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Silvano A
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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Crtitères actifs :
Silvano A
Partitions à imprimer
8 partitions trouvées
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1
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Quizas, Quizas, Quizas (perhaps, Perhaps, Perhaps)
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Contemporain
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Osvaldo Farres
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Silvano Pagliuca-Mena
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Quizas, Quizas, Quizas
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Silvano Pagliuca-Mena
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SheetMusicPlus
Small Ensemble Banjo,Flute,Harp,Mandolin,Violin - Level 4 - SKU: A0.909130 Composed by Osvaldo Farres. Arranged by Silvano Pagliuca-Mena. Contemporary. ...
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Small Ensemble Banjo,Flute,Harp,Mandolin,Violin - Level 4 - SKU: A0.909130 Composed by Osvaldo Farres. Arranged by Silvano Pagliuca-Mena. Contemporary. Score and parts. 5 pages. Silvano Pagliuca-Mena #6365897. Published by Silvano Pagliuca-Mena (A0.909130). Quizás, quizás, quizás, is a classic bolero composed in 1947 by Osvaldo Farrés and performed by several artists including Bobby Capó and Nat King Cole. This arrangement for solo Guitar was made and recorded by Silvano Pagliuca-Mena in Spring 2020.
$8.00
Fur Elise
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Classique
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Arianna Ruiz Leonardis and Sil
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Silvano Pagliuca-Mena
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Fur Elise
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Soundnotation
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SheetMusicPlus
Band & Orchestra Violin, Accordion, Piano, Bass - Early Advanced - SKU: 2S.4251133750782 By Arianna Ruiz Leonardis and Silvano Pagliuca-Mena. By Ludwig ...
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Band & Orchestra Violin, Accordion, Piano, Bass - Early Advanced - SKU: 2S.4251133750782 By Arianna Ruiz Leonardis and Silvano Pagliuca-Mena. By Ludwig van Beethoven. Arranged by Silvano Pagliuca-Mena. Tango. Score. 20 pages. Soundnotation #4251133750782. Published by Soundnotation (2S.4251133750782). This music book contains a modern Tango arrangement of the well-known work - Fur Elise - for combo (Violin, Accordion, Piano, Bass).
$10.95
Happy Birthday
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Arianna Ruiz Leonardis and Sil
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Silvano Pagliuca-Mena
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Happy Birthday
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Soundnotation
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SheetMusicPlus
Band & Orchestra Violin, Accordion, Piano, Bass - Early Advanced - SKU: 2S.4251133750737 By Arianna Ruiz Leonardis and Silvano Pagliuca-Mena. By Traditi...
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Band & Orchestra Violin, Accordion, Piano, Bass - Early Advanced - SKU: 2S.4251133750737 By Arianna Ruiz Leonardis and Silvano Pagliuca-Mena. By Traditional. Arranged by Silvano Pagliuca-Mena. Tango. Score. 11 pages. Soundnotation #4251133750737. Published by Soundnotation (2S.4251133750737). This music book contains a Tango arrangement of the popular birthday song - - Happy Birthday - for combo (Violin, Accordion, Piano, Bass).
$10.95
Fur Elise
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Classique
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Angelo Pagliuca-Mena, Francisc
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Silvano Pagliuca-Mena
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Fur Elise
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Soundnotation
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SheetMusicPlus
Band & Orchestra Bass, Conga, Drums, Guitar, Tenor Saxophone, Trombone, Trumpet in Bb - Early Advanced - SKU: 2S.4251133750812 By Angelo Pagliuca-Mena, ...
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Band & Orchestra Bass, Conga, Drums, Guitar, Tenor Saxophone, Trombone, Trumpet in Bb - Early Advanced - SKU: 2S.4251133750812 By Angelo Pagliuca-Mena, Francisco Arteaga, Gregory Boza, Luis Luki Zambrano, and Silvano Pagliuca-Mena. By Ludwig van Beethoven. Arranged by Silvano Pagliuca-Mena. Reggae. Score. 30 pages. Soundnotation #4251133750812. Published by Soundnotation (2S.4251133750812). This music book contains a modern Reggae arrangement of the well-known work - Fur Elise - for combo (Conga, Drums, Bass, Guitar, Tenor Saxophone, Trombone, Trumpet in Bb).
$10.95
Fur Elise
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Classique
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Angelo Pagliuca-Mena, Arianna
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Fur Elise
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Soundnotation
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SheetMusicPlus
Band & Orchestra Violin, Guitar, Bass, Palms, Percussion, Cajon, hand clapping - Early Advanced - SKU: 2S.4251133750829 By Angelo Pagliuca-Mena, Arianna...
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Band & Orchestra Violin, Guitar, Bass, Palms, Percussion, Cajon, hand clapping - Early Advanced - SKU: 2S.4251133750829 By Angelo Pagliuca-Mena, Arianna Ruiz Leonardis, and Silvano Pagliuca-Mena. By Ludwig van Beethoven. Flamenco. Score. 30 pages. Soundnotation #4251133750829. Published by Soundnotation (2S.4251133750829). This music book contains a modern Flamenco (Buleria) arrangement of the well-known work - Fur Elise - for combo (Violin, Guitar, Bass, Palms, Percussion [Cajon]).
$10.95
Draculissimo
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Enjott Schneider
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Draculissimo
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Schott Music - Digital
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SheetMusicPlus
Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by...
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Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by Enjott Schneider. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Duration 25 minutes. Schott Music - Digital #Q41790. Published by Schott Music - Digital (S9.Q41790). The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant†is a raving Allegro with a Baroque ritornello structure and modern “Draculismsâ€. 2: “Luna su Tirgoviste†is a memoriam for the thousands of impaled victims who came to a violent end in today’s Târgoviste. 3: “Il ballo transilvano†confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations – in the manner of the stick and the carrot. 4: “Bacio di sangue†is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott SchneiderBassklar. · Fg. (auch Kfg.) - S. (Crot. · Vibr. · Marimba · Röhrengl. · Trgl. · 2 Beck. · Tamt. · kl. Tr. · 2 Tomt. · gr. Tr. · Chimes· Tempelbl. · Woodbl.) (2 Spieler) - Cemb. - Str. (6 Vl. · 4 Va. I · 4 Va. II · 3 Vc. I · 3 Vc. II · 3 Kb. [Die Streicher können auch solistisch besetzt werden.]).
$39.99
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Silvano A