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--INSTRUMENTS--
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
S.T.O.P.
Partitions à imprimer
15 partitions trouvées
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1
The Sound Of Philadelphia (t.s.o.p.)
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Mfsb/Three Degrees
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Zeller-Elsässer Dieter
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The Sound Of Philadelphia
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Ndm-Noten
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SheetMusicPlus
Large Ensemble B-Flat Trumpet,Drums,E-Flat Alto Saxophone,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone - Level 3 - SKU: A0.1130631...
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Large Ensemble B-Flat Trumpet,Drums,E-Flat Alto Saxophone,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone - Level 3 - SKU: A0.1130631 By Mfsb/Three Degrees. By Kenneth Gamble and Leon Huff. Arranged by Zeller-Elsässer Dieter. Disco. Score and parts. 11 pages. Ndm-Noten #730902. Published by Ndm-Noten (A0.1130631). Tutti-Arrangement.
$12.99
The Sound Of Philadelphia (t.s.o.p.)
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Contemporain
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Mfsb/Three Degrees
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MAJOR SCORE PUBLISHING TM
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The Sound Of Philadelphia
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Major Score Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Trombone,Trumpet - Level 3 - SKU: A0.834470 By Mfsb/Three Degrees. By Huff Leon, Kenneth Gamble, a...
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Small Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Trombone,Trumpet - Level 3 - SKU: A0.834470 By Mfsb/Three Degrees. By Huff Leon, Kenneth Gamble, and Leon Huff. Arranged by MAJOR SCORE PUBLISHING TM. Contemporary. Score and parts. 42 pages. Major Score Publishing #5986623. Published by Major Score Publishing (A0.834470). This high energy version of TSOP or the Soul Train theme song has been adapted & arranged for 3 horns ( alto saxophone, trumpet, trombone) & rhythm section to preserve, maintain & celebrate this #1 classic & TV show theme. An open solo section has been added to feature the musicians before taking it out to a newly added ending with a punch. This arrangement is based on the original recording by MFSB featuring the Three Degrees. Enjoy!
$45.00
NÆ°á»›c Mắt Hoàng TrÆ°á»ng Sa - Score Only
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Châu Gia Chuyển
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Châu Gia Chuyển
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Nước Mắt Ho&agra
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Châu Gia Chuyển
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1038267 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia Chuyển. Children,Multicu...
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Large Ensemble - Level 5 - SKU: A0.1038267 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia Chuyển. Children,Multicultural,Standards,Video Game,Wedding,World. Score and parts. 1 pages. Châu Gia Chuyển #643202. Published by Châu Gia Chuyển (A0.1038267). NÆ°á»›c Mắt Hoà ng TrÆ°á»ng Sa Sáng tác và trình bà y : Châu Gia Chuyển Từ ngà n xÆ°a nòi giống Lạc Long Bốn ngà n năn gây dá»±ng cÆ¡ đồ Dòng máu Ä‘Ã o tuôn rÆ¡i khắp nÆ¡i Bao hùng anh ghi danh sá» và ng Việt Nam Æ¡i chim bay bốn phÆ°Æ¡ng Luyện võ công dâng sức trao Ä‘á»i Nà o Ngại gì gian khó hiển nguy Cùng chung tay giữ gìn quê hÆ°Æ¡ng Vison 2 : Ngoà i khÆ¡i xa bão tố cuồng phong Äếm ngà y đêm sôi sục căm há»n Lòng tạc dạ chẳng phút nà o quên Con nguyện Ä‘i bảo vệ biên cÆ°Æ¡ng Biển quê hÆ°Æ¡ng hai tiếng thiêng liêng Trong lá»i ru vá»ng mẹ ngân nga Con vùng dáºy quét phá phong ba Äất nÆ°á»›c nay in hình bóng cha Äiệp Khúc : Hoà ng TrÆ°á»ng Sa là máu của ta Äã khóc rồi ngÆ°á»i Æ¡i thấy không Hãy cùng nắm tay HÆ°á»›ng vá» biển đông Luyện tôi ý chà vững tin bạn Æ¡i ! Dân nÆ°á»›c Nam nòi giống rồng tiên Hoà ng TrÆ°á»ng Sa hãy cùng hiên ngang Hô vang khà thế Äánh tan giặc thù Lau khô nÆ°á»›c mắt cho Hoà ng,TrÆ°á»ng Sa.
$2.00
Chuyện Cổ Nghi Tàm (arrangemet)
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Thanh Tùng
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Äá»— Bảo
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Chuyện Cổ Nghi T&a
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NEWAGE MEDIA
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SheetMusicPlus
Small Ensemble Fiddle,Guitar,Hand Percussion,Multi-Percussion - Level 2 - SKU: A0.987021 Composed by Thanh Tùng. Arranged by Äá»— Bảo. Fo...
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Small Ensemble Fiddle,Guitar,Hand Percussion,Multi-Percussion - Level 2 - SKU: A0.987021 Composed by Thanh Tùng. Arranged by Äá»— Bảo. Folk,Pop,World. Score and parts. 3 pages. NEWAGE MEDIA #1988949. Published by NEWAGE MEDIA (A0.987021). Má»™t sáng tác năm 2008 của nhạc sÄ© Thanh Tùng, được cho là sáng tác cuối cùng trong sá»± nghiệp của ông. Bà i hát do Äá»— Bảo hòa âm cho Ä‘Ã n guitar Ä‘iện, nhị (erhu), và trống (percussion), trong liveshow Má»™t Mình năm 2008 của nhạc sÄ© Thanh Tùng, TrÃch: http://www.tienphong.vn/van-nghe/chuyen-co-thanh-tung-982699.tpo Sáng tác cuối cùng của Thanh Tùng được cho là bà i Chuyện cổ Nghi Tà m - má»™t bà i hát có ca từ không giống chất Thanh Tùng nhÆ° thÆ°á»ng thấy. Giai Ä‘iệu nghe rất xẩm Bắc bá»™. Những mÅ© rÆ¡m thá»i sÆ¡ tán, Xuân Äỉnh, Xuân La vá»›i mùi ổi găng, mùi hoa hoà ng lan giữa nắng rát mặt và mÆ°a bom trên đầu. Những bỡ ngỡ của cáºu trai trẻ miá»n Nam lần đầu tiên bÆ°á»›c chân ra vùng đất lạ thể hiện qua ca từ ngồ ngá»™: Củ hà nh là nhà Trung Ã, mái bằng là nhà Liên Xô. Có lẽ trải qua những yêu Ä‘Æ°Æ¡ng và vô và n trải nghiệm, ký ức thá»i má»™c mạc trá»—i dáºy ở tuổi xế chiá»u. Dù váºy, trong xứ Nghi Tà m xa xÆ°a ấy, vẫn có tuổi hồng dà nh cho nhau. Nghe kể lại, thá»i Nghi Tà m, cùng lứa táºp kết ra Bắc vá»›i Thanh Tùng có nhiá»u bạn bè thân là m quan to cấp trung Æ°Æ¡ng. Do đó, Chuyện cổ Nghi Tà m có khi nhÆ° má»™t lá»i nhắc tá»›i bạn bè: Äồ rằng anh quên hết nên tôi kể chuyện ngà y xÆ°a.
$1.99
O SILENCIO
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Pietro Frosini
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Lars Ek
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O SILENCIO
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068895 Composed by Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220...
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Accordion,Double Bass,Guitar - SKU: A0.1068895 Composed by Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921531. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068895). Ska vi leka med det? Lars Ek pratar inte. Han spelar. En gång, när några dragspelare var osams om olika dragspel, modeller, märken och annat, så att bara dragspelare kan diskutera sådana saker, bröt Lasse med ett Ska vi leka om det. Det är Lars Ek i ett nötskal. Repliken är nu en klassiker. Det är musiken på den här skivan också. Musikmässigt var det som för länge sedan präglades av tre av de mest färgstarka dragspelsprofiler som någonsin funnits: Nisse Lind, Pietro Frosini och Ragge Sundquist. Lars Ek har många representanter. Om vi subtraherar den kvinnliga publikens entusiastiska kommentarer om utseendet och håller oss till musiken blir det bland annat.: en utmärkt teknik, rytmisk balans och gripande, en stor portion bra idé. Och det som gjorde djupast intryck på signed: en otrolig känsla för stil! Att spela Lind, Frosini och Sundquist är enormt svårt. Det är tekniskt svårt, var och en förstår, det är bara att lyssna. Men att fånga stilen är det svåraste av allt: att hela tiden vara Lars Ek in i minsta detalj för att samtidigt återge de tre andra mästarnas stil och manér utan att bara apa efter, det är fruktansvärt svårt. Att spela Lind, Frosini och Sundqvist så att de tre männen som förnöjt nickar i hans himmel medan vi lever idag får möta en levande dragspelare som väcker de gamla gudarna till liv och samtidigt är precis vad han är, nämligen Lars Ek, det är det som är märkvärdigt, finstämt och roligt har hänt under mången lång dag i dragspelslandet Sverige. Jag vet, för jag har hört alla andra dragspelsskivor också och kan jämföra. Tro mig! Ove Hahn Ordförande, Svenska Dragspelsförbundet, SDR.
$1.99
"I vants to go home," or, Maximillian's Lament. Song & Chorus
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Bob
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T
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"I vants to go home,"
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (duet) - SKU: LV.13410 Composed by T.M. Brown. Caricatures, Toys, Children crying, Charles Louis Napoleon Bonaparte, Ferdinand Maximilia...
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Piano and voice (duet) - SKU: LV.13410 Composed by T.M. Brown. Caricatures, Toys, Children crying, Charles Louis Napoleon Bonaparte, Ferdinand Maximilian Joseph, Campaigns & battles. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13410). I vants to go home, or, Maximillian's Lament. Song & Chorus. By Bob. Barkis. Music by T. M. Brown. Published 1865 by n.p in n.p. Composition of strophic with chorus with piano and voice (duet) instrumentation. Subject headings for this piece include Caricatures, Toys, Children crying, Charles Louis Napoleon Bonaparte, Ferdinand Maximilian Joseph, Campaigns & battles. First line reads Oh! I vants to go home was the doleful cry, That came mournfully o'er the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Heloisa quintet
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Anderson Alves
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Anderson Alves
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Heloisa quintet
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Anderson Alves
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SheetMusicPlus
Cello,Clarinet,Fiddle,Piano - Level 4 - SKU: A0.1378514 By Anderson Alves. By Anderson Alves. Arranged by Anderson Alves. 20th Century,Classical,Contemp...
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Cello,Clarinet,Fiddle,Piano - Level 4 - SKU: A0.1378514 By Anderson Alves. By Anderson Alves. Arranged by Anderson Alves. 20th Century,Classical,Contemporary,Film/TV,Jazz. 16 pages. Anderson Alves #963136. Published by Anderson Alves (A0.1378514). Arranjos para clarinete, dois violinos e violoncelo e piano. Composta por Anderson Alves, São Paulo, Brasil. Dedicado à minha filha Heloisa. RaciocÃnio inspirador para composição baseada na série pelo nome:A B C D E F G H I J K L M N O P Q R S T U V X Z1 2 3 4 5 6 7 8 9 0 11 12 13 14 15 16 17 18 19 20 21 22mod12H e l o i s a8 5 0 2 9 6 1 Lab fa do re lá fa# reb
$13.00
Filhos da Revolução dos Cravos / Children of the Carnation Revolution (Orff Inst.)
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Rudesindo Soutelo
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Filhos da Revoluç&atild
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Orff instruments Orff instruments - Level 3 - SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,...
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Orff instruments Orff instruments - Level 3 - SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,Children,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #1004474. Published by Publisher by Rudesindo Soutelo (A0.1423143). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Orff Instruments [ca. 5' 21]Première: 24-IV-2024. Auditório Ramos Pereira, Vila Praia de Âncora (Portugal). Int.: Clube Instrumental da EBS do Vale do Âncora. Prof. Manuela Moura. ISWC: T-324.609.051-3ISMN: 979-0-707704-20-2Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/379996834The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The piece was composed for the Instrumental Club of the Vale do Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution. There is a version for piano 4 hands. The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depois, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.A obra foi escrita para o Clube Instrumental da Escola Básica e Secundária do Vale do Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos. Há uma versão para Piano a 4 mãos. O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.
$10.00
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
A MALVA ROSE
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Lars Ek
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Lars Ek
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A MALVA ROSE
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration ...
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Accordion,Double Bass,Guitar - SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99
Partituras - 50 Melodias com cifra - Livro 4
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Israel Pessoa
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Israel Pessoa
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Partituras - 50 Melodias com c
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Israel Pessoa
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SheetMusicPlus
Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.1150809 By Israel P...
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Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.1150809 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Wedding. Score and individual part. 71 pages. Israel Pessoa #750992. Published by Israel Pessoa (A0.1150809). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. Anjo Guardião - Banda da Graça 2. Beautiful Day - U2 3. Because You Loved Me - Celine Dion 4. Better Together - Jack Johnson 5. Blinding Lights - The Weeknd 6. Cheia de Manias - Raça Negra 7. Coffin Dance - Tabut Dansi 8. Como é lindo o canto de Iemanjá 9. Corre Pro Meu Mar - Maneva 10. Dandelions - Ruth B 11. De Janeiro a Janeiro - Nando Reis 12. Deixa Tudo Como Tá - Thiaguinho 13. Don’t Give Up On Me - Andy Grammer 14. Era uma Vez - Kell Smith 15. Espumas ao Vento - Lara Amélia 16. Eu Juro - Armandinho 17. Garota de Ipanema- VinÃcius de Moraes 18. Gratidão - Gabriela Rocha 19. Harvest Moon - Neil Young 20. Here comes the sun - The Beatles 21. História Infinita - Esdras Gondim 22. How Far I'll Go - Moana 23. I See The Light - Enrolados 24. Karma Chameleon - Culture Club 25. Like My Father -Jax 26. Locked Out Of Heaven - Bruno Mars 27. Monte Castelo - Legião Urbana 28. One Way Or Another - Blondie 29. Oxalá criou a Terrra, Oxalá criou o mar 30. Oxalá, nosso pai lá no céu 31. Pé na Areia - Diogo Nogueira 32. Pretexto - Imaginasamba 33. Primeiros Erros - Capital Inicial 34. Razão da Minha Vida - Belo 35. Señorita - Shawn Mendes - Camila Cabello 36. Simplesmente Jose - Eugênio Jorge 37. SÃtio do Pica-pau-amarelo - Gilberto Gil 38. Sugar - Maroon 5 39. Sweet Child O'Mine - Guns N' Roses - Com solos do Slash 40. Take On Me - A-Ha 41. Thank You - Led Zeppelin 42. That's How You Know - Encantada 43. Time After Time - Cyndi Lauper 44. Total Eclipse Of My Heart - Bonnie Tyler 45. True Colors - Cyndi Lauper 46. Vi Amor no Seu Olhar - Belo 47. Wave - Tom Jobim 48. When You Believe - O principe do Egito 49. Why Worry - Dire Straits 50. Yeshua - Casa Worship.
$10.00
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Ä°stanbul Senfonisi
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Fazil Say
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Ä°stanbul Senfonisi
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Schott Music - Digital
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SheetMusicPlus
Large orchestra and Turkish instruments - SKU: S9.Q48141 (Istanbul Symphony). Composed by Fazil Say. This edition: study score. Music Of Our Time...
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Large orchestra and Turkish instruments - SKU: S9.Q48141 (Istanbul Symphony). Composed by Fazil Say. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 28. Duration 45 minutes. Schott Music - Digital #Q48141. Published by Schott Music - Digital (S9.Q48141). Two of the European Cultural Capitals in 2010 - Istanbul and the Ruhr area - were united in the personality of the composer and pianist Fazıl Say. He lives in Istanbul and had a five-year residence as exclusive artist at the Konzerthaus Dortmund, the largest city in the Ruhr area. This cooperation culminated in the highlight of a concert, the world premiere of Say’s Istanbul Symphony in which the composer has created a portrait of the city in seven movements capturing everyday situations and the atmosphere, history and people of this great metropolis.Picc. · 3 · 2 · Engl. Hr. · 3 · 2 · Kfg. - 4 · 3 (3. auch Piccolotrp.) · 1 · Basspos. · 1 - P. S. (Xyl. · Trgl. · Marimba · Beckenpaar · hg. Beck. · Tamt. · Tamb. · Snare Drum · Tomt. · Tenortr. · gr. Tr. · Ocean Waves · Bar Chimes · 3 Woodbl.) (4 Spieler) - Hfe. - Nay* (ggf. verstärkt) · Kanun* (ggf. verstärkt) · Türk. Percussion (1 Spieler): Kudüm* · Bendir* · Darbuka* - Str. (16 · 14 · 12 · 12 · 8) *Die türkischen Instrumente können auch ersetzt werden. / The Turkish instruments may also be replaced: Nay: Altfl. & Engl. Hr. - Kanun: Cimbalom o. Hfe. & Klav. - Kudüm: Tablas o. Bongos o. Tomtoms - Bendir: Tablas o. Congas - Darbuka: Tablas o. Bongos.
$55.99
Illusions for clarinet and classical guitar (mp3)
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András Csáki
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Illusions for clarinet and cla
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 278. David Warin Solomons #1082113. Published by David Warin Solomons (A0.1506742). Arrangement for clarinet and guitar of my setting of the poem Illusions by Bluma Finkelstein for her husband.The original words are:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years.
$5.00
Scenes (Loops / Resonances / Phase)
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Contemporain
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Scenes
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Marcos Fernandez-Barrero
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Centu...
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Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Century,Classical,Contemporary,Film/TV,New Age. Individual part. 30 pages. Marcos Fernandez-Barrero #896802. Published by Marcos Fernandez-Barrero (A0.1307538). A solo piano work commissioned by Palau de la Música Catalana and funded by the Barcelona Creació Sonora to be premiered on the 28th September 2022 at Palau de la Música Catalana (Barcelona) by Alex Alguacil. Scenes is a musical composition comprising three distinct pieces: Loops, Resonances, and Phase. These works can be programmed independently or played consecutively without interruption to create a seamless, unified musical experience.Each of the three pieces draws its melodic inspiration and thematic ideas from Los Requiebros, the opening composition of Enrique Granados' Goyescas. In Los Requiebros, Granados skillfully incorporates a traditional Valencian tune known as La Tirana del TrÃpili to depict a romantic scene inspired by one of Francisco Goya's paintings. Goya's art served as a profound influence on Granados during this period.In Scenes, the aforementioned Valencian tune, along with various other elements rooted in the Spanish-Catalan piano school of Granados' era, is explored, dissected, reassembled, and blended with original ideas. This creative process results in three unique acoustic scenes where the central musical material is manipulated through looping, resonating, and phase shifting techniques. The resulting compositions provide a fresh perspective on the source material, offering a captivating journey through the world of sound, evoking a sense of timelessness and innovation.Scenes invites the audience to explore the rich heritage of Spanish-Catalan music while embracing contemporary approaches to composition and performance. The choice to perform the three pieces in succession without interruption allows for a seamless narrative that unites these scenes into a singular, immersive musical experience_________________________________________________________Una obra para solo encargo del Palau de la Música Catalana y financiada por el Barcelona Creació Sonora para su estreno el 28 de septiembre de 2022 en el Palau de la Música Catalana (Barcelona) a cargo de Alex Alguacil. “Scenes†(Escenas) es una composición que consta de tres obras distintas: Loops, Resonances y Phase. Estas pueden ser programadas de manera independiente o tocarse de manera consecutiva sin interrupciones para crear una experiencia musical unificada y fluida.Cada una de las tres piezas extrae su inspiración melódica y sus ideas temáticas de Los Requiebros, la obra de apertura de Goyescas de Enrique Granados. En Los Requiebros, Granados incorpora de manera magistral una melodÃa tradicional valenciana conocida como La Tirana del TrÃpili para representar una escena romántica inspirada en una de las pinturas de Francisco Goya. En Scenes, la mencionada melodÃa valenciana, junto con varios otros elementos arraigados en la escuela de piano española-catalana de la época de Granados, se exploran, deconstruyen, reensamblan y mezclan con ideas originales. Este proceso creativo da como resultado tres escenas acústicas únicas en las que el material musical central se manipula mediante técnicas de bucle, resonancia y cambio de fase. Las composiciones resultantes ofrecen una perspectiva fresca sobre el material fuente, brindando un viaje cautivador a través del mundo del sonido, evocando una sensación de atemporalidad e innovación.Scenes invita al público a explorar la rica herencia de la música española-catalana al tiempo que adopta enfoques contemporáneos para la composición y la interpretación. La elección de interpretar las tres piezas de manera sucesiva sin interrupciones permite una narrativa fluida que une estas escenas en una experiencia musical singular y envolvente.
$19.95
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