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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sinfonia In F - Piano
Non classifié
20
Piano & claviers
Orgue, Trompette (duo)
1
Guitares
2 Guitares (duo)
1
Voix
Chorale SATB
1
Vents
Hautbois, Clarinette, Basson (trio d'anches)
3
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de Clarinettes
1
Hautbois (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
+ 1 instrumentations
Retracter
Cuivres
3 Trombones (trio)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
1
3 Euphoniums
1
Cor et Harpe
1
Cordes
Violon (partie séparée)
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violon, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Contre Basse
1
Alto seul
1
2 Violons (duo)
1
Violoncelle
1
2 Harpes (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle, Orchestre
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre
5
Orchestre de chambre
3
Orchestre d'harmonie
2
Orchestre à Cordes
2
Ensemble de cuivres
1
Autres
Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Sinfonia In F - Piano
Partitions à imprimer
20 partitions trouvées
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1
Sinfonia 9 for Brass Trio MP3
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Classique
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Johann Sebastian Bach
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Cristiano Vecchi
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Sinfonia 9 for Brass Trio MP3
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Cristiano Vecchi
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SheetMusicPlus
Horn,Trombone,Trumpet - SKU: A0.1066286 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards. Full Pe...
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Horn,Trombone,Trumpet - SKU: A0.1066286 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards. Full Performance. Duration 121. Cristiano Vecchi #4849973. Published by Cristiano Vecchi (A0.1066286). The three-part Sinfonia or Inventio N.9, chromatic masterwork by J.S. Bach, in a version for Brass Trio:Trumpet in Bb - Horn in F - Trombone .Duration: 2'00Added dynamic and expression indications that follow and show the formal architecture of the piece.Score and parts also purchasable on this website.Also available on this website versions for: Woodwind Trio, Cello Trio, String Trio.
$1.99
Bach: Christmas Oratorio BWV248 "Sinfonia Pastoral" - symphonic wind
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Classique
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Johann Sebastian Bach
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Ray Thompson
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Bach: Christmas Oratorio BWV24
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553809 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score and parts. 21 pag...
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Large Ensemble - Level 5 - SKU: A0.553809 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score and parts. 21 pages. RayThompsonMusic #4762509. Published by RayThompsonMusic (A0.553809). The well known Sinfonia Pastoral comes from the second part of Bach's Christmas Oratorio.It is scored for 2 flutes, 2 oboe d'amore, 2 oboe da caccia, strings, continuoI have added natural horns in G. ( Horns in F are provided as well)Bach uses the 4 oboes to indicate the shepherds, as a counter melody to that of the strings.I have used the 2 oboes and bassoon 1 as the mainstay of the oboe quartet and given the sustained notes played by Bach's 4th oboe to horn or clarinet. This keeps the counter melody on the double reed instruments, and gives a fair refection of Bach's original.Flutes, clarinets and bassoon2 play the original string parts.Arranged here for double wind quintet and bass.
$19.95
Sinfonia from Cantata 142 (To Us A Child Is Born) - Brass Quintet and Organ with Optional Timpani
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Classique
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Johann Sebastian Bach
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Christina Harmon
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Sinfonia from Cantata 142
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Christina Harmon
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SheetMusicPlus
Small Ensemble Organ,Timpani - Level 4 - SKU: A0.753257 Composed by Johann Sebastian Bach. Arranged by Christina Harmon. Baroque,Christian,Christmas,Wor...
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Small Ensemble Organ,Timpani - Level 4 - SKU: A0.753257 Composed by Johann Sebastian Bach. Arranged by Christina Harmon. Baroque,Christian,Christmas,World. Score and parts. 16 pages. Christina Harmon #3389461. Published by Christina Harmon (A0.753257). Scored for two Trumpets in Bb, Horn in F, Trombone, Tuba, and Organ with Optional Timpani. Christmas, Performance 2 minutes.
$8.00
Sinfonia No 9
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Johann Sebastian Bach
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Andrei Strizek
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Sinfonia No 9
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium trio SKU: TE.TEP10049 Composed by Johann Sebastian Bach. Arranged by Andrei Strizek. Score. Published by Tuba-Euphonium Press (TE.TEP10049).
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Euphonium trio SKU: TE.TEP10049 Composed by Johann Sebastian Bach. Arranged by Andrei Strizek. Score. Published by Tuba-Euphonium Press (TE.TEP10049). In f minor.
$15.00
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
SINFONIA from CANTATA 29 (We Thank You, God)
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Classique
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Johann Sebastian Bach
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Mark F
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SINFONIA from CANTATA 29
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Mark Adler Music
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SheetMusicPlus
C Trumpet,Horn,Organ,Piccolo Trumpet,Timpani,Trombone,Tuba - Level 5 - SKU: A0.1223679 Composed by Johann Sebastian Bach. Arranged by Mark F. Adler. Bar...
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C Trumpet,Horn,Organ,Piccolo Trumpet,Timpani,Trombone,Tuba - Level 5 - SKU: A0.1223679 Composed by Johann Sebastian Bach. Arranged by Mark F. Adler. Baroque,Chamber,Holiday,Wedding. 39 pages. Mark Adler Music #819828. Published by Mark Adler Music (A0.1223679). This arrangement of Bach's Sinfonia from Cantata 29 makes a great prelude or postlude for any festive service! This familiar piece really lets the organist shine, while the brass provide a sparkling accompaniment. Trumpet parts in C and Bb are provided along with a Piccolo Trumpet in A for Trumpet 1.
$25.00
Sinfonia 9 for String Trio MP3 (Version 1)
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Johann Sebastian Bach
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Cristiano Vecchi
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Sinfonia 9 for String Trio MP3
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Cristiano Vecchi
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SheetMusicPlus
Cello,Viola,Violin - Level 4 - SKU: A0.1511987 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Easter,Instruc...
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Cello,Viola,Violin - Level 4 - SKU: A0.1511987 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Easter,Instructional. Full Performance. Duration 120. Cristiano Vecchi #1087055. Published by Cristiano Vecchi (A0.1511987). The three-part Sinfonia or Inventio, chromatic masterwork by J.S. Bach, first version for: Violin, Viola and Cello in the original key of F minor.Added dynamic and expression indications that follow and show the formal architecture of the piece.Duration: 2'.Score and parts also available on this web site (two versions collected as an unique item: Vl, Vla, Vc and 2Vls + Vc).Also available for several ensembles.
$1.99
Sinfonia in F maior, BWV 794, arr. for String Trio. With Parts
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Renato Tagliabue
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Renato Tagliabue
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Sinfonia in F maior, BWV 794,
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Renato Tagliabue
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SheetMusicPlus
String Trio - Level 2 - SKU: A0.1402808 By Renato Tagliabue. By Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Chamber,Classical. 5 pages....
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String Trio - Level 2 - SKU: A0.1402808 By Renato Tagliabue. By Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Chamber,Classical. 5 pages. Renato Tagliabue #986035. Published by Renato Tagliabue (A0.1402808). .
$17.90
Sinfonia
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George Frideric Handel
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Bob Burroughs
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Sinfonia
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Fred Bock Music Company
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SheetMusicPlus
Handbell choir (4-5 octaves) - Level 3 SKU: JF.MFBFH1002 Composed by George Frideric Handel. Arranged by Bob Burroughs. Published by Fred Bock Music Comp...
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Handbell choir (4-5 octaves) - Level 3 SKU: JF.MFBFH1002 Composed by George Frideric Handel. Arranged by Bob Burroughs. Published by Fred Bock Music Company (JF.MFBFH1002). UPC: 747187100227.The opening overture to G.F. Handel's classic work MESSIAH is set here in a simple, straightforward fashion.
$3.95
Arioso (from BWV 156/1056)
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Classique
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Johann Sebastian Bach
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Ted Stanley
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Arioso
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Ted Stanley
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SheetMusicPlus
Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.1456676 Composed by Johann Sebastian Bach. Arranged by Ted Stanley. Baroque,Chamber,Classical. 6 pag...
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Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.1456676 Composed by Johann Sebastian Bach. Arranged by Ted Stanley. Baroque,Chamber,Classical. 6 pages. Ted Stanley #1035742. Published by Ted Stanley (A0.1456676). Bach presented this music in at least two versions. It opens the Cantata, BWV 156, as a Sinfonia in F played by oboe and strings. It also appears in Ab in the Harpsichord Concerto (BWV 1056) where the string accompaniment is, interestingly, all pizzicato. There is speculation of a lost Violin Concerto in G minor where this movement would have been set in Bb.I have set it in A, mostly due to my guitar instincts, but violinists seem to prefer it in Bb. I’ve provided a violin part in each key, and if performed in Bb the guitarist will need to place a capo at the 1st fret.--TSContact: tstanley@fsu.edu (email).
$3.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Terzo Movimento - Allegro
Oboe,Horn in F,Violin,Viola,Cello,String Quartet
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical Period. Individual Part, Score. 18 pages. Published by Guido Menestrina (S0.75889). - I...
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Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical Period. Individual Part, Score. 18 pages. Published by Guido Menestrina (S0.75889). - Individual Part,Score - Classical Period - Guido Menestrina
$7.99
Sinfonia op. 18
Horn 3 in F
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Classique
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Jose Rolon; Michael Meissner J
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Michael Meissner J
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Sinfonia op. 18
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Roba Music Verlag
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SheetMusicPlus
Composed by Jose Rolon; Michael Meissner J. Classic. Individual instrument part. With Language: Spanish. 12 pages. Published by Roba Music Verlag (RX.9783737806...
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Composed by Jose Rolon; Michael Meissner J. Classic. Individual instrument part. With Language: Spanish. 12 pages. Published by Roba Music Verlag (RX.9783737806381). - individual instrument part - classic - Roba Music Verlag
$11.09
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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Giovanni Gabrieli
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James M
#
Gabrieli: Canzon per Sonar Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar &ag
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early M...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Concerto in G Major, Op.51, No.4 - Sinfonia (Alla Rustica)
Guitar,Solo Plectrum Style and Classical Style Guitar,Solo Pick and FIngerstyle Guitar
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Classique
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Antonio Vivaldi
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McCorkle, Dennis F
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Concerto in G Major, Op.51, No
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by McCorkle, Dennis F. Baroque Period. Solo Part. 26 pages. Published by DF McCorkle Music and eBook Publicati...
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Composed by Antonio Vivaldi (1678-1741). Arranged by McCorkle, Dennis F. Baroque Period. Solo Part. 26 pages. Published by DF McCorkle Music and eBook Publications (S0.39711). - Solo Part - Baroque Period - DF McCorkle Music and eBook Publications
$3.99
Bach for Horn Trio, Vol. II
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Classique
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Johann Sebastian Bach
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P
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Bach for Horn Trio, Vol. II
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Pete Strohm Music
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.928140 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Stand...
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Brass Ensemble Horn - Level 4 - SKU: A0.928140 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Standards. Score and parts. 44 pages. Pete Strohm Music #5041129. Published by Pete Strohm Music (A0.928140). Volume II of this series, containing five J.S. Bach keyboard works from Inventions and Sinfonias, expertly arranged for three Horns. This new edition contains tempos, ornamentation, articulation and dynamics to help guide players with less experience performing baroque music. Tempos, dynamics, and most articulations are recommendations. Ornaments are authentic, either from Bach or his immediate students. The score and each part contains a guide for interpreting ornaments. Performers are, of course, free to devise their own interpretations. Each volume of Bach for Horn Trio is carefully compiled to work as a single, compatible set with a playing time under ten minutes, excellent for use in both contest and recital. Medium-Advanced level of difficulty. Performance time for all five works is 8:12. Member, ASCAP.
$9.95
Bach for Horn Trio, Vol. I
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Classique
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Johann Sebastian Bach
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P
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Bach for Horn Trio, Vol. I
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Pete Strohm Music
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.928132 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional. Scor...
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Brass Ensemble Horn - Level 4 - SKU: A0.928132 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional. Score and parts. 44 pages. Pete Strohm Music #5041115. Published by Pete Strohm Music (A0.928132). Volume I of this series, containing five J.S. Bach keyboard works from The Well-Tempered Clavier and Inventions and Sinfonias, expertly arranged for three Horns. This new edition contains tempos, ornamentation, articulation and dynamics to help guide players with less experience performing baroque music. Tempos, dynamics, and most articulations are recommendations. Ornaments are authentic, either from Bach or his immediate students. The score and each part contains a guide for interpreting ornaments. Performers are, of course, free to devise their own interpretations. Each volume of Bach for Horn Trio is carefully compiled to work as a single, compatible set with a playing time under ten minutes, excellent for use in both contest and recital. Medium-Advanced level of difficulty. Performance time for all five works is 9:10. Member, ASCAP.
$9.95
Bach for Horn Trio, Vol. III
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Classique
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Johann Sebastian Bach
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P
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Bach for Horn Trio, Vol. III
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Pete Strohm Music
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.928156 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Sacre...
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Brass Ensemble Horn - Level 4 - SKU: A0.928156 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Sacred. Score and parts. 44 pages. Pete Strohm Music #5719143. Published by Pete Strohm Music (A0.928156). Volume III of this series, containing five J.S. Bach keyboard works from The Well-Tempered Clavier and Inventions and Sinfonias, expertly arranged for three Horns. This new edition contains tempos, ornamentation, articulation and dynamics to help guide players with less experience performing baroque music. Tempos, dynamics, and most articulations are recommendations. Ornaments are authentic, either from Bach or his immediate students. The score and each part contains a guide for interpreting ornaments. Performers are, of course, free to devise their own interpretations. Each volume of Bach for Horn Trio is carefully compiled to work as a single, compatible set with a playing time under ten minutes, excellent for use in both contest and recital. Medium-Advanced level of difficulty. Performance time for all five works is 7:51. Member, ASCAP.
$9.95
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Sinfonia In F - Piano
