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AUTRES INST…
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
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CLOCHES
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COR ANGLAIS
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CORNET
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FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
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PERCUSSION
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SAXOPHONE
SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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PIANO & CLAVIERS
Piano seul
27
Piano, Voix
3
Piano Facile
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
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Guitare
5
2 Guitares (duo)
2
Guitare notes et tablatures
1
Banjo
1
VOIX
Chorale SATB
13
Chorale 3 parties
3
Chorale SSAA
2
Chorale TTBB
2
Chorale 2 parties
1
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1
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VENTS
2 Saxophones (duo)
5
Quintette de Saxophone: 5 saxophones
5
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4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
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4
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3
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3
Quintette de Clarinettes: 5 clarinettes
3
Flûte traversière
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Saxophone Alto et Piano
2
2 Flûtes traversières (duo)
2
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2
Clarinette, Violoncelle (duo)
2
Saxophone Alto
2
Clarinette, Violon (duo)
2
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2
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2
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2
Clarinette
2
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Saxophone
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Hautbois, Violoncelle
1
Saxophone (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Piano (duo)
1
Flûte, Violon
1
Flûte, Violoncelle
1
Clarinette et Piano
1
3 Clarinettes (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Saxophone (duo)
2
Ensemble de Trompettes
2
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2
Trompette, Piano
2
2 Trombones (duo)
2
Trombone
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
Trompette, Trombone (duo)
1
Trombone et Piano
1
Trompette (partie séparée)
1
2 Trompettes (duo)
1
Trompette
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violoncelle, Piano
4
2 Violoncelles (duo)
3
Violon et Piano
3
2 Violons (duo)
2
2 Altos (duo)
2
Violon
2
Harpe
2
Violon, Violoncelle (duo)
2
Alto et Basson
1
Violon, Alto (duo)
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
50
Cloches
6
Ensemble de cuivres
6
Orchestre
4
Orchestre de chambre
3
Orchestre à Cordes
3
Ensemble Jazz
2
Ensemble de Percussions
2
Batterie
1
Percussion (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Rite of Passage
Partitions à imprimer
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Blue Bells of Scotland for Trombone Quintet (solo shared by all parts)
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811187 Composed by Art…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811187 Composed by Arthur Willard Pryor. Arranged by Andrew Poirier. 20th Century,Folk,Holiday,Patriotic. Score and parts. 30 pages. Gordon Cherry #5987593. Published by Gordon Cherry (A0.811187). Hear ye! Hear ye! iTromboni hereby presents their kick at the Blue Bells of Scotland can! Cleverly arranged by our newly appointed second trombonist of the Vancouver Symphony and iTrombonistador Andrew Poirier, this virtuosic gem is a rite of passage for all trombonists. Our new version of Arthur Pryor's masterpiece tests the metal of the entire quintet with all parts getting a go at the solo. Go TEAM!
$30.00
27.72 €
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Arthur Willard Pryor
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Andrew Poirier
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Blue Bells of Scotland for Trombone Quintet
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Gordon Cherry
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SheetMusicPlus
Possibility of Certainty
Rhythm Section Piano and Keyboard - Level 4 - Digital Download SKU: A0.1254057 By S…
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Rhythm Section Piano and Keyboard - Level 4 - Digital Download SKU: A0.1254057 By Steve Lockwood. By Steve Lockwood. Arranged by Steve Lockwood. 20th Century,Jazz. Full Performance. Duration 351. Stephen Lockwood #847668. Published by Stephen Lockwood (A0.1254057). This is the audio sample of the recording off of Rite of Passage.  For more explanation as to the music, refer to the accompanying PDF.  You are welcome to purchase both. Thank You.
$2.00
1.85 €
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Steve Lockwood
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Steve Lockwood
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Possibility of Certainty
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Stephen Lockwood
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SheetMusicPlus
The Passage
Small Ensemble Alto Flute,Piano,Viola - Level 5 - Digital Download SKU: A0.886653 C…
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Small Ensemble Alto Flute,Piano,Viola - Level 5 - Digital Download SKU: A0.886653 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 26 pages. Panagiotis Theodossiou #3048999. Published by Panagiotis Theodossiou (A0.886653). The Passage, for alto flute, viola and piano (2010) Introduction I.Ten Minutes II.I have something to tell you! III.Do you remember the river? The work is based on the three, one act, theatrical plays by Greek writer and doctor Harry Candiloros, published under the same name by Dodoni editions in 2010. The story is about the passage between this life and life after death. The 1st is about a cosmological end which never happens. The 2nd about the death of two friends under a collapsed building after an earthquake. The 3d about an afterlife dialogue between the persons of a family. Each of the three parts of the work is written respectively after the reading of the three parts of the book. First performance by Meteora Ensemble (Julia Barnett: alto flute, Kathryn Christensen:piano) with Andrea Hemmenway: viola as guest artist at Palisades Lutheran Church, Los Angeles, California in 2010. The work was transcribed for violin, baritone saxophone and piano in 2012.https://www.youtube.com/watch?v=vdgtmkkiOg0 https://www.youtube.com/watch?v=ObO_CZZmI_c https://www.youtube.com/watch?v=bBlN9FeyYHw
$19.99
18.47 €
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Panagiotis Theodossiou
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The Passage
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Panagiotis Theodossiou
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SheetMusicPlus
A String Of Pearls
Guitar - Level 2 - Digital Download SKU: A0.797688 Composed by Jerry Gray. Arranged…
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Guitar - Level 2 - Digital Download SKU: A0.797688 Composed by Jerry Gray. Arranged by Derek Hasted. Contemporary,Standards. 16 pages. Derek Hasted #3511537. Published by Derek Hasted (A0.797688). STRING OF PEARLS (Glenn Miller) - GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement, created to celebrated 30 years of my Guitar Workshop, is a very accessible arrangement based on the Glenn Miller version. It's a little shorter than the original (though it could be extended by repeating sections) and contains one solo passage. It's ideal for a school concert or as a contrast in a more formal concert. Like all of my arrangements, this has been tested in a real ensemble before being published!I hope you enjoy this piece!
$4.99
4.61 €
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Jerry Gray
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Derek Hasted
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A String Of Pearls
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Derek Hasted
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SheetMusicPlus
A Rite of Passage by Dream Theater - Transcription
Sheet Music for A Rite of Passage by Dream Theater arranged for Instrumental Parts in C Ma…
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Sheet Music for A Rite of Passage by Dream Theater arranged for Instrumental Parts in C Major. Digital sheet music from Musicnotes. --
$6.99
6.46 €
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Transcription
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Musicnotes
Csardas
Guitar SKU: PR.ECH2718 Composed by Vittorio Monti. With Standard notation. 12 pages…
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Guitar SKU: PR.ECH2718 Composed by Vittorio Monti. With Standard notation. 12 pages. Chanterelle #ECH2718. Published by Chanterelle (PR.ECH2718). The famous Monti Csardas is a rite of passage for accomplished musicians, a virtuosic, demanding showcase which runs the gamut from intensely dynamic to fast-fingered franticism. Lavrentiev has now provided a solid, though demanding, transcription for advanced guitarists.
$12.95
11.96 €
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Vittorio Monti
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Csardas
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Chanterelle
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SheetMusicPlus
Out of My Deeper Heart (2015)
Cello,Choir - Level 5 - Digital Download SKU: A0.1245336 Composed by Colin Eatock. …
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Cello,Choir - Level 5 - Digital Download SKU: A0.1245336 Composed by Colin Eatock. 21st Century,Classical,New Age. 36 pages. Colin Eatock Music #840212. Published by Colin Eatock Music (A0.1245336). SATB choir, cello; ca. 6 min.The composer writes: The poem “Out Of My Deeper Heart†is from Kahlil Gibran’s 1920 collection, The Forerunner. In this poem, the author seems to question the capacity of humans to fully understand the universe because we are completely enveloped in the world we inhabit. Only by stepping outside of our world and looking into our “deeper hearts†can we achieve the perspective needed to know what is true and real. I was drawn to this text (which I have abridged for this setting) by the image of the rising bird, represented by the solo cello. The florid cello part is contrasted with a simpler, chorale-like texture in many of the choir’s passages.
$4.99
4.61 €
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Colin Eatock
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ca
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Out of My Deeper Heart
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Colin Eatock Music
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SheetMusicPlus
Al Circo (To the Circus) for Trombone and Harp
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Se…
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Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.<br> <br> David Stout writes about his work:<br> <br> "I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’<br> <br> Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp<br> <br> This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00
23.1 €
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.88 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Sol…
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
14.77 €
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria rusticana"
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RBMusic
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SheetMusicPlus
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Le…
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99
18.47 €
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria rusticana"
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RBMusic
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SheetMusicPlus
Batá para meu pai
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download S…
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1175824 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 49 pages. Jonas Hocherman #775945. Published by Jonas Hocherman (A0.1175824). This piece is for the formation of Brass ensemble. It's about passage, about path, about life and about death. I began to write this piece from a rhythmic ostinato that came to me from the machine that monitored my father's health in the hospital in his last days of life.This ostinato immediately referred me to a clave of a candomblé rhythm called batá. From this rhytmic motive that accompanies us on this path, the theme emerges as if it were a distant corner that resonsin our existence. The ideas that accompany emerge and transform, bringing to this passage between life and death, this environment of the existence of the work.Listening is an immersion in this moment that we don't know, but we can imagine.This timeless space arises from passage between life and death, death and life.
$70.00
64.67 €
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Jonas Hocherman
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Jonas Hocherman
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Batá para meu pai
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Jonas Hocherman
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SheetMusicPlus
Double Bass Concerto
2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4…
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2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) double bass and orchestra - Digital Download SKU: S9.Q6372 Farewell to St. Petersburg. Composed by Gavin Bryars. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 28 minutes. Schott Music - Digital #Q6372. Published by Schott Music - Digital (S9.Q6372). Written for Duncan McTier, this concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’ (Gavin Bryars).
$25.99
24.01 €
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Gavin Bryars
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Double Bass Concerto
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Schott Music - Digital
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
44.34 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
We Gather Together - trombone, flute, piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Digital Download SKU: …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Digital Download SKU: A0.726101 Arranged by Traditional, Johann Cruger. Christian,Holiday,Sacred. Score and parts. 12 pages. Con Spirito Music #6077249. Published by Con Spirito Music (A0.726101). This arrangement for trombone, flute, and piano brings together two hymn tunes that are especially popular at the American holiday of Thanksgiving, but appropriate at any time of year. We gather together are the opening words to a poem written by the Dutch poet and composer Adrianus Valerius in 1597 to celebrate the Dutch victory in a long-standing dispute with Spain. 1878, the Austrian composer/conductor Edward Kremser arranged six Dutch folk songs for men's voices, including Prayer of Thanksgiving: Old Dutch Melody, with texts in German. In 1894, Theodore Baker (editor of Baker's Biographical Dictionary of Musicians) translated the German text of Prayer of Thanksgiving into the familiar English version, We gather together to ask the Lord's blessing, that is sung today. Now Thank We All Our God is Catherine Winkworth's (1827-1878) translation of the German Nun Danket Alle Gott, written by Lutheran clergyman and hymn-writer Martin Rinckart (1586-1649). Rinckart's text, based on a passage from Ecclesiasticus, was set to a chorale tune by Johann Cruger (1598-1662) in his 1647 collection, Praxis pietatis melica (The Practice of Piety in Song), a hymnal for use in public worship and private devotions. Like We Gather Together, it is strongly associated the Thanksgiving holiday and other services of thanksgiving. Copyright 2015 Todd Marchand / www.ConSpiritoMusic.com
$6.00
5.54 €
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Traditional, Johann Cruger
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We Gather Together - trombone, flute, piano
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Con Spirito Music
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SheetMusicPlus
Serenade No. 11
String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Comp…
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String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
13.86 €
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
Les Mystères: Attendez l'Epoux - Score Only
Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by S…
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Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Published by Suzy Robinson (A0.1166886). I wanted to write something based on a mediaeval mystery play and happened across an 11th Century version of the play of the Bridegroom – the tale of the wise and the foolish virgins. It was called Sponsus and is the oldest of this type of play written in both the vernacular and in Latin. What is even more extraordinary is that it is, in fact, a trilingual text in Latin, langue d'oc, and some words in the langue d'oïl. The passage which I have set is in langue d'oc, but for ease of singing I used a modern-French translation. This is scored for soprano, baroque violin, and viola da gamba. It can be performed at 415 or 440 ad libertum.I am very taken by the patchwork nature of mystery plays which is part promenade, part liturgy, part staged, part audience participation. I hope that having set a straightforwardly strophic text and using instruments more often heard in Early Music, jigsaws well with the more modern angular and sometimes dissonant nature of the melodic lines of this piece. I love the play of languages, and the mixing up through words and music of past, present, and future, revealing that time is perhaps a circuitous exploration rather than a strictly linear trajectory. And the end of all our exploring / Will be to arrive where we started / And know the place for the first time..
$3.99
3.69 €
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Suzy Robinson
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Suzy Robinson
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Les Mystères: Attendez l'Epoux - Score Only
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Suzy Robinson
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SheetMusicPlus
Arirang Variations (Downloadable)
2 flutes of the Same Kind - Medium - Digital Download SKU: MQ.7.0663-E Composed by …
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2 flutes of the Same Kind - Medium - Digital Download SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital #7.0663-E. Published by Galaxy Music Corporation - Digital (MQ.7.0663-E). This work, first scored for piano solo, was composed for the 2008 Sejong Music Composition Competition. Although it did not win a prize, having entered the competition left me with a neat little piano piece to show for it, as well as the present transcription which I created for flutist Peter Sheridan in 2015. The set of variations opens with the traditional Korean theme accompanied by arpeggios. This is followed by Variation 1, a sad waltz in the style of a Chopin waltz. Next comes Variation 2, a funeral march in the manner of Chopin’s Funeral March from the Piano Sonata in B-flat Minor, Op. 35. Variation 3 is a Tango written in tribute to one of my favorite composers, Astor Piazzolla. Variation 4 combined the Korean tune with motifs from the slow movement of Beethoven’s Symphony No. 6, The Pastoral. The set of variations closes with a repeat of the opening passage. -Stanley M. Hoffman.
$10.50
9.7 €
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Stanley M
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Arirang Variations
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Groove Momentum for Percussion Ensemble
Percussion Ensemble Agogo Bell,Bongos,Chimes,Congas,Glockenspiel,Marimba,Snare Drum,Timpan…
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Percussion Ensemble Agogo Bell,Bongos,Chimes,Congas,Glockenspiel,Marimba,Snare Drum,Timpani,Tom Tom,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1454228 Composed by Patrick Glenn Harper. Contest,Festival,Jazz,Pop,Rock. 88 pages. Patrick Glenn Harper #1033359. Published by Patrick Glenn Harper (A0.1454228). Your audience will definitely remember this catchy, unique piece for large percussion ensemble! Challenge your more advanced players, while allowing those with less experience to also play an important part! (via easier aux. percussion instrument parts) The bass guitar part may also be played on keyboard synth. The multiple cymbals/gong part is to be played by 2 players. If you enjoyed Passage of Time or Andromeda, you will find a new favorite in Groove Momentum!.
$39.99
36.95 €
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Patrick Glenn Harper
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Groove Momentum for Percussion Ensemble
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Patrick Glenn Harper
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SheetMusicPlus
Quartet in F Major
Fl. Fl. Afl. BFl. - Intermediate-Advanced - Digital Download SKU: F2.FM536 Composed…
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Fl. Fl. Afl. BFl. - Intermediate-Advanced - Digital Download SKU: F2.FM536 Composed by Antonin Dvorak. Arranged by Robert Rainford. Mixed Flute Quartet, 2 Concert Flutes, Alto Flute, Bass Flute. Score and parts. 85 pages. Forton Music - Digital #FM536. Published by Forton Music - Digital (F2.FM536). ISBN 9790570484355.This quartet was composed during Dvorak's time in America, during a summer vacation in 1893. It was written in Spillville, Iowa, which at the time was home to a large Czech immigrant community. Dvorak seems to have found the natural country surroundings much more to his liking, having spent much of his previous time in the country in New York. The work was written very quickly, being sketched in three days and finished in about two weeks. In this quartet, Dvorak finally seems to find a balance between his melodic invention and a clear structure. Many writers have tried to find specific 'American' features in this work - from pentatonic melodies to native Indian tunes to American birdsong - but in general such specific references are doubted. The first movement moves from passages of great harmonic stillness through a much more dramatic development section that takes the music through fugato section before recapping the original material. The second movement features a simple, pentatonic melody over a pulsing accompaniment. This melody is shared between the highest and lowest parts, before being developed in an extended middle section until the bass flute restates the original tune while the accompaniment thins out completely. The third movement is a variant of a traditional scherzo. It features two tunes, the main melody being a sprightly tune full of off-beats and cross-rhythms. The alternate melody is actually a variant of the main scherzo theme, but in a minor key and at half tempo. The final movement is in a traditional rondo form. The main melody is once more pentatonic, the B section is more lyrical, and the C section is a chorale theme.
$17.95
16.58 €
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Antonin Dvorak
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Robert Rainford
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Quartet in F Major
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Forton Music - Digital
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SheetMusicPlus
Good King Wenceslas, Jazz Style, for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.594081 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537273. Published by David McKeown (A0.594081). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Style, for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Good King Wenceslas, Jazz Style, for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.594071 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537253. Published by David McKeown (A0.594071). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Style, for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Good King Wenceslas, Jazz Style, for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.594070 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537251. Published by David McKeown (A0.594070). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Style, for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
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