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Sanctus, Amen
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Vous avez sélectionné:
Sanctus, Amen
Partitions à imprimer
11 partitions trouvées
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1
Sanctus, Benedictus and Agnus Dei (with major 7th) for ATB choir and guitar (mp3)
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András Csáki
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Sanctus, Benedictus and Agnus
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David Warin Solomons
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SheetMusicPlus
Choir,Guitar - Level 4 - SKU: A0.1387480 By András Csáki (guitar) and Budapest Scoring Singers. By David Warin Solomons. Contemporary,Religious,Sa...
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Choir,Guitar - Level 4 - SKU: A0.1387480 By András Csáki (guitar) and Budapest Scoring Singers. By David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 419. David Warin Solomons #971335. Published by David Warin Solomons (A0.1387480). Recently rediscovered work of mine from 1975 - with special thanks to Nigel Warner for discovering and returning my manuscript and to Alexandr Burikov for entering it on Finale notation for me. Sanctus, sanctus, sanctusDominus Deus SabbaothSanctus Sanctus Dominus SanctusPleni sunt caeli et terra gloria TuaOsanna in excelsisBenedictus qui venit in nomine DominiOsanna in excelsis.Agnus Dei qui tollis peccata mundiMiserere nobisAgnus Dei qui tollis peccata mundiDona nobis pacemAmen(Holy, holy holyLord God of HostsHoly holy Lord holyHeaven and earth are full of your gloryHosanna in the highestBlessed is he who comes in the name of the LordHosanna in the highestLamb of God who takes away the sins of the worldHave mercy on usLamb of God who takes away the sins of the worldGive us peaceAmen)Performed by:Altos -  Nagy Bernadett and Viola ThurnayTenors - Lajos Fodré and Péter Mészáros Basses -  Ãkos Borka and Béla Silló György Guitar - András Csáki.
$7.50
Sanctus
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Gary Gazlay
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Sanctus
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Imagine Music - Digital
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SheetMusicPlus
Brass choir & percussion - SKU: IZ.CMS1610 Composed by Gary Gazlay. Score and Parts. 43 pages. Imagine Music - Digital #CMS1610. Published by Imagine Mu...
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Brass choir & percussion - SKU: IZ.CMS1610 Composed by Gary Gazlay. Score and Parts. 43 pages. Imagine Music - Digital #CMS1610. Published by Imagine Music - Digital (IZ.CMS1610). 9 x 12 in inches.Sanctus is a Latin word which means Holy. Sanctus was inspired by Revelation 4:8, and was composed as anextended crescendo - building to the climatic final Amen three measures before the conclusion of the song.Sanctus is dedicated to my wife Betty. She is my best friend and for over 34 years of marriage has enriched my lifethrough her love, encouragement and support. She inspires me and I am abundantly blessed to have her as my wife.It is my hope that Sanctus will provide students with a song that they will enjoy learning to play, and provide othermusic educators with a teaching tool that can be used in helping to motivate and encourage their students.
$24.00
Machaut: Le Messe de Nostre Dame for Brass Quartet
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones
1
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Gu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early...
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Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
The People's Service (Downloadable)
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Hal H
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Gloria/Glory to God
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The People's Service
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cantor, congregation, organ - Moderately Easy - SKU: MQ.80-250-E Composed by Hal H. Hopson. Instrument part. 29 pages. MorningStar Music Publishers - Di...
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Cantor, congregation, organ - Moderately Easy - SKU: MQ.80-250-E Composed by Hal H. Hopson. Instrument part. 29 pages. MorningStar Music Publishers - Digital Sheet Music #80-250-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-250-E). An accessible service for the Congregation, Cantor, and/or Choir. May be accompanied by either Organ or Piano. Quickly and easily learned by all participants. For use throughout the church year. Includes Kyrie; Gloria/Glory to God; The Great Prayer of Thanksgiving; 13 seasonal Prefaces to the Sanctus; Sanctus; Memorial Acclamations, Doxology; Amen; and Agnus Dei/Lamb of God.Reproducible pages for congregation may be purchased separately in either printed form or as a downloadable product.When using this service please report your usage to either OneLicense.net or CCLI.
$5.00
Vivaldi's Gloria (mp3)
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Classique
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dwsChorale
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David Warin Solomons
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Vivaldi's Gloria
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David Warin Solomons
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SheetMusicPlus
String Orchestra Voice - SKU: A0.1103557 By dwsChorale. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religious. Full Performa...
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String Orchestra Voice - SKU: A0.1103557 By dwsChorale. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religious. Full Performance. Duration 1173. David Warin Solomons #706827. Published by David Warin Solomons (A0.1103557). The whole of Vivaldi's Gloria performed by the dwsChorale (one-man choir) with alto solo David W Solomons Lyrics (English translation can be found below) Coro [Allegro] Gloria in excelsis Deo Coro [Andante] et in terra pax hominibus Aria [Allegro] - Due soprani Laudamus te, benedicimus te, adoramus te, glorificamus te. Coro [Adagio] Gratias agimus tibi Coro [Allegro] propter magnam gloriam tuam. Aria [Largo] - Soprani Domine Deus, Rex coelestis, Deus Pater omnipotens, Coro [Allegro] Domine Fili unigenite Jesu Christe, Aria [Adagio] - Contralto e Coro Domine Deus, Agnus Dei, Filius Patris. qui tollis peccata mundi, miserere nobis Coro [Adagio] Qui tollis peccata mundi, miserere nobis, suscipe deprecationem nostram. Aria [Allegro] - Contralto Qui sedes ad dexteram patris, miserere nobis. Coro [Allegro] Quoniam tu solus sanctus, tu solus Dominus, tu solus altissimus Jesu Christe. Coro [Allegro] cum Sancto Spiritu in gloria Dei Patris, Amen. (English translation) Chorus (Allegro): Glory to God in the highest Chorus (Andante): And on earth peace to men. Air (Allegro) - Two sopranos: We praise you, we bless you, we adore you, we glorify you. Chorus (Adagio): We thank you Chorus (Allegro): for your immense glory. Air (Largo) – Two sopranos: Lord God, king of heaven, God the Father almighty, Chorus (Allegro): God the only begotten Son Jesus Christ, Air (Adagio) - Alto and Chorus: Lord God, Lamb of God, Son of the Father, you who take away the sins of the world, have mercy on us. Chorus (Adagio): You who take away the sins of the world, have mercy on us, accept our prayers. Air (Allegro) – Alto: You who sit on the right hand of the Father, have mercy on us, Chorus (Allegro): because you only are holy, you only the Lord, you only the most high Jesus Christ Chorus (Allegro): with the Holy Spirit in the glory of God the Father. Amen.
$7.50
Vivaldi's Gloria performed by the Hertford College Choral Society (mp3)
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Classique
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Hertford College Choral Societ
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Anon
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Vivaldi's Gloria performed by
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David Warin Solomons
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SheetMusicPlus
String Orchestra Choir - SKU: A0.1103560 By Hertford College Choral Society. By Antonio Vivaldi. Arranged by Anon. Baroque,Classical,Religious. Full Per...
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String Orchestra Choir - SKU: A0.1103560 By Hertford College Choral Society. By Antonio Vivaldi. Arranged by Anon. Baroque,Classical,Religious. Full Performance. Duration 1678. David Warin Solomons #706829. Published by David Warin Solomons (A0.1103560). Lyrics (English translation can be found below) Coro [Allegro] Gloria in excelsis Deo Coro [Andante] et in terra pax hominibus Aria [Allegro] - Due soprani Laudamus te, benedicimus te, adoramus te, glorificamus te. Coro [Adagio] Gratias agimus tibi Coro [Allegro] propter magnam gloriam tuam. Aria [Largo] - Soprani Domine Deus, Rex coelestis, Deus Pater omnipotens, Coro [Allegro] Domine Fili unigenite Jesu Christe, Aria [Adagio] - Contralto e Coro Domine Deus, Agnus Dei, Filius Patris. qui tollis peccata mundi, miserere nobis Coro [Adagio] Qui tollis peccata mundi, miserere nobis, suscipe deprecationem nostram. Aria [Allegro] - Contralto Qui sedes ad dexteram patris, miserere nobis. Coro [Allegro] Quoniam tu solus sanctus, tu solus Dominus, tu solus altissimus Jesu Christe. Coro [Allegro] cum Sancto Spiritu in gloria Dei Patris, Amen. (English translation) Chorus (Allegro): Glory to God in the highest Chorus (Andante): And on earth peace to men. Air (Allegro) - Two sopranos: We praise you, we bless you, we adore you, we glorify you. Chorus (Adagio): We thank you Chorus (Allegro): for your immense glory. Air (Largo) – Two sopranos: Lord God, king of heaven, God the Father almighty, Chorus (Allegro): God the only begotten Son Jesus Christ, Air (Adagio) - Alto and Chorus: Lord God, Lamb of God, Son of the Father, you who take away the sins of the world, have mercy on us. Chorus (Adagio): You who take away the sins of the world, have mercy on us, accept our prayers. Air (Allegro) – Alto: You who sit on the right hand of the Father, have mercy on us, Chorus (Allegro): because you only are holy, you only the Lord, you only the most high Jesus Christ Chorus (Allegro): with the Holy Spirit in the glory of God the Father. Amen.
$7.50
Kör ad lib. Blå
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Various
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Gunnar Eriksson
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Kör ad lib. Blå
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Various - SKU: BJ.1005 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 49 pages. Bo Ejeby Forlag - Digital #1005. Published by Bo Ejeby Forlag...
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Various - SKU: BJ.1005 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 49 pages. Bo Ejeby Forlag - Digital #1005. Published by Bo Ejeby Forlag - Digital (BJ.1005). 8.27 x 11.7 inches.33 songs - from medieval hymns and traditional folk songs to minimalistic compositions - in arrangements or with ideas and improvisation models based on old and new tricks such as quodlibet, canon, polytonality and polyrhythms. This book has long been a successful and inspiring toolbox for choral conductors and singers all over the world. Notes in English and German are available from the publisher. Contents:O Kriste, du som ljuset ar Varldens fralsare, kom har Kristallen den fina Hymn till Magnus den helige Alle, psallite - Alleluya Amen Agnus Dei Ur Deploration sur la mort d'Ockeghem Canon angelicus Sanctus Tempus adest floridum In vernali tempore Pass et medio O bone Jesu Ein feste Burg Tysk julgrot Drei Engel De komma fran ost och vast Taga del i ost och vast Till Osterland vill jag fara Ah ya Zein Lele Jano Janko Guantanamera Danse, icke grate na Folkharpa Olson III Ligeti-improvisation I-A-O Isaac og Ivan og Innsbruck Omnia mutantur, nihil interit.
$17.00
JAZZBLEST
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Musique Sacrée
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Ramona Borthwick
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Ramona Borthwick
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JAZZBLEST
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Leitmotif
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borth...
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Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borthwick. Jazz,Praise & Worship,Sacred. Octavo. 24 pages. Leitmotif #553543. Published by Leitmotif (A0.933514). A Eucharistic Liturgy of Reverence and Delight! JazzBlest is a completely original and delightful collection of Eucharistic service music that honors the traditional structure of an Anglican/Episcopal mass, while it reimagines the contours of its expression. The music is written for SATB voices, and is intended to be performed with the accompaniment of a jazz trio or quartet. The scores include lead sheets for the accompanists/soloists.The Gloria is joyous and uplifting, and the lyrics feature Wisdom as the image of the divine. The Gospel Acclamation features an infectious Afro-Cuban rhythm, while the setting for the Nicene Creed is both fresh and accessible; and can be readily taught to the congregation for regular use. The Doxology is a lively and textured tribute to the devotions of Anglican Caroline Divine, Lancelot Andrewes. And the Eucharistic service music offers a brand new sound for the familiar words of the Sursum Corda, Sanctus, Memorial Acclamation, and Great Amen - all of which use traditional lyrics in wonderful new rhythms and progressions. The Fraction Anthem restates unity inherent in the Eucharist in fresh new musical and lyrical terms. And finally, the Benediction could not be a more uplifting jazz anthem with its accented drum beats and invitation to go in peace, go in love, and let the Holy Spirit be the guide! Credits: All of the music in JazzBlest is composed by jazz pianist/composer Ramona Borthwick, (www.ramonaborthwick.com) whose immense talent and musical imagination are ever present in and through this amazingly fresh liturgy. The lyrics, other than the traditional fare, are written by The Rev'd. Gretchen Grimshaw who serves as the rector of the Episcopal Parish of St. Paul, Newton Highlands, Massachusetts. Also Available: In addition to the service music from JazzBlest, also available for purchase are two gorgeous and compelling anthems that expand the reach and appeal of this Christian Eucharist. Eight Winds is a powerful Prelude or Offertory Anthem that integrates the Eight Winds of the Buddhist tradition with the pre-eminent Christian message that love trumps all else. And Rio Alegre (River of Joy) is a saucy Latin anthem, a great Postlude that relates the rhythm and context of life to the flow of a river, bubbling and accelerating with joyous possibility.
$12.99
Mass of the Transfiguration (Downloadable Choral Score)
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Normand Gouin
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Mass of the Transfiguration
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Assembly, SATB choir, and organ with optional flute, brass quintet, timpani, suspended cymbal, and strings (Brass Quintet/Percussion Parts include: Trumpets I a...
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Assembly, SATB choir, and organ with optional flute, brass quintet, timpani, suspended cymbal, and strings (Brass Quintet/Percussion Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Bass Trombone/Tuba, Timpani, Suspended Cymbal. String Parts include: Violin I and II, Viola, Cello) - Medium - SKU: MQ.80-500-E Composed by Normand Gouin. Score & instrument parts. 33 pages. MorningStar Music Publishers - Digital Sheet Music #80-500-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-500-E). English.Normand Gouin has crafted a timeless setting of the Mass. He has set familiar Gregorian chant Ordinary parts—Kyrie XVI in Greek, Gloria VIII in Latin, Mode VI Alleluia, Sanctus XVIII in Latin, ICEL memorial acclamations in English, ICEL Amen (expanded), and Agnus Dei XVIII in Latin—for Assembly, SATB choir, and organ, with optional instrumentation for Flute, Brass Quintet, Percussion, and Strings. The choral parts sometimes support the assembly chant, and sometimes act as halos, deftly embellishing it. The score is in modern notation, and rhythmic values have been treated with great care to preserve the natural flow of chant. A highlight is the Gloria (Missa de Angelis), which alternates assembly chant with original, metered music for the choir based on the chant. Commissioned for the dedication of Christ Cathedral, Orange, CA, in 2019.
$3.75
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Sanctus, Amen
