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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Row North Music
Non classifié
28
Piano & claviers
Piano seul
11
Piano, Voix
5
Instruments en Do
1
Piano Facile
1
Guitares
Guitare notes et tablatures
1
Guitare
1
Ukulele
1
Banjo
1
Voix
Chorale SATB
13
Chorale 3 parties
2
Chorale 2 parties
2
Voix haute
1
Voix Tenor
1
Voix Baryton, Piano
1
Chorale SSAA
1
Chorale TTBB
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
19
Saxophone, Clarinette (duo)
12
2 Clarinettes (duo)
10
Clarinette, Violon (duo)
7
2 Flûtes traversières (duo)
7
Clarinette, Trompette (duo)
6
Hautbois, Clarinette (duo)
4
Flûte, Clarinette (duo)
4
2 Hautbois (duo)
4
Hautbois, Flûte
4
Clarinette et Alto
4
Flûte, Alto (duo)
3
Hautbois, Basson (duo)
3
Flûte, Trompette (duo)
2
Flûte, Violon
2
Saxophone Soprano et Piano
2
Flûte, Saxophone (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte traversière et Piano
1
Saxophone et Orgue
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
+ 16 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
8
2 Trompettes (duo)
5
2 Trombones (duo)
4
Trompette, Trombone (duo)
4
Trombone
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba et Piano
1
Trompette, Piano
1
Trompette
1
+ 4 instrumentations
Retracter
Cordes
Violon, Violoncelle (duo)
7
2 Altos (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
2 Violons (duo)
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon et Piano
2
Violon
2
Harpe
1
Alto, Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
19
Ensemble de cuivres
11
Orchestre
3
Ensemble Jazz
2
Orchestre à Cordes
2
Fanfare
1
Ensemble de Percussions
1
Batterie
1
+ 3 instrumentations
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FORMATION M…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Row North Music
Partitions à imprimer
28 partitions trouvées
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FFANFFER: 51° Gogledd, 3° Gorllewin (FANFARE: 51° North, 3° West) (Rob Bushnell) - Brass Quintet
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Rob Bushnell
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FFANFFER: 51° Gogledd, 3&d
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,Contest,Festival,Traditional. 35 pages. RBMusic #841560. Published by RBMusic (A0.1246889). This fanfare was written to enter the Arts Active's Fanfare Competition, in celebration of St. David's Hall 40th Birthday. In writing this piece, I researched the musical history of St. David’s Hall. Unfortunately, it has proven very difficult to find specific songs/pieces from some of the key events (the only clip I could find was the Cory Band playing John Mile’s Music), so I focused on brass bands and Wales.The pieces incorporates Men of Harlech (Rhyfelgyrch Gwŷr Harlech), Land of My Fathers (Hen Wlad fy Nhadau) and Philip Sparke’s The Year of the Dragon. Growing up with brass band, I heard Men of Harlech a lot and it has always been my “go to†Welsh piece. Land of My Fathers is the unofficial anthem of Wales. As for The Year of the Dragon, it was used both times that St. David’s Hall has hosted the European Brass Band Championships: it was used as the set test pieces in 1986 for Desford Colliery Dowty Band’s historic victory (under Howard Snell) and as the own choice test piece in 1992 as part of Britannia Building Society (now Fodens) Band’s winning performances (again under Howard Snell). The Year of the Dragon is also a popular piece of music in the brass-band world and has much significance to me personally.The name of piece comes from the GPS location of St. David’s Hall (51.48022° N, 3.17653° W), rounded to the nearest integer: the actual location of 51° N, 3° W is just off of the A378 in North Curry in Taunton, Somerset, England. The competition stipulated that the fanfare was to be composed for a maximum of five standard brass band instruments and so was written for 2 Cornets, Tenor Horn, Trombone or Euphonium and Eb Bass. An additional score and parts have been provided for a more traditional brass quintet set up.
$12.99
Civil War Fiddle Tunes - Songs of the North
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traditional various Public Dom
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Craig Duncan
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Civil War Fiddle Tunes - Songs
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Craig Duncan Music
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SheetMusicPlus
Small Ensemble Banjo,Flute,Guitar,Violin - Level 2 - SKU: A0.768166 Composed by traditional various Public Domain. Arranged by Craig Duncan. Country,Fol...
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Small Ensemble Banjo,Flute,Guitar,Violin - Level 2 - SKU: A0.768166 Composed by traditional various Public Domain. Arranged by Craig Duncan. Country,Folk,Instructional,Standards,Traditional. Score and parts. 16 pages. Craig Duncan Music #4988497. Published by Craig Duncan Music (A0.768166). 14 tunes lead sheets Abe's Retreat, Battle of Bull Run,The Battle Cry of Freedom, Grafted into the Army, Hard Times Come Again no More, John Brown's Dream, John Brown's March, Kingdom Coming/The Year of Jubilo, Lincoln and Liberty, Marching Along, Marching through Georgia, The New York Volunteer, Sixty Three is the Jubilee, Weeping Sad and Lonely, When Johnny Comes Marching Home.
$9.99
Brown Eyed Girl
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Van Morrison
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Paul Johnson
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Brown Eyed Girl
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Sinfonia Music Co
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1486508 By Van Morrison. By Van Morrison. Arranged by Paul Johnson. Latin,Pop,Rock. Brass Band. 42 pages. Sinfonia Music Co #1063571. Published by Sinfonia Music Co (A0.1486508). Brown Eyed Girl is a song by Northern Irish singer songwriter Van Morrison. Written by Morrison and recorded in March 1967 for Bang Records owner & producer Bert Berns, it was released as a single in June that year peaking at No10 on the Billboard Hot 100, the song spent a total of 16 weeks in the charts.It featured The Sweet Inspirations singing backup vocals, and is considered to be Van Morrison's signature song. This English Brass Band Ensemble arrangement would be a great addition to any band's repertois and is sure to appeal to audiences young and old alike.
$35.50
Westerly for flute, violin and string orchestra (mp3)
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Alec Keith, Matt Weiss, Octava
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century...
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Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50
Westerly for flute, violin and string orchestra (SCORE and PARTS)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
Westerly for flute, violin and string orchestra (SCORE only)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Classique
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Robert Schumann
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Nicole Elyse DiPaolo
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Lorelei from Romanzen und Ball
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse Di...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95
Over The Rainbow (from The Wizard Of Oz)
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Film/TV
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Film/TV
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Judy Garland
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Michael Pilley
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Over The Rainbow
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Michael Pilley Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.746218 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Brass Band. 68 pages. Michael Pilley Music #4796627. Published by Michael Pilley Music (A0.746218). One of the most iconic movie songs of all time, Over The Rainbow is a must have arrangement if you are featuring a vocalist with your brass band. The tough part of arranging this number was that there are so many good arrangements out there already! Instead of reinventing the wheel, I decided to do a little mashup and bring together so many different aspects of all the great recordings of this timeless tune. So keep an ear out for Judy Garland, Frank Sinatra and your favourite version, they're all in here in some shape or form. Special thanks to The Idea of North, as their intro is my favourite and I just had to borrow it! Written for Tredegar Band and vocalist Siwan Henderson, this arrangement is at an advanced level due to some extreme chromaticism and melodic lines that require skilled musicians. With piano, glockenspiel and vibraphone parts featuring independent lines, you can expand your band to create a full orchestration, or choose to play with just the bass, with cues included. You can also play this arrangement with a Bb or Eb Solo, with parts included. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Prayers and Blessings (Piano/Vocal Score)
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bass/baritone voice solo, violoncello and organ - Moderately Easy - SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages....
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
$11.00
E Toro nga Hau: The Three Winds
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Contemporain
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Michael J
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E Toro nga Hau: The Three Wind
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Effiny Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1021989 Composed by Michael J. Burns. Contemporary. Score and par...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1021989 Composed by Michael J. Burns. Contemporary. Score and parts. 43 pages. Effiny Music #6273591. Published by Effiny Music (A0.1021989). The original version of E Toro nga Hau: The Three Winds was written for oboe, clarinet and bassoon in 2001 and premiered by the Eastwind Trio d’Anches (the faculty reed trio from the University of North Carolina at Greensboro with the composer on bassoon) during a tour in New Zealand and Australia in May 2001. The premiere of the version for saxophone trio was performed by members of the Red Clay Saxophone Quartet on February 5, 2008.E Toro nga Hau: The Three Winds was inspired by the Australasian tour and my return home to New Zealand as a performer. Another inspiration was that my dear Grandmother passed away at the age of 94 in February 2001. Due to this there are elements of sadness and happiness throughout the piece. The bittersweet first movement begins melancholy, with a melody that freely switches between minor and major modes, but ends up with a lively dancing section focusing on happy memories, where the chickens from my grandmother’s farm may even be heard. The second movement is lively throughout with extensive use of mixed meter and includes a jazz rock interlude.While the work does not contain any actual New Zealand elements in the music, it was evocative of my time spent there growing up. It is in a style typical of my writing, containing jazzy influences combined with the more traditional. The title is given in Maori (the language of the native Polynesian race in New Zealand) and English and merely relates to the fact that it is written for three woodwind instruments. This work has been performed throughout North America and the South Pacific.This work also exists in two double reed versions: one for oboe, English horn, and bassoon, and another for oboe and two bassoons.
$20.00
All The Small Things
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Rock
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Blink 182
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Alex Phillips-Yates
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All The Small Things
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North Node Music
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SheetMusicPlus
String Trio - Level 3 - SKU: A0.573550 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Alex Phillips-Yates. Pop,Rock. 10 pages...
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String Trio - Level 3 - SKU: A0.573550 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Alex Phillips-Yates. Pop,Rock. 10 pages. North Node Music #182922. Published by North Node Music (A0.573550). Blink 182's indie rock anthem from the late 90s is a great crowd-pleaser, guaranteed to have everyone singing along! Its infectious syncopation and driving riffs make this a fun song to perform and to listen to!
$14.99
Brass Band - March - O. H. B.
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Contemporain
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Mike Lyons
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Brass Band - March - O. H. B.
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767284 Composed by Mike Lyons. Contemporary. Brass Band. 82 pages. Lyons Music Services #3227757. Published by Lyons Music Services (A0.767284). I wrote this march and dedicated it to my current band, Old Hall Brass, when I was first playing with them in 2003. Now that I'm back with them after a 9 year hiatus, I felt it only appropriate to publish it here.The opening 10 bars are a bit of a muck-around and are entirely optional. OHB's current conductor, John North, likes to entertain, so it's basically a tuning up section, like you would find in an orchestral concert but with some laughs thrown in!The march starts for real at the Segno. There's a fanfare-like opening which leads into the first main melody for the euphonium and solo horn. This is repeated with extra fanfare interjections from the trombones. The bass solo is a fairly traditional part of a march and this is no exception, except that it is not repeated. Another fanfare-like section leads into a reprise of the euphonium/horn melody with interjections from trombones and cornets. The final section is similar to the opening fanfare before the DS. Repeats should not be played on the DS.
$25.00
COLOSSEUM, Mvt.III from Letters from a Poet in Italy
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Contemporain
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Digital Recording
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Original composition
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COLOSSEUM, Mvt.III from Letter
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Francis Osentowski
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.953860 By Digital Recording. By Francis Osentowski, DMA University of North Texas and Music, Francis Osento...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.953860 By Digital Recording. By Francis Osentowski, DMA University of North Texas and Music, Francis Osentowski Lyrics, Jerry McElveen. Arranged by Original composition. Contemporary. Score. 6 pages. Francis Osentowski #6097441. Published by Francis Osentowski (A0.953860).  LETTERS FROM A POET IN ITALY. Mvt. III COLOSSEUM This ethereal song combines a mystical setting recalling the deaths of thousands in the Roman Colosseum. While visiting the modern-day site, Jerry McElveen had visions of the screaming crowds while gladiators and others were killed as entertainment. He was upset to see the current graffiti marring the stone walls of the structure.  The piano score and vocal looks difficult...but several performers have not found it to be problematic. It works as a more modern setup for the jazzy closer, DAVID Mvt IV. If the piano intro to Colosseum, seems to lag before the soprano enters...take the second ending on the intro... that will avoid the star singer having to wait too long! All four songs in the Letters from a Poet in Italy cycle are published in this web site. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David.
$4.99
Londonderry Air, (Danny Boy), for Trumpet and Tenor Horn (in E Flat) Duet
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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David McKeown
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Londonderry Air,
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David McKeown
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SheetMusicPlus
Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589051 Composed by Traditional Irish. Arranged by David McKeown. Celti...
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Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589051 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Irish,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6013333. Published by David McKeown (A0.589051). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Londonderry Air, (Danny Boy), for Violin and Alto Saxophone Duet
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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David McKeown
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Londonderry Air,
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Violin - Level 3 - SKU: A0.588459 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Fo...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Violin - Level 3 - SKU: A0.588459 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score and parts. 4 pages. David McKeown #6013351. Published by David McKeown (A0.588459). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Violin and one Alto Saxophone.The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Londonderry Air, (Danny Boy), for Oboe and Cor Anglais, (or English Horn), Duet
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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David McKeown
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Londonderry Air,
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.588924 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,H...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.588924 Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score and parts. 4 pages. David McKeown #6013315. Published by David McKeown (A0.588924). The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Oboe and one Cor Anglais or English Horn.The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Another Way To Die
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Film/TV
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Jack White & Alicia Keys
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Chris Gorman
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Another Way To Die
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1243630 By Jack White & Alicia Keys. By Jack White. Arranged by Chris Gorman. Film/TV. Brass Band. 70 pages. Chris Gorman #838598. Published by Chris Gorman (A0.1243630). Another Way to Die is a song by American musicians Jack White and Alicia Keys. Written and produced by White as the theme song to the 2008 James Bond film Quantum of Solace, it was released as a single in the United States on September 30, 2008 and in Europe on October 20, 2008. The song—which features White on vocals, guitar, piano and drums and Keys on vocals—is the first duet in the Bond film series, and was nominated for Best Short Form Music Video at the 2009 Grammy Awards, with director P. R. Brown. It was also nominated for Best Song at the 2008 Critics' Choice Awards, and won Best Original Song at the Satellite Awards 2008. Commercially, the song reached number one in Finland and became a top-five hit in Austria, Norway, Scotland, and Switzerland. This arrangement is dedicated to 2 fine soloists in The North of England, Jim Hayes & Graeme Tindall - both on Cornet.
$35.00
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
When Christmas Comes To Town
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Matthew Hall & Meagan Moore
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Matt Shaw
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When Christmas Comes To Town
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MJ Shaw
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1512425 By Matthew Hall & Meagan Moore. By Alan Silvestri and Glen Ballard. Arranged by Matt Shaw. 21st Century,Christmas,Film/TV. Brass Band. 35 pages. MJ Shaw #1087424. Published by MJ Shaw (A0.1512425). When Christmas Comes To Townfor Tenor horn duet and brass bandBy Alan Silvestri and Glen BallardArranged by Matt ShawFrom the soundtrack to the 2004 Warner Bros. Pictures movie 'The Polar Express', comes a new arrangement of 'When Christmas Comes To Town'. A box office hit, 'The Polar Express' tells the story of a young boy (named Hero Boy), who embarks upon a journey to the North Pole on a mysterious steam train on Christmas Eve, to visit Santa Claus. Once on board the train, the boy meets other children from various backgrounds who are all wanting to see Santa, as well as a magical train crew, headed by the Conductor. 'The Polar Express' stars Tom Hanks, providing voices and motion-capture for 6 characters, including the Conductor and Santa Claus. With an incredible original soundtrack from Hollywood legend Alan Silvestri, combined with other iconic Christmas recordings, 'The Polar Express' became an instant hit, and has embedded itself in Christmas popular culture.'When Christmas Comes To Town' is performed in the film by the characters Billy the Lonely Boy and Hero Girl, with singing voices provided by Matthew Hall and Meagan Moore, and tells the story of their differing perspectives of Christmas, with a shared desire to see Santa. This new arrangement from Matt Shaw is scored for two solo Tenor Horns with brass band accompaniment (including a tutti 2nd horn part), and captures all the magic and innocence of the original song, whilst being intentionally scored to be approachable and playable by bands of all levels. The solo lines are scored within a sensible range, and are supported by warm chords from the middle and lower band, with a continuous magical presence from the percussion writing. Originally arranged for, and performed by, the Wingates Brass Band, this arrangement promises to be a fantastic new addition to any band Christmas programme, as both a new and accessible feature and an instant crowd pleaser. Arrangement by Matt Shaw, from Nova Vocem Music.Suggested level - Youth/4th Section +
$46.00
Øب (Hubb, Arabic for Love), Trumpet and Tenor Horn Duet
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David McKeown
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Øب
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590828 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. ...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590828 Composed by David McKeown. African,Folk,Holiday,Love,Spiritual,World. Score and parts. 5 pages. David McKeown #6246251. Published by David McKeown (A0.590828). Øب (Hubb, Arabic for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Tenor Horn, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the Andalusi music of the Maghreb. The music is thought to have originated in Muslim Spain a thousand years ago and spread across North Africa in the following centuries. The music is set to the ancient Muwasha poetry, often with secular themes such as love. Andalusi music remains popular today, especially in Morocco, and has influenced many other forms of Arab music. Øب aims to capture the melody and spirit of this timeless music.Øب is written for players at an advanced intermediate standard and upwards. The preamble is in free time, like an improvisation, followed by the melody and instrumental interludes in a typical ten beat cycle. Øب has a performance time of around three minutes. Click on the link above to listen to a full YouTube performance of Øب played on Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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