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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Side Note
Non classifié
293
Piano & claviers
Piano seul
335
Piano Facile
318
Piano grosses notes
32
Piano, Voix
28
Piano, Voix et Guitare
12
Orgue
10
2 Pianos, 4 mains
9
Instruments en Do
8
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Clavier
3
Accordéon
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
535
Guitare
27
Ukulele
5
Basse electrique
4
Paroles et Accords
3
Mandoline
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
Dulcimer
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
2 Ukuleles
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale TTBB
12
Chorale SSAA
12
Chorale 3 parties
10
Chorale 2 parties
9
Chorale Unison
7
Voix Soprano, Piano
3
Voix haute
2
Voix basse, Piano
1
Voix duo, Piano
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
2 Saxophones (duo)
27
Quatuor de Saxophones: 4 saxophones
26
Quintette de Saxophone: 5 saxophones
21
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Alto
17
Flûte traversière et Piano
17
Flûte traversière
15
Ensemble de saxophones
13
Hautbois, Piano (duo)
13
Clarinette
12
Saxophone Baryton, Piano
11
Clarinette et Piano
11
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
9
Saxophone Tenor
7
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
Hautbois
6
Saxophone Soprano
5
Saxophone Baryton
5
Hautbois (partie séparée)
5
2 Hautbois (duo)
4
Saxophone (partie séparée)
4
Ensemble de Clarinettes
4
Ensemble de Flûtes
3
3 Saxophones (trio)
2
Quatuor de Clarinettes: 4 clarinettes
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Hautbois, Basson (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Tenor
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone et Piano
14
Quatuor de cuivres: 4 trombones
13
Trompette, Piano
13
Tuba et Piano
13
Cor et Piano
9
Cor
9
Tuba
8
2 Cors (duo)
8
Trombone
8
2 Trompettes (duo)
7
2 Trombones (duo)
7
2 Tubas (duo)
3
Euphonium, Piano (duo)
3
Trompette, violon (duo)
3
Ensemble de Trombones
2
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
2 Euphoniums et 2 Tubas
2
Trombone basse
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Bass Clef Instruments
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violoncelle
26
Harpe
24
Violon
22
Violon et Piano
21
Violon, Violoncelle (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Piano
13
Violoncelle, Piano
12
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Contrebasse, Piano (duo)
10
Contre Basse
10
Trio à Cordes: 2 violons, violoncelle
8
2 Violons (duo)
8
Alto seul
7
2 Altos (duo)
7
Violon, Alto (duo)
4
2 Contrebasses (duo)
4
3 Harpes
2
4 Violoncelles
2
5 Harpes
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Ensemble d'Altos
1
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
67
Orchestre à Cordes
35
Orchestre
26
Ensemble de cuivres
16
Ensemble Jazz
11
Orchestre de chambre
10
Cloches
7
Ensemble de Percussions
6
Batterie
3
Percussion (partie séparée)
3
Marimba
3
Jazz combo
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Fanfare
2
Piano et Orchestre
1
+ 10 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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ENFANTS : EVEIL - IN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Side Note
Partitions à imprimer
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276
NoteStackers Complete Digital Edition
#
Methodes
#
Zachary Seckman
#
game
#
NoteStackers Complete Digital
#
ZS Music Publishing
#
SheetMusicPlus
Large Ensemble all instruments - Level 1 - SKU: A0.844221 Composed by Zachary Seckman. Instructional. Score and parts; game. 174 pages. ZS Music Publish...
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Large Ensemble all instruments - Level 1 - SKU: A0.844221 Composed by Zachary Seckman. Instructional. Score and parts; game. 174 pages. ZS Music Publishing #6692569. Published by ZS Music Publishing (A0.844221). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one! NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth.Primer Level is the Music Alphabet.Level 1 Is Bass F to Treble G (Middle C Position).Level 2 is Middle C to Treble C.Level 3 is Middle C to Bass C.Level 4 is Treble C to High C.Level 5 is Bass C to Low C.Level 6 is Low C to High C.Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a note in the middle, and students must think of the note that comes before and after the given note. Then, the correct note is written into the grey boxes on the left and right sides, along with the note name. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Bonus Gameplay: For a twist on the game, you can have students practice intervals and think of 3rds, 4ths, 5ths, etc instead of 2nds or steps as the game is set up for. This would be a great way for students to learn and practice the circle of 5ths and circle of 4ths.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$45.99
Eastside
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Contemporain
#
Benny Blanco, Halsey & Khalid
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Alex Davis
#
Eastside
#
Alex Davis Music
#
SheetMusicPlus
Large Ensemble Bass Guitar,Drums,Hand Percussion,Orff Instrument,Piano,Ukulele,Voice - Level 1 - SKU: A0.932764 By Benny Blanco, Halsey & Khalid. By Ash...
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Large Ensemble Bass Guitar,Drums,Hand Percussion,Orff Instrument,Piano,Ukulele,Voice - Level 1 - SKU: A0.932764 By Benny Blanco, Halsey & Khalid. By Ashley Frangipane, Benjamin Levin, Ed Sheeran, Khalid Robinson, and Nathan Perez. Arranged by Alex Davis. Contemporary. Score and parts. 1 pages. Alex Davis Music #6493513. Published by Alex Davis Music (A0.932764). Eastside by Benny Blanco, Halsey & Khalid, arranged for a school classroom band. This 4-bar loop can be played by keyboard instruments, ukulele (chord diagrams included), bass guitar (TAB included), and basic percussion (drum kit, cajon, djembe etc). Performers can use this same single sheet for all these roles; Blinding Lights by The Weeknd, arranged for a school classroom band. This 4-bar loop can be played by keyboard instruments, ukulele (chord diagrams included), bass guitar (TAB included), and basic percussion (drum kit, cajon, djembe etc). Performers can use this same single sheet for all these roles; Chords: Note names provided for Keyboard and other instruments, chord boxes provided for Ukulele Melody: Treble stave notes with note names provided for any instrument Bass: Bass stave notes with note names provided for any instrument Bass Gtr: BTAB with note names provided for Bass Guitar Drums: 2-line stave provided for drum kit, Cajon, Djembe, or any basic percussion capable of creating bass/snare sounds Full song lyrics are provided for singers.: Note names provided for Keyboard and other instruments, chord boxes provided for Ukulele Melody: Treble stave notes with note names provided for any instrument Bass: Bass stave notes with note names provided for any instrument Bass Gtr: BTAB with note names provided for Bass Guitar Drums: 2-line stave provided for drum kit, Cajon, Djembe, or any basic percussion capable of creating bass/snare sounds Full song lyrics are provided for singers.
$12.99
NoteStackers Primer Level Digital Edition
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ZS Music Publishing
#
game
#
NoteStackers Primer Level Digi
#
ZS Music Publishing
#
SheetMusicPlus
Large Ensemble all instruments - Level 1 - SKU: A0.844222 Composed by ZS Music Publishing. Children,Instructional. Score and parts; game. 16 pages. ZS M...
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Large Ensemble all instruments - Level 1 - SKU: A0.844222 Composed by ZS Music Publishing. Children,Instructional. Score and parts; game. 16 pages. ZS Music Publishing #6692547. Published by ZS Music Publishing (A0.844222). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one!NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth. NoteStackers Primer uses only alphabet letters, so they won't need to know notes on the staff just yet!Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a letter in the middle, and students must think of the letter that comes before and after the given letter. Then, the correct answer is written into the grey boxes on the left and right sides. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$7.99
Baby, It's Cold Outside
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Dean Martin & Martina Mcbride
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David Maddux
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Baby, It's Cold Outside
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David Maddux
#
SheetMusicPlus
Large Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Percussion,Piano,Synthesizer - Level 3 - SKU: A0.573565 By Dean Martin & Martina Mcbride. B...
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Large Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Percussion,Piano,Synthesizer - Level 3 - SKU: A0.573565 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by David Maddux. Christmas,Contemporary,Pop. Score and parts. 45 pages. David Maddux #182936. Published by David Maddux (A0.573565). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
Standing Outside The Fire
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Country
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Garth Brooks
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David Maddux
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Standing Outside The Fire
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David Maddux
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SheetMusicPlus
Large Ensemble,Strings Acoustic Guitar,Drum Set,Electric Bass Guitar,Hand Percussion,Piano - Level 3 - SKU: A0.599728 By Garth Brooks. By Garth Brooks a...
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Large Ensemble,Strings Acoustic Guitar,Drum Set,Electric Bass Guitar,Hand Percussion,Piano - Level 3 - SKU: A0.599728 By Garth Brooks. By Garth Brooks and Jenny Yates. Arranged by David Maddux. Country. Score and parts. 57 pages. David Maddux #208966. Published by David Maddux (A0.599728). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$60.00
(Something Inside) So Strong
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Pop musique
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Labi Siffre
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David Maddux
#
PARTS ONLY
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(Something Inside) So Strong
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David Maddux
#
SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano - Level 2 - SKU: A0.1371069 Composed by Labi Siffre. Arranged by David Maddux. Pop. 24 pages. David Maddux #955393. ...
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Drum Set,Electric Bass Guitar,Piano - Level 2 - SKU: A0.1371069 Composed by Labi Siffre. Arranged by David Maddux. Pop. 24 pages. David Maddux #955393. Published by David Maddux (A0.1371069). Labi Siffri's classic, triumphant anthem, arranged here for SSAA voices.NOTE: THIS DOWNLOAD CONTAINS THE SCORE & PARTS ONLY. Piano-vocal score sold separately.
$25.00
(something Inside) So Strong
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Labi Siffre
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David Maddux
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(something Inside) So Strong
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David Maddux
#
SheetMusicPlus
Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.599725 Composed by Labi Siffre. Arranged by David Mad...
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Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.599725 Composed by Labi Siffre. Arranged by David Maddux. Contemporary,Pop. Score and parts. 47 pages. David Maddux #208963. Published by David Maddux (A0.599725). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
Sidewalks of New York
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Public Domain
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Steve Eckels
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Sidewalks of New York
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Steve Eckels Music
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.1121754 Composed by Public Domain. Arranged by Steve Eckels. Barbershop,Pop. Score and parts. 8 pages. Steve ...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.1121754 Composed by Public Domain. Arranged by Steve Eckels. Barbershop,Pop. Score and parts. 8 pages. Steve Eckels Music #722942. Published by Steve Eckels Music (A0.1121754). Written of ease of learning in standard notation, tablature, alpha notes, lyrics, concerted rhythm, and chord symbols.
$9.95
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Mark W
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Christmas Time Is Here
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Mark Wayne Music, LLC
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.808436 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 4 pages. Mark ...
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String Ensemble,String Quintet - Level 3 - SKU: A0.808436 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 4 pages. Mark Wayne Music, LLC #3688823. Published by Mark Wayne Music, LLC (A0.808436). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses
$6.99
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Mark W
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Christmas Time Is Here
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Mark Wayne Music, LLC
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.808437 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 7 pages. Mark ...
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String Ensemble,String Quintet - Level 3 - SKU: A0.808437 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 7 pages. Mark Wayne Music, LLC #3688827. Published by Mark Wayne Music, LLC (A0.808437). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db,     Enharmonics- Cb, Fb     Violin III included Cello: 2 measures extended first position (repeated).     Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.
$6.99
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Mark W
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Christmas Time Is Here
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Mark Wayne Music, LLC
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.808435 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 11 pages. Mark...
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String Ensemble,String Quintet - Level 3 - SKU: A0.808435 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 11 pages. Mark Wayne Music, LLC #3688811. Published by Mark Wayne Music, LLC (A0.808435). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses
$12.99
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Folsom Prison Blues
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Country
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Johnny Cash
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Edna J
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Folsom Prison Blues
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Bloom Musicnotes
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SheetMusicPlus
B-Flat instrument,Bass Clef Instrument,Boomwhackers,C Instrument,E-Flat Instrument,Instrumental Solo - Level 1 - SKU: A0.836223 By Johnny Cash. By Johnn...
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B-Flat instrument,Bass Clef Instrument,Boomwhackers,C Instrument,E-Flat Instrument,Instrumental Solo - Level 1 - SKU: A0.836223 By Johnny Cash. By Johnny Cash. Arranged by Edna J. Bloom. Country. Individual part. 3 pages. Bloom Musicnotes #5209145. Published by Bloom Musicnotes (A0.836223). Melody line in ALPHANOTES (letter names inside note heads) - all in treble clef - all in bass clef - two pages of music Lyrics included
$4.99
The Escape - (small/medium percussion ensemble)
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Film/TV
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Frits Renting
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Frits Renting
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The Escape -
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - L...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1288799 Composed by Frits Renting. Arranged by Frits Renting. Film/TV. 35 pages. Frits_Renting #879651. Published by Frits_Renting (A0.1288799). Side note: This version is for small/medium percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$70.00
2 Madrigals, Vol.11
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2 Madrigals, Vol.11
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SheetMusicPlus
About s s are downloadable sheet music files that can be viewed directly ...
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About s s are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: 1. Besides a fountain 2. Say gentle nymphs
$15.00
The Wounded Angel
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James d'Angelo
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The Wounded Angel
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Forton Music - Digital
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SheetMusicPlus
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Scor...
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Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. P...
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Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble - Level 3 - SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Waltz Me Around Again, Please
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Waltz Me Around Again, Please
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SheetMusicPlus
About s s are downloadable sheet music files that can be viewed directly ...
(+)
About s s are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: Sidewalks of NY Daisy Bell Meet Me in St. Louis Good Old Summertime After the Ball Band Played On Sweet Rosie O'Grady Merry Oldsmobile Streets of NY Bowery Shade of Old Apple Tree Waltz Me Again Willie
$17.00
Waltz Me Around Again, Please
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Waltz Me Around Again, Please
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SheetMusicPlus
About s s are downloadable sheet music files that can be viewed directly ...
(+)
About s s are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: Sidewalks of NY Daisy Bell Meet Me in St. Louis Good Old Summertime After the Ball Band Played On Sweet Rosie O'Grady Merry Oldsmobile Streets of NY Bowery Shade of Old Apple Tree Waltz Me Again Willie
$20.00
Christ the Lord is Risen Today - voice/guitar/flute/violin
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Musique Sacrée
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Charles Wesley
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Christy Kalfas
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Christ the Lord is Risen Today
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Christy Kalfas
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SheetMusicPlus
Small Ensemble Flute,Guitar,Violin,Voice - SKU: A0.980125 Composed by Charles Wesley (1707-88). Arranged by Christy Kalfas. Christian,Easter,Praise & Wo...
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Small Ensemble Flute,Guitar,Violin,Voice - SKU: A0.980125 Composed by Charles Wesley (1707-88). Arranged by Christy Kalfas. Christian,Easter,Praise & Worship,Sacred. Score and parts. 3 pages. Christy Kalfas #5178441. Published by Christy Kalfas (A0.980125). This version of Christ the Lord is Risen Today has been dropped to the key of A to make it easily singable by a modern congregation. Chords are included for guitarists that are considerably simplified to ease the hymn's original frequent changes - the use of all the easiest chords means that even beginner guitarists can participate. The flute and violin parts are easy to read with simple note values, though the range makes the third verse more challenging. This is easily remedied if needs be by asking the performers to play the part from the first or second verse again. Since the vocal melody is printed alongside the harmony parts, the voices can easily be replaced by another C instrument to create an instrumental arrangement of the song. As most congregations don't sing all the verses of hymns anymore, this version presents the first three verses only. If the remaining three verses are required, the musicians can return to the beginning and play through the entire score again.
$2.50
Moonlight Sound Design (Downloadable)
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Raimonds Tiguls
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Lee Nelson Choral Series
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Moonlight Sound Design
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Galaxy Music Corporation - Digital
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SheetMusicPlus
3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - SKU: MQ.1.3502-E Composed by Raimonds Tiguls. Advanced/Collegiate; L...
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3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - SKU: MQ.1.3502-E Composed by Raimonds Tiguls. Advanced/Collegiate; Lee Nelson Choral Series. Secular, Memorial, 21st Century, Creation/Nature. Octavo. 15 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3502-E. Published by Galaxy Music Corporation - Digital (MQ.1.3502-E). UPC: 600313135026. English.Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is composed for 3 or 4 Soprano Soli, SATB Chorus and Hang* but can be performed with Piano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Bass section should sing the octave E-flat in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
Moonlight Sound Design (Downloadable)
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Raimonds Tiguls
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Moonlight Sound Design
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Galaxy Music Corporation - Digital
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SheetMusicPlus
3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - SKU: MQ.1.3564-E Composed by Raimonds Tiguls. 14 pages. Duration 4 minutes, 10 seco...
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3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - SKU: MQ.1.3564-E Composed by Raimonds Tiguls. 14 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3564-E. Published by Galaxy Music Corporation - Digital (MQ.1.3564-E). English.The SATB version of Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In the USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is here arranged for 3 or 4 Soprano Soli, SSAA Chorus and piano accompaniment. It can also be accompanied by Hang* (available as a free download, and adaptable to other instruments such as Guitar or Vibraphone). The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Alto section should sing the pitches in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
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