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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Revival
Non classifié
266
Piano & claviers
Piano, Voix et Guitare
427
Piano seul
193
Piano Facile
97
Piano, Voix
91
Piano grosses notes
28
Instruments en Do
14
Orgue
6
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
3
Ligne De Mélodie, Piano
1
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
599
Basse electrique
133
Ukulele
94
Paroles et Accords
91
Ligne De Mélodie, (Paroles) et Accords
87
Guitare
64
Dulcimer
13
Mandoline
5
Ukulele Baryton
2
Ensemble de guitares
2
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
73
Chorale 3 parties
36
Chorale TTBB
35
Voix seule
24
Chorale 2 parties
14
Pack Instrumental pour Chorale
11
Chorale SSAA
9
Voix duo
4
Voix, Guitare
3
Voix Alto, Piano
2
Chorale Unison
2
Chorale
1
Voix Tenor, Piano
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
39
Clarinette et Piano
38
Saxophone
36
Clarinette
33
Hautbois, Piano (duo)
31
Saxophone Alto et Piano
28
2 Saxophones (duo)
27
Saxophone Soprano et Piano
27
Flûte traversière
25
Saxophone Tenor et Piano
22
Cor anglais, Piano
22
Saxophone Tenor
18
2 Clarinettes (duo)
18
Saxophone Alto
15
Saxophone Baryton, Piano
15
Saxophone, Clarinette (duo)
14
2 Flûtes traversières (duo)
13
Clarinette Basse, Piano
12
Quatuor de Saxophones: 4 saxophones
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone (partie séparée)
11
Clarinette, Violon (duo)
9
Clarinette, Trompette (duo)
8
Flûte à bec Alto, Piano
5
Clarinette et Alto
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
5
Clarinette (partie séparée)
5
2 Hautbois (duo)
5
Flûte, Clarinette (duo)
5
Hautbois, Flûte
5
Flûte, Violon
5
Quatuor de Clarinettes: 4 clarinettes
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte, Alto (duo)
4
Saxophone Soprano
4
Quintette de Clarinettes: 5 clarinettes
4
Flute (partie séparée)
4
Flûte, Trompette (duo)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
2
Flûte à bec Soprano, Piano
2
Ensemble de Flûtes
2
Flûte, Saxophone (duo)
2
Clarinette Basse
1
Hautbois
1
Ensemble de saxophones
1
Ensemble de Clarinettes
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois (partie séparée)
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violon, Piano
1
Instruments en Mib
1
+ 50 instrumentations
Retracter
Cuivres
Trompette
29
Trombone et Piano
29
Trombone
26
Cor anglais, Piano
22
Trompette, Piano
18
Euphonium, Piano (duo)
17
Trompette (partie séparée)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone (partie séparée)
10
Trompette, Saxophone (duo)
10
Cor et Piano
8
2 Trombones (duo)
8
2 Trompettes (duo)
8
Cor
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Trombone (duo)
4
Tuba
3
Quatuor de Cuivres
3
2 Euphoniums et 2 Tubas
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Instruments en Sib
1
Bass Clef Instruments
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Alto, Piano
32
Violon et Piano
32
Violoncelle, Piano
29
Violon, Violoncelle (duo)
22
Violon
17
Violoncelle
10
2 Violons (duo)
9
2 Violoncelles (duo)
9
Alto seul
7
2 Altos (duo)
5
Violon, Alto (duo)
4
Alto (partie séparée)
4
Contrebasse (partie séparée)
4
Violon (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Autoharp
1
Contre Basse
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Harpe
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Batterie
93
Orchestre d'harmonie
24
Orchestre à Cordes
12
Orchestre
10
Ensemble Jazz
9
Fanfare
6
Ensemble de cuivres
5
Jazz combo
3
Cloches
3
Orchestre de chambre
2
Percussion (partie séparée)
2
Marimba
1
Batterie (partie séparée)
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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CELTIQUE - IRISH - S…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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RAGTIME
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Vous avez sélectionné:
Revival
Partitions à imprimer
266 partitions trouvées
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251
Revival
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and By, lyrics by S
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John Philip Sousa
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Matthew Nunes
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Revival
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1175697 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1175697 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic,March,Patriotic. 15 pages. Matthew Nunes Music #775817. Published by Matthew Nunes Music (A0.1175697). Uses the hymn In the Sweet By and By, lyrics by S. Fillmore Bennett and music by Joseph P. Webster. This march was originally written for orchestra. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Revival was composed in 1876, and the referenced edition was made Public Domain in 2015. The piece is catalogued as Volume 1, No. 3.
$1.99
Creedence Clearwater Revival: Proud Mary - mallet solo (Percussion)
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Rock
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Creedence Clearwater Revival
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Virtualsheetmusic
Instantly printable sheet music by Creedence Clearwater Revival for mallet solo (Percussion) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Creedence Clearwater Revival for mallet solo (Percussion) of MEDIUM skill level. / pop,rock
$2.97
Revival
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Klender Carrenho Barbosa
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Revival
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Klender Carrenho Barbosa
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SheetMusicPlus
Instrumental Duet,Piano Fiddle,Instrumental Duet,Piano - Level 3 - SKU: A0.1494960 Composed by Klender Carrenho Barbosa. Classical,Historic,Traditional....
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Instrumental Duet,Piano Fiddle,Instrumental Duet,Piano - Level 3 - SKU: A0.1494960 Composed by Klender Carrenho Barbosa. Classical,Historic,Traditional. 3 pages. Klender Carrenho Barbosa #1071525. Published by Klender Carrenho Barbosa (A0.1494960). This is a beautiful song compose for a dueto of violin and piano. The violin melody is so soft and at the same time impactful, taking us to a state of calm and ecstasy.Although, the base of the piano is fundamental for make this sublime effect.
$6.99
Revival
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Tunescribers
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Revival
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ArrangeMe
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SheetMusicPlus
Choral Bass Voice,Choir,Choral,Drums,Piano - SKU: A0.1338481 Arranged by Tunescribers. Funk. ArrangeMe #25974. Published by ArrangeMe (A0.1338481).
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Choral Bass Voice,Choir,Choral,Drums,Piano - SKU: A0.1338481 Arranged by Tunescribers. Funk. ArrangeMe #25974. Published by ArrangeMe (A0.1338481).
$15.95
Revival
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Contemporain
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John Philip Sousa
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Sean Sullivan
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Revival
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Sean Sullivan
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1143907 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Ro...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1143907 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Romantic Period. 22 pages. Sean Sullivan #744214. Published by Sean Sullivan (A0.1143907).
$12.99
Antiche Danze ed Arie
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Ottorino Respighi
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Antiche Danze ed Arie
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
2.2.cor ang.0.2. - 2.1.0.0. - hp - str - hps chamber orchestra - SKU: S9.Q24855 Suite No. 1. Composed by Ottorino Respighi. This edition: study s...
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2.2.cor ang.0.2. - 2.1.0.0. - hp - str - hps chamber orchestra - SKU: S9.Q24855 Suite No. 1. Composed by Ottorino Respighi. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q24855. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24855). Traditional foundations in new tonal splendour - the leading representative of new Italian instrumental music, Ottorino Respighi, transcribed the original lute versions for large orchestra in a masterly fashion. Thanks to his compositional analysis of tradition, Respighi made a substantial contribution to the revival and rediscovery of forgotten musical treasures. The three orchestral suites based on lute settings from the Italian Renaissance and Italian Early Baroque period, however, have not only been influenced by the historicism of later revivals of original texts. Respighi makes the intimate original pieces also shine in repackaged versions for large orchestra, thus achieving wonderful, brilliant sound effects!
$18.99
Antiche Danze ed Arie
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Ottorino Respighi
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Antiche Danze ed Arie
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q7156 Libera trascrizione per orchestra - 1st Suite. Composed by Ottorino Respighi. This edition: set of parts. Eulenburg Orc...
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Orchestra - SKU: S9.Q7156 Libera trascrizione per orchestra - 1st Suite. Composed by Ottorino Respighi. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of parts. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q7156. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q7156). English • Italian.Traditional foundations in new tonal splendour - the leading representative of new Italian instrumental music, Ottorino Respighi, transcribed the original lute versions for large orchestra in a masterly fashion. Thanks to his compositional analysis of tradition, Respighi made a substantial contribution to the revival and rediscovery of forgotten musical treasures. The three orchestral suites based on lute settings from the Italian Renaissance and Italian Early Baroque period, however, have not only been influenced by the historicism of later revivals of original texts. Respighi makes the intimate original pieces also shine in repackaged versions for large orchestra, thus achieving wonderful, brilliant sound effects!1. Satz: 2 Oboen, Cembalo, Steicher 2. Satz: 2 Flöten, 2 Oboen, Englischhorn, 2 Fagotte, 2 Hörner, Harfe, Cembalo, Streicher 3. Satz: Flöte, Oboe, Harfe, Streicher 4. Satz: 2 Flöten, 2 Oboen, 2 Fagotte, 2 Hörner, Trompete, Harfe, Cembalo, Streicher.
$71.99
Fortunate Son
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Rock
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Creedence Clearwater Revival
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Chris Richter
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Fortunate Son
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1508349 By Creedence Clearwater Revival. By John Fogerty. Arranged by Chris Richter. Rock. Individual part. 4 pages. Chr...
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Solo Guitar - Level 3 - SKU: A0.1508349 By Creedence Clearwater Revival. By John Fogerty. Arranged by Chris Richter. Rock. Individual part. 4 pages. Chris Richter #1083627. Published by Chris Richter (A0.1508349). Creedence Clearwater Revival's Fortunate Son arranged for solo fingerstyle guitar.
$7.99
Have You Ever Seen The Rain?
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Creedence Clearwater Revival
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Arezzo Music
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Have You Ever Seen The Rain?
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Arezzo Music
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SheetMusicPlus
Instrumental Duet,Trombone,Viola - Level 1 - SKU: A0.1516267 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Co...
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Instrumental Duet,Trombone,Viola - Level 1 - SKU: A0.1516267 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. 3 pages. Arezzo Music #1090496. Published by Arezzo Music (A0.1516267). Have you ever seen the rain easy Viola and Trombone sheet musicHave You Ever Seen the Rain by Creedence Clearwater Revival is a classic rock song that translates beautifully to an easy Viola and Trombone arrangement. This duet version allows beginner to intermediate players to capture the melody and harmony in a simple yet expressive way. The Viola typically carries the main melody, with smooth, lyrical phrasing, while the Trombone provides a warm, supportive harmonic foundation, often through long, resonant notes. This easy sheet music arrangement offers a perfect opportunity for musicians to explore the song's timeless appeal with minimal technical challenges, making it ideal for casual performances or practice sessions.have you ever seen the rain easy Viola and Trombone sheet music.
$9.99
Have You Ever Seen The Rain?
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Creedence Clearwater Revival
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Arezzo Music
#
Have You Ever Seen The Rain?
#
Arezzo Music
#
SheetMusicPlus
Instrumental Duet,Trombone,Violin - Level 1 - SKU: A0.1516265 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,C...
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Instrumental Duet,Trombone,Violin - Level 1 - SKU: A0.1516265 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. 3 pages. Arezzo Music #1090492. Published by Arezzo Music (A0.1516265). Have you ever seen the rain easy violin and Trombone sheet musicHave You Ever Seen the Rain by Creedence Clearwater Revival is a classic rock song that translates beautifully to an easy violin and Trombone arrangement. This duet version allows beginner to intermediate players to capture the melody and harmony in a simple yet expressive way. The violin typically carries the main melody, with smooth, lyrical phrasing, while the Trombone provides a warm, supportive harmonic foundation, often through long, resonant notes. This easy sheet music arrangement offers a perfect opportunity for musicians to explore the song's timeless appeal with minimal technical challenges, making it ideal for casual performances or practice sessions.have you ever seen the rain easy violin and Trombone sheet music.
$9.99
Have You Ever Seen The Rain?
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Creedence Clearwater Revival
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Arezzo Music
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Have You Ever Seen The Rain?
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Arezzo Music
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 1 - SKU: A0.1516268 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Conte...
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Cello,Instrumental Duet,Viola - Level 1 - SKU: A0.1516268 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. 3 pages. Arezzo Music #1090497. Published by Arezzo Music (A0.1516268). Have you ever seen the rain easy Viola and Cello sheet musicHave You Ever Seen the Rain by Creedence Clearwater Revival is a classic rock song that translates beautifully to an easy Viola and Cello arrangement. This duet version allows beginner to intermediate players to capture the melody and harmony in a simple yet expressive way. The Viola typically carries the main melody, with smooth, lyrical phrasing, while the Cello provides a warm, supportive harmonic foundation, often through long, resonant notes. This easy sheet music arrangement offers a perfect opportunity for musicians to explore the song's timeless appeal with minimal technical challenges, making it ideal for casual performances or practice sessions.have you ever seen the rain easy Viola and Cello sheet music.
$9.99
Have You Ever Seen The Rain?
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Creedence Clearwater Revival
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Arezzo Music
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Have You Ever Seen The Rain?
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Arezzo Music
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SheetMusicPlus
Bassoon,Instrumental Duet,Viola - Level 1 - SKU: A0.1516270 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Con...
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Bassoon,Instrumental Duet,Viola - Level 1 - SKU: A0.1516270 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. 3 pages. Arezzo Music #1090499. Published by Arezzo Music (A0.1516270). Have you ever seen the rain easy Viola and Bassoon sheet musicHave You Ever Seen the Rain by Creedence Clearwater Revival is a classic rock song that translates beautifully to an easy Viola and Bassoon arrangement. This duet version allows beginner to intermediate players to capture the melody and harmony in a simple yet expressive way. The Viola typically carries the main melody, with smooth, lyrical phrasing, while the Bassoon provides a warm, supportive harmonic foundation, often through long, resonant notes. This easy sheet music arrangement offers a perfect opportunity for musicians to explore the song's timeless appeal with minimal technical challenges, making it ideal for casual performances or practice sessions.have you ever seen the rain easy Viola and Bassoon sheet music.
$9.99
Have You Ever Seen The Rain?
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Creedence Clearwater Revival
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Arezzo Music
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Have You Ever Seen The Rain?
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Arezzo Music
#
SheetMusicPlus
Bassoon,Instrumental Duet,Violin - Level 1 - SKU: A0.1516266 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Co...
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Bassoon,Instrumental Duet,Violin - Level 1 - SKU: A0.1516266 By Creedence Clearwater Revival. By John Fogerty. Arranged by Arezzo Music. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. 3 pages. Arezzo Music #1090495. Published by Arezzo Music (A0.1516266). Have you ever seen the rain easy violin and Bassoon sheet musicHave You Ever Seen the Rain by Creedence Clearwater Revival is a classic rock song that translates beautifully to an easy violin and Bassoon arrangement. This duet version allows beginner to intermediate players to capture the melody and harmony in a simple yet expressive way. The violin typically carries the main melody, with smooth, lyrical phrasing, while the Bassoon provides a warm, supportive harmonic foundation, often through long, resonant notes. This easy sheet music arrangement offers a perfect opportunity for musicians to explore the song's timeless appeal with minimal technical challenges, making it ideal for casual performances or practice sessions.have you ever seen the rain easy violin and Bassoon sheet music.
$9.99
Holy Roller
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Libby Larsen
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Holy Roller
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193203235 Composed by Libby Larsen. Score. 35 pages. Oxford University Press Digital #9780193203235. Published by Oxford University Press Di...
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SKU: OX.9780193203235 Composed by Libby Larsen. Score. 35 pages. Oxford University Press Digital #9780193203235. Published by Oxford University Press Digital (OX.9780193203235). ISBN 9780193203235.Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano. It is inspired by classical revival preaching and the music seeks to represent the language: cajoling and incanting, with the intention of magnetizing and mesmerizing the listener through the usage of what Larsen describes as musical masterpieces of rhythm, tempo and extraordinary tension and release.. A version for alto saxophone and concert band is available on hire.
$23.25
Lookin' Out My Back Door
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Creedence Clearwater Revival
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Scott Pfitzinger
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Lookin' Out My Back Door
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Pfitzinger Music
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SheetMusicPlus
Large Ensemble Handbell - Level 3 - SKU: A0.1493831 By Creedence Clearwater Revival. By John Fogerty. Arranged by Scott Pfitzinger. 20th Century,Contemp...
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Large Ensemble Handbell - Level 3 - SKU: A0.1493831 By Creedence Clearwater Revival. By John Fogerty. Arranged by Scott Pfitzinger. 20th Century,Contemporary,Pop,Rock. 8 pages. Pfitzinger Music #1070488. Published by Pfitzinger Music (A0.1493831). Lookin' Out My Back Door is a popular song by Creedence Clearwater Revival. This arrangement is a Level 3 piece for 3-6 octaves of handbells. Includes plenty of malleting and thumb-damping, as well as some malleting on music stands, preferably with the stick part of the mallet, to create a percussive effect.This arrangement has all the syncopation, rhythm, and colors of the original song but is set for handbells. This is a fun piece that ringers and audiences of community and school handbell groups will enjoy.(Reproducible for one ensemble).
$30.00
Proud Mary
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Pop musique
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Creedence Clearwater Revival
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Mark Harrison
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Tina Turner
5
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Proud Mary
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Mark Harrison
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SheetMusicPlus
Level 3 - SKU: A0.1421953 By Creedence Clearwater Revival. By John Fogerty. Arranged by Mark Harrison. Pop. 43 pages. Mark Harrison #1003289. Published ...
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Level 3 - SKU: A0.1421953 By Creedence Clearwater Revival. By John Fogerty. Arranged by Mark Harrison. Pop. 43 pages. Mark Harrison #1003289. Published by Mark Harrison (A0.1421953). #PromsInThePlayground2024For 4-Part Brass group (Parts available in Eb, Bb, F, and C) and optional Drums. Individual Part Booklets available on request if all 12 are purchasedProms In The Playground 2024 Collection:1. ABBA? ABBA! - ABBA2. CRAZY IN LOVE - Beyoncé - ft. Jay-Z3. I'M STILL STANDING - Elton John4. PROUD MARY - Creedence Clearwater Revival, Ike & Tina Turner5. SHAKE IT OFF - Taylor Swift6. SHOTGUN - George Ezra7. SWEET CAROLINE - Neil Diamond8. CAN'T STOP THE FEELING - Justin Timberlake9. REACH - S Club 710. FIREWORK - Katy Perry11. WALKING ON SUNSHINE - Katrina And The Waves12. I GOTTA FEELING - The Black Eyed Peas----------------Now an annual event in its fourth year, “Proms In The Playground†is an initiative that encourages community bands to connect with their local schools by offering a performance in their playground. As well as getting young people excited about brass banding, this initiative helps bands forge and strengthen relationships with organisations around them. For those bands that want to go beyond just a performance, this initiative is an ideal opportunity to offer a taster session so school children can learn about the opportunities available in their local brass bands.- Helen Minshall, BBE Youth Development Brass Specialist----------------When I was asked to arrange a collection of fun pieces for Brass Bands England’s “Proms In The Playground†initiative, I was more than happy to do so. It’s a brilliant way to engage local schools with music and brass bands, and I hope this set of arrangements will be enjoyable to perform and share with your community all year round.- Mark Harrison, Arranger.
$12.99
Bach-Gounod: Ave Maria for Baritone Horn & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Co...
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stan...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Bach-Gounod: Ave Maria for Piccolo & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Pic
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,W...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490121. Published by jmsgu3 (A0.549362). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Piccolo & Piano - S0.661869. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standa...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Symphony in A flat Major "Phoenix" - All Parts
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An-lun Huang
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Symphony in A flat Major "Phoe
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DoReMi Edition
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SheetMusicPlus
Large Ensemble Choir - SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by Do...
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Large Ensemble Choir - SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by DoReMi Edition (A0.948805). SCORE @ Amazon ï¼?https://amzn.to/34qCMdz The Symphonic Concert No.2, is Huangâ??s second serial symphonic work in a large form. ----- The first part, Op.47a, is The Symphonic Overture No. 2, the second part, Op.47b, is the Violin Concerto in B in three movements. They are all published by Amazon. And the third part, Op.47c, is this Symphony in A flat major 'Phoenix' in 5 movements [62 minutes] The first two parts of the Symphonic Concert No.2 were premiered in Beijing by the China Youth Symphony Orchestra in 1997. However, the composing of the third part has been delayed. The reason is the author's Chinese heart: for thousands of years, the word deep disaster has been following this nation, but, however, the Chinese finally rise in the east of the world from the deadly dark. How can the composer present this symphony in the most appropriate form, and bring blessings to the world? Until the idea of Phoenix sigh inspired the author's rolling music. As a result, the structure of the entire symphony is: a total of five movements, the order is: 1.-ESSENCE ç²¾ Andante con molto 2.-SPIRIT æ°? Allegro assai 3.-DIVINITY ç¥? Larghetto 4.-PEACE å?? Vivo 5.-REVIVAL è?¾é£? Allegro assai con brio The fifth movement of this symphony, Revival, is the end of the entire Symphonic Concert No. 2. Its Phoenixâ??s Flame of Fire symbolizes the composer's powerful belief in the whole composition: Defeat death to obtain the eternal life. This point has a distinct manifestation in this final movement: from the beginning of the world turmoil to the evolution of the huge contrast of the brilliant chorus of the Phoenix; from the disaster making the Phoenix smashes into the fire of hell from the high heaven; its shocking description of self-immolation to the sound of the resurrection and the vitality of the folk instruments which simulate the voice of life from afar; and from the brilliant fire of the phoenix soars to the sky with roar of the organ at the end. The themes of all of the previous music are also interrelated. All of the players join the forces to create the powerful music that The Chinese symphony has never been sounded like this before, and it is all about achieving a brilliant future, the critic said in Peopleâ??s Music, the major music magazine in China, 2009.
$500.00
Two Rondes from Danserye (Tielman Susato, 1551) for Wind Instruments
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Tielman Susato
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Rondes from Danserye
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.522187 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 26 ...
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Small Ensemble - Level 2 - SKU: A0.522187 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 26 pages. Colin Kirkpatrick Publications #6371719. Published by Colin Kirkpatrick Publications (A0.522187). The instrumental music of the renaissance is enjoying an enormous revival and this arrangement of two dances is sure to brighten up your musical event. The dances come from one of the earliest collections of instrumental dance music, published in Antwerp in 1551 by Tielman (or Tylman) Susato and entitled Danserye. Little is known of Susato’s life except that he was born sometime between 1500 and 1515 and eventually became a successful calligrapher and publisher. Danserye contains about sixty numbers some of which have become well known since their revival in the middle of the 20th century. The two rondes in this arrangement are the first and sixth dances taken from a set of nine. Some of the dances have names and the first ronde is entitled Pour quoy? It is paired with the sixth ronde which has become one of the most well-known pieces in the collection. Several changes have been made to the inner parts to facilitate performance and the first ronde has been transposed down a fifth. Musicians would often combine several dances to make a more substantial piece and were expected to add embellishments to the melody, particularly in repeated sections.In the spirit of the original, this four-part arrangement uses flexible instrumentation so that you have total control over the instrumental voicing. The arrangement could be played by virtually any combination of conventional wind instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard and percussion parts are the additions of the arranger and do not appear in the original. This arrangement uses conventional percussion that can be found in any elementary school music room. The percussion parts may be interpreted freely and additional instruments added if required.
$8.99
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