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Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
55.3 €
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
Le Gibet (Gaspard de la Nuit) for Saxophone Nonet + Flute, 2 Piccolos, Contrabassoon
Large Ensemble Alto Saxophone,B-Flat Bass Saxophone,Baritone Saxophone,Contrabassoon,Flute…
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Large Ensemble Alto Saxophone,B-Flat Bass Saxophone,Baritone Saxophone,Contrabassoon,Flute,Piccolo,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.830664 Composed by Maurice Ravel. Arranged by Richard Byrnes. Contemporary. Score and parts. 39 pages. Richard Byrnes #3412087. Published by Richard Byrnes (A0.830664). Le Gibet is the second movement from Maurice Ravel's Gaspard de la Nuit. This version adds 2 piccolo, a flute, and a contrabassoon to a saxophone nonet (2Picc,Fl,2SSx,3ASx,2TSx,BiSx,BsSx,Cbn). The gibet was a hook (gibbet), usually found near the entrance of a medieval town upon which some law offender would be suspended so as to warn visitors and the inhabitants not to offend. The ostinato throughout serves as a reoccurring focal point, much like the constant swing of the hook in the wind. It's dark, foreboding, and absolutely beautiful. This will challenge your ensemble in determining how loud pianissimo is.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.>In addition to Le Gibet by Ravel, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Richard Strauss, and Turina.
$29.99
27.65 €
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Maurice Ravel
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Richard Byrnes
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Le Gibet
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Richard Byrnes
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SheetMusicPlus
Le Gibet (Gaspard de la Nuit) for Clarinet Nonet + Flute, 2 Piccolos, Contrabassoon
Woodwind Ensemble Clarinet,Contrabassoon,Flute,Piccolo - Digital Download SKU: A0.83066…
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Woodwind Ensemble Clarinet,Contrabassoon,Flute,Piccolo - Digital Download SKU: A0.830660 Composed by Maurice Ravel. Arranged by Richard Byrnes. Contemporary. 39 pages. Richard Byrnes #3412081. Published by Richard Byrnes (A0.830660). Le Gibet is the second movement from Maurice Ravel's Gaspard de la Nuit. This version adds 2 piccolo, a flute and a contrabassoon to a clarinet nonet (2Picc,Fl,6Cl,2BCl,CalCl,Cbn).
$29.99
27.65 €
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Maurice Ravel
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Richard Byrnes
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Le Gibet
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Richard Byrnes
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SheetMusicPlus
Sarabande (Clarinet Nonet + Flute)
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet,Flute - Digital Downl…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet,Flute - Digital Download SKU: A0.830843 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 38 pages. Richard Byrnes #6789395. Published by Richard Byrnes (A0.830843). Sarabande is the second piece in a set of 3 under the title Pour le piano.  Published in 1901, it is referred to as being a ‘Memory of the Louvre’, which is the inscription at the head of the score. Whether is written as an impression of a specific painting or other work of art, it is a noble and elegant work.  A saraband is a court dance from the 17th and 18th centuries. Set exclusively in triple meter, the dance requires a slower tempo. Debussy was drawn to older forms and sonorities, always recasting them with his unique melodic and harmonic language.  This arrangement is for Flute, E-flat Clarinet, 4 Clarinets, 2 Bass Clarinets, Contralto Clarinet, and Contrabass Clarinet.  In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.
$34.99
32.25 €
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Claude Debussy
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Richard Byrnes
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Vierne.
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Sarabande
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Richard Byrnes
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SheetMusicPlus
Mwiche Khumufumie
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson…
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
11.05 €
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Hasta Manana
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.80…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802688 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Peet du Toit. Contemporary. Score and parts. 16 pages. Peet du Toit #6442283. Published by Peet du Toit (A0.802688). Hasta Mañana (Spanish for Until tomorrow) is the fourth track on Swedish pop group ABBA's second studio album, Waterloo.While the song was being recorded, they decided to give up on it at one point because none of them could sing it properly. Agnetha alone was in the studio and decided to play around with it. She felt if she could sing it in a Connie Francis style it would work - and it did.I have arranged many ABBA songs for brass quintet and want to include this one too in the playlist. Enjoy!
$13.50
12.44 €
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ABBA
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Peet du Toit
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Hasta Manana
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Peet du Toit
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SheetMusicPlus
Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach (Double Double-reed Choir)
Woodwind Ensemble Bassoon,English Horn,Oboe - Digital Download SKU: A0.830767 Compo…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Digital Download SKU: A0.830767 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 80 pages. Richard Byrnes #5313575. Published by Richard Byrnes (A0.830767). Among Bach’s vocal music, none is performed as much as his motets. All are antiphonal. Singet dem Herrn ein neues Lied is the first of these and displays among his most glorious compositions. This is the second part, including the Alleluia.The arrangement is for (2Ob,EH,Bn/2Ob,EH,Bn).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$29.99
27.65 €
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Johann Sebastian Bach
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Richard Byrnes
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Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach
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Richard Byrnes
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SheetMusicPlus
Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach (Double Woodwind Choir)
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.830770 Com…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.830770 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 51 pages. Richard Byrnes #5320769. Published by Richard Byrnes (A0.830770). Among Bach’s vocal music, none is performed as much as his motets. All are antiphonal. Singet dem Herrn ein neues Lied is the first of these and displays among his most glorious compositions. This is the second part, including the Alleluia.The arrangement is for (Fl,Ob,Cl,Bn/Fl,Ob,Cl,Bn).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$29.99
27.65 €
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Johann Sebastian Bach
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Richard Byrnes
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Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach
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Richard Byrnes
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SheetMusicPlus
Singet dem Herrn ein neues Lied - Part 2 and Alleluia - Double Brass Choir
Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.830829 Composed by Johan…
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Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.830829 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 51 pages. Richard Byrnes #6645255. Published by Richard Byrnes (A0.830829). Among Bach’s vocal music, none is performed as much as his motets. All are antiphonal. Singet dem Herrn ein neues Lied is the first of these and displays among his most glorious compositions. This is the second part, including the Alleluia.The arrangement is for (2Trp,2Trom/2Trp,2Trom).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$29.99
27.65 €
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Johann Sebastian Bach
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Richard Byrnes
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Singet dem Herrn ein neues Lied - Part 2 and Alleluia - Double Brass Choir
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Richard Byrnes
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SheetMusicPlus
Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach (Double Saxophone Choir)
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Digital Download
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Digital Download SKU: A0.830768 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 51 pages. Richard Byrnes #5317729. Published by Richard Byrnes (A0.830768). Among Bach’s vocal music, none is performed as much as his motets. All are antiphonal. Singet dem Herrn ein neues Lied is the first of these and displays among his most glorious compositions. This is the second part, including the Alleluia.The arrangement is for (SSx,2ASx,BiSx/SSx,2ASx,BiSx).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$29.99
27.65 €
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Johann Sebastian Bach
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Richard Byrnes
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Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach
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Richard Byrnes
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SheetMusicPlus
National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
Brass Band Trombone - Level 4 - Digital Download SKU: A0.1188967 By Pavilo Chubynsk…
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Brass Band Trombone - Level 4 - Digital Download SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. Score and Parts. 9 pages. Chicory Music #788580. Published by Chicory Music (A0.1188967). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation.This arrangement for Trombone Quintet, / Choir in the brass friendly key of d minor, is easily accessible to those students who play at the Adv. Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
9.21 €
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Pavilo Chubynsky, Mykhailo Verbytsky
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Dennis Ruello
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National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
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Chicory Music
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SheetMusicPlus
The Cowkeeper's Tune (Grieg Op 63) - Guitar Quartet
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797751 Composed by Edva…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797751 Composed by Edvard Grieg. Arranged by Derek Hasted. Film/TV,Romantic Period. Score and parts. 15 pages. Derek Hasted #4793235. Published by Derek Hasted (A0.797751). COWKEEPER'S TUNE (TV's Woodentops theme) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement is taken from a String Nonet version (2 first violins, 2 second violins, 2 violas, 2 cellos and 1 double bass).It makes a great quartet for a guitar ensemble of modest ability, and those with more experience will be able to generate a wonderful soundscape with a rich clear overall sound.The pitch range of the original has to be compressed onto the pitch range of a guitar ensemble and I’ve achieved this by raising the lower voices, rather than altering the top voice, where the piece calls for a lighter texture. The dynamics of the original are retained in my arrangement, but the fingering is left to the players... Playing the lower parts up the neck will give a rich, cello-like, sound, but a first position performance will be robust and will use many familiar guitar shapes.This is a charming, gentle, pastoral piece and the sweet sound of the guitar suits it well.Those UK players of a certain age might just remember that this music introduced The Woodentops, a children’s string-puppet TV series which ran in black and white from 1955 till 1957, and was regularly repeated until 1973.I hope you enjoy playing this piece!
$2.99
2.76 €
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Edvard Grieg
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Derek Hasted
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The Cowkeeper's Tune
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Derek Hasted
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SheetMusicPlus
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