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Run To Him
Partitions à imprimer
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Heart, we will forget him!
TTBB chorus a cappella - Digital Download SKU: BJ.1430 Composed by Linnea LandstrÃ…
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TTBB chorus a cappella - Digital Download SKU: BJ.1430 Composed by Linnea Landström. Award winning music! Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1430. Published by Bo Ejeby Forlag - Digital (BJ.1430). 8.27 x 11.7 inches.Winner of the 3rd prize in Linkopings Studentsangare Composition Award 2020. The phrase 'Heart, we will forget him!' runs like a mantra through the note systems, this is grief being processed. Emily Dickinson's poem deals with one of the finest, yet most difficult, of all human endeavors, our relationships. In this setting, I would like to shift the perspective, showing her words from an angle that is not often found in the repertoire of men's choirs - that all relationships have a right to exist, to be acknowledged, to thrive and maybe even to break down. - Linnea Landstrom.
$3.60
3.27 €
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Linnea Landström
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Heart, we will forget him!
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
The Staggering Drunkard
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1031959
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1031959 Composed by Daniel Slaymaker. 20th Century,Contemporary. Score and parts. 4 pages. Daniel Slaymaker #3878713. Published by Daniel Slaymaker (A0.1031959). Ballade in D Minor for Quarter-Tone Piano, The Staggering Drunkard. Practical performance would include two pianos - one of which is tuned a quarter-tone flat or sharp - but it is possible to play on a specially constructed quarter-tone keyboard for one performer.This piece was heavily inspired by Wyschnegradsky's Quarter-Tone Preludes, as well as Chopin's First Ballade in G Minor, and was composed when I was in college (the final version was completed after I left college). It's essentially a solo instrument tone poem that describes someone staggering home after a long night of drinking out, along the way dodging a train and instigating some cops that pursue him, then stumbling upon a carnival that rather promptly boots him out because of his provocative behavior. He eventually finds his way home, now able to rest after a bizarre night of debauchery.
$3.49
3.17 €
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Daniel Slaymaker
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The Staggering Drunkard
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Daniel Slaymaker
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SheetMusicPlus
A rune of hospitality (for alto recorder, guitar, piano and cello)
Small Ensemble Alto Recorder,Cello,Guitar,Piano - Level 3 - Digital Download SKU: A0.57…
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Small Ensemble Alto Recorder,Cello,Guitar,Piano - Level 3 - Digital Download SKU: A0.575696 Composed by David Warin Solomons. 20th Century,Christian. Score and parts. 15 pages. David Warin Solomons #2026971. Published by David Warin Solomons (A0.575696). I was entranced by the poem translated from an ancient rune by the Rev. Kenneth Macleod and I set it to music many years ago, originally calling it The Crofter's Song. ( - see the video here: https://www.youtube.com/watch?v=f6LBAMfAaRk ) it concerns a poor Scottish crofter who welcomes a stranger to his humble croft, feeds and entertains him, and finds blessing, ...for the stranger was Christ. This was one of the first of my songs using the Dorian mode. The following versions are available here The original song for alto and guitar A version for recorder quartet A version for flute and guitar A version for clarinet and guitar and A more complex version for recorder, guitar, piano and cello.
$12.00
10.9 €
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David Warin Solomons
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A rune of hospitality
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David Warin Solomons
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SheetMusicPlus
We'll Get The Bells To Ring (Rehearsal Track)
Choir,Piano - Digital Download SKU: A0.1052239 Composed by Stephen DeCesare. Broadw…
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Choir,Piano - Digital Download SKU: A0.1052239 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Full Performance. Duration 106. Exultet Music #3121715. Published by Exultet Music (A0.1052239). Comedic musical-theatre song which is featured in the Christmas musical, Why The Chimes Rang which sings about the townspeople trying to outdo one another in bringing a special gift to the altar to make the steeple bells ring which have not rung out in many years. Scored for Ensemble and Piano.
$3.99
3.62 €
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Stephen DeCesare
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We'll Get The Bells To Ring
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Exultet Music
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SheetMusicPlus
An die Türen (I will creep up to the doors) for low voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.57670…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285
$8.00
7.27 €
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Franz Schubert
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David Warin Solomons
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An die Türen
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David Warin Solomons
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.62 €
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Theme From The Simpsons
Percussion Ensemble Bass Marimba,Bells,Bongos,Chimes,Crotales,Snare Drum,Suspended Cymbal,…
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Percussion Ensemble Bass Marimba,Bells,Bongos,Chimes,Crotales,Snare Drum,Suspended Cymbal,Tambourine,Xylophone - Level 4 - Digital Download SKU: A0.1419464 Composed by Danny Elfman. Arranged by Brian Monroe. 20th Century,Children,Film/TV. 49 pages. BLM Music Publications (https://brianmonroemusic.com) #1000905. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1419464). The Simpson's Theme is a transcription of the opening of the American animated sit-com which first aired on the Tracy Ulman show in 1987. The theme song was composed by Danny Elfman in 1989. It has undergone several rearrangements during the show's run to account for adding or subtracting new material from the opening. This version by Brian Monroe features 15-16 percussionists and is available from Sheet Music Direct or Sheet Music Plus. Â Grade 4+.
$18.00
16.35 €
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Danny Elfman
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Brian Monroe
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Theme From The Simpsons
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BLM Music Publications
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SheetMusicPlus
Chamber Symphony
Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed…
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Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00
49.95 €
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
The Presence, serene and tender (piano and string quartet)
Small Ensemble,Strings Piano - Digital Download SKU: A0.1029488 Composed by Helder …
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Small Ensemble,Strings Piano - Digital Download SKU: A0.1029488 Composed by Helder Bruno. Arranged by Helder Bruno. 20th Century,Contemporary. Score and parts. 15 pages. Helder Bruno #6009997. Published by Helder Bruno (A0.1029488). The presence, serene and tender is a piece from the indie classical/neo classical music suite composed and arranged by Helder Bruno. This piece gives the name to the suite with 12 music pieces in the same style.Crowned as the new jewel of Portuguese music!His love for music has led him to a diverse career path, having immersed himself in academic research, authoring a book and other publications, and serving as a local councillor for culture, education, youth, tourism, entrepreneurship. During the same time he never stopped composing and performing. He captivates us with both his music and his words. You get touched by every word, by every note. Cintia Taylor (in https://helderbruno.com/).Music and more about Helder Bruno: https://album.link/i/1358836215
$24.90
22.61 €
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Helder Bruno
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Helder Bruno
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The Presence, serene and tender
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Helder Bruno
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SheetMusicPlus
Take A Chance On Me
Small Ensemble Cello,Double Bass,Harpsichord,Viola,Violin - Level 3 - Digital Download …
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Small Ensemble Cello,Double Bass,Harpsichord,Viola,Violin - Level 3 - Digital Download SKU: A0.742480 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Javier MartÃnez. Contemporary. Score and parts. 40 pages. Arte Nova Music Lab #4736959. Published by Arte Nova Music Lab (A0.742480). Take a Chance on Me is a song by the Swedish pop group ABBA. It was released in January 1978 as the second single from their fifth studio album ABBA: The Album. The song has been featured on a number of ABBA compilations such as Gold: Greatest Hits.The working title of Take a Chance on Me was Billy Boy. Written and recorded in 1977 by Benny Andersson and Björn Ulvaeus, it opens as a cold intro and was sung by Agnetha Fältskog and Anni-Frid Lyngstad, with Fältskog delivering the solo passages. It has a constant uptempo throughout the entire recording. It was one of ABBA's first singles in which their manager Stig Anderson did not lend a hand in writing the lyrics, firmly establishing Andersson and Ulvaeus as a songwriting partnership.The song's origins sprang from Ulvaeus, whose hobby was running. While running, he would sing a tck-a-ch-style rhythm to himself over and over again, which then evolved into take-a-chance and the eventual lyrics.[1] The song's B-side was I'm a Marionette, which, like Thank You for the Music and I Wonder (Departure) (the B-side to their previous single, The Name of the Game), was intended to be part of a mini-musical entitled The Girl With the Golden Hair that Andersson and Ulvaeus had planned, but ultimately shelved.Taken from https://en.wikipedia.org/wiki/Take_a_Chance_on_Me
$20.00
18.16 €
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ABBA
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Javier MartÃnez
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Take A Chance On Me
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Arte Nova Music Lab
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SheetMusicPlus
Crossroads of wind and waves for brass octet
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1425833 C…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1425833 Composed by nick hosa. Classical. 45 pages. Nick-music market #1006596. Published by nick-music market (A0.1425833). ``Wind and Wave Crossroad'' is a national highway that runs along the coastline from Shimonoseki City in Yamaguchi Prefecture to Tsunoshima.This song is a brass octet musical score based on my impressions of the scenery I had when I was sightseeing while driving through the Wind and Wave Crossroads.We hope that this song will give you a sense of the speed and the beauty of the scenery of the islands seen from the coast.
$30.00
27.25 €
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nick hosa
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Crossroads of wind and waves for brass octet
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nick-music market
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SheetMusicPlus
Tell My Father
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1411273 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Nicholas Garrett. Broadway,Musical/Show. Brass Band. 30 pages. Nicholas Garrett #993608. Published by Nicholas Garrett (A0.1411273). Arrangement of Tell My Father for Brass Band - featuring Euphonium, Trombone, and Eb Bass soloists.Tell My Father from the musical Civil War is a heartwrenching song sung by a soldier wishing to let his father know that he died a man.Lyrics:Tell my father that his sonDidn’t run or surrenderThat I bore his name with prideAs I tried to rememberYou are judged by what you doWhile passing throughAs I rest ‘neath fields of greenLet him lean on your shoulderTell him how I spent my youthSo the truth could grow olderTell my father, when you canI was a manTell him we will meet againWhere the angels learn to flyTell him we will meet as menFor with honour did I dieTell him I wore the blueProud and true, through the fireTell my father so he’ll knowI love him soTell him how I wore the blueJust the way that he taught meTell my father not to cryThen say goodbye
$25.00
22.7 €
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Sol3 Mio
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Nicholas Garrett
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Tell My Father
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Nicholas Garrett
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SheetMusicPlus
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCor…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.72 €
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McCorkle, Dennis F
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and he made him drunk
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Pour me Another One
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Puss Suite
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1084575 Composed by Henry Jackman. Arranged by Chris Gorman. Film/TV. Brass Band. 60 pages. Chris Gorman #688762. Published by Chris Gorman (A0.1084575). Puss in Boots is a Spanish-speaking, anthropomorphic cat named for his signature pair of boots. A fugitive on the run from the law, Puss is seeking to restore his lost honor. He learns that the murderous outlaw couple Jack and Jill have the magic beans he has long sought, which can lead him to a giant's castle known by legend to contain valuable golden goose eggs. When Puss attempts to steal the beans at their hideout, a female cat named Kitty Softpaws interrupts. She was hired to steal them as well by Humpty Alexander Dumpty, a talking egg and long-estranged childhood friend of Puss from the orphanage where they both were raised. Puss tells Kitty his origin story and how he felt betrayed by Humpty, who tricked Puss into committing a bank robbery in his hometown of San Ricardo. Puss has been on the run ever since. Humpty eventually convinces Puss to join them in finding the beans and retrieving the golden eggs.
$30.00
27.25 €
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Henry Jackman
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Chris Gorman
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The Puss Suite
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Chris Gorman
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SheetMusicPlus
A froggy would a wooing go (mp3)
Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Compos…
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Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Composed by Traditional. Arranged by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 178. David Warin Solomons #3397199. Published by David Warin Solomons (A0.1059518). Jolly version of this famous nursery song by Lorin Nelson and David Warin SolomonsA frog he would a-wooing go, mm mm, mm mm, A frog he would a-wooing go, Whether his mother would let him or no, mm mm, mm mm. He rode right to Miss Mousie's den, mm mm, mm mm, He rode right to Miss Mousie's den, Said he, Miss Mousie are you within? mm mm, mm mm. Oh yes, Sir Frog, I sit and spin, mm mm, mm mm, Oh yes, Sir Frog, I sit and spin, So open the door and walk right in, mm mm, mm mm. He said, Miss Mousie I?ve come to see, mm mm, mm mm, He said, Miss Mousie I?ve come to see, If you, Miss Mousie, will marry me? mm mm, mm mm. I don't know what to say to that, mm mm, mm mm, I don't know what to say to that, 'Til I can see my Uncle Rat, mm mm, mm mm. When Uncle Rat came riding home, mm mm, mm mm, When Uncle Rat came riding home, Said he, Whose been here since I've been gone? mm mm, mm mm. A fine young gentleman has been here, mm mm, mm mm, A fine young gentleman has been here, Who wants to marry me, that is clear, mm mm, mm mm. So Uncle Rat, he rode to town, mm mm, mm mm, So Uncle Rat, he rode to town, And bought his niece a wedding gown, mm mm, mm mm. Where shall our wedding supper be, mm mm, mm mm, Where shall our wedding supper be? Down in the trunk of the hollow tree, mm mm, mm mm. The first to come was the Bumble Bee, mm mm, mm mm, The first to come was the Bumble Bee, He strung his fiddle over his knee, mm mm, mm mm. The next to come was a Crawley Bug, mm mm, mm mm, The next to come was a Crawley bug, He broke the bottle and smashed the jug, mm mm, mm mm. The next to come was the Captain Flea, mm mm, mm mm, The next to come was the Captain Flea, He danced a jig with the Bumble Bee, mm mm, mm mm. The Frog and Mouse, they went to France, mm mm, mm mm, The Frog and Mouse, they went to France, And this is the end of my romance, mm mm, mm mm
$2.00
1.82 €
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Traditional
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A froggy would a wooing go
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David Warin Solomons
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SheetMusicPlus
Let All Mortal Flesh Keep Silence
2, 3, or 5 octave handbell choir, and 2, 3, or 5 octave handchime choir (or keyboard) - Le…
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2, 3, or 5 octave handbell choir, and 2, 3, or 5 octave handchime choir (or keyboard) - Level 2 - Digital Download SKU: C7.CGB757 Processional & Meditation. Composed by Karen Thompson. Ascension, Holy Communion. With Suspended Cymbals, Chime tree. Score. 8 pages. Chorister's Guild - Digital #CGB757. Published by Chorister's Guild - Digital (C7.CGB757). UPC: 749193017081.Level 2 • An arrangement that elegantly portrays the mood of Advent, Let All Mortal Flesh Keep Silence is unique and versatile. Beginning with a processional that is quite easy to memorize, this piece may be played by a chime choir and handbell choir or by one handbell choir and keyboard. Following the processional is a meditative setting of the hymn. The Processional and Meditation may be rung as separate pieces if desired.
$4.50
4.09 €
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Karen Thompson
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Let All Mortal Flesh Keep Silence
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Chorister's Guild - Digital
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.58 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
We Gather Together
Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). A…
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Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.  This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.   This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99
6.35 €
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Eduard Kremser
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F
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We Gather Together
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Sweetwater Brass Press
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SheetMusicPlus
Hello Hangover (Early One Morning)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1312707 Composed by Traditional. Arranged by Chris Gorman. Jazz,Traditional. Brass Band. 27 pages. Chris Gorman #901554. Published by Chris Gorman (A0.1312707). Whilst arranging this Traditional song Early One Morning, my mind cast back into the past where 1 young man, who after a night of drinking and frivolity awoke the next morning in a drunken stupor. He wandered about for an hour or two wondering how he had managed to survive during the night. In his bleariness, he suddenly remembered that he had been with his girlfriend and now she was not with him. Slowly he realised that in the midst of all this, he had lost his one and only beautiful partner and all sorts of weird tunes started running through his head. THis arrangement will tell the tale of his night of inebriation.
$35.00
31.79 €
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Traditional
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Chris Gorman
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Hello Hangover
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Chris Gorman
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SheetMusicPlus
Possum up a Gum Tree
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.4824…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.482458 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Country,Folk,Standards,World. Score and parts. 7 pages. Duration 56. J. Randolph Hall #4ViOL2a9KFMxxakFhtSJvO. Published by J. Randolph Hall (A0.482458). Key: G major.Also known as Possum up a Gum Stump, this was based on an African-American dance song during the time that leaders like Andrew Jackson kept slaves who had to hunt for raccoons and opposums to stay alive. This song has since become a hit with minstrel and Blue grass groups. 'Possum up the gum stump Dat (That) raccoon's in de (the) holler Twis' (Twist) 'im (him) out and get 'im down An' I'll gin (give) you half a dollar. 'Possum up the gum stump Yes, cooney's in de holler' A pretty girl down my house Jes (Just) as fat as she can waller. Possum up de gum stump. His jaw is black an' dirty. To come an' kiss you, pretty gal I'd run lak (like) a goobler tucky (turkey) Possum up the gum stump A good man's hard to fin' (find): You'd better love me, pretty gal You'll git (get) de yudder (other) kin' (kind).
$4.00
3.63 €
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J
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Possum up a Gum Tree
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J. Randolph Hall
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SheetMusicPlus
Hallelujah, We Adore You! (Lyrics and Chords)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.835116 Composed by Cody Weinm…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.835116 Composed by Cody Weinmann. Christian,Praise & Worship,Rock. 2 pages. Cody Weinmann #4719785. Published by Cody Weinmann (A0.835116). Hallelujah We Adore You is a simple worship song, a song of praise, praising the Lord God in the Highest for His son Jesus and all He gives us. He gives us His peace, His strength, His honor. We adore Him. This is the perfect song for a contemporary worship band or praise team to play at regular church services. It could be a great opener to a service. The run time on this is just over three and a half minutes long. I hope this song brings blessings to all who hear it!
$1.99
1.81 €
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Cody Weinmann
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Hallelujah, We Adore You!
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Cody Weinmann
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SheetMusicPlus
The Lord our Rock - voice and harp
Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859370 Composed by R…
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Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859370 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 12 pages. R. Ederveen #3542471. Published by R. Ederveen (A0.859370). The Lord our Rock - voice and harp An old traditional Sabbath melody arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 3'49'' For information contact via www.reginaederveen.nl This song is part of ''Songs of Peace'', a collection of 4 Biblical songs for voice and harp. Songs of Peace consists of: 1 The Lord our Rock 2 Psalm 34 3 Psalm 121 4 Psalm 150 ''Praise God with the lute and with the harp.'' Songs of Peace - Part 1 - The Lord our Rock The Lord, our Rock Whose bread we've eaten. Eaten our fill and yet there's still, there's still over, yes, there's over as has God instructed us. Thus from the bread. In accord with the word of Adonai. He nourishes His needy world, our Shepherd, Father mine. We've eaten of His bread and drunk His wine. Therefore we will thank Him, we will praise Him and respond again, There's no one holy as our Lord our Adonai. Therefore we will thank Him, we will praise Him and respond hereby, holy our holy Adonai. Have mercy in Your graciousness we pray You, Lord our Rock and do God bless the temple of your flock. The dwelling place, the holy place, the temple Zion thus... David Your servant He will come and will redeem us. Bread of life Messiah King will come and will redeem us. Thus He will come and will redeem us. The Temple will rebuild again restored will City Zion. There we'll sing our praises on and on! The Holy One, the Mighty One, the Shepherd so caressing. Over a glass of wine according to His blessing. The Holy One the Mighty One the Shepherd of His flock. Blessing of Adonai the Rock.
$7.99
7.26 €
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Regina Ederveen
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The Lord our Rock - voice and harp
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R. Ederveen
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone Horn & Piano
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0…
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.92 €
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for String Trio
String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Ar…
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String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6120335. Published by jmsgu3 (A0.552111). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50.  This version features the Schwencke measure (ms 27). Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$42.95
39.01 €
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for String Trio
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jmsgu3
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SheetMusicPlus
3 little pigs (mp3)
Piano,Voice - Digital Download SKU: A0.1059517 Composed by Lorin Nelson, David Wari…
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Piano,Voice - Digital Download SKU: A0.1059517 Composed by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 117. David Warin Solomons #3397197. Published by David Warin Solomons (A0.1059517). Three little pigs one sunny day Saw a wolf and they ran away They ran to the home of the chimpanzee But he wouldn't let them have the key They ran to the home of the friendly cow But she couldn't let them in just now They ran to the home of the great wild boar By now their trotters were getting sore The wild boar told them to run and hide So they ran and ran and they squealed and sighed And they ran to the horse and they begged some straw But the horse shooed them off so they ran some more Then the pigs they reached the farmer's house And were welcomed in by the tenant mouse The mouse she said to the pigs all three I'll help you if you'll help me You've got a wolf and I've got a cat We need to collaborate on that So they hatched a plot to rid themselves Of all the cats and all the wolves But as they sat and hatched their plan They forgot to post a lookout man So mouse and pigs I regret to say Were no more seen. 'Cos they ran away!
$2.00
1.82 €
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now their trotters were getting sore
The wild boar told them to run and hide
So they ran and ran and they squealed and sighed
And they ran to the horse and they begged some straw
But the horse shooed them off so they ran some more
Then the pigs they reached the farmer's house
And were welcomed in by the tenant mouse
The mouse she said to the pigs all three
I'll help you if you'll help me
You've got a wolf and I've got a cat
We need to collaborate on that
So they hatched a plot to rid themselves
Of all the cats and all the wolves
But as they sat and hatched their plan
They forgot to post a lookout man
So mouse and pigs I regret to say
Were no more seen
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Lorin Nelson, David Warin Solomons
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3 little pigs
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David Warin Solomons
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SheetMusicPlus
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