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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PIANO & CLAVIERS
Piano grosses notes
9
Piano seul
8
Orgue
3
Piano Facile
1
2 Pianos, 4 mains
1
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1
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1
Instrumentations suivantes
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2
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Chorale 2 parties
1
Voix Tenor, Piano
1
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Alto et Piano
1
Hautbois, Piano (duo)
1
CUIVRES
2 Trombones (duo)
1
CORDES
Violon et Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
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26
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Vous avez sélectionné:
Short Hair
SheetMusicPlus
Partitions à imprimer
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The Girl With the Flaxen Hair for Flexible Instrumentation Quintet
Small Ensemble - Level 3 - Digital Download SKU: A0.723617 Composed by Claude Debus…
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Small Ensemble - Level 3 - Digital Download SKU: A0.723617 Composed by Claude Debussy. Arranged by Steve Winstead. 20th Century,Wedding. Score and parts. 27 pages. Sigma Squared Music #6589749. Published by Sigma Squared Music (A0.723617). Composed in 1910 as a movement from his first book of Préludes for piano, La fille aux cheveux de lin is a short but gorgeous and flowing work featuring one of Debussy's most famous impressionist melodies.Each of the five parts is available in multiple transpositions, for nearly any type of ensemble you can put together. Options are sufficient for a woodwind quintet, sax quintet, string quintet, brass quintet, clarinet choir, and many other combinations. Available transpositions are as follows:Part 1C - Flute, Oboe, ViolinB-Flat - Clarinet, Trumpet, Soprano SaxophonePart 2C - Oboe, ViolinE-flat - Alto SaxophoneB-Flat - Clarinet, TrumpetPart 3ViolaE-flat - Alto Clarinet, Alto SaxophoneB-Flat - Clarinet, TrumpetB-Flat 8va - Tenor SaxophoneF - English Horn, French HornPart 4Bass Clef - Cello, Bassoon, Trombone, EuphoniumB-Flat 8va - Bass Clarinet, Treble Clef Baritone, Tenor SaxophoneE-Flat - Alto ClarinetE-Flat 8va - Baritone SaxophoneF - French HornPart 5Bass Clef - Cello, Bassoon, Trombone, EuphoniumTubaBass Clef 8va - String Bass, ContrabassoonB-Flat 8va - Bass ClarinetE-Flat 8va - Baritone Saxophone
$19.99
18.67 €
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Claude Debussy
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Steve Winstead
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The Girl With the Flaxen Hair for Flexible Instrumentation Quintet
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Sigma Squared Music
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SheetMusicPlus
Easy Way to Guitar C
Guitar - Beginning - Digital Download SKU: M0.93196MEB Folk. Ebook and online audio…
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Guitar - Beginning - Digital Download SKU: M0.93196MEB Folk. Ebook and online audio. 49 pages. Mel Bay Publications - Digital Sheet Music #93196MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93196MEB). ISBN 9781610654180. 8.75X11.75 inches.Easy Way to Guitar C is a popular, easy to understand childrenÂ’s course designed to give the student a thorough grounding in note reading and solo performance. Chord playing is introduced gradually, utilizing simplified chords. Creative graphics, color, and short pieces in big-note format make this an appealing series for the young guitar student. A few easy duets are included in each book for performance with a teacher or a friend. Standard notation only. Includes access to online audio.
Song List: A Rhythm Review A Rondo For Two Guitars M. Gebauer, Opus 10 Around Her Hair She Wore A Purple Ribbon Auld Lang Syne Aura Lee Balkan Moon Black is the Color of My True Love's Hair Blue Guitar Bublitchki Careless Love Carry Me Back To Old Virginny Bland Darling Nellie Gray Duet In D Minor Mazas Grandfather's Clock Greensleeves Gypsy Guitars Joshua Lament In E Minor Little Annie Rooney Londonderry Air March Slav Tschaikowsky Melody If F Rebenstein-Bay Mustang My Bonnie Oh! Susanna Polly Wolly Doodle Seeing Nellie Home Shenandoah Ski Jump Sombrero Thanksgiving The Girl I Left Behind Me The Guitar Festival Mazas The March Of The Robots The Melancholy Maid The Steeplechase The Streets Of Laredo The Swiss Yodeler Waltz in B minor When The Saints Go Marching In
$14.99
14 €
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Easy Way to Guitar C
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.47 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.6 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Creepy Spider (Piano Accompaniment Track)
Choir,Piano - Digital Download SKU: A0.1065619 Composed by Carol Troutman Wiggins. …
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Choir,Piano - Digital Download SKU: A0.1065619 Composed by Carol Troutman Wiggins. Children,Halloween,Instructional,Standards. Accompaniment. Duration 73. Carol Troutman Wiggins #3626563. Published by Carol Troutman Wiggins (A0.1065619). THE CREEPY SPIDER (Piano Track)Unison w/Actions & Screams!**PERMISSION GRANTED TO MAKE 2 COPIES**This is a great song for Halloween or any other time you need a break from the norm - a fun song to allow your students to let their hair down! Yes, it has screams in it, but they are short screams. Or not! Excellent for any age elementary or a fun warm-up for younger middle schoolIncludes action cues in scoreJumps and screams - not a scary song . . . just creepy!Chords included for additional instruments.
$5.99
5.6 €
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Carol Troutman Wiggins
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The Creepy Spider
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Carol Troutman Wiggins
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SheetMusicPlus
Minstrels
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1028671 Composed by Cl…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1028671 Composed by Claude Debussy. Arranged by Kennedy Burgess. 20th Century,Concert,Contemporary,Standards. 19 pages. Kennedy K Burgess #3676069. Published by Kennedy K Burgess (A0.1028671). Minstrels by Claude DebussyArranged by Kennedy BurgessMinstrels is a short piano work composed by Claude Debussy. Here it is arranged for flute ensemble. The work is a great study in low register, blend, articulation, and tone. Works very well as a set with The Girl With the Flaxen Hair arranged by Kennedy Burgess.Instrumentation:Piccolo, C Flute (4 parts), Alto Flute, Bass FluteLength of piece: ~2:00
$7.99
7.46 €
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Claude Debussy
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Kennedy Burgess
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Minstrels
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Kennedy K Burgess
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SheetMusicPlus
Sunday Night Reels
String Ensemble,String Trio Double Bass,Viola,Violin - Level 4 - Digital Download SKU: …
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String Ensemble,String Trio Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.892517 Composed by Traditional Irish. Arranged by James Scott. Celtic,Holiday. Score and parts. 11 pages. Mesa Music Publishing #6120137. Published by Mesa Music Publishing (A0.892517). Sunday Night Reels for violin, viola, and double bass Written for a Sunday night session at the Shamrock Pub in Liege, Belgium, this is a short, energetic arrangement of two beautiful Irish reels, The Red Haired Boy and The Wind that Shakes the Barley. 2 min. 10. From the Celtic Arts Trio Collection.
$5.50
5.14 €
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Traditional Irish
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James Scott
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Sunday Night Reels
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Mesa Music Publishing
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SheetMusicPlus
Experiencing High Volumes for piano triet
Small Ensemble Piano - Level 4 - Digital Download SKU: A0.890708 Composed by John P…
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Small Ensemble Piano - Level 4 - Digital Download SKU: A0.890708 Composed by John Pitts. 20th Century,Contemporary. Score and parts. 24 pages. Intensely Pleasant Music #3424703. Published by Intensely Pleasant Music (A0.890708). Experiencing High Volumes (2014) triet 6 minutes Composed for the Severnside Composers Alliance’s second Three is the Magic Number concerts of contemporary piano triets at the Lantern, Colston Hall, Bristol in 2014, performed by Milena Zhivotovskaya, Rob Broomfield and John Pitts. This is pleasant, relaxing armchair music, which doesn’t actually get particularly loud. I have Francisco Tárrega (1852-1909) to thank for a motif that recurs through the piece – a short section of his Gran Vals, which you may recognise. I have omitted the last note of the original melody, which is actually an octave down from a more familiar version you may know. Before this motif made its way into this piece I had considered a title along the lines of Cycle of Thirds for harmonic reasons which may be obvious. But I put that idea permanently on hold after trying to get through to a utilities company. In retrospect, I should have ensured that the end looped neatly back to the beginning (which sadly it doesn’t quite), so that I could attempt to sell a recording of this piece to businesses for their call waiting music. https://www.youtube.com/watch?v=m4MDdZpWQNA
$6.99
6.53 €
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John Pitts
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Experiencing High Volumes for piano triet
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Intensely Pleasant Music
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SheetMusicPlus
Five Pieces for Wind Instruments
Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Lev…
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Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.835821 Composed by Paul Burnell. Contemporary. Score and parts. 105 pages. Paul Burnell #4836477. Published by Paul Burnell (A0.835821). Five Pieces for Wind Instruments, Paul Burnell, composed 2002, revised 2011Approximate durations:1. 2:002. 4:003. 4:254. 2:405. 3:45Total duration 17:00It is not necessary to perform all 5 movements.Instrumentation:Flute (doubling Piccolo in the 1st and 5th movements)OboeClarinet in B flatAlto SaxophoneBass ClarinetBassoonTrumpet in B flatHorn in FTromboneTransposing instruments are shown transposed in the score.Sympathetic instrument doublings and/or substitutions are permissible.Unless otherwise indicated all cresc. and dim. hairpin marks move the dynamic up or down one grade.Programme note:Five Pieces for Wind Instruments was written for The Southwark Consorts of Winds - The Ancient and Modern Consort.Each of the five movements subject familiar musical stereotypes to simple but rather strict processes.The first movement is a march where the phrase lengths are gradually shortened. The second movement presents a simple melody imitated by other instruments. The middle movement, which is like a hinge in the overall structure, is a canon - where the imitation is between two groups. The fourth movement is a reverie with slight but systematic changes to the sustained harmony. The fifth movement is a jig or waltz where the phrase lengths are, unlike the first movement, gradually lengthened.
$7.95
7.43 €
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Paul Burnell
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Five Pieces for Wind Instruments
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Paul Burnell
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SheetMusicPlus
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