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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Vous avez sélectionné:
Simon's Theme
Partitions à imprimer
8 partitions trouvées
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Parks And Recreation Theme
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.888323 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.888323 Composed by Gaby Moreno and Vincent Jones. Arranged by Simon Bilyk. Contemporary. Score and parts. 1 pages. Simon Bilyk #6026953. Published by Simon Bilyk (A0.888323). It's so much fun to play the theme to Parks and Rec! This one page score for string trio is easy to read and lots of fun!
$12.99
11.88 €
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Gaby Moreno and Vincent Jones
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Simon Bilyk
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Parks And Recreation Theme
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Simon Bilyk
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SheetMusicPlus
James Bond Theme
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.11…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.1171358 Composed by Monty Norman. Arranged by Dawson Music UK. 20th Century,Contemporary,Film/TV. 19 pages. Dawson Music UK #771697. Published by Dawson Music UK (A0.1171358). This arrangement of Monty Norman’s classic James Bond Theme is scored for flute choir comprising piccolo, flute 1, flute 2, alto flute and bass flute. The main melodies are shared between the upper voices and all parts are of an easy to intermediate level. This is a great concert piece, fun to play and an audience favourite! Follow the link to a sample audio recording or contact me directly for further information at simon@dawsonmusic.co.uk.www.dawsonmusic.co.uk.
$12.99
11.88 €
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Monty Norman
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Dawson Music UK
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James Bond Theme
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Dawson Music UK
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SheetMusicPlus
Oscillation
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.…
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
18.24 €
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contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Jambalaya (on The Bayou)
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.80…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802680 By Hank Williams. By Hank Williams. Arranged by Richard Carpenter & Peet du Toit. Country. Score and parts. 30 pages. Peet du Toit #6383245. Published by Peet du Toit (A0.802680). Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres.Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafonte's calypsos, Paul Simon's Graceland… the list is endless). The broader audience related to 'Jambalaya' in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.The Carpenters featured the song, in an up-tempo pop version with country flourishes, on their 1973 album Now & Then. Their version was released as a single outside the United States in 1974 and sold well in the UK (peaking at number 12 in the charts) and Japan.Presented here as a brass quintet with up-tempo percussion, there is some resemblance of the Carpenters' cover, but also demands spectacular playing from all the players. Enjoy!
$22.00
20.11 €
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Hank Williams
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Then
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Jambalaya
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Peet du Toit
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SheetMusicPlus
Always There
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Lesl…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Leslie Osborne and Simon May. Arranged by Derek Hasted. Contemporary. Score and parts. 25 pages. Derek Hasted #4327089. Published by Derek Hasted (A0.797738). ALWAYS THERE (Howard's Way) - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes You might not know this piece - it was the theme to the UK Television Series Howard’s Way which was broadcast between 1985 and 1990. It was composed as an instrumental with an incessant beat and a disco-like break in the middle.The piece was re-worked as the much more laid-back song Always There by Marti Webb; the song rose high into the Top Twenty. It also opened her album of the same name. But the song version lost much of the drive of the original.As this quartet arrangement is for playing, not singing, it makes sense to put all the drive back in!If you visit YouTube you will find some recordings of the original theme and these should point you in the right direction to make this piece blossom into a big wall of sound...It's for an intermediate quartet or large ensemble. Guitar 4 is tuned 6=D and is the most straightforward line. There's a version of Guitar 4 in bass clef for contra or electric bass, and here normal tuning is used. Guitar 3 is all arpeggios, mainly in first position. Guitars 1 and 2 take the tune and countermelodies.It's a foot-tapping piece that audiences will love!I hope you enjoy playing this piece!
$4.99
4.56 €
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Leslie Osborne and Simon May
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Derek Hasted
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Always There
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Derek Hasted
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SheetMusicPlus
Homage to Mahler
Woodwind Ensemble Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1279567 …
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Woodwind Ensemble Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1279567 Composed by Simon Gilliver. 20th Century,21st Century. 26 pages. Simon Gilliver #871034. Published by Simon Gilliver (A0.1279567). This single movement work takes themes well known from Mahler Symphonies, combined with newly composed sections firmly in Mahler's style. The result is a colourful new symphonic movement in the style of Mahler for flute, oboe and clarinet ensemble. An ideal introduction to Mahler's style for developing woodwind players.Scored for three flutes, two oboes and three clarinets. Difficulty level grade 5-7.
$9.99
9.13 €
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Simon Gilliver
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Homage to Mahler
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Simon Gilliver
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SheetMusicPlus
April Come She Will
Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1397080 By Simon And…
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Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1397080 By Simon And Garfunkel. By Paul Simon. Arranged by Elise Letourneau. Film/TV,Folk,Pop,Rock,Singer/Songwriter. 9 pages. Elise Letourneau #980402. Published by Elise Letourneau (A0.1397080). As sung by Vox Eclectica Women's+ Choir. Beautiful SAA arrangement of the poignant song composed by Paul Simon, recorded by Simon & Garfunkel on their second studio album, and from the soundtrack of the movie The Graduate. Warm and vibrant harmonies, with lines carefully considered for approachability. Four-stave system with chord symbols and optional bass line. 9 pages. Duration about 3:50. Programming themes include: seasons, moods, change, changeabilityElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00
1.83 €
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Simon And Garfunkel
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Elise Letourneau
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April Come She Will
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Elise Letourneau
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SheetMusicPlus
Song For The Asking
Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1396927 By Simon And…
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Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1396927 By Simon And Garfunkel. By Paul Simon. Arranged by Elise Letourneau. Folk,Pop,Rock,Singer/Songwriter. 4 pages. Elise Letourneau #980266. Published by Elise Letourneau (A0.1396927). As sung by The Juliet Singers. Simple but compelling SAA arrangement of the eloquent song composed by Paul Simon, from Simon & Garfunkel's fifth album. Clean harmonies, with lines carefully considered for approachability. Four-stave system with chord symbols and optional cello line. 4 pages. Duration about 1:45. Great as a concert opener. Programming themes include: music, singing, song, friendship, sharing, togetherness through musicElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00
1.83 €
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Simon And Garfunkel
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Elise Letourneau
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Garfunkel's fifth album
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Song For The Asking
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Elise Letourneau
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SheetMusicPlus
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