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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sin Ella
Non classifié
1 004
Piano & claviers
Piano, Voix
245
Piano, Voix et Guitare
221
Piano seul
200
Piano Facile
124
Instruments en Do
67
Orgue
22
2 Pianos, 4 mains
21
Accordéon
10
1 Piano, 4 mains
9
Accompagnement Piano
7
Accordéon, Voix
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
Orgue, Voix
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
73
Paroles et Accords
28
Ligne De Mélodie, (Paroles) et Accords
23
Guitare
9
Ukulele
6
Basse electrique
4
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
Mandoline
1
Banjo
1
Ukulele Baryton
1
Guitare (partie séparée)
1
Ensemble de guitares
1
+ 8 instrumentations
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Voix
Chorale SATB
2 512
Chorale TTBB
887
Chorale SSAA
841
Chorale 3 parties
805
Voix seule
136
Chorale 2 parties
117
Chorale Unison
103
Chorale
57
Chorale SSATB
15
Voix basse, Piano
13
Voix Alto, Piano
12
Voix duo, Piano
12
Chorale SSAB a cappella
11
Voix duo
9
Chorale SSAATTBB
7
Chorale SSATTB
7
Voix haute
5
Chorale SSATBB
5
Voix Tenor, Piano
4
Chorale SAATB A Cappella
4
Voix Soprano, Piano
4
Chorale SSAATB A Cappella
3
Pack Instrumental pour Chorale
3
Chorale SSAB, Piano
2
Voix Baryton, Piano
2
Chorale SATTB
1
Voix moyenne, Piano
1
Chorale SATBB
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATB
1
Chorale SATTBB A Cappella
1
+ 26 instrumentations
Retracter
Vents
Saxophone
35
Ensemble de saxophones
30
Clarinette
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
2 Saxophones (duo)
24
Quatuor de Saxophones: 4 saxophones
22
Quatuor de Clarinettes: 4 clarinettes
19
Quintette de Saxophone: 5 saxophones
19
Flûte traversière et Piano
11
Clarinette et Piano
10
Saxophone, Clarinette (duo)
10
Ensemble de Clarinettes
9
Saxophone Alto et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
9
Saxophone (partie séparée)
8
Quatuor de Flûtes : 4 flûtes
8
Clarinette, Violon (duo)
7
Flûte traversière
7
Hautbois, Piano (duo)
7
Flûte à Bec
6
Saxophone Alto
6
Hautbois, Basson (duo)
5
Ensemble de Flûtes
5
2 Hautbois (duo)
4
Saxophone Tenor
4
Flûte, Violon
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Clarinette et Alto
4
Flûte, Clarinette (duo)
3
Flûte et Guitare
3
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Hautbois, Flûte
3
Saxophone Tenor et Piano
3
Flûte à bec Soprano
2
Clarinette (partie séparée)
2
3 Clarinettes (trio)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton, Piano
1
Flûte à bec Alto
1
Ocarina
1
Flûte, Alto (duo)
1
Quatuor de Flûtes à bec
1
Flute (partie séparée)
1
Flûte irlandaise
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
3 Flûtes à bec (trio)
1
Cor anglais, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Basson (duo)
1
Cor anglais, Piano
1
Saxophone et Guitare
1
Clarinette Basse, Piano
1
Clarinette, Guitare (duo)
1
+ 56 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trombone
17
Trompette, Piano
8
Trompette
8
Trompette, Saxophone (duo)
6
Trompette (partie séparée)
5
Trombone et Piano
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 cors
4
2 Trombones (duo)
3
Trombone (partie séparée)
3
Ensemble de Trompettes
3
2 Trompettes (duo)
3
Quatuor de Cuivres
3
Ensemble de Trombones
2
Cor
2
Tuba et Piano
2
Cor et Piano
2
4 Tubas
1
Ensemble de Tubas
1
2 Cors, Piano
1
Euphonium, Piano (duo)
1
Trompette, Tuba (duo)
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
147
Violon, Violoncelle (duo)
79
Trio à Cordes: 2 violons, violoncelle
62
Violon
30
Violoncelle
27
Trio à Cordes: violon, alto, violoncelle
25
Violon, Alto (duo)
17
Violon et Piano
16
2 Violoncelles (duo)
14
Harpe
12
2 Violons (duo)
12
Violoncelle, Piano
9
Alto seul
7
Violoncelle, Contrebasse (duo)
6
2 Altos (duo)
6
Alto, Piano
6
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
3
Contre Basse
3
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Violon (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble d'Altos
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
Violon, Guitare (duo)
1
2 Harpes (duo)
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
+ 29 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
70
Fanfare
38
Orchestre
27
Orchestre à Cordes
25
Ensemble de cuivres
22
Orchestre de chambre
19
Cloches
18
Ensemble Jazz
10
Jazz combo
9
Batterie
4
Batterie (partie séparée)
1
+ 6 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
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TUBA
UKULELE
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VIOLON
VIOLONCELLE
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style (tous)
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Sin Ella
Partitions à imprimer
1 004 partitions trouvées
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Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
Limes (CM 2017) Parte terza: il sogno come evasione dalla precarietà della vita
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Carmelo Mantione
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Limes
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Carmelo Mantione
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SheetMusicPlus
Bass Clarinet,Cello,Guitar,Oboe,Percussion,Piano,Violin - SKU: A0.1070871 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards. Full Perfor...
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Bass Clarinet,Cello,Guitar,Oboe,Percussion,Piano,Violin - SKU: A0.1070871 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards. Full Performance. Duration 619. Carmelo Mantione #5889423. Published by Carmelo Mantione (A0.1070871). Live recording: Daniela Carlino -Syrah ensemble, Palermo 2017Parte Terza: il sogno come evasione dalla precarietà della vita L'ultima parte è la più complessa della composizione ed è basata su un testo di Guido Gozzano: La via del rifugio . Si tratta di una poesia molto articolata che offre parecchi spunti quasi teatrali: il poeta si trova disteso a terra, nella campagna piemontese, mentre due bambine, nipoti, figlie della sorella, giocano cantando un'antica filastrocca. Il poeta alterna le sue riflessioni sulla vita e sulle grandi domande dell'esistenza ai versi di questa filastrocca e alla descrizione dei giochi delle bambine, i girotondi e la cattura di una farfalla, che tanto coinvolge le piccole. Al fine di rendere meglio la teatralità del brano l'autore ha affidato il testo della filastrocca a due voci infantili e le riflessioni del poeta alla voce di soprano (con l'eccezione di qualche frammento di quest'ultimo tipo recitato dalle bambine stesse). La struttura del testo, con ritorni frequenti di alcune brevi strofe, ha suggerito una forma musicale che si avvicina al tradizionale rondò, in cui in particolare un refrain ritorna in maniera sempre nuova alternandosi a vari episodi. La melodia della filastrocca, elaborazione di una tipica melodia tradizionale è il refrain principale e viene sempre variato nella combinazione delle due voci e degli strumenti, e nell'armonizzazione. Un altro episodio frequente, anch'esso rivisitato nei vari ritorni, è quello del primo intervento dell'autore: socchiusi gli occhi sto seduto sul trifoglio, e vedo un quatrifoglio che non raccoglierò, nelle sue varianti testuali. Il brano vuole anche essere anche una sintesi dei precedenti (Parte Prima e Seconda), riproponendo riferimenti importanti ai temi principali uditi, ma anche a frammenti secondari, che compaiono all'interno del tessuto musicale per suggerire stati d'animo o immagini simili a quelle originarie del brano da cui sono state estrapolate o comunque servono a mettere i brani a confronto e creare delle correlazioni musicali e concettuali.
$1.99
O Little Town of Bethlehem traditional SSAA A Cappella
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem tra
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Soprano voice - Level 2 - SKU: A0.1513101 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,C...
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Small Ensemble Alto Voice,Soprano voice - Level 2 - SKU: A0.1513101 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas. 6 pages. Connie Boss #1087984. Published by Connie Boss (A0.1513101). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. . It is for SSAA voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonightShepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord EmmanuelIn a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
Sing We Now of Christmas
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Noël
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Cynthia Dobrinski
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Sing We Now of Christmas
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Hope Publishing - Digital
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SheetMusicPlus
(Flute) - Level 3 - SKU: H1.2576FDP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Flute Part. 2 pages. Hope Publishing - Dig...
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(Flute) - Level 3 - SKU: H1.2576FDP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Flute Part. 2 pages. Hope Publishing - Digital #2576FDP. Published by Hope Publishing - Digital (H1.2576FDP). Luke 2:1 - Luke 2:2 - Luke 2:3 - Luke 2:4 - Luke 2:5 - Luke 2:6 - Luke 2:7 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 - .15th Century French Carol In this vivacious and harmonically interesting 3-7 octave setting, Cynthia Dobrinski makes use of the theme and variations form with optional 3-6 octaves handchimes, flute, and tambourine adding extra color. Contrast abounds with martellatos, martellato lifts, vibratos, echoes, mallets, mallet rolls, brush damps, plucks, shakes, and a swing used in a variety of moods from vivace to a lyrical andante. Though the theme is in a minor key, the lyrical variation is in the parallel major, and after the minor main theme returns, a rousing coda takes the piece back to the major key for a joyful conclusion.
$9.95
Sing We Now of Christmas
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Noël
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Cynthia Dobrinski
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Sing We Now of Christmas
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Hope Publishing - Digital
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SheetMusicPlus
Handbells (Flute) - Level 3 - SKU: H1.2576DP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Score. 12 pages. Hope Publishing ...
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Handbells (Flute) - Level 3 - SKU: H1.2576DP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Score. 12 pages. Hope Publishing - Digital #2576DP. Published by Hope Publishing - Digital (H1.2576DP). 15th Century French Carol In this vivacious and harmonically interesting 3-7 octave setting, Cynthia Dobrinski makes use of the theme and variations form with optional 3-6 octaves handchimes, flute, and tambourine adding extra color. Contrast abounds with martellatos, martellato lifts, vibratos, echoes, mallets, mallet rolls, brush damps, plucks, shakes, and a swing used in a variety of moods from vivace to a lyrical andante. Though the theme is in a minor key, the lyrical variation is in the parallel major, and after the minor main theme returns, a rousing coda takes the piece back to the major key for a joyful conclusion.
$6.50
Ave Maria Christmas Verson Solo SATB A Capella with optional flute or violin or cello
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Classique
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Franz Schubert
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Connie Boss
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Ave Maria Christmas Verson Sol
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1317754 Composed by Franz Schubert. Arranged by Connie Boss. Chri...
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Alto Voice,Bass Voice,Cello,Flute,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1317754 Composed by Franz Schubert. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 7 pages. Connie Boss #906436. Published by Connie Boss (A0.1317754). This version of Ave Maria has the same beautiful melody as the original. The lyrics, while maintaining the well-known Ave Maria words, also have some English translation along with Christmas Lyrics. It talks about the angel giving Mary the message from God that she will bear his son and needs to journey to Bethlehem. The melody is for a soloist if desired and then SATB quartet or choir parts that give beautiful harmonies off and on throughout the song. There is a very pretty  optional instrument part that can be played on flute, violin or cello - parts included. It's worth a listen. Any requests or questions, email cdboss@cvalley.net. For an accompaniment, please email me with proof of purchase. Lyrics:Ave Maria, I am an angel sent from GodMaria, here is God’s messageMaria, you will bear God’s sonAve, Ave, Hail to the LordThe Lord is with theeBlessed are you among womenFor you were born without sinAnd blessed be the fruit of thy wombOf thy womb Jesus ChristAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, God has chosen youAve, Ave Maria, the time has comeYou will make a journey to BethlehemWhere you will deliver God’s own sonAnd you will name your son JesusYour son will save the world from sinAve, Maria……….
$7.99
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Brass Band - Ave Maris Stella
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Christian contemporain
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Musique Sacrée
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Mike Lyons
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Brass Band - Ave Maris Stella
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.767267 Composed by Mike Lyons. Contemporary,Sacred. Brass Band. 38 pages. Lyons Music Services #3139447. Published by Lyons Music Services (A0.767267). Ave Maris Stella - Hail Star of the Sea. This is a hymn to the Virgin Mary from the catholic liturgy. I was inspired to write it after a combiation of teaching species counterpoint and a watching a rather poignant documentary about some of the rituals surrounding the Virgin Mary in several parts of the world, especially in Italy. The piece has an Incipit in the euphonium at the start, which can be omitted if you aren't using it in church, but it sets the tone of the piece rather well. This incipit is based on a plainchant melody from the 16th century. The music evolves in a polyphonic style, using the rules of counterpoint until the fanfares, which I see as proclaiming the role of the Mother of Jesus, which break with the mediaeval traditions and use modern harmonic structures to bring the work to a rousing finish. All the parts are A5, landscape format to match the common hymn book size for UK bands.
$15.00
Come Thou Fount of Every Blessing
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Musique Sacrée
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Robert Robinson / John Wyeth
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John R
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Come Thou Fount of Every Bless
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John R. Daniels
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Soprano Recorder - Level 4 - SKU: A0.1099096 Composed by Robert Robinson / John Wyeth. Arranged by...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Soprano Recorder - Level 4 - SKU: A0.1099096 Composed by Robert Robinson / John Wyeth. Arranged by John R. Daniels. Christian,Classical,Folk,Praise & Worship,Sacred. Score and parts. 14 pages. John R. Daniels #702964. Published by John R. Daniels (A0.1099096). Come Thou Fount is a flute and recorder duet arrangement that maintains the dignity of the original while adding some classical elements like escape and passing tones and a venture into the relative minor key. Even though it may sound complex in places, the flute and recorder parts are designed to be played by intermediate students. The piano part will take a little more experience.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$5.99
Sing We and Chant It
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Thomas Morley
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Russell L
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Sing We and Chant It
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003478 Sing We and Chant It - 3-Part Mixed, a cappella. Composed by Thomas Morley. Arranged by Russell L. Robinson...
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Chorus - SKU: AX.00-PO-0003478 Sing We and Chant It - 3-Part Mixed, a cappella. Composed by Thomas Morley. Arranged by Russell L. Robinson. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0003478. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003478). UPC: 038081016740. Michael Grayton.Introduce your 3-part choir to madrigal singing with this wonderful new edition of the Thomas Morley classic designed especially for young singers by Russell Robinson. Reduced to three voice parts, this edition still sounds full and captures all the spirit and joy of madrigal singing. Suitable for large choirs as well as small groups. Add this work to your choral library and use it year after year. An excellent teaching piece...but perform it at concert and festival time, too. This title is available in Music Prodigy.A cappella.
$2.05
Sing We Now of Christmas (for 18 bells)
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Noël
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Traditional French Carol
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Linda Scholes
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Sing We Now of Christmas
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Linda Scholes Music
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.800963 Composed by Traditional French Carol. Arranged by Linda Scholes. Christmas,Sacred. Score and parts. 7 pages. L...
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Large Ensemble - Level 2 - SKU: A0.800963 Composed by Traditional French Carol. Arranged by Linda Scholes. Christmas,Sacred. Score and parts. 7 pages. Linda Scholes Music #6038143. Published by Linda Scholes Music (A0.800963). This sparkling arrangement of the well-known Christmas carol Noel Nouvelet by Linda Scholes is written for 18 handbells and is reproducible. There are no bell changes, making it suitable for ringing from stands and social distancing. The martellatos may be marted on the thigh for a nice effect! This is a reproducible arrangement. The purchaser has permission to make up to 10 copies and may use the arrangement in livestream recordings and programs.
$12.00
I Sing the Mighty Power of God - Euphonium and Piano arrangement by Stephen R Dalrymple
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Musique Sacrée
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Stephen R
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I Sing the Mighty Power of God
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trombone,Trumpet,Violin - SKU: A0.818350 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Chris...
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Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trombone,Trumpet,Violin - SKU: A0.818350 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score and parts. 50 pages. Stephen R Dalrymple #6360431. Published by Stephen R Dalrymple (A0.818350). I Sing the Mighty Power of GodEuphonium Solo with Piano Accompaniment arranged by Stephen R. Dalrymple transcribed for flute, clarinet, trumpet, violin, and cello I Sing the Mighty Power of God lyrics - Isaac Watts 1715 melody - ELLACOMBE adapted from Gesangbuch der Herzog (Württemberg 1784) by William H. Monk 1868 Isaac Watts was an early hymn writer. Using hymns in the protestant church was controversial. The previous practice had been to sing the Psalms straight from the Bible, exclusively. In contrast to the Psalms, hymns expressed interpretation of the text and personal experiences. Like his poem Joy to the World the Lord is Come, I Sing the Mighty Power of God deserves to be sung and cherished. music © 2011 Stephen R Dalrymple sequenced by the composer recording ℗ 2021 Stephen R Dalrymple presentation © 2021 Stephen R Dalrymple string parts edited by Jim Jansen This .pdf file includes 14 score choices ♫ Full Score for Euphonium and piano letter size ♫ Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Small page full Score for Euphonium for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.45
O Sacred Head Now Wounded trio a cappella
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Hassler, Bach, Alexander
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Connie Boss
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O Sacred Head Now Wounded trio
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Connie Boss
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SheetMusicPlus
Alto Voice,Soprano voice - Level 3 - SKU: A0.1395890 Composed by Hassler, Bach, Alexander. Arranged by Connie Boss. Holiday,Lent,Religious,Sacred. 2 pag...
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Alto Voice,Soprano voice - Level 3 - SKU: A0.1395890 Composed by Hassler, Bach, Alexander. Arranged by Connie Boss. Holiday,Lent,Religious,Sacred. 2 pages. Connie Boss #979267. Published by Connie Boss (A0.1395890). This song is great for Lent, Palm Sunday and especially Good Friday. I have added an interesting intro.  There are lots of lyrics out there, but I used the ones by Alexander and then changed some of the lyrics and added verse 2. Questions or requests, email cdboss@cvalley.netLyrics:O Sacred HeadA crown of thornsPlaced on Your HeadNow woundedO sacred Head, now wounded,with grief and shame weighed down,now scornfully surroundedwith thorns, Your only crown;O Jesus Christ, how painfulthe thorns that pierce your headyour face is filled with sorrowas you soon face your deathO sacred Head, now woundedThey stripped you of your clothesCast lots to claim their prizesThey put you on a showYou carried the cross of burdensOf all who lived in sinYou died to save their sorrowsTheir new life would beginBe Thou my consolation,my shield when I must die;remind me of Your passionwhen my last hour draws nigh.Mine eyes shall then behold you,the cross at calvaryyou hung there for our sorrowsyou gave your life for me.
$5.50
Irish Blessing MP3 2 Part Choir, Piano Rehearsal Track for ArrangeMe title #798514
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Sylvia Chapa
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Sylvia Chapa
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Irish Blessing MP3 2 Part Choi
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Sylvia Chapa
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SheetMusicPlus
Choir,Voice - Level 1 - SKU: A0.1199451 By Sylvia Chapa. By Noel Stookey. Arranged by Sylvia Chapa. A Cappella,Celtic,Christian,Folk,Irish,Wedding. Acco...
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Choir,Voice - Level 1 - SKU: A0.1199451 By Sylvia Chapa. By Noel Stookey. Arranged by Sylvia Chapa. A Cappella,Celtic,Christian,Folk,Irish,Wedding. Accompaniment. Duration 72. Sylvia Chapa #798519. Published by Sylvia Chapa (A0.1199451). Irish Blessing - May the Road Rise to Meet You is an Mp3 Rehearsal recording track meant only for learning purposes by the singers. It is a companion learning or teaching tool for ArrangeMe #798514 designed for two part vocals, either 2 part treble, tenor/bass, or mixed voices of female and male voices of any age. It may be sung by only two people or any numbers of singers on each part. Note that the ending has two options for the upper harmony. At the end of the recording, the lower option is played as the original ending, then the upper harmony option is played so you can hear both options and choose the one you prefer to use. The first and lower option is the easier of the two.
$1.99
Rain - a capella quartet (SATB)
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Brittany White
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Rain - a capella quartet
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Brittany Walters
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SheetMusicPlus
Small Ensemble - SKU: A0.928099 Composed by Brittany White. A Cappella,Jazz. Score and parts. 10 pages. Brittany Walters #5355215. Published by Brittany...
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Small Ensemble - SKU: A0.928099 Composed by Brittany White. A Cappella,Jazz. Score and parts. 10 pages. Brittany Walters #5355215. Published by Brittany Walters (A0.928099). Rain is an a capella quartet piece that follows the structure of a weather phenomenon: rainfall. It calls for singers to emulate the sounds of wind and rain – from droplets to downpours. The word rain is the only actual word used in the piece, while the rest of the composition includes vocalize lyrics and onomatopoeias. This composition has a jazz influence, with its use of 7th chords and its syncopated rhythms. Duration: approximately 2'50.
$2.04
Vergine bella (Downloadable)
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John David Earnest
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Vergine bella
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Medium - SKU: MQ.8478-E Composed by John David Earnest. 12 pages. E. C. Schirmer Music Company - Digital #8...
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Tenor voice solo, SATB choir unaccompanied - Medium - SKU: MQ.8478-E Composed by John David Earnest. 12 pages. E. C. Schirmer Music Company - Digital #8478-E. Published by E. C. Schirmer Music Company - Digital (MQ.8478-E). English, Italian.The conductor of Choral Arts Northwest, Robert Bode, asked the composer to write a work based on a text about The Blessed Virgin Mary. The final poem in Petrarch's most famous work, Il Canzoniere, was chosen, because it is a prayer to the Blessed Virgin. The composer first quotes a melody by Guillaume Dufay (1397-1474,) and then continues with his own interpretation of the poem, simultaneously using both the original Italian and its English translation, and a few other references to Dufay's music. Duration: ca. 5:20A review of CANW's performance of this piece comments: Perhaps the heart of the program came with the premiere of John David Earnest’s “Vergine Bella.†This gorgeous work caught up the listener from the start, the choir softly singing the first phrases on one note, while the solo tenor came in soaring above them in a beautiful melody..
$2.65
The Lord Bless You and Keep You (SSAB A Cappella)
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Peter Lutkin
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David Das
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The Lord Bless You and Keep Yo
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Records Room Music
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SheetMusicPlus
Choral Choir - Level 2 - SKU: A0.1045486 By Peter Lutkin. By Peter Lutkin. Arranged by David Das. Classical,Sacred,Standards,Traditional,Wedding. Octavo...
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Choral Choir - Level 2 - SKU: A0.1045486 By Peter Lutkin. By Peter Lutkin. Arranged by David Das. Classical,Sacred,Standards,Traditional,Wedding. Octavo. 6 pages. Records Room Music #650061. Published by Records Room Music (A0.1045486). This is a specially re-voiced version of Peter Lutkin's classic choral benediction The Lord Bless You and Keep You. Originally written for SATB choir, this version re-voices and redistributes parts to make it suitable for SSAB choir while preserving all of the contours and subtleties of the original. For those who may want to use this simultaneously with the original SATB version, they are fully capable of coexisting (for example, if one choir sings the SATB and a separate choir sings the SSAB at the same time). However, the soprano and alto parts of the SSAB version are not identical to the soprano and alto parts of the SATB version, so directors should instruct their singers to read from one or the other.
$2.49
Gallo: Trio Sonata No.1 in G Mvt.I (Pulcinella Suite I. Sinfonia) - double reed trio (Ob.,C.A.,Bsn.)
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Igor Stravinsky
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Ray Thompson
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Gallo: Trio Sonata No.1 in G M
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Trio,English Horn,Oboe - Level 4 - SKU: A0.553756 By Igor Stravinsky. By Domenico Gallo. Arranged by Ray Thompson....
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Woodwind Ensemble Bassoon,Double Reed Trio,English Horn,Oboe - Level 4 - SKU: A0.553756 By Igor Stravinsky. By Domenico Gallo. Arranged by Ray Thompson. 20th Century,Baroque,Holiday. 6 pages. RayThompsonMusic #3927021. Published by RayThompsonMusic (A0.553756). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually the 1st movement of Gallo's 1st Trio Sonata.It was used by Igor Stravinsky as a basis of the first movement (Sinfonia) of his Neo Classical Ballet Pulcinella.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. This is the original music he used as the basis of the Sinfonia.But even though Stravinsky used Pergolesi's melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.Arranged double reed trio (ob.,c.a. and bsn. with alternative oboe 2 for cor anglais.
$14.95
Sinfonia a tre
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Alessandro Stradella
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Sinfonia a tre
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Schott Music - Digital
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SheetMusicPlus
Cello/double bass - easy to intermediate - SKU: S9.Q45485 Composed by Alessandro Stradella. This edition: separate part. Antiqua. Downloadable, Individu...
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Cello/double bass - easy to intermediate - SKU: S9.Q45485 Composed by Alessandro Stradella. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q45485. Published by Schott Music - Digital (S9.Q45485).
$4.99
Sinfonia a tre
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Alessandro Stradella
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Sinfonia a tre
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Schott Music - Digital
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SheetMusicPlus
2 violins (oboes) and basso continuo (piano, harpsichord); cello/double bass ad libitum - easy to intermediate - SKU: S9.Q195 Composed by Alessandro Str...
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2 violins (oboes) and basso continuo (piano, harpsichord); cello/double bass ad libitum - easy to intermediate - SKU: S9.Q195 Composed by Alessandro Stradella. This edition: score and parts. Antiqua. Downloadable, Score and parts. Schott Music - Digital #Q195. Published by Schott Music - Digital (S9.Q195).
$18.99
Sinfonia a tre
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Alessandro Stradella
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Sinfonia a tre
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Schott Music - Digital
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SheetMusicPlus
2 violins (oboes) and basso continuo (piano, harpsichord); cello/double bass ad libitum - easy to intermediate - SKU: S9.Q45483 Composed by Alessandro S...
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2 violins (oboes) and basso continuo (piano, harpsichord); cello/double bass ad libitum - easy to intermediate - SKU: S9.Q45483 Composed by Alessandro Stradella. This edition: solo part. Antiqua. Downloadable, Solo part. Schott Music - Digital #Q45483. Published by Schott Music - Digital (S9.Q45483).
$4.99
Sinfonia a tre
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Alessandro Stradella
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Sinfonia a tre
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Schott Music - Digital
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SheetMusicPlus
2 violins (oboes) and basso continuo (piano, harpsichord); cello/double bass ad libitum - easy to intermediate - SKU: S9.Q45484 Composed by Alessandro S...
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2 violins (oboes) and basso continuo (piano, harpsichord); cello/double bass ad libitum - easy to intermediate - SKU: S9.Q45484 Composed by Alessandro Stradella. This edition: solo part. Antiqua. Downloadable, Solo part. Schott Music - Digital #Q45484. Published by Schott Music - Digital (S9.Q45484).
$4.99
The Hammer and the Nail - Good Friday - Mens TTBB A capella
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Connie Boss
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The Hammer and the Nail - Good
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801273 Composed by Connie Boss. A Cappella,Easter,Sacred. Score. 4 pages. Connie Boss #5044285. Publ...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801273 Composed by Connie Boss. A Cappella,Easter,Sacred. Score. 4 pages. Connie Boss #5044285. Published by Connie Boss (A0.801273). This song for Good Friday is in TTBB A capella. Tenor, Tenor, Baritone, Bass. It is a very moving piece. There is also a soloist in one section. It ends with the soloist and then... silence should be observed. This is in the perspective of Jesus and how he might have felt during his final hours. Very appropriate for a men's choir to sing it. See Lyrics below:
$5.50
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