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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Slow Sam
Sheetmusicplus
Non classifié
148
Piano & claviers
Piano seul
90
Piano, Voix et Guitare
21
Piano, Voix
10
Piano Facile
7
Orgue
4
Instruments en Do
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
2
Accompagnement Piano
1
Accordéon
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Ukulele
298
Mandoline
262
Guitare
205
Guitare notes et tablatures
43
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
2
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale 3 parties
10
Chorale TTBB
6
Voix seule
5
Chorale Unison
4
Voix duo
1
Chorale 2 parties
1
Chorale SSAA
1
Voix haute
1
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Ocarina
263
Flûte à bec Soprano
254
Harmonica
190
Flûte à bec Alto
182
Flûte à bec Alto, Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Quintette de Saxophone: 5 saxophones
17
2 Saxophones (duo)
17
2 Clarinettes (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone, Clarinette (duo)
8
2 Flûtes traversières (duo)
8
Flûte traversière et Piano
7
Clarinette, Violon (duo)
6
Saxophone Soprano et Piano
6
Saxophone (partie séparée)
5
Clarinette, Trompette (duo)
5
Flûte traversière
4
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
4
Flûte et Guitare
4
Clarinette
4
3 Saxophones (trio)
3
Flûte, Clarinette (duo)
3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Hautbois, Basson (duo)
3
Saxophone Alto et Piano
3
Saxophone Alto
3
Clarinette et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon
3
Saxophone Tenor
3
Ensemble de saxophones
2
Ensemble de Clarinettes
2
5 Flûtes à bec
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte à Bec
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois (partie séparée)
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Piano (duo)
1
Flûte, Violon, Piano
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette, Saxophone (duo)
6
Trompette
6
Trombone et Piano
5
Trombone (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
4
2 Trombones (duo)
4
Ensemble de Trompettes
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Cor
2
Ensemble de Cors
2
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Trombone
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Tuba et Piano
1
Cor anglais, Piano
1
2 Tubas (duo)
1
3 Trombones (trio)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
10
Harpe
8
Violon, Violoncelle (duo)
7
2 Altos (duo)
5
Violoncelle
5
2 Violons (duo)
5
Violon, Alto (duo)
4
Violon et Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle, Piano
3
2 Violoncelles (duo)
3
Alto, Piano
2
4 Violoncelles
2
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Violoncelle, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
21
Orchestre d'harmonie
19
Orchestre
18
Orchestre à Cordes
14
Batterie
11
Jazz combo
7
Ensemble de cuivres
7
Orchestre de chambre
7
Ensemble de Percussions
2
Cloches
2
Batterie (partie séparée)
1
Vibraphone
1
Fanfare
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Ventes
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Nouveautes
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Vous avez sélectionné:
Slow Sam
SheetMusicPlus
Partitions à imprimer
148 partitions trouvées
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126
Bésame Mucho
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Consuelo Velazquez
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Kenneth Pasciak
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Bésame Mucho
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Kenneth Pasciak
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SheetMusicPlus
B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.1326584 Composed by Consuelo Velazquez. Arranged by Kenneth Pasciak. Classical,Folk,Latin. ...
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B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.1326584 Composed by Consuelo Velazquez. Arranged by Kenneth Pasciak. Classical,Folk,Latin. 10 pages. Kenneth Pasciak #914731. Published by Kenneth Pasciak (A0.1326584). Bésame Mucho by Consuelo Velazquez arranged as a slow milonga/tango in the style of Ãstor Piazzolla for Bb clarinet and classical guitar. Includes 5-page score with tablature plus individual parts for clarinet and guitar without tab.Note: Guitar retuning required, 6=D Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/Â
$5.99
On A Slow Boat To China
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Contemporain
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Frank Loesser
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David Heywood
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On A Slow Boat To China
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David Heywood
#
SheetMusicPlus
Large Ensemble,Rhythm Section Flute - Level 4 - SKU: A0.910421 Composed by Frank Loesser. Arranged by David Heywood. Contemporary. Score and parts. 56 p...
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Large Ensemble,Rhythm Section Flute - Level 4 - SKU: A0.910421 Composed by Frank Loesser. Arranged by David Heywood. Contemporary. Score and parts. 56 pages. David Heywood #5200683. Published by David Heywood (A0.910421). On a Slow Boat to China has been a favorite of jazz musicians for over 75 years because of its grooving melody and fantastic chord changes. In that tradition, here is a hard swinging arrangement for four flutes (Three C Flutes and Alto Flute) along with rhythm section. After a dramatic chromatic introduction, the groove is set by a bass ostinato pedal that helps the melody build to the second half. All four flutes have a shot at the melody before opening up for solos for everyone over these great changes. After the solos, there is a stop time flute feature where a written out line is passed back and forth between all the players giving the effect of a group improvisation. It finishes with the same high-energy ostinato pedal. The chart includes written out piano voicings and bass lines, along with an optional guitar part. At a medium advanced level, this chart is well within the reach of most doublers, and is a swinging addition to any program!
$19.99
On A Slow Boat To China
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Contemporain
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Frank Loesser
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Daryl McKenzie
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On A Slow Boat To China
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Daryl McKenzie
#
SheetMusicPlus
Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.718066 Composed by Frank Loesser. Arranged by Daryl McKenzie. Contemp...
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Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.718066 Composed by Frank Loesser. Arranged by Daryl McKenzie. Contemporary. 22 pages. Daryl McKenzie #4624011. Published by Daryl McKenzie (A0.718066). Arranged in the style of Bette Midler. Female Voice, Tenor Sax, Trumpet, Trombone, Piano, Guitar, Bass, Drums. Key of D with key changes to Eb and E.  Same arrangement available for big band with optional strings: Search Here  More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH Â
$39.99
Samuel Scheidt - All Praise to You, Jesus - Double Reed Quartet
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Samuel Scheidt
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John Gibson
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Samuel Scheidt - All Praise to
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.582045 Composed by Samuel Scheidt. Arranged by John Gibson. Baroque,Christmas,Instructio...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.582045 Composed by Samuel Scheidt. Arranged by John Gibson. Baroque,Christmas,Instructional. 28 pages. JB Linear #4627555. Published by JB Linear (A0.582045). Samuel Scheidt's Praise to You, Jesus Christ (Gelobet seist du, Jesu Christ SSWV 135, 1624) set for double reed quartet by John Gibson. This was originally written for organ and includes a number of variations of the melody (Choralis). At the beginning is the version found in the German Lutheran Hymnal of 1912 which introduces the tune. As is usual for music of this period, the parts are rather independent and require careful counting! The hymn tune is found in different voices in each variation. This was music written to be played at Christmas. It is set for two oboes, English horn, and bassoon. Depending on the tempo, this is not difficult music, but it is best not to play too slowly!
$15.25
SALUTE TO THE USA (Accompaniment Track - Slower tempo)
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Folk / American Melody / Samue
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Dr Jerry Nelson
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SALUTE TO THE USA
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Jerry Nelson
#
SheetMusicPlus
SKU: A0.1067371 Composed by Folk / American Melody / Samuel Ward. Arranged by Dr Jerry Nelson. Holiday,Patriotic,Standards. Accompaniment. Duration 190....
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SKU: A0.1067371 Composed by Folk / American Melody / Samuel Ward. Arranged by Dr Jerry Nelson. Holiday,Patriotic,Standards. Accompaniment. Duration 190. Jerry Nelson #3664065. Published by Jerry Nelson (A0.1067371). This Accompaniment Track is intended to help facilitate rehearsal when a slower tempo is desired. It can be used with any of the Piano Arrangements as well as Wind and Brass arrangements.
$2.99
Singin' In The Rain
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Jazz
#
Arthur Freed and Nacio Herb Br
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Bettina Schipp
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Singin' In The Rain
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songbooks.info
#
SheetMusicPlus
Instrumental Solo,Kalimba - Level 3 - SKU: A0.1347174 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Bettina Schipp. 20th Century,Broadway,F...
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Instrumental Solo,Kalimba - Level 3 - SKU: A0.1347174 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 3 pages. Songbooks.info #931968. Published by songbooks.info (A0.1347174). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Kalimba with 17 tines and notated using a simple tablature - no reading of classical music notation necessary! The tablature is explained in the appendix.The arrangement is intended for one player. There is no distinction between ''melody'' and ''accompaniment'', the notation is played as a wholeThe setting was created at a slow tempo with a clearly audible metronome - perfect for learning and practicing. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit einer einfachen Tabulatur notiert - kein Notenlesen nötig! Die Tabulatur wird im Anhang erklärt.Das Arrangement ist für eine Spielerin / einen Spieler gedacht. Es gibt keine Unterscheidung zwischen ''Melodie'' und ''Begleitung'', die Notation wird gesamt gespielt Die Vertonung wurde in einem langsamen Tempo mit einem klar hörbarem Metronom erstellt - perfekt zum Lernen und Üben. Wir wünschen viel Spaß beim Musizieren...!
$5.49
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
#
SheetMusicPlus
Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Pr...
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Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
Come Back To Sorrento
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Latin/Musique du monde
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Ernesto & Gianbattista De Curt
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Louis Drummond
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Come Back To Sorrento
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Louis Drummond Van Rensburg
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SheetMusicPlus
Level 1 - SKU: A0.1109823 Composed by Ernesto & Gianbattista De Curtis. Arranged by Louis Drummond. Latin. Full Performance. Duration 181. Louis Drummon...
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Level 1 - SKU: A0.1109823 Composed by Ernesto & Gianbattista De Curtis. Arranged by Louis Drummond. Latin. Full Performance. Duration 181. Louis Drummond Van Rensburg #712192. Published by Louis Drummond Van Rensburg (A0.1109823). The song reflects the beauty of Sorrento's great surroundings and the love and passion of its citizens. My easy solo piano arrangement is in a slow Samba style.
$1.99
The Carnival of the Animals - 4. Tortoises
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Classique
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals -
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Sam Bateman
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.948109 Composed by Camille Saint-Saens. Arr...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.948109 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 11 pages. Sam Bateman #3121453. Published by Sam Bateman (A0.948109). Tortoises, the ever-so-slow gentle giants of the sauropsid family. How they appear so majestic and profound, yet overwhelmingly burdened. And nothing can express this better than a Camille Saint-Saëns composition for piano and strings - but now you can purchase your very own copy of this piece for piano and sax quartet for just 7 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$6.99
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Imagine
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John Lennon And The Plastic On
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Sam K
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Imagine
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Samuel Kennedy
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1509102 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1509102 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Sam K. Rock,Singer/Songwriter,Wedding. 9 pages. Samuel Kennedy #1084353. Published by Samuel Kennedy (A0.1509102). John Lennon's classic tune Imagine arranged for Brass Quartet. A great slow piece to show off the lyrcial playing of the Tuba and Trumpet!
$13.00
A Quiet Summer Night
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Samuel Livingston
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A Quiet Summer Night
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Imagine Music - Digital
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SheetMusicPlus
Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagi...
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Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagine Music - Digital (IZ.CMF183). 9 x 12 in inches.The clarinet is my instrument, and I think the two greatest works in its repertory (and two of the greatest of all chamber works) are the quintets for clarinet and strings by Mozart and Brahms. In writing for this combination of instruments, I borrowed ideas shamelessly from both.I would describe the style as folk-inspired classical chamber music. The melodies are song-like or dance-like; the harmonies are simple, modal, and consonant. The time signatures of the three movements are 7/8, 5/4, 7/8 - unusual in classical music but common in the folk music of some eastern European countries. The texture is homophonic in some places and contrapuntal in others, always with at least one melody, often with more than one. The clarinet is not treated as a solo instrument but is integrated into the ensemble.The first movement is in sonata form. As in the Mozart and Brahms quintets, it begins in the strings, with the clarinet entering a few bars later on a rising arpeggio. The first theme is song-like; the second theme is dance like. The movement ends quietly on a phrase from the second theme. The form of the second movement begins with a song for the cello, repeated in the clarinet. The next section features a dance-like melody in the second violin, repeated in the clarinet with a descant in the first violin. Then a brief section in the minor, featuring the viola, leads to a repetition of the song that opened the movement, this time in the viola, repeated in the violins and the clarinet.The third movement is a set of variations on a brisk, dance-like theme. After several variations, including two in the minor mode, the tempo slows to adagio for the next-to-last variation (as in the last movement of the Mozart quintet). That variation features a duet for the first violin and the clarinet (as in the slow movement ofthe Brahms quintet). The final variation returns to the brisk tempo and brings back the melodic figure that ends the first movement. A brief coda on this melodic figure concludes the piece.
$48.00
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
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Classique
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Franz Schubert / Ray Thompson
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Ray Thompson
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Schubert: Wind Octet in F majo
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Rom...
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Romantic Period. Score and parts. 106 pages. RayThompsonMusic #686525. Published by RayThompsonMusic (A0.1082372). Written for wind octet :2 oboes, 2 clarinets, 2 horns and 2 bassoons. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. This is my 4 movement octet: 1.Allegro (finished by me from the “fragmentâ€) 2. Allegretto (from Rosamunde string quartet†3. Menuetto and 2 Trios (original) 4. Allegro (original) Mvt.1.The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the first movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. I have made some light tweaks to Schubert's original work. My new 1st mvt. lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet Mvt.2 is an arrangement of the slow movement of the “Rosamunde†string quartet. I have transposed this into Bb. (NATURAL HORN PARTS in Bb basso)(Hn in F provided) Mvts 3/4 are Schubert’s originals, but the clarinet parts are in Bb, rather than C. The mp3 is of the 1st movement.
$24.95
La Vie En Rose
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Edith Piaf
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Bettina Schipp
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La Vie En Rose
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songbooks.info
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SheetMusicPlus
Instrumental Solo,Kalimba - Level 2 - SKU: A0.1361185 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Bettina Schipp. 20th Century,Broadwa...
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Instrumental Solo,Kalimba - Level 2 - SKU: A0.1361185 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Standards. Individual part. 3 pages. Songbooks.info #945683. Published by songbooks.info (A0.1361185). La vie en rose (French for Life in Pink, in free translation Life through rose-colored glasses) is a chanson written in 1945 by the French singer Édith Piaf (1915-1963), melody: Louis Guglielmi (1916– 1991).The chanson has been translated into at least twelve languages, including at least 28 versions in German. The title is used in at least 32 films.The song was adapted for the Kalimba with 17 tines and notated using a simple tablature - no reading of classical music notation necessary! The tablature is explained in the appendix.The arrangement is intended for one player. There is no distinction between ''melody'' and ''accompaniment'', the notation is played as a wholeThe setting was created at a slow tempo with a clearly audible metronome - perfect for learning and practicing. We hope you enjoy making music...!La vie en rose (französisch für „Das Leben in Rosa“, in freier Übersetzung „Leben durch die rosarote Brille“) ist ein 1945 geschriebenes Chanson der französischen Sängerin Édith Piaf (1915-1963), Melodie: Louis Guglielmi (1916–1991).Das Chanson wurde in mindestens zwölf Sprachen übersetzt, davon mindestens 28 Versionen auf Deutsch. Der Titel wird in mindestens 32 Kinofilmen verwendet.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit einer einfachen Tabulatur notiert - kein Notenlesen nötig! Die Tabulatur wird im Anhang erklärt.Das Arrangement ist für eine Spielerin / einen Spieler gedacht. Es gibt keine Unterscheidung zwischen ''Melodie'' und ''Begleitung'', die Notation wird gesamt gespielt Die Vertonung wurde in einem langsamen Tempo mit einem klar hörbarem Metronom erstellt - perfekt zum Lernen und Üben. Wir wünschen viel Spaß beim Musizieren...!
$5.49
Moon River
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Andy Williams
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Bettina Schipp
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Moon River
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songbooks.info
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SheetMusicPlus
Instrumental Solo,Kalimba - Level 2 - SKU: A0.1361213 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Bettina Schipp. 20th Century,Bro...
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Instrumental Solo,Kalimba - Level 2 - SKU: A0.1361213 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 4 pages. Songbooks.info #945708. Published by songbooks.info (A0.1361213). Moon River - 1961, music: Henry Mancini, lyrics: Johnny Mercer - was composed for the film Breakfast at Tiffany's, in which the song was sung by Audrey Hepburn. The composers received the Oscar for the best film song in 1962, and the song is considered a contribution to the Great American Songbook.The song was adapted for the Kalimba with 17 tines and notated using a simple tablature - no reading of classical music notation necessary! The tablature is explained in the appendix.The arrangement is intended for one player. There is no distinction between ''melody'' and ''accompaniment'', the notation is played as a wholeThe setting was created at a slow tempo with a clearly audible metronome - perfect for learning and practicing. We hope you enjoy making music...!Moon River - 1961, Musik: Henry Mancini, Text: Johnny Mercer - wurde für den Film Frühstück bei Tiffany komponiert, in dem das Lied von Audrey Hepburn gesungen wurde. Die Komponisten erhielten hierfür 1962 den Oscar für den besten Filmsong, das Lied wird als ein Beitrag zum Great American Songbook gerechnet.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit einer einfachen Tabulatur notiert - kein Notenlesen nötig! Die Tabulatur wird im Anhang erklärt.Das Arrangement ist für eine Spielerin / einen Spieler gedacht. Es gibt keine Unterscheidung zwischen ''Melodie'' und ''Begleitung'', die Notation wird gesamt gespielt Die Vertonung wurde in einem langsamen Tempo mit einem klar hörbarem Metronom erstellt - perfekt zum Lernen und Üben. Wir wünschen viel Spaß beim Musizieren...!
$4.99
Blowin' In The Wind
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Bob Dylan
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Bettina Schipp
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Blowin' In The Wind
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songbooks.info
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SheetMusicPlus
Instrumental Solo,Kalimba - Level 2 - SKU: A0.1361190 By Bob Dylan. By Bob Dylan. Arranged by Bettina Schipp. 20th Century,Country,Folk,Singer/Songwrite...
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Instrumental Solo,Kalimba - Level 2 - SKU: A0.1361190 By Bob Dylan. By Bob Dylan. Arranged by Bettina Schipp. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Individual part. 5 pages. Songbooks.info #945688. Published by songbooks.info (A0.1361190). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was adapted for the Kalimba with 17 tines and notated using a simple tablature - no reading of classical music notation necessary! The tablature is explained in the appendix.The arrangement is intended for one player. There is no distinction between ''melody'' and ''accompaniment'', the notation is played as a wholeThe setting was created at a slow tempo with a clearly audible metronome - perfect for learning and practicing. We hope you enjoy making music...!Blowin’ in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelin’ veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit einer einfachen Tabulatur notiert - kein Notenlesen nötig! Die Tabulatur wird im Anhang erklärt.Das Arrangement ist für eine Spielerin / einen Spieler gedacht. Es gibt keine Unterscheidung zwischen ''Melodie'' und ''Begleitung'', die Notation wird gesamt gespielt Die Vertonung wurde in einem langsamen Tempo mit einem klar hörbarem Metronom erstellt - perfekt zum Lernen und Üben. Wir wünschen viel Spaß beim Musizieren...!
$4.99
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,S...
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Co...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
Entrainment (2009)
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Contemporain
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Eni...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
Paul Wehage - L'Aube Spirituelle
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Contemporain
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95
Time Off (for saxes and piano)
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Colin Kirkpatrick
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Time Off
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,H...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin. Score and parts. 37 pages. Colin Kirkpatrick Publications #3407717. Published by Colin Kirkpatrick Publications (A0.522199). These pieces are in jazz and Latin styles and are intended for intermediate students. This is a companion set to Let’s Go! but the music is technically more challenging. The pieces are intended for an end-of-term concert or recital but would be useful for any light hearted occasion. The 15-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) D6 and that in the 2nd sax part is C6. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts. If the participants do not feel confident enough, the improvising sections can be omitted. The optional guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679714 All five parts are presented in a single PDF file. The three numbers are: 1. Highway South - This is a jazz style number written in 6/8 time in concert G minor. There is an improvisation section in the minor key which can be repeated as often as required. It’s a real swinger and useful for giving students the experience of working in a minor key. 2. Summer Siesta - This is a slow number in E flat major which gives the opportunity to practise a soft singing tone-quality over chromatic shifts in harmony 3. Tequila Surprise - Written in 4/4 time in E flat, this is a Latin-style fun piece that lets the participants create surprises during the empty bars. The surprises can be musical or non-musical, depending on the performance occasion and there’s an improvisation section which can be repeated as often as required. The audio sample contains all three titles. Play-along backing tracks are available here: https://www.sheetmusicplus.com/title/20679714
$6.99
On a Jab - a transsexual poem with music (mp3)
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David Warin Solomons
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On a Jab - a transsexual poem
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David Warin Solomons
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SheetMusicPlus
Sampler,Voice - SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin...
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Sampler,Voice - SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin Solomons #940299. Published by David Warin Solomons (A0.1355574). This is based on a poem that I wrote back in 1979, while I, as a person with Kallmann's syndrome (intersexual), was trying to decide whether to go towards the female or the male.The accompanying music is a recent piece composed by my AI software (Tot the Third)The original poem is as follows: On a Jab Here we are again, Dawn,My companion in complexity;The month is past and you, forlorn,Must once more face perplexity.Ouch! And in the fleshy thighThe viscous hormone takes its space;And you, dear Dawn, will by and bySlow down - and lose the human race.You it was who liked to seeThe lovely girls in tram and bus;I am he, with fancy free,Who’ll bring “God’s wrath†on both of us.For, as the hormone courses throughOur common arteries and veins,There will be less and less of youAnd what you lose my lover gains.It's dusk for Dawn, who one day thoughtShe'd win and make our body hers,And dawn for me, since science brought meMonthly maleness, jabbed by nurse!(c) David W Solomons 1979.
$4.50
Inevitable Rifts
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John Casken
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Inevitable Rifts
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Schott Music - Digital
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SheetMusicPlus
2vln.vla.2vc string quintet - difficult - SKU: S9.Q20011 For string quintet. Composed by John Casken. This edition: score and parts. Downloadable...
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2vln.vla.2vc string quintet - difficult - SKU: S9.Q20011 For string quintet. Composed by John Casken. This edition: score and parts. Downloadable, Score and parts. Duration 21 minutes. Schott Music - Digital #Q20011. Published by Schott Music - Digital (S9.Q20011). Inevitable Rifts for string quintet, like Schubert’s Quintet in C, D.956, adds an extra cello to the string quartet. This undoubtedly makes for a richer sound, but what I wanted to explore was the tensions and differences created by forming an alliance between the viola and two cellos quite separate from the two violins, a rift heard at the very start with the lower instruments playing dark, pulsating chords, and the violins moving together in a slow broken cantilena. As the drama unfolds there are times when roles are reversed and also where new groupings are formed. The full quintet eventually coalesces in an extended central section based on the rocking figuration that accompanies a brief transitional dialogue for the two cellos. Inevitably, further rifts arise and the work ends with the two groups apart, although this time the violins try to emulate the pulsating chords, but even they part company at the very end. Rift, of course, also means a chasm or valley, and the placing at the beginning of the violins in a higher register with widely spaced intervals, and the viola and cellos at the bottom of their register, was a deliberate evocation of this kind of landscape. The work was commissioned by the Musiktage Mondsee Festival in Austria for Heinrich Schiff and the Rosamunde Quartet for its premiere performance on 4 September 2009. John Casken.
$40.99
Jingle Bells in Different Styles for Violin Quintet
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Noël
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styl
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Woods Only, Arrangements
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SheetMusicPlus
String Quintet Violin - Level 4 - SKU: A0.1302658 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangem...
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String Quintet Violin - Level 4 - SKU: A0.1302658 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #892282. Published by Woods Only, Arrangements (A0.1302658). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Violin Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
Jingle Bells in Different Styles for Viola Quintet
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Noël
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styl
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Woods Only, Arrangements
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SheetMusicPlus
String Quintet Viola - Level 4 - SKU: A0.1302664 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangeme...
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String Quintet Viola - Level 4 - SKU: A0.1302664 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #892289. Published by Woods Only, Arrangements (A0.1302664). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Viola Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
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