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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reminiscence No. 2
Non classifié
11
Piano & claviers
Piano seul
53
Orgue
3
Piano Facile
2
2 Pianos, 4 mains
2
Piano, Voix
2
Accompagnement Piano
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2
Basse electrique
1
Guitare
1
Voix
Chorale 2 parties
1
Chorale TTBB
1
Chorale SATB
1
Vents
Quatuor de Saxophones: 4 saxophones
6
2 Saxophones (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
2 Clarinettes (duo)
1
2 Flûtes traversières (duo)
1
2 Hautbois (duo)
1
Flûte à bec Soprano
1
Hautbois (partie séparée)
1
Flûte traversière et Piano
1
Clarinette
1
+ 8 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trombones (duo)
1
Cor et Piano
1
2 Trompettes (duo)
1
2 Cors (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Harpe
1
Violoncelle
1
2 Violons (duo)
1
2 Altos (duo)
1
Violon
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
2
Cloches
2
Ensemble de cuivres
1
Orchestre
1
Ensemble Jazz
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Reminiscence No. 2
Partitions à imprimer
11 partitions trouvées
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Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. R...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Saxophone Qui
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Baritone Sax
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Prelude & Fugue No.4 in C#
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Stephen Davies
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.891940 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Score and parts. 28 pages. S...
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Small Ensemble - Level 4 - SKU: A0.891940 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Score and parts. 28 pages. Stephen Davies #5370255. Published by Stephen Davies (A0.891940). The original key of C# Minor has been altered to get the best out of the Saxophones range, and is scored for 2 Alto Saxes, 2 Tenor Saxes & Baritone Sax. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists many technical and interpretive challenges! Also available here in Clarinet Quintet & Wind Quintet Flavours!
$14.99
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early...
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Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Gu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Alleluia, Song of Gladness (Downloadable Choral Score)
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Michael D
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Alleluia, Song of Gladness
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano descant, SATB choir, brass quartet, timpani, and organ, with optional congregation - Moderately Easy - SKU: MQ.60-7055-E Composed by Michael D. ...
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Soprano descant, SATB choir, brass quartet, timpani, and organ, with optional congregation - Moderately Easy - SKU: MQ.60-7055-E Composed by Michael D. Costello. Instrument part. 8 pages. MorningStar Music Publishers - Digital Sheet Music #60-7055-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-7055-E). English.Michael Costello has a proven track record with festive arrangements of beloved tunes. This setting of LAUDA ANIMA is no exception. An extended introduction (with instructions for cuts) is followed by four stanzas with short interludes between stanzas 2-3 and 3-4. Verse three (Alleluia cannot always be our song) is set for SATB a cappella voices. The final verse is unison with descant, ending with a fanfare reminiscent of the introduction and a four part Alleluia, Amen! The text is a translation from the Latin by John M. Neale (1861). Can be used as a congregation hymn or as choir anthem.Instrumental Parts include: Trumpets I & 2 in B-flat and C, Horn in F (substitute for Trombone 1), Trombone 1 & 2, Timpani.
$2.25
Machaut: Le Messe de Nostre Dame for Brass Quartet
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones
1
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95
Spring Concerto - Orchestra Parts
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Contemporain
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Alexander Peskanov
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Spring Concerto - Orchestra Pa
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Classical Video Concepts, Inc.
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 2 - SKU: A0.864644 Composed by Alexander Peskanov. 20th Century,Classical. Score a...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 2 - SKU: A0.864644 Composed by Alexander Peskanov. 20th Century,Classical. Score and parts. 73 pages. Classical Video Concepts, Inc. #2014511. Published by Classical Video Concepts, Inc. (A0.864644). The package includes: FLUTE - 1 Copy OBOE - 1 Copy CLARINET- 1 Copy BASSOON - 1 Copy VIOLIN I - 6 Copies VIOLIN II - 6 Copies VIOLA - 4 Copies CELLO/BASS - 4 Copies Concerto No. 8 is inspired by spring and the celebration of new life. There are four movements written in classical style, which are reminiscent of Beethoven's early works. The music is filled with contrasts; from joy to sadness and from exuberance to tranquility, and the architecture is transparent and easy to follow. It is a wonderful introduction to Beethoven's piano legacy.
$75.00
Meditations and Memories (Downloadable)
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Stanley M
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Meditations and Memories
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Galaxy Music Corporation - Digital
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SheetMusicPlus
2 flutes of the Same Kind - Medium - SKU: MQ.7.0661-E Composed by Stanley M. Hoffman. Score. 5 pages. Galaxy Music Corporation - Digital #7.0661-E. Publ...
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2 flutes of the Same Kind - Medium - SKU: MQ.7.0661-E Composed by Stanley M. Hoffman. Score. 5 pages. Galaxy Music Corporation - Digital #7.0661-E. Published by Galaxy Music Corporation - Digital (MQ.7.0661-E). “The first melody is reminiscent of the opening of The Rite of Spring by Igor Stravinsky, but my theme always functions as a mantra. The flutes then meditate on that tune. A transition follows that is evocative of the opening of Symphony No. 6 by Jean Sibelius. Another transition leads to a stretto, then again to a transition, and then to yet another stretto. Next comes the first memory theme. The memory theme is borrowed from my composition Fantasypiece (violoncello and bass) and the orchestral version of it, Fantasypiece for Orchestra. A meditation ensues followed by an ornate, baroque-like variation on the memory theme. The piece closes with a final meditation.†-Stanley M. Hoffman.
$10.50
B-I-N-G-O (ROCK! version)
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Traditional
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Danny Crocome
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B-I-N-G-O
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Danny Crocome Music
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SheetMusicPlus
Instrumental Duet Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1104738 Composed by Traditional. Arranged by Danny Crocome. Children,Film/TV,Pop...
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Instrumental Duet Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1104738 Composed by Traditional. Arranged by Danny Crocome. Children,Film/TV,Pop,Rock,Traditional. Score and parts. 1 pages. Danny Crocome Music #707973. Published by Danny Crocome Music (A0.1104738). A guitar duet arrangement of the nursery rhyme B-I-N-G-O, in a ska-punk style reminiscent of 90's bands like Sublime, Goldfinger, No Doubt, and Rancid. The lead guitar plays the melody and utilises the lead guitar techniques of palm-muting, slide, and vibrato. The rhythm guitar part plays an opening melody, then uses a syncopated staccato rhythm on a variety of triad chord voicings. A new take on an old classic.
$3.99
Bingo (ROCK! version)
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Traditional
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Danny Crocome
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Bingo
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Danny Crocome Music
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SheetMusicPlus
Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1104741 Composed by Traditional. Arranged by Danny Crocome. Children,Early Music,M...
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Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1104741 Composed by Traditional. Arranged by Danny Crocome. Children,Early Music,Multicultural,Pop,Traditional,World. 1 pages. Danny Crocome Music #707976. Published by Danny Crocome Music (A0.1104741). A guitar duet arrangement of the nursery rhyme Bingo, in a ska-punk style reminiscent of 90's bands like Sublime, Goldfinger, No Doubt, and Rancid. The lead guitar plays the melody and utilises the lead guitar techniques of palm-muting, slide, and vibrato. The rhythm guitar part plays an opening melody, then uses a syncopated staccato rhythm on a variety of triad chord voicings. A new take on an old classic.
$3.99
Bingo Was His Name-O (ROCK! version)
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Traditional
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Danny Crocome
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Bingo Was His Name-O
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Danny Crocome Music
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SheetMusicPlus
Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1104739 Composed by Traditional. Arranged by Danny Crocome. 19th Century,Children,Comedy,Multicult...
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Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1104739 Composed by Traditional. Arranged by Danny Crocome. 19th Century,Children,Comedy,Multicultural,Rock,World. 1 pages. Danny Crocome Music #707974. Published by Danny Crocome Music (A0.1104739). A guitar duet arrangement of the nursery rhyme Bingo Was His Name-O, in a ska-punk style reminiscent of 90's bands like Sublime, Goldfinger, No Doubt, and Rancid. The lead guitar plays the melody and utilises the lead guitar techniques of palm-muting, slide, and vibrato. The rhythm guitar part plays an opening melody, then uses a syncopated staccato rhythm on a variety of triad chord voicings. A new take on an old classic.
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