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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
73
Piano & claviers
Piano seul
275
Piano, Voix
21
Accordéon
7
Orgue
6
Piano, Voix et Guitare
5
Piano Facile
2
Instruments en Do
1
+ 2 instrumentations
Retracter
Guitares
Guitare
20
Guitare notes et tablatures
4
4 Guitares (Quatuor)
2
Orchestre à Plectres
1
Guitare, Quatuor à cordes
1
Voix
Voix seule
98
Chorale SATB
13
Chorale 3 parties
4
Voix basse, Piano
4
Voix Mezzo-Soprano, Piano
2
Chorale TTBB
2
Voix Tenor, Piano
2
Voix Baryton, Piano
1
Chorale
1
Chorale Unison
1
+ 5 instrumentations
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Vents
Saxophone
65
Clarinette
41
Hautbois
33
Flûte traversière
27
Flûte à Bec
22
Saxophone Alto et Piano
3
Flûte traversière et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Saxophones (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de Clarinettes
2
3 Saxophones (trio)
1
Saxophone Tenor
1
Saxophone et Orgue
1
Hautbois (partie séparée)
1
Quatuor de Flûtes : 4 flûtes
1
+ 11 instrumentations
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Cuivres
Trompette
12
Cor
6
Trombone
4
Tuba
3
Euphonium
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba et Piano
1
+ 3 instrumentations
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Cordes
Violon
31
Violoncelle
22
Alto seul
16
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon et Piano
4
Violoncelle, Piano
3
Harpe
2
Alto, Piano
1
Violon, Violoncelle (duo)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre
20
Orchestre d'harmonie
10
Ensemble de cuivres
3
Orchestre de chambre
1
Ensemble de Percussions
1
Fanfare
1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Se l'aura spira tutta vezzosa for Trombone or Low Brass Quartet
Brass Ensemble Euphonium,Trombone,Tuba - Level 5 - Digital Download SKU: A0.508345 …
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Brass Ensemble Euphonium,Trombone,Tuba - Level 5 - Digital Download SKU: A0.508345 Arranged by Eric Burger Music. Baroque. Score and parts. 7 pages. Eric Burger Music #3680793. Published by Eric Burger Music (A0.508345). View the score with playback at: https://youtu.be/hJCfnC8Ii2k Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Quartet works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$9.00
8.25 €
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Eric Burger Music
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Se l'aura spira tutta vezzosa for Trombone or Low Brass Quartet
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Eric Burger Music
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SheetMusicPlus
Il sole e la luna (Aspettando l'eclissi)
Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Compo…
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Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Composed by Monica Bergo. 20th Century. Score and parts. 54 pages. Monica Bergo #3234597. Published by Monica Bergo (A0.976827). 2017 Holiday Contest Entry IL SOLE E LA LUNA (aspettando l’eclissi) Vorrei andarmene lontano In questi giorni senza te Vorrei sparire come un sogno Che se apri gli occhi più non c’è Vorrei tornare indietro al tempo In cui esistevi solo tu Ai bei momenti passati , le risate ed i baci Come il sole e la luna io e te Ma poi ritorno al mio presente E la tua assenza brucia in me Così lontani e distanti Tu , come tutti quanti E gentili parole che svaniscono al sole Noi siamo come sole e luna Che non si incontreranno mai Eterna lotta nel tempo si corrono incontro Per non abbracciarsi mai E come il sole con la luna Noi non ci sfioreremo mai Ti scaldo solo un istante Ma sei freddo, scostante Ed il giorno con me non vivi mai Il sole e la luna Due amanti vaganti Tenuti distanti, dal caos degli eventi Scandiscono il ritmo il senso del tempo Il sole risplende La luna nasconde Ed è il girotondo Più antico del mondo È un tragico valzer Come questa mia danza senza te Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te Guarda la luna come illumina Tra mille stelle lei risplenderà Con il suo alone profondo Ti nasconde dal mondo Ed i tuoi segreti celerà Ma guarda il sole come è magico Quando si alza e tutto brillerà Con i suoi mille colori, i tramonti ed i fiori È vita e tutto si rinnoverà Nell’universo impenetrabile Questi 2 astri si rincorrono Ma non c’è senso nel sole Se non ha la sua luna Aspettando l’eclissi, arriverà Aspetto l’eclissi Il tempo che passi Conservo il calore Per stringerti al cuore E penso all’istante Quel breve momento All’allineamento tra ombra e fulgore E fasi lunari, riflessi solari Tra stelle e pianeti È un eclissi del cuore senza te Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te E ballo sempre sola e triste è Questo mio valzer senza te Non lo hai saputo imparare come non sai amare Una donna come me che preferisce volare non si vuole fermare al mondo e a tutti i vizi suoi perché gli orrori son tanti ma la luce del sole può placare il dolore io sono il sole e tu la luna come raggiungerti non so Perché quest’anima vola Anche se è sempre sola Non si ferma un momento Non conosce il rimpianto E proprio come il sole con la luna noi Siam destinati a non sfiorarci mai se mentre chiudo i miei.
$3.99
3.66 €
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Monica Bergo
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Il sole e la luna
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Monica Bergo
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SheetMusicPlus
Il primo giorno dell'Apocalisse (Oltre l'orizzonte)
Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - …
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Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - Level 3 - Digital Download SKU: A0.976854 Composed by Monica Bergo. Contemporary. Score and parts. 36 pages. Monica Bergo #3236823. Published by Monica Bergo (A0.976854). 2017 Holiday Contest EntryIL PRIMO GIORNO DELL’APOCALISSE (OLTRE L’ORIZZONTE) Gente che invade le strade Siamo d’estate e la neve cade Nell’aria oscuri presagi Lancette ferme negli orologi Oltre l’orizzonte non posso guardare Una stella che brilla è già pronta a morire Il sole e la luna, che sta succedendo? Insieme nel cielo , è la fine del mondo Sei pronto a pentirti di tutti i peccati? La gente impazzita, va in cerca dei preti Chi piange, chi ride, chi canta , chi prega campane suonate, tamburi rullate è giunta la fine per l’umanità Non mi aspettavo che tutto finisse Questo è il primo giorno dell’Apocalisse Io che sono astemia mi riempio il bicchiere Se devo morire, non voglio capire E scendo in pista per l’ultima danza Mentre lo tzunami si innalza ed avanza Fra tutta la gente non cerco che te Ma tu dove sei? Non vieni da me? Oltre l’orizzonte ti vorrei portare Non sarebbe bello? Tra campi di fiori Noi sopravvissuti ,nell’eden perduto Soltanto per noi Dimmi che lo vuoi E sarebbe vita e nuova occasione E sarebbe gioia e non più prigione Incontaminati, senza più peccati Dimmi una bugia e portami via Da questo tragico presente Dall’Armagghedon imminente Angeli cantano in coro Mi metto in fila, vado con loro Ma tra la folla il tuo viso E Chi se ne frega del paradiso Maschere bianche mi sbarrano il passo Io grido , ti chiamo, ma tu sei lontano Lo strato d’ozono è ormai inesistente La pelle si brucia Il caldo è asfissiante Ognuno parla una lingua diversa moderna Babele, la torre è riapparsa Frammenti di Bibbia, la Genesi insegna Per ogni peccato, la giusta condanna Non mi aspettavo che tutto finisse Ma è l’ultimo giorno dell’Apocalisse Il genere umano , si estingue stanotte La terra oltraggiata, alla fine ci inghiotte Sarebbe bello morire abbracciati I nostri 2 corpi in eterno avvinghiati Oltre l’orizzonte non posso guardare Il sole che esplode Continuo a ballare La morte che avanza Una tragica danza Oltre l’orizzonte ti ritroverò Monica Bergo
$3.99
3.66 €
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Monica Bergo
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Il primo giorno dell'Apocalisse
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Monica Bergo
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SheetMusicPlus
Gaillarde l'Esmerillonne, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522264 Composed by Pierre Phal…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522264 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 26 pages. Colin Kirkpatrick Publications #6350391. Published by Colin Kirkpatrick Publications (A0.522264). GAILLARDE l’ESMERILLONNEGaillarde No 6, Premier Livre de Danseries (Pierre Phalèse, Leuven 1571) for Wind Instruments Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. During the sixteenth and seventeenth centuries, the gaillarde (or galliard) was a popular dance and a favorite of Queen Elizabeth I of England. This is the 6th dance in a set of 20 gaillardes in the original publication. This arrangement is scored for virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The flexible arrangement enables them to be played by non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file. Some small modifications have been made to the inner parts in the original to facilitate performance.The percussion instruments used are similar to those found in elementary school music rooms and two players are required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.25 €
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Pierre Phalèse
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Gaillarde l'Esmerillonne, First Book of Dances
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Colin Kirkpatrick Publications
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SheetMusicPlus
La Casa‘l Señor Cura & El Mandilín - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.101301…
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.1013013 Composed by Traditional - Arranged by Na-Mara. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970301. Published by Na-Mara (A0.1013013). La Casa‘l Señor Cura & El MandilÃn: these traditional folk tune from Asturias (Spain) are arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. Written in 2/4 time in the key of A, La Casa‘l Señor Cura & El MandilÃn can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this particular tune played by the Asturian band Niundes from their album Enxamás Ye Pa Siempres.Performance tips: this is intermediate level piece played allegro or medium fast speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Both parts interplay and inter-wind so it is a good exercise to work on the balance between the two instruments, varying the dynamics on some of the repeated sections. The guitar accompaniment can be played with strummed chords. This make a nice set when it is coupled with our arrangement of the Spanish Asturian folk tune, Les Dancites
$1.99
1.83 €
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Traditional - Arranged by Na-Mara
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Na-Mara
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font-weight: 400
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La Casa‘l Señor Cura & El Mandilín - Arranged by Na-Mara
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Na-Mara
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SheetMusicPlus
Paul Wehage - L'Aube Spirituelle
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769…
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95
23.8 €
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Paul Wehage
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Paul Wehage - L'Aube Spirituelle
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mon Coeur Se Recommande à Vous (I Give to You All of My Heart)
Chorus - Digital Download SKU: AX.00-PO-0002876 Mon Coeur Se Recommande à…
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Chorus - Digital Download SKU: AX.00-PO-0002876 Mon Coeur Se Recommande àVous (I Give to You All of My Heart) - 3-Part Mixed, a cappella. Composed by Orlande De Lassus and Russell L. Robinson. Secular Choral. 6 pages. Alfred Music - Digital Sheet Music #00-PO-0002876. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002876). UPC: 038081186610.Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanson, is love; the English translation is I Give to You All of My Heart. Included are a performance notes and a pronunciation guide for the eight lines of French...or use the sensitive English text provided by Dr. Robinson. Well edited for young and developing 3-part choirs.A cappella.
$2.25
2.06 €
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Orlande De Lassus and Russell L
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Mon Coeur Se Recommande à Vous
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guarda il lume
Voice - Level 3 - Digital Download SKU: A0.1485852 By Text by Leonardo da Vinci. By…
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Voice - Level 3 - Digital Download SKU: A0.1485852 By Text by Leonardo da Vinci. By Λrthvr. 21st Century,A Cappella,Chamber,Classical,Renaissance. 3 pages. Λrthvr #1062904. Published by Λrthvr (A0.1485852). In this piece I´ve set a text fragment from Leonardo da Vincis Philosophical Diaries. It starts with the words Guarda il lume (eng.: Watch the light). It can be sung by three solo voices or choir. If you need the parts, contact me and I will send them to you.If you would like to perform the piece publicly (live concert or internet), please contact me.The text:Guarda il lume e considera la sua bellezza. Batti l’occhio e riguardalo: ciò che di lui tu vedi, prima non era, e ciò che di lui era più non è. Qui è quel che lo rifà se 'l fattore al continuo more?
$11.00
10.09 €
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Text by Leonardo da Vinci
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Guarda il lume
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Λrthvr
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SheetMusicPlus
Si T'es Pas Là
Digital Download SKU: A0.1415966 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1415966 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Multicultural,Romantic Period,Traditional,World. Full Performance. Duration 269. ArtIA #997661. Published by ArtIA (A0.1415966). Dans le clip poignant de Si t'es pas là , l'artiste nous plonge dans un univers visuel et émotionnel profondément touchant, où la mélodie et les paroles se tissent ensemble pour raconter une histoire d'amour, de perte et de nostalgie. Dès les premiers accords, la chanson captive par sa douceur mélancolique, portée par une instrumentation délicate qui souligne la vulnérabilité et l'intensité du message. Si t'es pas là est plus qu'un simple clip musical ; c'est une expérience émotionnelle immersive qui invite les spectateurs à réfléchir sur leurs propres expériences de l'amour et de la perte. Avec sa réalisation artistique impeccable et sa narration visuelle captivante, ce clip se dresse comme un monument à la beauté mélancolique de l'amour éternel, et à la quête humaine universelle pour la connexion et le sens dans un monde en perpétuel changement.
$1.99
1.83 €
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Cédric Hermand
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Cédric Hermand
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Si T'es Pas Là
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ArtIA
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SheetMusicPlus
3 Mouvements continus
Commissioned for the 7th edition of DROME DE GUJITARE, this piece was created at the theat…
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Commissioned for the 7th edition of DROME DE GUJITARE, this piece was created at the theater of the city of Valencia, on October 27, 2023, under my direction by the D.D.G guitar orchestra.It pays tribute to the memory of my friend Roland Dyens.The 1st movement, quite brief (1 minute), emphasizes a motif which metamorphoses into a harmonious accompaniment of the themes of the 2nd movement (5 minutes) LIGHT, this in calm and serenity. This 2nd movement fades at the end to reveal a motif which accelerates to give a burlesque and clumsy dance: DANCE ELEPHANTASQUE (3 minutes) with an obsessive theme which concludes this work.Francis KleynjansCommandée pour la 7ème édition de « DROME DE GUJITARE », cette pièce fut créée au théâtre de la ville de Valence, le 27 octobre 2023, sous ma direction par l’orchestre de guitares D.D.G.Elle rend hommage à la mémoire de mon ami Roland Dyens.Le 1er mouvement, assez bref (1 minute), insiste sur un motif qui se métamorphose en accompagnement harmonieux des thèmes du 2e mouvement (5 minutes) « LUMIERE», cela dans le calme et la sérénité. Ce 2e mouvement s’estompe à la fin pour laisser apparaître un motif qui s’accélère pour donner une danse burlesque et pataude : « DANSE ELEPHANTASQUE » (3 minutes) avec un thème obsessionnel qui vient conclure cet œuvre.Francis Kleynjans
Song List: 1. Métamorphose 2. Lumière 3. Danse Éléphantasque
Song List
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1. Métamorphose
2. Lumière
3. Danse Éléphantasque
$14.95
13.71 €
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3 Mouvements continus
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SheetMusicPlus
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 32 pages. Musik Fabrik Music Publishing #119473. Published by Musik Fabrik Music Publishing (A0.532887). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The orchestral materials are available on rental from the publisher (email to infoATclassicalmusicnow.com) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.
$25.95
23.8 €
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Therese Brenet
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Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Henri Dès: On se dit Joyeux Noël
4.99 €
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Henri Dès: On se dit Joyeux Noël
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On se dit Joyeux Noël
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Quickpartitions
Un éléphant qui se balançait Rainbow coded music sheet Music therapy resource
Small Ensemble Guitar,Handbell,Orff Instrument,Voice - Level 1 - Digital Download SKU: …
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Small Ensemble Guitar,Handbell,Orff Instrument,Voice - Level 1 - Digital Download SKU: A0.993887 Composed by Public Domain. Arranged by iEduArts Publishers. Children,Instructional. Score and parts. 1 pages. IEduArts Publishers #4290721. Published by iEduArts Publishers (A0.993887). Very important - Print in colors. Start reading music by the colors of the rainbow. Each note of the diatonic scale of C major is a color of the Rainbow. C 3 = red with black line Re orange, E yellow, F Green, G Light blue, A Dark blue , B indigo i C 4 red (without black line). Start learning french. Great music reading method. Music therapy resource, music education method. We offer great iIllustrations which will help student to develop expressive language with teacher's help.
$3.99
3.66 €
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Public Domain
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iEduArts Publishers
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Un éléphant qui se balançait Rainbow coded music sheet Music therapy resource
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iEduArts Publishers
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SheetMusicPlus
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
Piano Quintet,String Ensemble Piano - Level 5 - Digital Download SKU: A0.532827 Com…
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Piano Quintet,String Ensemble Piano - Level 5 - Digital Download SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music Publishing #44853. Published by Musik Fabrik Music Publishing (A0.532827). 1. Une vision continuellement renouvelée par l'émotion II. Les forces expressives d'attraction semblent aller en s'amplifiant III. Les chants flamboyants tournoient et s'entrechoquent en un bouillonnement intense Perhaps the composition of a string quartet is a task for the mature age of a composer. It could be that this sort of work could be seen as a sort of musical will. Whatever the case, the author wanted to use, as much as possible, the great expressive possiblities of this ensemble. The quartet and the piano, by attraction or repulsion, share their specific forces and come together in a flamboyant osmosis. In each of these three movements, one can see the manifestations of a great sonic mass, an intense emotion and, the author hopes, the beauty of inspired music mvt 1 https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 2. https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 3. https://www.youtube.com/watch?v=rB1UlvGT9y4.
$25.95
23.8 €
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Therese Brenet
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Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Toccata et fugue en ré mineur (BWV 565)
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Compo…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
$7.99
7.33 €
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Johann Sebastian Bach
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Sam Bateman
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Toccata et fugue en ré mineur
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Sam Bateman
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SheetMusicPlus
Hari Bouriquet (Hee-Haw little donkey) - clarinet and harp
Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1474884 Compos…
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Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1474884 Composed by Claudin de Sermisy. Arranged by David Warin Solomons. Contemporary,Renaissance. 12 pages. David Warin Solomons #1052506. Published by David Warin Solomons (A0.1474884). Instrumental arrangement of a song by Claudin de Sermisy, with variations.Lyrics of the original song with tentative English translation below:Les dames se sont tailladées Chacune d'un Toulouzan Par compra, ha, ha L'eyse Sabaton de Cordouen Lo scafignolet, hari bouriquet... L'on sonne une cloche dix ou douze coups; Le peuple s'approche, se met a genoux, Le prestre se vest hari, hari l'asne, hari bouriquet [chorus] Du pain sur la nappe, un calice d'or Il met prend sa chappe, dit Confiteor Le peuple se taist Si tost qu'il acheve, le peuple ecoustant Sa Parole s'eleve et respond autant en plus haut caquet [chorus] Here is my tentative English translation: The ladies have adorned themselves with dresses à la Toulouse To appear at Sunday mass in Place Cordouen Nicely turned out indeed Hee-haw little donkey! The bell is rung ten or twelve times The congregation approaches and kneels, The priest dons his vestments Hee-haw little donkey! [chorus] Bread on the cloth, a golden chalice He places it and dons his cope and says Confiteor The congregation is silent [chorus] As soon as he's done, the congregation, listening to his word, rise up and respond Hee-haw at the tops of their voices... [chorus].
$9.00
8.25 €
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Claudin de Sermisy
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David Warin Solomons
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Hari Bouriquet
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David Warin Solomons
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SheetMusicPlus
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
5.04 €
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David Warin Solomons
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Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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David Warin Solomons
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SheetMusicPlus
La frontera alucinada
Guitar - Digital Download SKU: ZZ.DZ-4343 Composed by Marco Smaili. Arranged by Cri…
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Guitar - Digital Download SKU: ZZ.DZ-4343 Composed by Marco Smaili. Arranged by Cristiano Porqueddu. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4343. Published by Les Productions d'OZ - Digital (ZZ.DZ-4343). La frontera alucinada alludes to the imprecision of the various emotional territories in which the reality of pain is confused with the hallucinated madness of happy serenity.It is a music that gradually melts as if it were wax based on variations or repetitions of an obsessive and hopeless cell that serves as a bridge between the various new elements that emerge with forms of pain or serenity. Music that is difficult to understand that aims to leave the listener with multiple unresolved questions. The work is a tribute to George Crumb and it is dedicated to Cristiano Porqueddu.- Marco Smaili, Alicante 2024La frontera alucinada évoque l’imprécision des diverses zones émotionnelles où la réalité de la douleur se confond avec la folie hallucinée d’une sérénité heureuse.C’est une musique qui se «fond progressivement comme de la cire» basée sur des variations ou répétitions d’une cellule obsessionnelle et désespérée qui sert de pont entre les différents nouveaux éléments émergeant avec des formes de douleur ou de sérénité. C’est une musique difficile à comprendre qui vise à laisser l’auditeur avec de multiples questions non résolues. L’œuvre est un hommage à George Crumb et est dédiée à Cristiano Porqueddu.- Marco Smaili, Alicante 2024.
$3.95
3.62 €
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Marco Smaili
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Cristiano Porqueddu
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La frontera alucinada
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Les Productions d'OZ - Digital
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SheetMusicPlus
E intanto fuori piove
Piano Trio,String Ensemble - Digital Download SKU: A0.976888 Composed by Monica Ber…
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Piano Trio,String Ensemble - Digital Download SKU: A0.976888 Composed by Monica Bergo. Contemporary. Score and parts. 61 pages. Monica Bergo #3407377. Published by Monica Bergo (A0.976888). E INTANTO FUORI PIOVE Respiri così piano non mi vuoi disturbare aspetti che un sorriso ti possa illuminare sei dolce e delicato un angelo smarrito ti guardo e ho male al cuore e intanto fuori piove mentre mi stai a guardare respiro il tuo sapore e come fosse un mare m'immergo nel dolore dei voli tuoi inibiti dei sogni calpestati ti avrei potuta amare e intanto fuori piove Mi manca il fiato in questa stanza io ormai non riesco neanche a respirare e bussi al mio castello senza un re ma adesso io non posso farti entrare ed è lontano il giorno in cui per te sacrificavo tutto e offrivo il cuore ricordo bene le parole tue non sono un uomo , dai lasciami andare ora hai capito da che parte stai ma ero così stanca di aspettare e briciole d'amore su di noi 2 Peter Pan cresciuti mai le stelle più brillano più in fretta poi scompaiono pianeti che piangono e i miei colori sciolgono la pioggia che spegnerà le fantasie tue inutili regalami un'altra età ed occasioni nuove fuori piove mi incateni in questo limbo di domande e di rimpianto preferivo il tuo silenzio e sono strega e poi regina di un reame senza incanto non tornare nel mio mondo se trasformi l'acqua in pianto piove dentro me nell'anima ferma qui immobile cerco la tua immagine ma non sei più quel ragazzo fragile che inventava favole e scrutava nuvole chi sei ora? resto qui in bilico abbracciata a un incubo nel mio modo atipico di cadere penso a te e precipito sola in questo baratro l'apertura d'ali mi fa planare Accordi cullano e note accarezzano anime danzano al ritmo di un brivido suono per ciò che poteva e non è suono solo per te straziami, illudimi fammi decidere se senza un sogno si può sopravvivere cala il sipario del tempo su noi strani attori di un poi andato in scena (mai) come una malattia che non si cura e che non guarirà (sei dentro me) cuore che scalpita e perde i suoi battiti mente che scivola su questi attimi (e vola via) catene stridono su questa nostra età mani si sfiorano e intanto fuori piove (e dentro me) fragile il margine tra sogno e realtà sottile il limite tra corpo e anima (e ti vorrei) in dimensioni ancora da vivere amami se vorrai ma non so ancora dove e intanto fuori piove e stringo forte il filo di un aquilone in mano un volo di pensieri mentre sei già lontano i sensi miei impazziti inghiotto i miei sospiri e intanto spunta il sole ma dentro di me ..piove.. &n.
$3.99
3.66 €
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Monica Bergo
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E intanto fuori piove
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Monica Bergo
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SheetMusicPlus
RUST AND DIAMOND
Small Ensemble Drums,Flute,Piano,Violin - Digital Download SKU: A0.1012751 Composed…
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Small Ensemble Drums,Flute,Piano,Violin - Digital Download SKU: A0.1012751 Composed by Monica Bergo. Contemporary. Score and parts. 49 pages. Moni Bergo #5743681. Published by Moni Bergo (A0.1012751). Music and song composed by me RUGGINE E DIAMANTE Grigio il cielo mio Nuvole basse su me Così stanca io Di questa falsa realtà Mi sento cinica Calpesto la mia bontà così inflessibile Non so cos’è la pietà Sole giallo che Riscaldi l’anima mia coi tuoi raggi sai Portare luce e armonia E sono euforica E non sto ferma un momento Mi sento in pace e già Del mio rancore mi pento Ma la ruggine che ho dentro E si ciba del tormento È impaziente, non aspetta E mi spinge alla vendetta Ma il diamante che in me brilla È già pronto alla battaglia E si impegna per lenire La mia smania e quel dolore So che ti hanno calpestata, e che ora sei ferita Ma se segui quel sentiero Ti ritroverai dannata E non brillerò più Sono ruggine e diamante Sono fiamma e poi più niente Sono il fango che ti inghiotte E il bagliore che riflette E mi sento dilaniata E contesa da una vita Tra la luce e il suo fulgore E dal nero e il suo furore E non riesco a respirare In quest’aria senza odore Tante facce, tanta gente Che profumano di niente Vedo Strade asfaltate Coperte di ghiaccio Semafori rossi Ma non mi fermo Sento la morte , mi siede vicino Mi soffia sul cuore Ma è di marmo Lacrime bruciano tolgono il fiato si fermano in gola ma io non piango proprio nell’attimo in cui mi ritrovo mi sento cambiata e mi perdo di nuovo giorni in disordine sul calendario li guardo sfilare ma mi confondo voci di anime dal mio passato mi chiamano forte ma non rispondo bimbi che giocano sul marciapiede mi fissano immobili io non li guardo corro veloce , non mi puoi fermare ma scende una lacrima, e scioglie il dolore Quante volte vuoi Distruggermi e scappar via Quante volte puoi Negare l’azione tua Castelli costruirò Che tu poi demolirai Cresce la rabbia mia invulnerabile sei Ma la ruggine che ho dentro, mi ripete è giunto il tempo, se le cose vuoi cambiare, mostra a tutti che sai fare ma il diamante che in me brilla mi ripete sii una stella, è la tua luce interiore la tua forza , il tuo potere e continuo a rimandare e continuo a non capire mentre il mio diamante tace e la ruggine feroce brucia dentro di me sarò ruggine o diamante sarò opaca oppur splendente chiedo solo un po’ di pace, non di essere felice Sono ai margini da sempre Tra chi ha tutto e non ha niente tra orizzonti ormai perduti E gli amori consumati È la mia maledizione Il mio lutto nelle vene questo tempo mi ha indurito e il diamante ormai è opaco ecco il destino mi aspetta a quel bivio finito il mio tempo e mi viene incontro vedo una rondine ,cerca il suo nido non vuole migrare ma è quasi inverno sento nell’aria profumo di buono di cose passate ma io non torno e se.
$5.00
4.59 €
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Monica Bergo
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RUST AND DIAMOND
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Moni Bergo
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SheetMusicPlus
La visione di Cassandra (Borderline)
Small Ensemble Piano - Level 3 - Digital Download SKU: A0.976860 Composed by Monica…
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Small Ensemble Piano - Level 3 - Digital Download SKU: A0.976860 Composed by Monica Bergo. Contemporary. Score and parts. 19 pages. Monica Bergo #3238295. Published by Monica Bergo (A0.976860). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫ La visione di Cassandra ♫*´¨`*•.¸¸.♫ Non vorrei aprire quella porta ,Non dovrei…ma è il vento che mi porta… E canto a voce bassa, Finchè il dolore passa e giro, giro-tondo ,com’è cattivo il mondo Tra pensieri e lacrime, Parole e musica C’è la visione di Cassandra E non so se potrà farcela, a scrivere di te ,Te ne sei andata in fretta , E sei perfetta Nella mente mia Cassandra sta Rinchiusa in quella stanza, Si stringe a sé ,Racconta un’esistenza: guarda là , mio padre e il suo bicchiere, guarda me, la vittima del bere lividi viola, a scuola sempre sola ,nell’indifferenza continua la violenza , mia madre sapeva ma tutto nascondeva ,la mente che non regge , e il borderline distrugge la scintilla che era in me, tutti quei sogni miei e quell’amore che non avrò mai, vorrei scappare ma sto incatenata qua, rituali incontrollati, gesti ripetuti ed un mostro chiuso dentro me Nella visione di Cassandra, Non ha più sbarre questa stanza non ha più un corpo, sesso ,è senza età È una visione ma lei non lo sa In armonia con il creato, Scorda il presente ed il passato Ed il dolore affiora e sparirà ,È una visione ma lei non lo sa Cassandra non lo sa, Che sta per perdere la nostra realtà Fili sdruciti Di un pupazzo fragile Rimane in bilico, Abbraccia un incubo Nei labirinti suoi , Non trova uscite mai E passa il margine, varca quel limite Si sente un fiore che Bisogni più non ha Ed il vento seguirà Davanti allo specchio ,I lunghi capelli, Rifletton bagliori di mille cristalli Li pettini piano,, Con cura infinita, Aspetti il tuo amore da tutta una vita Ed un carillon che risuona lontano ,La spazzola a un tratto ti cade di mano Perché l’uomo nero è qui, è già tornato, Infrange il tuo sogno, l’incanto è spezzato Cassandra corre tra le stelle E se le tatua sulla pelle Lividi e cicatrici più non ha, È una visione ma lei non lo sa In dimensioni da esplorare ,Come gli uccelli può volare Respira sole , amore e libertà E qui nessuno male le farà … Cassandra fermati, Cassandra aiutami a non rimpiangerti Adesso tu non puoi incatenarmi a te ,Al tuo ricordo che per sempre brucierà Cassandra non lo sa che le ali no, non ha Tragico angelo che prende il volo e poi Un burattino con i fili rotti ormai E il tempo è fermo qui, come il tuo battito Ma la visione è mia o di Cassandra, Non ricordo più, Questo tempo cambia La mia percezione del passato Volti e nomi che Il tempo ormai ha sbiadito E danzo al ticchettio di ciò che è stato anime perse che son rimaste indietro sempre dentro me con la loro storia un tatuaggio eterno nella mia memoria Non dovrei aprire quella porta ,Non vorrei, ma è il vento che mi porta…. e canto a voce bassa finchè il dolore passa e giro, giro-tondo com’è cattivo il mondo….. Monica Bergo
$3.99
3.66 €
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Monica Bergo
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La visione di Cassandra
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Monica Bergo
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
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10.04 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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7.29 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Le coup de soleil
Digital Download SKU: A0.1415585 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1415585 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,Standards,World. Full Performance. Duration 241. ArtIA #997303. Published by ArtIA (A0.1415585). Redécouvrez le classique Le Coup de Soleil, réimaginé avec passion et un talent inédit par Cédric. Cette version revisitée du clip apporte une nouvelle profondeur à la mélodie intemporelle de Richard Cocciante, grâce à une interprétation vocale à la fois fraîche et émouvante.Le clip débute sur l'image poétique d'un lever de soleil, métaphore parfaite de renouveau et d'espoir, avant de nous plonger dans l'univers personnel de Cédric. Sa voix, mêlant force et vulnérabilité, donne une nouvelle vie à l'histoire d'amour ardente et complexe au cœur de la chanson.À travers une série de scènes visuellement captivantes, le clip alterne entre des moments de performance intime de Cédric en studio et une narration visuelle des hauts et des bas d'une romance tumultueuse. Chaque note et chaque parole sont magnifiées par l'authenticité et la passion de son interprétation.La caméra capture des instants de bonheur pur et de désespoir profond, illustrant le voyage émotionnel des amants, tandis que la voix de Cédric guide l'auditeur à travers leur histoire. Les défis et les réconciliations du couple sont dépeints avec une sensibilité qui touche directement le cœur.Le climax du clip est une célébration visuelle et musicale de l'amour retrouvé, où la puissance de la chanson et l'intensité de l'interprétation atteignent leur apogée. C'est une explosion d'émotions qui capture l'essence même du coup de soleil : brûlant, inoubliable, et transformateur.En conclusion, le clip se referme sur une note d'espoir, les premières lueurs de l'aube apportant la promesse d'un nouveau départ. C'est une fin qui laisse les spectateurs inspirés, contemplatifs, et impatients de voir où la voix unique de Cédric peut encore les emmener.Le Coup de Soleil par Cédric est plus qu'une simple reprise ; c'est une œuvre d'art à part entière. Le clip, enrichi par sa voix captivante, invite à une expérience immersive qui résonne longtemps après la fin de la chanson.
$1.99
1.83 €
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Cédric Hermand
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Cédric Hermand
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Le coup de soleil
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ArtIA
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SheetMusicPlus
El cielo en tus ojos (The Sky in Your Eyes), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637523. Published by Gustavo Fuentes (A0.900404). The Sky in Your Eyes. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The eyes are the windows to the soul. They can reflect sadness, happiness, pain, peace, love. The eyes of a mother looking at her child, of a migrant taking one last look at their homeland, the eyes of two lovers getting lost in ecstasy.So we must let our eyes be. Let them fill up with tears of joy, tears of sadness and tears of excitement. We must truly let our eyes be windows to our souls so those that want to get to know it only need to look inside. Once we let our eyes reflect the skies, reflect smiles, reflect hope and even reflect the world, we might be able to perceive the eyes around us. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La mirada es el lenguaje del alma. En los ojos se traslucen la tristeza, la alegrÃa, el dolor, la paz, el amor. La mirada de una madre hacia su hijo, la mirada de aquel que debe emigrar y observa por última vez su tierra, la mirada de los enamorados que se funden en el éxtasis.Dejemos ser a nuestros ojos. Que se llenen de lágrimas de emoción, que palidezcan de tristeza o que brillen de deseo. Demos permiso a nuestras miradas y que sean realmente el espejo de nuestra alma para quienes quieran conocerla. Aceptemos que se nos llenen los ojos de cielo, de sonrisas, de esperanza y también de ausencia. Permitamos que nuestro mundo se vea en nuestros ojos, y tal vez entonces podamos ver el universo de miradas que nos rodea.
$4.99
4.58 €
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Gustavo Fuentes
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Gustavo Fuentes
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El cielo en tus ojos
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Gustavo Fuentes
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SheetMusicPlus
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