 min) approx 12-13 Min. total time
$19.99
Legacy for Clarinet, Violin, Cello, and Piano
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Contemporain
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Sy Brandon
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Legacy for Clarinet, Violin, C
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Sy Brandon
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy B...
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99
Telemann – Polish Dances from the Rostock Manuscript TWV 45
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Polish Dances
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts...
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Small Ensemble - Level 1 - SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts. 32 pages. Sneakwood Editions #5799897. Published by Sneakwood Editions (A0.890779). Georg Philipp Telemann – Polish Dances from the Rostock Manuscript TWV 45 (Danse d`Polones / Danse Polonie)Telemann was seduced by Polish music, especially by his dances and popular musicI became acquainted there and also in Krakau with Polish and Moravian music in its true, barbaric beauty […] […] it is impossible to imagine the fantastic musical ideas they presented between dances when the dancers rested and the musicians improvised music together [‘jammed’] to fill out the time. Anyone who paid very close attention could pick up in 8 days sufficient musical ideas to last a lifetime.(Telemann’s autobiography, published in Mattheson’s Ehren-Pforte, Hamburg, 1740)It is easy to understand, through Telemann’s own words, the great influence that Polish music and Polish dances had on Telemann. It was in 1705 when Telemann become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Żary, in Poland), His career there was cut short in early 1706 by the hostilities of the Great Northern War but his contact with Polish music marked him for life.These Polish dances found in Rostock are a reflection of the music that Telemann heard and transcribed. A reflection of that barbaric beauty.The manuscript was discovered in 1986 at the University of Rostock. It consists of two volumes. One of the volumes contains the violin part and the other the bass part.
$18.00
Suite in Olden Style (Downloadable)
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Byron Adams
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Suite in Olden Style
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Organ solo - Medium - SKU: MQ.9245-E Composed by Byron Adams. Score. 20 pages. E. C. Schirmer Music Company - Digital #9245-E. Published by E. C. Schirm...
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Organ solo - Medium - SKU: MQ.9245-E Composed by Byron Adams. Score. 20 pages. E. C. Schirmer Music Company - Digital #9245-E. Published by E. C. Schirmer Music Company - Digital (MQ.9245-E). Byron Adams's Suite in Olden Style for organ solo looks back at Baroque forms in a contemporary manner. This score can be played in its entirety, but each movement can be played singly and in any combination with any other movement as the player sees fit. The four movements that comprise the Suite in Olden Style are appropriate for either a religious service or in recital. The first movement, Sinfonia, is based on the Advent chorale Nun komm, der Heiden Heiland (Savior of the Nations, come). The second movement is a reflective fugue, while the third movement is a pensive Siciliana. The last movement, Rigaudon, is extroverted, lively, and brilliant. Contents:I. SinfoniaII. FugueIII. SicilianaIV. Rigaudon
$15.00
Sammartini: Sonata Op. 1 No. 2 for English Horn Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Instrumental Duet - Level 2 - SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,...
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English Horn,Instrumental Duet - Level 2 - SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. 12 pages. Jmsgu3 #686830. Published by jmsgu3 (A0.1082622). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini's Sonatas Op. 1 was composed in the early 18th century. Sammartini, an Italian composer, was known for his instrumental works, particularly for the flute, recorder, and oboe. He dedicated his 12 sonatas Op. 1 to Frederick, indicating his attachment to the family he worked for. Most of Sammartini's chamber music was regularly performed and republished during his lifetime, highlighting the significance of his works in the Baroque era. The historical context of these sonatas is rooted in the Baroque period, during which the sonata form and chamber music flourished.Sammartini is considered a formative influence on the preclassical symphony and the development of the Classical style. His approach to symphonic composition was unique, drawing influence from the trio sonata and deviating from the Italian overture model. His symphonies were driven by rhythm and more precise forms, reflecting a mixture of Baroque and Preclassical forms and anticipating the direction of classical music, such as the Sturm und Drang style. He composed around 70 symphonies and is praised for his innovations in the development of the symphony, which have contributed to the development of the Classical style.
$27.95
Now the Green Blade Riseth
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Kevin McChesney
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Now the Green Blade Riseth
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Hope Publishing - Digital
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SheetMusicPlus
Festival Part - Level 3 - SKU: H1.1892FPDP Arranged by Kevin McChesney. Handbell Parts. 4 pages. Hope Publishing - Digital #1892FPDP. Published by Hope ...
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Festival Part - Level 3 - SKU: H1.1892FPDP Arranged by Kevin McChesney. Handbell Parts. 4 pages. Hope Publishing - Digital #1892FPDP. Published by Hope Publishing - Digital (H1.1892FPDP). Beloved French carol This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, includes both the words to the original Christmas carol, Sing We Now of Christmas and J. M. C. Crum's words for Easter. The handbell setting uses 3-5 octaves of bells and has driving rhythmic energy provided by the use of mallets. The Orchestral Parts consist of: Flutes, Oboes, Clarinets in B-flat, Bassoons, Horns in F, Trumpets in B-flat, Tombone, Tuba, Timpani, Percussion, Tubular Bells, Handbells, Violin I & II, Viola, Violoncello & Double Bass. The Band Orchestration consists of parts for: Flutes, Oboes, Clarinet in B-flat, Bass Clarinet in B-flat, Alto Saxophone, Tenor Saxophones, Baritone Saxophone, Bassoons, Horns in F, Trumpets in B-flat, Trombone, Euphonium, Tuba, Timpani, Percussion, Tubular Bells & Handbells.
$5.25
Now the Green Blade Riseth
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Kevin McChesney
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Now the Green Blade Riseth
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell S(S)ATB choir with optional handbell accompaniment (3-5 octaves) - Level 3 - SKU: H1.C5161DP Arranged by Kevin McChesney. Sing & Ring S...
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Choral, Handbell S(S)ATB choir with optional handbell accompaniment (3-5 octaves) - Level 3 - SKU: H1.C5161DP Arranged by Kevin McChesney. Sing & Ring Series. Ring & Sing, Christmas, Easter Sunday, New Life in Christ, Renewal. Octavo. 12 pages. Hope Publishing - Digital #C5161DP. Published by Hope Publishing - Digital (H1.C5161DP). Luke 2:1 - Luke 2:2 - Luke 2:3 - Luke 2:4 - Luke 2:5 - Luke 2:6 - Luke 2:7 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 -.Beloved French carol This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, includes both the words to the original Christmas carol, Sing We Now of Christmas and J. M. C. Crum's words for Easter. The handbell setting uses 3-5 octaves of bells and has driving rhythmic energy provided by the use of mallets. The Orchestral Parts consist of: Flutes, Oboes, Clarinets in B-flat, Bassoons, Horns in F, Trumpets in B-flat, Tombone, Tuba, Timpani, Percussion, Tubular Bells, Handbells, Violin I & II, Viola, Violoncello & Double Bass. The Band Orchestration consists of parts for: Flutes, Oboes, Clarinet in B-flat, Bass Clarinet in B-flat, Alto Saxophone, Tenor Saxophones, Baritone Saxophone, Bassoons, Horns in F, Trumpets in B-flat, Trombone, Euphonium, Tuba, Timpani, Percussion, Tubular Bells & Handbells.
$2.95
Acute Suite No. 3
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Contemporain
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Paul Burnell
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Acute Suite No. 3
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835753 Composed by Paul Burnell. Contemporary. Score and parts. 85 pages. Paul Burnell #3012355. Published by Paul Bu...
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Small Ensemble - Level 3 - SKU: A0.835753 Composed by Paul Burnell. Contemporary. Score and parts. 85 pages. Paul Burnell #3012355. Published by Paul Burnell (A0.835753). Includes score and parts in various transpositions.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments. The instrumentation is not specified. The score shows clefs for parts 1-3 that suggest a string trio, but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. Non-stringed instruments should interpret technique markings such as the pizzicato indications with appropriate articulation. The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics, note durations etc. where these are otherwise not possible to achieve. If there is more than one keyboard player, then the players may alternate or double-up to emphasise the harmonic and dynamic structures. The movement titles may suggest possible instrumentations. Movement I: Engaged. Duration 2:15 approx. Movement II: Tightened. Duration 1:30 approx. Movement III: Feathered. Duration 3:45 approx. Movement III: Tamped. Duration 2:40 approx.Programme Note:The movements that comprise the three Acute Suites were composed between 2010 and 2016 and each may be performed by a range of different instruments. The use of the word 'acute' refers to the relatively high pitch of the instrumental parts. Acute Suite No. 3 is for flexibly scored ensemble in four parts . The movement titles of the third suite – 'Engaged', 'Tightened', 'Feathered' and 'Tamped' - reflect the characters of the movements.
$3.99
Acute Suite No. 1
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Contemporain
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Paul Burnell
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Acute Suite No. 1
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Published by Paul B...
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Small Ensemble - Level 3 - SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Published by Paul Burnell (A0.835751). Includes score and parts in various transpositions. For ensemble in four parts with optional percussion, optional keyboard and optional bass.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments.The instrumentation is not specified. The score shows clefs for parts 1-4 as if written for a string ensemble but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. The movement titles may suggest possible instrumentations. Movement I, Highlighting. Duration 3:20 approx Movement II, Swirling. Duration is 3:30 with Dal Segno repeat, 2:00 without the repeat Movement III, Lowering. Duration 5:00 approx. Movement IV, Flickering. Duration 1:30 approx.Programme Note:The movements that comprise the three Acute Suites were composed between 2010 and 2016 and each may be performed by a range of different instruments. The use of the word 'acute' refers to the relatively high pitch of the instrumental parts. Acute Suite No. 1 is for flexibly scored ensemble in four parts with optional percussion, optional keyboard and optional bass. The movement titles of the first suite – ‘Highlighting’, ‘Swirling’, ‘Lowering’ and ‘Flickering’ - reflect the characters of the movements.
$3.99
Hallelujah Chorus from Handel's Messiah
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Classique
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel'
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C Blankenship
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SheetMusicPlus
Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Bla...
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Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
Two Songs From the Children's Album, - instruments in four parts
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Classique
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Peter Ilyich Tchaikovsky
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Paul Burnell
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Two Songs From the Children's
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835846 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Children,Classical. Score and parts. 17 pages....
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Small Ensemble - Level 3 - SKU: A0.835846 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Children,Classical. Score and parts. 17 pages. Paul Burnell #5303375. Published by Paul Burnell (A0.835846). Two Songs From the Children's Album (Op.39), composed by Pyotr Ilyich Tchaikovsky (1840 - 1893), arranged by Paul Burnell for instruments in four parts.Duration 2:00Score in CI Old French Song (No. 16)II German Song (No. 17)Each movement has been transposed from the original key. The metronome marks and rallentando indications have been added to reflect the different characters of the two pieces.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:The 'Children's Album' is a set of 24 piano pieces composed by Pyotr Tchaikovsky in 1878. The collection is subtitled '24 simple pieces à la Schumann'. The two pieces featured here are No. 16 'Old French Song' and No. 17 'German Song'.
$3.99
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 2 "Strange
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Connor Musik International #6206123. Published by Mark O'Connor Musik International (A0.861895). Piano Trio No. 2 Strange Rims (piano score – pno, vln, cel) MO166APiano Score (parts available)Music by Mark O’Connor70 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in 3 movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166ACopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
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Reflections II
