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Vous avez sélectionné:
Somewhere in C
Partitions à imprimer
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Somewhere In My Heart
Large Ensemble Alto Saxophone,Keyboard,Piano Accompaniment,Synthesizer,Tenor Saxophone,Tro…
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Large Ensemble Alto Saxophone,Keyboard,Piano Accompaniment,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.563553 By Aztec Camera. By Roddy Frame. Arranged by Austin Ralphson. Contemporary. Score and parts. 30 pages. Austin Ralphson #4280907. Published by Austin Ralphson (A0.563553). Horn parts arranged as per the original for this classic track. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef. 2 keyboard parts also fully notated.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$12.99
11.79 €
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Aztec Camera
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Austin Ralphson
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Somewhere In My Heart
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Austin Ralphson
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SheetMusicPlus
Somewhere Only We Know
Small Ensemble Clarinet,Piano Accompaniment,Recorder,Violin - Level 2 - Digital Download
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Small Ensemble Clarinet,Piano Accompaniment,Recorder,Violin - Level 2 - Digital Download SKU: A0.520385 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Miranda Wong. Rock. Score and parts. 2 pages. Miranda Wong #3406781. Published by Miranda Wong (A0.520385). Greatest Hits of Keane. Published & Complete Musical Form. 2 Pages. Lead Sheet in C Key with Chords. For Clarinet Solo.
$4.99
4.53 €
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Keane
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Miranda Wong
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Complete Musical Form
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Somewhere Only We Know
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Miranda Wong
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SheetMusicPlus
Somewhere Only We Know
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515983 By Keane. B…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515983 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Eve C. Mailly. Film/TV,Pop,Rock. Score and parts. 18 pages. Zene Strings #6505945. Published by Zene Strings (A0.515983). Somewhere Only We Know is a lyrical song, arranged here for string trio by your friends at Zene Strings. As with all of our string trio arrangements, the middle part is included in both treble and alto clef giving you the flexibility of performing the piece with either two violins and cello, or violin, viola and cello. Enjoy!To see our other great arrangements visit: Zene Strings. Â Questions or comments? Â Email us at Music@ZeneSheetMusic.com. Â We're here to help!
$12.99
11.79 €
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Keane
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Eve C
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Somewhere Only We Know
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Zene Strings
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SheetMusicPlus
Somewhere
Choral (SATB choir divisi a cappella) SKU: HL.8739067 Composed by Christina Rossett…
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Choral (SATB choir divisi a cappella) SKU: HL.8739067 Composed by Christina Rossetti and Robert H. Young. Gentry Publications. Concert, Contest, Festival. Octavo. 4 pages. Fred Bock Music Company #JG2245. Published by Fred Bock Music Company (HL.8739067). UPC: 073999390674. 6.8x10.5 inches. Young, R./Rossetti, C.Robert Young's choral writings are famous for their warm, rich voicings, suspensions and resolutions. Using the poem of one of his favorite authors, Christina Rossetti, he has created another small masterpiece. It was written for Schola Cantorum of Texas (Dr. Gary Ebensberger, Director) and performed at the Texas Music Educators Convention in February, 2000. Available: SATB divisi a cappella.
$1.40
1.27 €
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Christina Rossetti and Robert H
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Somewhere
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Fred Bock Music Company
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Small Ensemble - Digital Download SKU: A0.739491 By Judy Garland. By Harold Arlen. …
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Small Ensemble - Digital Download SKU: A0.739491 By Judy Garland. By Harold Arlen. Arranged by David Catherwood. Film/TV. Score and parts. 17 pages. Opus 3 Music #5541581. Published by Opus 3 Music (A0.739491). Somewhere Over The Rainbow (From the Wizard of Oz for Flexible ensembleThe great tune from the The Wizard of Oz in a simple but effective arrangement.Whilst his arrangement is suitable for school ensembles, The arrangement also allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for parts for all orchestra, concert band or brass band playersA full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C ( Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Bb Bass Tuba (treble clef)Percussion
$15.00
13.62 €
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Judy Garland
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David Catherwood
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Over The Rainbow
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Opus 3 Music
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.59 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Class…
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Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
27.22 €
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James Smith
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Variations, Für Elise
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Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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Ensemble Llama Music
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.62 €
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.53 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
New Year
Digital Download SKU: S9.Q3655 Opera in 3 acts. Composed by Sir Michael Tipp…
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Digital Download SKU: S9.Q3655 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 102' 0. Schott Music - Digital #Q3655. Published by Schott Music - Digital (S9.Q3655). English.The wildest and most open of his operas, New Year is an extraordinarily youthful conception for a composer in his mid-eighties, a work that spins his lyrical ecstasy and rhythmic vitality into a new world on the point of disintegration. Unlike its four predecessors, all of which had been written for the Royal Opera House, this one was composed for Houston Grand Opera, a relocation that encouraged Tippett to veer from opera to musical, evenrock musical, giving space to pop song, spoken dialogue, joke and, above all, dance—the communal movement of bodies that would, as in The MidsummerMarriage but now within a much looser framework, with music say what words could not. Jo Ann and Donny—young woman and youngman, white and black, both orphans—cannot join the dance, isolated as they are inside their personal fears and fantasies. And the dance itself is imperilled by social unease in this city that is ‘Somewhere and Today’.To it come visitors from ‘Nowhere and Tomorrow’: the captain (Regan), pilot (Pelegrin) and computer wizard (Merlin) of a space vessel—though thesescience-fiction characters turn out to be ritual agents (and to have human problems of their own). Donny undergoes a magical transformation; Jo Ann, through love, gains the courage to leave the room in which she has been hiding.(Paul Griffiths)3 (3pic).2.ca.1.bcl.3sax.1.cbn-4.2.3.1-perc (s.d., t.d., b.d., jazz kit, slit dr., 2 steel dr. (high/low), brake dr., 5 tom-toms, cym., sus.cym., hi-hat, hand cym. played with mallet/steel bar, 2w.bl., wh., large tri., large tam-tam, small tam-tam, c.b., xyl., vib., glock., tub.bells, claves, guiro)-hp.egtr.bgtr-str (4.4.4.4.2min) - electronic tape - sampler kybd.
$69.99
63.53 €
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Sir Michael Tippett
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New Year
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Schott Music - Digital
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SheetMusicPlus
Over The Rainbow
C Instrument,Instrumental Solo - Level 1 - Digital Download SKU: A0.964724 By Judy …
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C Instrument,Instrumental Solo - Level 1 - Digital Download SKU: A0.964724 By Judy Garland. By Harold Arlen. Arranged by Douglas Wattson. Contemporary. Individual part. 1 pages. Douglas Wattson #6476231. Published by Douglas Wattson (A0.964724). Somewhere over the rainbow sheet music Over the Rainbow is a ballad composed by Harold Arlen with lyrics by Yip Harburg, having been written for the film The Wizard of Oz, being sung by actress Judy Garland in her role as Dorothy Gale. The song won the Oscar for best original song and became one of the best-known songs in American cinema. This arrangement can be used in recitals, music lessons, etc. Enjoy!
$4.99
4.53 €
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Judy Garland
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Douglas Wattson
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Over The Rainbow
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Douglas Wattson
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SheetMusicPlus
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