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--INSTRUMENTS--
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Something - Alto Sax 2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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Vous avez sélectionné:
Something - Alto Sax 2
Partitions à imprimer
16 partitions trouvées
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1
Something To Believe In (from Newsies) - Tenor Sax/Clarinet
Tenor Saxophone|Clarinet
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Film Walt Disney
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Film/TV
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Newsies
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Mac Huff
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Concert
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Something To Believe In
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Newsies (Musical). By Alan Menken. Arranged by Mac Huff. Broadway; Concert; Musical/Show. EPak. 2 pages. Duration 3:10. Published by Hal Leonard - Digital Sh...
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By Newsies (Musical). By Alan Menken. Arranged by Mac Huff. Broadway; Concert; Musical/Show. EPak. 2 pages. Duration 3:10. Published by Hal Leonard - Digital Sheet Music
$7.00
This Could Be The Start Of Something Big
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Film/TV
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Steve Allen
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Daryl McKenzie
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This Could Be The Start Of Som
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Daryl McKenzie
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SheetMusicPlus
Bass Voice,Drums,Guitar,Piano,Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.718086 Composed by Steve Allen. Arranged by Daryl McKenzie. Film/TV. 37 pag...
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Bass Voice,Drums,Guitar,Piano,Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.718086 Composed by Steve Allen. Arranged by Daryl McKenzie. Film/TV. 37 pages. Daryl McKenzie #4726629. Published by Daryl McKenzie (A0.718086). Arranged in the style of Steve Lawrence & Eydie Gorme for Vocal duet and Small Band. Female Voice, Male Voice, 2 Saxes, 2 Trumpets,1 Trombone, Piano, Guitar, Bass, Drums. Key of Bb major  Same arrangement for Big Band and optional Strings available on SMP (as the Youtube video)  More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$54.99
Something (feat. Ike Willis)
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Youngblood Brass Band
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Nat McIntosh
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Something
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Layered Music
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SheetMusicPlus
Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - SKU: A0.1394474 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat ...
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Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - SKU: A0.1394474 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 58 pages. Layered Music #977959. Published by Layered Music (A0.1394474). Full score and parts for the Youngblood Brass Band song 'Something (feat. Ike Willis)', by Nat McIntosh, taken from the Unlearn album recordings. This is the official, verbatim transcription from the record, i.e. 3 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the author. This is the only YBB-sanctioned sheet music in existence for this original tune.YBB members are also available for online lessons, commissions, bespoke arrangements, and custom studio work. Contact us for details and check out our entire catalog of music, merch, and arrangements (including options to purchase the actual software notation files for sheet music) at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.
$65.00
Three Movements for Soprano Sax, Trumpet and Horn
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Contemporain
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Judith Cloud
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Three Movements for Soprano Sa
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Judith Cloud
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SheetMusicPlus
Small Ensemble Horn,Soprano Saxophone,Trumpet - SKU: A0.981219 Composed by Judith Cloud. Contemporary. Score and parts. 40 pages. Judith Cloud #6690309....
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Small Ensemble Horn,Soprano Saxophone,Trumpet - SKU: A0.981219 Composed by Judith Cloud. Contemporary. Score and parts. 40 pages. Judith Cloud #6690309. Published by Judith Cloud (A0.981219). Three Movements for Soprano Sax, Trumpet and Horn (by Judith Cloud)1. SlaneBe thou my vision was a hymn familiar to me and one that I loved as a child. The origin of the hymn tune SLANE is an Irish folk song called The Banks of the Bann. It first appeared in the old Irish Church Hymnal of 1919.2. Aunt Nancy’s DanceI wanted to include something whimsical for friends and colleagues, Wildy Zumwalt, Cindy Gould and Nancy Sullivan. The result was this second movement, dedicated to Aunt Nancy.3. Fantasy on an Old Negro SpiritualI found this tune in a book of spirituals, many of which were completely unknown to me. The melody is very simple, as are the words. A recording of the spiritual can be found in the Smithsonian archives.
$15.00
Bach: Air on a G String for Soprano Sax & Harp
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Classique
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for So
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jmsgu3
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SheetMusicPlus
Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Co...
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Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868862. Published by jmsgu3 (A0.1277167). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for 2 Tenor Saxes & Cello
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Classique
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for 2
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jmsgu3
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SheetMusicPlus
Cello,Tenor Saxophone - Level 3 - SKU: A0.548950 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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Cello,Tenor Saxophone - Level 3 - SKU: A0.548950 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. 7 pages. Jmsgu3 #3435051. Published by jmsgu3 (A0.548950). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53. Level: Intermediate and up. Programming: Great choice for recitals and very useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is very well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.
$37.95
Tell Me Something Good - Baritone Sax
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Stevie Wonder
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Mike Tomaro
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Tell Me Something Good - Barit
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Hal Leonard - Digital
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SheetMusicPlus
Level 4 - SKU: HX.343408 By Stevie Wonder. Arranged by Mike Tomaro. This edition: scorch. Funk,Pop,Soul. 2 pages. Hal Leonard - Digital #0. Published by...
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Level 4 - SKU: HX.343408 By Stevie Wonder. Arranged by Mike Tomaro. This edition: scorch. Funk,Pop,Soul. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.343408).
$6.00
Something - Baritone Sax
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Rock
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The Beatles
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John Wasson
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Something - Baritone Sax
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Hal Leonard - Digital
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SheetMusicPlus
Level 3 - SKU: HX.171915 By The Beatles. By George Harrison. Arranged by John Wasson. Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published by Hal Leon...
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Level 3 - SKU: HX.171915 By The Beatles. By George Harrison. Arranged by John Wasson. Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.171915).
$6.00
In Dreams: Part 5 Eb Bari Sax
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Methodes
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Ryan Meeboer
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In Dreams: Part 5 Eb Bari Sax
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Woodwind Ensemble Woodwind Ensemble - SKU: AX.81-PC-0000040_5BTX Part 5 Eb Bari Sax. Composed by Ryan Meeboer. Instructional. Part. 2 pages. Alfr...
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Woodwind Ensemble Woodwind Ensemble - SKU: AX.81-PC-0000040_5BTX Part 5 Eb Bari Sax. Composed by Ryan Meeboer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #81-PC-0000040_5BTX. Published by Alfred Music - Digital Sheet Music (AX.81-PC-0000040_5BTX). ISBN 9781554733842. UPC: 685462013852.In Dreams is a musical representation of exactly what our dreams are like: peaceful, calming, horrific and unpredictable; yet, there is always something to remember about them when we wake up. This piece reflects that by manipulating a memorable eighth note motif through various styles, feels, tempos and instrumentation.
$3.00
In Dreams: Part 4 Bb Tenor Sax
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Methodes
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Ryan Meeboer
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In Dreams: Part 4 Bb Tenor Sax
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Woodwind Ensemble Woodwind Ensemble - SKU: AX.81-PC-0000040_4TX Part 4 Bb Tenor Sax. Composed by Ryan Meeboer. Instructional. Part. 2 pages. Alfr...
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Woodwind Ensemble Woodwind Ensemble - SKU: AX.81-PC-0000040_4TX Part 4 Bb Tenor Sax. Composed by Ryan Meeboer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #81-PC-0000040_4TX. Published by Alfred Music - Digital Sheet Music (AX.81-PC-0000040_4TX). ISBN 9781554733842. UPC: 685462013852.In Dreams is a musical representation of exactly what our dreams are like: peaceful, calming, horrific and unpredictable; yet, there is always something to remember about them when we wake up. This piece reflects that by manipulating a memorable eighth note motif through various styles, feels, tempos and instrumentation.
$3.00
A Musical (from the musical Something Rotten!): B-flat Tenor Saxophone
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A Musical
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choir Accompaniment - SKU: AX.00-PC-0017775_TX1 Broadway; Secular. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017775_TX1. Published by Alfred M...
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Choir Accompaniment - SKU: AX.00-PC-0017775_TX1 Broadway; Secular. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017775_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017775_TX1). UPC: 038081521688.
$3.00
A Musical (from the musical Something Rotten!): E-flat Baritone Saxophone
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A Musical
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choir Accompaniment - SKU: AX.00-PC-0017775_BTX Broadway; Secular. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017775_BTX. Published by Alfred M...
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Choir Accompaniment - SKU: AX.00-PC-0017775_BTX Broadway; Secular. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017775_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017775_BTX). UPC: 038081521688.
$3.00
Me Da Um Dinheiro Ai - Score Only
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Glauco Silva Araujo Ferreira,
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Helicleiton
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Me Da Um Dinheiro Ai - Score O
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Helicleiton
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SheetMusicPlus
Brass Ensemble,Brass Trio - Level 1 - SKU: A0.1503468 Composed by Glauco Silva Araujo Ferreira, Homero Da Silva Araujo Ferreira, and Ivan Silva Araujo F...
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Brass Ensemble,Brass Trio - Level 1 - SKU: A0.1503468 Composed by Glauco Silva Araujo Ferreira, Homero Da Silva Araujo Ferreira, and Ivan Silva Araujo Ferreira. Arranged by Helicleiton. Latin. 2 pages. Helicleiton #1078917. Published by Helicleiton (A0.1503468). If you're looking for a vibrant and unique arrangement for trumpet, saxophone, and trombone, my version of the iconic Me dá um dinheiro aí is the perfect choice. Blending the contagious energy of samba with rich and dynamic harmonies that highlight each instrument, this arrangement offers a truly unique musical experience. The trumpet shines with a bright and striking tone, the saxophone adds smoothness and charm, while the trombone completes the sound with its depth and power. Every phrase has been carefully crafted to create a fluid interaction between the instruments, respecting the essence of the original melody, yet with a modern twist that will surprise listeners.This arrangement is tailored for musicians seeking something distinct and impactful for their repertoire, especially for events, ensemble performances, and shows that demand a standout moment. The choice of trumpet, sax, and trombone is intentional—these instruments, when played together, create the perfect balance between brilliance and depth, producing a rich sound that fills any space. The arrangement explores various registers, providing moments of dialogue between the instruments, as well as unison passages that emphasize the strength of the composition. It’s a versatile piece that can be adapted to different settings without losing its original charm.Focused on creative and sophisticated arrangements, this work is ideal for musicians looking to add a popular yet stylish piece to their repertoire. In addition to offering an interesting technical challenge for the performers, the arrangement maintains the fun and irreverent essence of the original song, making it perfect for captivating audiences in any type of performance. It’s a tribute to one of Brazil’s most beloved songs, but with a fresh approach that makes it even more engaging and modern.
$4.99
Quiet Night in the Woods
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Evan Pechacek
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Quiet Night in the Woods
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Multi-Faceted
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SheetMusicPlus
Instrumental Duet Instrumental Duet - SKU: A0.1202121 Composed by Evan Pechacek. 20th Century,Contemporary,Instructional. Score and parts. 2 pages. Mult...
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Instrumental Duet Instrumental Duet - SKU: A0.1202121 Composed by Evan Pechacek. 20th Century,Contemporary,Instructional. Score and parts. 2 pages. Multi-Faceted #800768. Published by Multi-Faceted (A0.1202121). Ever been in a dark ally and you feel like something is going to jump out at you? This is the feeling this piece for Baritone Saxophone and Beatbox tries to create - when all nature goes quiet, the woods can feel like a treacherous place - who knows what could be lurking? This short piece is rather simple and straight forward. It asks for the saxophone player to improvise for a few measures as well as use slap tongue on notes!
$4.99
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
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Something - Alto Sax 2
