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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Salzburg
Sheetmusicplus
Non classifié
146
Piano & claviers
Piano seul
40
Orgue
12
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano, Voix et Guitare
2
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
2 Pianos, 8 mains
1
Piano, Voix
1
Piano Facile
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2
Voix
Chorale SATB
7
Chorale 3 parties
3
Chorale Unison
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quatuor de Saxophones: 4 saxophones
6
Quintette de Saxophone: 5 saxophones
6
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte traversière et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Clarinette
3
Ensemble de Clarinettes
3
2 Saxophones (duo)
3
3 Clarinettes (trio)
2
2 Clarinettes (duo)
2
Flûte traversière
2
Saxophone Tenor et Piano
2
Ensemble de saxophones
2
Hautbois, Piano (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto, Piano
2
2 Flûtes traversières (duo)
2
Hautbois, Basson (duo)
1
Saxophone Tenor
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Saxophone Soprano et Piano
1
5 Flûtes à bec
1
Ensemble de Flûtes
1
Flûte à Bec, Piano
1
Flûte, Violoncelle
1
Flûte, Alto (duo)
1
Saxophone (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Saxophone et violoncelle
1
Saxophone Baryton, Piano
1
Hautbois (partie séparée)
1
Piccolo, Piano
1
Clarinette et Piano
1
Hautbois, Violoncelle
1
Saxophone, Basson (duo)
1
2 Hautbois (duo)
1
2 Flûte à bec (duo)
1
Saxophone Alto et Piano
1
Hautbois et alto (duo)
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
3
Trio de Cuivres
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette
1
Quatuor de cuivres: 4 trompettes
1
Cor
1
Ensemble de Trompettes
1
Euphonium, Piano (duo)
1
2 Cors (duo)
1
Trombone
1
Trompette, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Ensemble de Cors
1
Cor et Piano
1
Tuba et Piano
1
Euphonium, Tuba (duo)
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon et Piano
9
Violon
6
Violoncelle
4
2 Violons (duo)
2
Violoncelle, Piano
2
2 Violoncelles (duo)
2
Alto, Piano
2
Violon, Alto (duo)
2
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
2 Altos (duo)
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Contrebasse, Piano (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
62
Orchestre à Cordes
12
Ensemble de cuivres
7
Orchestre de chambre
2
Orchestre
1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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VIOLONCELLE
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Salzburg
SheetMusicPlus
Partitions à imprimer
146 partitions trouvées
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126
Drei Salzburger Sinfonien KV 136-138
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Wolfgang Amadeus Mozart
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Drei Salzburger Sinfonien KV 1
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Möseler Verlag
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SheetMusicPlus
String orchestra SKU: M2.MOS-40025-70 Composed by Wolfgang Amadeus Mozart. Corona - Werkreihe fur Kammerorchester. Set of string parts. Möseler Verlag...
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String orchestra SKU: M2.MOS-40025-70 Composed by Wolfgang Amadeus Mozart. Corona - Werkreihe fur Kammerorchester. Set of string parts. Möseler Verlag #MOS 40025-70. Published by Möseler Verlag (M2.MOS-40025-70). ISBN 9790203742258.Die Werke entstanden vermutlich in den ersten Monaten des Jahres 1772. Sie trugen zunachst die KV-Nummern 125 a-c und wurden als Divertimenti gefuhrt. Es handelt sich jedoch um Orchesterquartette oder Sinfonien ohne Blaser, wie sie beispielsweise aus Mannheim bekannt sind. Ob Mozart chorische oder solistische Besetzung gemeint hat, ist umstritten; fur die chorische Besetzung spricht die Bezeichnung der Instrumente ... Viole / Basso.
$73.95
Drei Salzburger Sinfonien KV 136-138
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Wolfgang Amadeus Mozart
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Drei Salzburger Sinfonien KV 1
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Möseler Verlag
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SheetMusicPlus
String orchestra SKU: M2.MOS-40025 Composed by Wolfgang Amadeus Mozart. Corona - Werkreihe fur Kammerorchester. Score. Möseler Verlag #MOS 40025. Publ...
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String orchestra SKU: M2.MOS-40025 Composed by Wolfgang Amadeus Mozart. Corona - Werkreihe fur Kammerorchester. Score. Möseler Verlag #MOS 40025. Published by Möseler Verlag (M2.MOS-40025). ISBN 9790203740254.Die Werke entstanden vermutlich in den ersten Monaten des Jahres 1772. Sie trugen zunachst die KV-Nummern 125 a-c und wurden als Divertimenti gefuhrt. Es handelt sich jedoch um Orchesterquartette oder Sinfonien ohne Blaser, wie sie beispielsweise aus Mannheim bekannt sind. Ob Mozart chorische oder solistische Besetzung gemeint hat, ist umstritten; fur die chorische Besetzung spricht die Bezeichnung der Instrumente ... Viole / Basso.
$22.95
Salzburg
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Roy Guenther
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Salzburg
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Trumpet and organ - Moderately Easy - SKU: MQ.20-928-9E Composed by Roy Guenther. Epiphany. 8 pages. MorningStar Music Publishers - Digital Sheet Music ...
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Trumpet and organ - Moderately Easy - SKU: MQ.20-928-9E Composed by Roy Guenther. Epiphany. 8 pages. MorningStar Music Publishers - Digital Sheet Music #20-928-9E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-928-9E).
$5.00
Easter Music for Manuals, Set 1
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Easter Music for Manuals, Set
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SheetMusicPlus
Includes:Christ is ArisenCHRIST IST ERSTANDENChrist the Lord is Risen TodayEASTER HYMN/LYRA DAVIDICA/WORGANWith High Delight Let Us ...
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Includes:Christ is ArisenCHRIST IST ERSTANDENChrist the Lord is Risen TodayEASTER HYMN/LYRA DAVIDICA/WORGANWith High Delight Let Us UniteMIT FREUDEN ZARTO Sons and Daughers of the KingO Sons and Daughters, Let Us SingO FILII ET FILIAEAt the Lamb's High Feast We SingSALZBURGThis Joyful EastertideVREUCHTENChristians, to the Paschal VictimVICTIMAE PASCHALI LAUDESGood Christian Friends, Rejoice and SingGELOBT SEI GOTT
Song List
: Christ ist erstanden Easter Hymn (Worgan) Gelobt sei Gott (Vulpius) Mit Freuden Zart (Bohemian Brethren) O Filii et Filiae Salzburg Victimae Paschali Vruechten
$12.50
Still, Still, Still - trombone quartet
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Austrian traditional melody
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Todd Marchand
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Still, Still, Still - trombone
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.726090 Composed by Austrian traditional melody. Arranged by Todd Marchand. Christmas,Folk,Holiday,Traditiona...
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Brass Ensemble Trombone - Level 3 - SKU: A0.726090 Composed by Austrian traditional melody. Arranged by Todd Marchand. Christmas,Folk,Holiday,Traditional. Score and parts. 7 pages. Con Spirito Music #4792351. Published by Con Spirito Music (A0.726090). Still, Still, Still is an Austrian carol and lullaby thought to have originated c. 1819 in the state of Salzburg. The tune appeared for the first time in Salzburgische Volkslieder mit ihren Singweisen (1865), a collection of folk songs from Salzburg compiled by Maria Vinzenz Süß (1802-1868), with the text attributed to G. Gotsch.Although a number of verses exist, three are commonly sung in their English translation:Still, still, still, one can hear the falling snow. For all is hushed, the world is sleeping, Holy Star its vigil keeping. Still, still, still, one can hear the falling snow.Sleep, sleep, sleep, ’tis the eve of our Savior's birth. The night is peaceful all around you; close your eyes, let sleep surround you. Sleep, sleep, sleep, ’tis the eve of our Saviour's birth.Dream, dream, dream, of the joyous day to come, while guardian angels without number watch you as you sweetly slumber. Dream, dream, dream, of the joyous day to come.In this arrangement, three verses are presented, each with different harmonization and with the melody taken by different voices. ©Copyright 2016 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$10.00
Cello '5 Mozart duets'
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Classique
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Wolfgang Amadeus Mozart
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Darren Lloyd
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Cello '5 Mozart duets'
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Darren Lloyd
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.855728 Composed by Wolfgang Amadeus Mozart. Arranged by Darren Lloyd. Concert,Graduation,Instructional. Score and pa...
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String Ensemble - Level 3 - SKU: A0.855728 Composed by Wolfgang Amadeus Mozart. Arranged by Darren Lloyd. Concert,Graduation,Instructional. Score and parts. 7 pages. Darren Lloyd #3393859. Published by Darren Lloyd (A0.855728). '5 mozart duets' have been arranged to challenge intermediate Cello players. The duets focus on developing musicality, listening skills, dynamics, reading and articulations.There is a chance for students to play in 2nd & 3rd positions also, depending on which part they play!Darren Lloyd Arrangerthe duets in this book aremeneut k.1 - salzburg, december 1761 - page 1 menuet k. 2 - salzburg, january 1762 - page 2allegro k. 3 salzburg, march 1762 - page 3menuet k. 4 salzburg, may 1762 - page 5menuet k. 5 salzburg, july 1762 - page 6
$4.99
Still Still Still - Christmas song - 7 Parts - Clarinet Ensemble
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Noël
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Traditional
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.568866 Composed by Traditional. Arranged by Thomas Graf. Christmas. 38 pages. Thomas Graf - the-hit-...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.568866 Composed by Traditional. Arranged by Thomas Graf. Christmas. 38 pages. Thomas Graf - the-hit-factory.com #3381735. Published by Thomas Graf - the-hit-factory.com (A0.568866). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult. Instrumentation: Part I (Clar. in Bb/Eb), Part II/III/IV (Clar. in Bb), Part V/VI (Clar. in Bb, Alto Eb, Basset Horn), Part VII (Bass Clar.)      Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...           Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic       Video: https://www.youtu.be/DrY2dZaoolw  .
$19.99
Still Still Still - Christmas song - Wind Trio - Arrangement: Thomas H. Graf
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Noël
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Traditional
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Flute - Level 3 - SKU: A0.569108 Composed by Traditional. Arranged by Thomas Graf. Christmas. 12 pa...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Flute - Level 3 - SKU: A0.569108 Composed by Traditional. Arranged by Thomas Graf. Christmas. 12 pages. Thomas Graf - the-hit-factory.com #3627671. Published by Thomas Graf - the-hit-factory.com (A0.569108). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.  Instrumentation: Flute - Cor Anglais - Bassoon       Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!        Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...            Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic        Video: https://www.youtu.be/FA9VY9_XBFA
$9.99
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
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Leopold Mozart
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B
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Notenbuch für Wolfgang Am
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bl_music
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl...
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Woodwind Ensemble - Level 2 - SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl_music #5298655. Published by bl_music (A0.842552). Music book for W.A. Mozart by Leopold Mozart, for Descant and Treble Recorder (notation: treble/treble clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for descant and treble recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99
Mozart: Ave Verum Corpus for Piano Quintet
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Ave Verum Corpus for P
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jmsgu3
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SheetMusicPlus
Piano Quintet Piano - Level 3 - SKU: A0.552099 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedd...
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Piano Quintet Piano - Level 3 - SKU: A0.552099 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. 12 pages. Jmsgu3 #6119421. Published by jmsgu3 (A0.552099). Mozart: Ave verum corpus K. 618 for PIANO QUINTET. This is a fantastic masterpiece of music written by one of the greatest composers in our history. This famous piece by Mozart was composed only six months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.Ave verum corpusFirst, Mozart composed a most noteworthy motet in Latin, Ave verum corpus. This translates in English as Hail, the actual body. The motet is undoubtedly listed as K.618 in the Köchel Catalog. This is a chronological catalog of Mozart’s compositions consequently published by Ludwig von Köchel. Seems like Mozart probably composed this motet in the last year of his life. Likewise, he worked on his final opera, the Magic Flute, and his Requiem Mass at the time. Mozart wrote it for the feast of Corpus Christi. He scored it for SATB choir, string instruments, and a small organ. Hence, while the Requiem is a more dramatic work, the motet expresses even more the Eucharistic thoughts with relatively simple means, well-matched for the church choir in a small town.Early YearsWolfgang Amadeus Mozart (1756 – 1791) was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he could already play the keyboard and violin at age two. He started composing at age five and performed before European royalty.Middle PeriodAt 17, Mozart was working as a musician at the Salzburg Royal Court but grew agitated from boredom and traveled to search for a more exciting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the Capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos.Final PeriodThe conditions surrounding his death have been the subject of much conjecture and mythology. He composed over 600 works, many recognized as high points of symphonic, chamber, concertante, choral, and operatic. He is among the most everlastingly famous classical composers, and his impact is substantial on succeeding Western art music.
$42.95
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. ...
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Voice, recorder and percussion - SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q25928. Published by Schott Music - Digital (S9.Q25928). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$10.99
Argraffiad Cymraeg
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Carl Orff and Gunild Keetman
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Argraffiad Cymraeg
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voice and/or instru...
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Voice, recorder and percussion - SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q23985. Published by Schott Music - Digital (S9.Q23985). Welsh.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Welsh Edition This volume closely follows the English Volume 1, substituting Welsh for English wherever words are used in speech or song. It should be used in conjunction with the English version, since only the sung and spoken parts are provided.
$10.99
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall...
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Voice, recorder and percussion - SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q2433. Published by Schott Music - Digital (S9.Q2433). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$11.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-S...
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Voice, recorder and percussion - SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voic...
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Voice, recorder and percussion - SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instr...
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Voice, recorder and percussion - SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q47192. Published by Schott Music - Digital (S9.Q47192). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fourth volume: Songs and pieces using the full range of the aeolian, dorian and phrygian modes. Accompaniements are founded on drone bass with the later addition of simple chords.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instr...
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Voice, recorder and percussion - SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 2. Schott Music - Digital #Q47388. Published by Schott Music - Digital (S9.Q47388). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this second volume: Songs and pieces using the full major scale. Accompaniments are founded on drone bass with the later addition of simple chords.
$21.99
Still, Still, Still
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Simon James, Charlie Manton,
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Simon James
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Still, Still, Still
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DML
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SheetMusicPlus
Guitar,Voice - Level 3 - SKU: A0.1120790 By Simon James, Charlie Manton,. By Traditional Austrian. Arranged by Simon James. Christian,Christmas,Classica...
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Guitar,Voice - Level 3 - SKU: A0.1120790 By Simon James, Charlie Manton,. By Traditional Austrian. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 132. DML #722006. Published by DML (A0.1120790). Still, still, still is an Austrian Christmas carol and lullaby. The melody is a folk tune from Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Vinzenz Maria Süß (1802–1868), founder of the Salzburg Museum. There are various English translations but this one is my own and I have tried to stay close to the original German version supporting the idea of a lullaby, a mother trying to get her baby off to sleep. I have added a fourth verse which is essentially the first verse but with the words changed so that the baby is now sleeping. Score available.
$1.99
Mozart: Romanze from K. 525 for Piano Quintet
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Small Ensemble,Strings Piano - Level 3 - SKU: A0.549783 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacr...
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Small Ensemble,Strings Piano - Level 3 - SKU: A0.549783 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 27 pages. Jmsgu3 #3535793. Published by jmsgu3 (A0.549783). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for String Quartet and Piano (Piano Quintet). Duration: ca. 7:00. Score: 11 pages. Violin I: 4 pages, Violin II: 3 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Still Still Still - Christmas song - Flute Quintet
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Noël
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Trad
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Flute - Level 3 - SKU: A0.568258 Composed by Trad. Arranged by Thomas Graf. Christmas. 22 pages. Thomas Graf - the-hit-factory.co...
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Woodwind Ensemble Bass Flute - Level 3 - SKU: A0.568258 Composed by Trad. Arranged by Thomas Graf. Christmas. 22 pages. Thomas Graf - the-hit-factory.com #2893739. Published by Thomas Graf - the-hit-factory.com (A0.568258). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.  Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute            Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                     Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              Video: https://www.youtu.be/QVxrKWOt91I  .
$14.99
Rondo D major
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Classique
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Wolfgang Amadeus Mozart
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Klaus Holle
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Rondo D major
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Möseler Verlag - Digital
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SheetMusicPlus
2 Oboen, 2 Hörner, Streicher flute and chamber orchestra - intermediate to advanced - SKU: S9.Q589318 To Rondo C major. Composed by Wolfgang Ama...
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2 Oboen, 2 Hörner, Streicher flute and chamber orchestra - intermediate to advanced - SKU: S9.Q589318 To Rondo C major. Composed by Wolfgang Amadeus Mozart. Arranged by Klaus Holle. Corona - Werkreihe für Kammerorchester. Downloadable, Solo part. Op 161. Möseler Verlag - Digital #Q589318. Published by Möseler Verlag - Digital (S9.Q589318). Key: D major.Mozart schrieb das Rondo C-dur, KV 373 für Violine und Orchester 1781 für Antonio Brunetti, dem Konzertmeister der Salzburger Kapelle. Bereits im selben Jahr wurde das Werk von Brunetti aufgeführt; gedruckt wurde es aber erst 1800, neun Jahre nach Mozarts Tod. Ein Jahr später erschien eine nach D-dur transponierte Fassung für Querflöte und Orchester. Zur Zeit der Klassik war das Uminstrumentieren eigener oder fremder Werke nicht mehr so üblich wie im Barock. Aber es gibt noch genügend Beispiele; gerade Mozart liefert den besten Beweis (KV 413). Im Gegensatz zu der Ausgabe von 1801 ist die vorliegende Fassung enger am Originaltext orientiert, behält aber die Transposition nach D-dur bei; die Praxis hat gezeigt, dass die Querflöte in der D-dur-Fassung besser klingt.
$4.99
Die Schöpfung
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Reinhard Seifried
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Daniela Huber
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Die Schöpfung
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 (auch Engl. Hr.) · 1 · 1 - 2 · 2 · 0 · 1 - P. S. (Glsp. · Xyl. · kleines Drumset) (2 Spieler) - Hfe. - Str. (5 · 5...
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1 (auch Picc.) · 1 (auch Engl. Hr.) · 1 · 1 - 2 · 2 · 0 · 1 - P. S. (Glsp. · Xyl. · kleines Drumset) (2 Spieler) - Hfe. - Str. (5 · 5 · 3 · 2 · 2) narrator and orchestra - intermediate to advanced - SKU: S9.Q6260 Eine musikalische Erzählung über das Leben. Composed by Reinhard Seifried. Arranged by Daniela Huber. This edition: set of parts. Downloadable, set of parts. Schott Music - Digital #Q6260. Published by Schott Music - Digital (S9.Q6260). German.Der bekannte Kinderbuchautor und Illustrator Helme Heine möchte in diesem Buch Kindern die Geheimnisse des Lebens näher bringen: Teil 1 Samstag im Paradies beschreibt die Entstehung der Erde, im 2. Teil 2 Die Geschichte von Professor Kopf, Rosi Herz und Dick Bauch geht es um den Menschen von der Geburt bis zum Tod. Der Salzburger Komponist Reinhard Seifried hat zu dieser Geschichte Musik für Orchester komponiert, die auf der dem Kinderbuch beigelegten CD vom Ensemble der Bayrischen Staatsoper eingespielt ist. Helme Heine selbst spricht dazu die Texte. Ausgezeichnet mit dem Prädikat Empfohlen des Medienpreises LEOPOLD 2007/08.
$83.99
Rondo D-Dur KV 373
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Wolfgang Amadeus Mozart
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Rondo D-Dur KV 373
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Möseler Verlag
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SheetMusicPlus
Flute and chamber orchestra SKU: M2.MOS-40161-01 Nach dem Rondo C-Dur. Composed by Wolfgang Amadeus Mozart. Corona - Werkreihe fur Kammerorchester...
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Flute and chamber orchestra SKU: M2.MOS-40161-01 Nach dem Rondo C-Dur. Composed by Wolfgang Amadeus Mozart. Corona - Werkreihe fur Kammerorchester. Solo part. Möseler Verlag #MOS 40161-01. Published by Möseler Verlag (M2.MOS-40161-01). ISBN 9790203744092.Mozart schrieb das Rondo C-dur, KV 373 fur Violine und Orchester 1781 fur Antonio Brunetti, dem Konzertmeister der Salzburger Kapelle. Bereits im selben Jahr wurde das Werk von Brunetti aufgefuhrt; gedruckt wurde es aber erst 1800, neun Jahre nach Mozarts Tod. Ein Jahr spater erschien eine nach D-dur transponierte Fassung fur Querflote und Orchester. Zur Zeit der Klassik war das Uminstrumentieren eigener oder fremder Werke nicht mehr so ublich wie im Barock. Aber es gibt noch genugend Beispiele; gerade Mozart liefert den besten Beweis (KV 413). Im Gegensatz zu der Ausgabe von 1801 ist die vorliegende Fassung enger am Originaltext orientiert, behalt aber die Transposition nach D-dur bei; die Praxis hat gezeigt, dass die Querflote in der D-dur-Fassung besser klingt.
$2.95
Dir, Seele des Weltalls KV 468a
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Wolfgang Amadeus Mozart
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2 horns ad lib
SKU: M2
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Dir, Seele des Weltalls KV 468
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Möseler Verlag
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SheetMusicPlus
Soprano, mixed choir (SATB), 2 oboes and strings; 2 horns ad lib SKU: M2.MOS-68007-60 Sonnenhymnus aus der Freimaurer-Kantate, KV 429. Composed by...
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Soprano, mixed choir (SATB), 2 oboes and strings; 2 horns ad lib SKU: M2.MOS-68007-60 Sonnenhymnus aus der Freimaurer-Kantate, KV 429. Composed by Wolfgang Amadeus Mozart. Set of parts. Möseler Verlag #MOS 68007-60. Published by Möseler Verlag (M2.MOS-68007-60). ISBN 9790203771968.Von der Fragment gebliebenen Freimaurer-Kantate KV 429 sind nur der Eingangs-Chor und die anschliessende Tenor-Arie mit der von Mozart angedeuteten Instrumentierung erhalten. Mozarts Skizzen sind nicht erhalten, jedoch eine Abschrift seines Sohnes (Sopran, Mannerchor und Klavier) sowie eine weitere Abschrift im Salzburger Mozarteum (Sopran, gemischter Chor, Streicher, zwei Oboen und zwei Horner). Beide Fassungen gehen vermutlich auf Abbe Stadler zuruck. In der vorliegenden Ausgabe wurde die Fassung des Werkes im Ganzen beibehalten. Sie ist nur insofern verandert, als zum einen im Chorteil die beiden Horner-Stimmen (Fullstimmen) und zum anderen in der Arie die Querfloten- und Fagott-Stimme (die fast wortlich den Streicherstimmen folgen) weggelassen wurden. Durch eine Wiederholung des Chorteils nach der Arie ist die Formung der beiden Fragmente zu einem Ganzen moglich.
$31.95
Dir, Seele des Weltalls KV 468a
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Wolfgang Amadeus Mozart
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2 horns ad lib
SKU: M2
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Dir, Seele des Weltalls KV 468
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Möseler Verlag
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SheetMusicPlus
Soprano, mixed choir (SATB), 2 oboes and strings; 2 horns ad lib SKU: M2.MOS-68007-01 Sonnenhymnus aus der Freimaurer-Kantate, KV 429. Composed by...
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Soprano, mixed choir (SATB), 2 oboes and strings; 2 horns ad lib SKU: M2.MOS-68007-01 Sonnenhymnus aus der Freimaurer-Kantate, KV 429. Composed by Wolfgang Amadeus Mozart. Choral score. Möseler Verlag #MOS 68007-01. Published by Möseler Verlag (M2.MOS-68007-01). ISBN 9790203771951.Von der Fragment gebliebenen Freimaurer-Kantate KV 429 sind nur der Eingangs-Chor und die anschliessende Tenor-Arie mit der von Mozart angedeuteten Instrumentierung erhalten. Mozarts Skizzen sind nicht erhalten, jedoch eine Abschrift seines Sohnes (Sopran, Mannerchor und Klavier) sowie eine weitere Abschrift im Salzburger Mozarteum (Sopran, gemischter Chor, Streicher, zwei Oboen und zwei Horner). Beide Fassungen gehen vermutlich auf Abbe Stadler zuruck. In der vorliegenden Ausgabe wurde die Fassung des Werkes im Ganzen beibehalten. Sie ist nur insofern verandert, als zum einen im Chorteil die beiden Horner-Stimmen (Fullstimmen) und zum anderen in der Arie die Querfloten- und Fagott-Stimme (die fast wortlich den Streicherstimmen folgen) weggelassen wurden. Durch eine Wiederholung des Chorteils nach der Arie ist die Formung der beiden Fragmente zu einem Ganzen moglich.
$2.95
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