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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Solo for Bassoon
Non classifié
2 192
Piano & claviers
Piano seul
134
Piano, Voix
13
Accompagnement Piano
11
Piano Facile
10
Piano, Voix et Guitare
7
Orgue
2
Instruments en Do
1
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
16
Guitare
4
Guitare notes et tablatures
1
Basse electrique
1
Voix
Chorale SATB
30
Voix Soprano, Piano
7
Voix Tenor, Piano
7
Voix duo
6
Voix Alto, Piano
3
Voix moyenne, Piano
2
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix duo, Piano
1
Pack Instrumental pour Chorale
1
Chorale 3 parties
1
Voix haute
1
Soli, choeur mixte et accompagnement
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
359
Flûte, Hautbois, Clarinette, Basson
337
Saxophone Tenor et Piano
73
Hautbois, Piano (duo)
68
Saxophone Alto et Piano
57
Hautbois, Clarinette, Basson (trio d'anches)
56
Flûte, Hautbois, Basson
54
2 Saxophones (duo)
48
Clarinette et Piano
47
Flûte traversière et Piano
46
2 Clarinettes (duo)
35
Hautbois, Basson (duo)
28
2 Flûtes traversières (duo)
26
3 Saxophones (trio)
25
Clarinette
21
Saxophone Baryton, Piano
19
Flûte, Clarinette et Basson
18
3 Clarinettes (trio)
17
Quatuor de Clarinettes: 4 clarinettes
17
Quatuor de Saxophones: 4 saxophones
16
Clarinette Basse, Piano
16
2 Hautbois (duo)
15
Hautbois (partie séparée)
13
Trio de Flûtes: 3 flûtes
13
Clarinette, Basson (duo)
12
Quatuor de Flûtes : 4 flûtes
9
Flûte traversière
9
Saxophone (partie séparée)
9
Saxophone Alto
9
3 Hautbois
7
4 Hautbois
7
Flûte et Guitare
7
Saxophone Tenor
6
Clarinette, Guitare (duo)
5
Hautbois, Basson et Piano
4
Ensemble De Flûte à bec
3
Cor anglais, Guitare (duo)
3
Flûte à bec Tenor
3
Flûte à Bec
3
Saxophone Soprano et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Soprano, Piano
2
Flûte à bec Soprano
2
Flûte à bec Alto
2
2 Clarinettes, Basson
2
Flûte, Basson et Piano
2
Saxophone
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Saxophone Baryton
1
Quintette de Clarinettes: 5 clarinettes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Piccolo
1
Clarinette, Basson, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
+ 56 instrumentations
Retracter
Cuivres
Bass Clef Instruments
323
Trombone et Piano
67
Cor et Piano
62
Trompette, Piano
31
2 Trombones (duo)
23
Trompette
23
2 Trompettes (duo)
17
Trombone
17
Tuba et Piano
17
2 Cors (duo)
16
2 Tubas (duo)
15
Cor
9
Quatuor de cuivres: 4 trombones
8
Tuba
8
Euphonium, Tuba (duo)
6
Euphonium
6
Euphonium, Piano (duo)
5
Cor anglais, Guitare (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
3 Trombones (trio)
2
Trombone et orchestre
2
2 Euphoniums et 2 Tubas
1
Trombone basse
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
+ 21 instrumentations
Retracter
Cordes
Violoncelle, Piano
73
Alto, Piano
69
Violon et Piano
58
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violoncelle
31
Violon
30
2 Violoncelles (duo)
24
2 Contrebasses (duo)
16
2 Altos (duo)
16
2 Violons (duo)
16
Alto et Harpe
15
Harpe, Violon (duo)
15
Contrebasse, Piano (duo)
15
Harpe, Flûte (duo)
14
Harpe, Violoncelle (duo)
13
Alto seul
9
Trio à cordes: 3 altos
6
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
5
Contre Basse
5
Violon, Basson (duo)
4
Alto (partie séparée)
3
Harpe
3
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
185
Orchestre
148
Orchestre de chambre
82
Orchestre à Cordes
20
Ensemble de Percussions
19
Xylophone, Piano
10
Ensemble Jazz
4
Piano et Orchestre
3
Ensemble de cuivres
3
Quintette à Vent
2
Marimba
1
Xylophone
1
Vibraphone
1
Batterie
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Solo for Bassoon
Partitions à imprimer
2 192 partitions trouvées
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2176
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Thirty One Two Three Bassoon Studies
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Lynne Williams
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Thirty One Two Three Bassoon S
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Forton Music - Digital
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SheetMusicPlus
Bsn - Easy - SKU: F2.FM421 Composed by Lynne Williams. Solo Bassoon. Part. 16 pages. Forton Music - Digital #FM421. Published by Forton Music - Digital ...
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Bsn - Easy - SKU: F2.FM421 Composed by Lynne Williams. Solo Bassoon. Part. 16 pages. Forton Music - Digital #FM421. Published by Forton Music - Digital (F2.FM421). ISBN 9790570483204.Thirty unaccompanied pieces for bassoon aimed at Grade 1 to 3 standard players.
$9.95
La fée verte for bassoon and string orchestra (mp3)
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Franck Leblois and Octava Cham
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La fée verte for bassoo
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David Warin Solomons
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SheetMusicPlus
Strings Bassoon - Level 4 - SKU: A0.1371404 By Franck Leblois and Octava Chamber Orchestra. By David Warin Solomons. 21st Century,Contemporary. Full Per...
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Strings Bassoon - Level 4 - SKU: A0.1371404 By Franck Leblois and Octava Chamber Orchestra. By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 100. David Warin Solomons #955621. Published by David Warin Solomons (A0.1371404). This miniature for bassoon and string orchestra was written as part of a multi-composer suite for the Delian Society based on the poetry of Paul Verlaine. It was premiered by Franck Leblois and the Octava Chamber Orchestra (the audio sample is the performance in question several years ago). The string parts are originally an arrangement of my choral setting of Gavin Ewart's poem Alcohol and the bassoon part completes it and makes it more French. The Verlaine quote comes from his Bonne Chanson collection in which he rejects the green fairy (absinthe) - arrière l'oubli qu'on cherche en des breuvages execrés - get thee behind me the forgetfulness we look for in these accursed drinks.
$4.50
Les Sept péchés capitaux [The Seven Deadly Sins] for Bassoon (with optional short solo for contrab
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Joseph Dillon Ford
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Les Sept péchés
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David Warin Solomons2
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SheetMusicPlus
Small Ensemble Bassoon,Piano Accompaniment - Level 4 - SKU: A0.958518 Composed by Joseph Dillon Ford. 20th Century,Christian,Contemporary. Score and par...
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Small Ensemble Bassoon,Piano Accompaniment - Level 4 - SKU: A0.958518 Composed by Joseph Dillon Ford. 20th Century,Christian,Contemporary. Score and parts. 17 pages. David Warin Solomons2 #3860411. Published by David Warin Solomons2 (A0.958518). A dazzling new duo for bassoon and piano based on The Table of the Seven Deadly Sins by late medieval painter Hieronymus Bosch (Approximately 8.5 minutes in duration.)
$18.00
Reve-je for bassoon and harp
Bassoon,Harp
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Renaissance
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Gabriel Bataille
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David Warin Solomons
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Reve-je for bassoon and harp
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David Warin Solomons
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SheetMusicPlus
Composed by Gabriel Bataille. Arranged by David Warin Solomons. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 11 pages. Published by David Wari...
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Composed by Gabriel Bataille. Arranged by David Warin Solomons. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 11 pages. Published by David Warin Solomons (S0.111367). - Score,Set of Parts - Baroque Period,Renaissance,Early Music - David Warin Solomons
$9.00
La fée verte for bassoon and string orchestra
Bassoon,Chamber Orchestra
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David Warin Solomons
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La fée verte for bassoon and
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). 21st Century, Contemporary Classical, Neo-Classical. Score, Set of Parts. 9 pages. Published by David Warin Solomons (...
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Composed by David Warin Solomons (1953-). 21st Century, Contemporary Classical, Neo-Classical. Score, Set of Parts. 9 pages. Published by David Warin Solomons (S0.104745). - Score,Set of Parts - 21st Century,Contemporary Classical,Neo-Classical - David Warin Solomons
$8.00
Dusk on Halloween for bassoon and string orchestra
Bassoon,String Orchestra
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Halloween
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David Warin Solomons
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Dusk on Halloween for bassoon
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). 21st Century, Contemporary Classical, Neo-Classical, Halloween. Score, Set of Parts. 38 pages. Published by David Wari...
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Composed by David Warin Solomons (1953-). 21st Century, Contemporary Classical, Neo-Classical, Halloween. Score, Set of Parts. 38 pages. Published by David Warin Solomons (S0.398639). - Score,Set of Parts - 21st Century,Contemporary Classical,Neo-Classical,Halloween - David Warin Solomons
$16.00
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Concerto for Oboe
Horn|Flute|Tenor Saxophone|Clarinet|Bassoon|Oboe|Alto Saxophone
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Cimerosa
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Ted Plambeck
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Concerto for Oboe
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Cimarron Music Press
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SheetMusicPlus
By Cimerosa. Arranged by Ted Plambeck. For Oboe Solo with woodwind ensemble (2 Flutes, 3 Clarinets, Bassoon, 4 Horns, Alto Saxophone, Tenor Saxophone and Bass)....
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By Cimerosa. Arranged by Ted Plambeck. For Oboe Solo with woodwind ensemble (2 Flutes, 3 Clarinets, Bassoon, 4 Horns, Alto Saxophone, Tenor Saxophone and Bass). Solo music. Score and parts. Published by Cimarron Music Press
$24.00
An American Sonata for Solo Instrument and Organ
Flute|English Horn|Viola|Clarinet|Bassoon|Oboe|Violin|Organ
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Musique Sacrée
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Charles E
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An American Sonata for Solo In
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
By Charles E. Callahan, Jr. (1951-). For Organ, Clarinet, Bassoon/English Horn, Violin, Flute, Oboe, Viola. Sacred. Moderately Easy. Published by MorningStar Mu...
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By Charles E. Callahan, Jr. (1951-). For Organ, Clarinet, Bassoon/English Horn, Violin, Flute, Oboe, Viola. Sacred. Moderately Easy. Published by MorningStar Music Publishers - Digital Sheet Music
$17.00
Concerto for Trumpet
Horn|Trumpet Solo|Flute|Clarinet|Double Bass|Bassoon|Oboe|B-Flat Trumpet
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Franz Joseph Haydn
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Lewis Buckley
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Concerto for Trumpet
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Cimarron Music Press
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SheetMusicPlus
By Franz Joseph Haydn (1732-1809). Arranged by Lewis Buckley. For Trumpet Solo with Winds (double woodwind quintet and string bass). Solo music. Score and parts...
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By Franz Joseph Haydn (1732-1809). Arranged by Lewis Buckley. For Trumpet Solo with Winds (double woodwind quintet and string bass). Solo music. Score and parts. Published by Cimarron Music Press
$70.00
ATON part 16-Zwei Duette - soprano, tenor and bass soloists, flute, classical guitar,
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David Warin Solomons
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ATON part 16-Zwei Duette - sop
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,High Voice,Low Voice - Level 3 - SKU: A0.576194 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts....
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Small Ensemble Flute,Guitar,High Voice,Low Voice - Level 3 - SKU: A0.576194 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons #4587. Published by David Warin Solomons (A0.576194). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
Liebe (Love) (poem by Schiller) from Brahms' Violin Concerto, for bassoon quartet
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Johannes Brahms
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Liebe
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon - Level 3 - SKU: A0.1511119 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Contemporary,Rom...
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Small Ensemble Bassoon - Level 3 - SKU: A0.1511119 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Contemporary,Romantic Period. 6 pages. David Warin Solomons #1086331. Published by David Warin Solomons (A0.1511119). Bassoon quartet arrangementThe pdf contains score and parts.The original words come from 2 verses of Schiller's Seelig durch die Liebe [Through love they are made blessed]. The music is based on the oboe solo at the beginning of the slow movement of Brahms' Violin Concerto, arranged by Duncan Saunderson and adapted by David Warin Solomons.The Schiller poem:Liebe rauscht der Silberbach, Liebe lehrt ihn sanfter wallen, Seele haucht sie in das Ach Klagenreicher Nachtigallen - Liebe Liebe lispelt nur Auf der Laute der NaturWeisheit mit dem Sonnenblick, Große Göttin tritt zurück, Weiche vor der Liebe. Nie Erobrern, Fürsten nie Beugtest du ein Sklavenknie, Beug' es itzt der Liebe. (singing translation by David W Solomons)Silver brook resounds with loveLove then teaches it to softenBreathing soul into the cryof lamenting nightingalesLove, love whispering only theSound of nature. Wisdom with sun that- glances,Wisdom great goddessGo- ye back and yield before loveNever bend your knee to princesNor bow as slave to conquerersBow now to love.
$9.00
"Canon" Flute & Bassoon / piano trio,2edition
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Classique
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Pachelbel
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pfkaori
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"Canon" Flute &
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pfkaorimusic
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1459283 By Pachelbel . By Pachelbel . Arranged by pfkaori. Classical...
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Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1459283 By Pachelbel . By Pachelbel . Arranged by pfkaori. Classical. 8 pages. Pfkaorimusic #1038225. Published by pfkaorimusic (A0.1459283). Sample Music→ https://audio.com/pfkaori/audio/canon-trio-flfg-2verComposition: Pachelbel Music: Canon Formation: Flute & Bassoon /piano trio ※There is part music ※There are individual differences in a level. ※It is arranged two. It becomes the arrangement without the note to a soloist for 16 minutes.One (the arrangement that there are 16 copies of notes in for a soloist.) → Please wait a moment.
$8.00
"Canon" Viloin & Bassoon / piano trio, 2edition
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Classique
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Pachelbel
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pfkaori
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"Canon" Viloin &
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pfkaorimusic
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1459284 By Pachelbel . By Pachelbel . Arranged by pfkaori. Classica...
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Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1459284 By Pachelbel . By Pachelbel . Arranged by pfkaori. Classical. 8 pages. Pfkaorimusic #1038226. Published by pfkaorimusic (A0.1459284). Sample Music→ https://audio.com/pfkaori/audio/canon-trio-vnfg-2verComposition: Pachelbel Music: Canon Formation: Violin & Bassoon /piano trio ※There is part music ※There are individual differences in a level. ※It is arranged two. It becomes the arrangement without the note to a soloist for 16 minutes.One (the arrangement that there are 16 copies of notes in for a soloist.) → Please wait a moment.
$8.00
Si la noche hace oscura for cor anglais and guitar
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Diego Pisador
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David Warin Solomons
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Si la noche hace oscura for co
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David Warin Solomons
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SheetMusicPlus
English Horn,Guitar,Instrumental Duet - Level 2 - SKU: A0.577481 Composed by Diego Pisador. Arranged by David Warin Solomons. Baroque,Contemporary,Renai...
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English Horn,Guitar,Instrumental Duet - Level 2 - SKU: A0.577481 Composed by Diego Pisador. Arranged by David Warin Solomons. Baroque,Contemporary,Renaissance. 7 pages. David Warin Solomons #1924541. Published by David Warin Solomons (A0.577481). Song by Diego Pisador arranged for instrumental duet, with a few discrete divisions in the melody instrument. The words mean If the night is dark and the path is short, why do you not come, my love? Arrangements are available for guitar accompanying flute, alto flute, cor anglais, bassoon (high or low) or cello (high or low). All the arrangements are classified easy, except the high versions for cello and for bassoon, which use the tenor clef and are therefore classified as medium difficulty. The sound sample is an electronic preview. The pdf file contains score and parts.
$8.00
The Pipes are Calling for bassoon and orchestra (mp3)
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David Warin Solomons
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The Pipes are Calling for bass
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David Warin Solomons
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SheetMusicPlus
Bassoon,Flute,Timpani - SKU: A0.1059382 Composed by David Warin Solomons. 20th Century,Celtic,Contemporary. Full Performance. Duration 243. David Warin ...
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Bassoon,Flute,Timpani - SKU: A0.1059382 Composed by David Warin Solomons. 20th Century,Celtic,Contemporary. Full Performance. Duration 243. David Warin Solomons #2922655. Published by David Warin Solomons (A0.1059382). An orchestral extravaganza reminiscent of bagpipes (the drone being carried by the violas and cellos and the chanter by the bassoon solo while the flutes and the other string parts come into the blend with arco and pizzicato passages with the timpanis providing an exciting background).
$2.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Jazz Solo 7 for Bassoon Quintet MP3
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Cristiano Vecchi
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Jazz Solo 7 for Bassoon Quinte
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Cristiano Vecchi
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SheetMusicPlus
Contrabassoon - SKU: A0.1066302 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 52. Cristiano Vecchi...
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Contrabassoon - SKU: A0.1066302 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 52. Cristiano Vecchi #4896861. Published by Cristiano Vecchi (A0.1066302). An original jazz solo during 48 over the chords of On Green Dolphin Street, with a quartal voicing on the accompaniment and a melody in thirds.Here for Bassoon Quintet: Bassoons 1-4, Contrabassoon .Useful in classroom for intonation training with thirds or fourths, or for an intermezzo or an encore in an actual concert.Score and parts also available on this website.Also available for Solo Piano (in all the transpositions), Double Reed Quintet, Flute Quintet, Woodwind Quintet.
$1.99
Recordare (from "Requiem") (F) (Bassoon Sextet - 5 Bassoons, 1 Contrabassoon)
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Contrabassoon - Level 4 - SKU: A0.1110862 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical...
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Woodwind Ensemble Contrabassoon - Level 4 - SKU: A0.1110862 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713157. Published by Regis Bookshar (A0.1110862). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Bassoon Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Bassoon Sextet, consisting of 5 Bassoons and 1 Contrabassoon, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Bassoon Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Grande Rag Brillante for piano Op. 15 Gary Noland Piano Solo Score 20th Century,Contemporary Classical,Post-Romantic,Ragtime,Recital Available Instantly 14.99 Freeland Publications NULL Digital Print
Flute,Clarinet,English Horn,Bassoon,Woodwind Quintet,Horn in F
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Ragtime
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Scott Joplin
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Darrell Goforth
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Grande Rag Brillante for pian
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Darrell Goforth
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SheetMusicPlus
Composed by Scott Joplin (1868-1917). Arranged by Darrell Goforth. 20th Century, Ragtime. Score, Set of Parts. 19 pages. Published by Darrell Goforth (S0.64293)...
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Composed by Scott Joplin (1868-1917). Arranged by Darrell Goforth. 20th Century, Ragtime. Score, Set of Parts. 19 pages. Published by Darrell Goforth (S0.64293). - Score,Set of Parts - 20th Century,Ragtime - Darrell Goforth
$14.99
If You Were the Only Girl (In the World) (Flexible Solo for C-Bass Clef Instruments, Piano, Chords)
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Music by Nat D
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Cathy Stamegna
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If You Were the Only Girl
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Cathy Stamegna
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SheetMusicPlus
Large Ensemble Bass Clef Instrument,Instrumental Solo,Piano - Level 3 - SKU: A0.780905 Composed by Music by Nat D. Ayer, Lyrics by Clifford Grey. Arrang...
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Large Ensemble Bass Clef Instrument,Instrumental Solo,Piano - Level 3 - SKU: A0.780905 Composed by Music by Nat D. Ayer, Lyrics by Clifford Grey. Arranged by Cathy Stamegna. Film/TV,Holiday,Jazz,Standards,Wedding. Score and individual part. 12 pages. Cathy Stamegna #5755575. Published by Cathy Stamegna (A0.780905). Most recently heard in the Downton Abbey series, this piece was a hit from the 1916 London musical revue, The Bing Boys Are Here, and has been recorded by many notable artists and performed in films throughout the years. Most have placed it in waltz time as opposed to its original 4/4 meter (this arrangement is in 3/4). Chords added for guitar or mallet instruments to accompany.  For Bass Clef C Instruments (Bassoon, Trombone, Violoncello). Set of Parts.
$5.99
ATON part 15-Bitte des Eje (Eje's plea) - bassoon and tenor voice
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David Warin Solomons
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ATON part 15-Bitte des Eje
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576193 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576193 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 3 pages. David Warin Solomons #4585. Published by David Warin Solomons (A0.576193). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
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Solo for Bassoon