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Sonata No. 2 G major, Op. 2 No. 8
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Sonata in C Major, Op. 1, No. 7, - instruments in four parts
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835910 Composed by Arca…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burnell #6857749. Published by Paul Burnell (A0.835910). Sonata in C Major, Op. 1, No. 7 by Arcangelo Corelli, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 4:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:The 12 'Sonate da Chiesa' by Italian violinist and composer Arcangelo Corelli were published in Rome in 1681. These 'Church Sonatas' were originally intended for performance in church by two violins with the organ as 'basso continuo' reinforced by the bass viol. These types of work are sometimes known as 'Trio Sonatas' but, because there normally are two people playing the continuo part, there are usually four players in all.The seventh sonata has three movements, with the tempo markings Allegro, Grave, and Allegro.
$3.99
3.61 €
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Arcangelo Corelli
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Paul Burnell
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Sonata in C Major, Op. 1, No. 7, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Basically Baroque - Part 2 for Clarinet in Bb #10223
Small Ensemble Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.530811
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Small Ensemble Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.530811 Composed by Various. Arranged by Joel Lish. Baroque,Standards,Wedding. Score and parts. 72 pages. Last Resort Music Publishing #6496563. Published by Last Resort Music Publishing (A0.530811). Part 2 for Clarinet in Bb34 Arrangements of Baroque Favorites including works by Albinoni, Bach, Charpentier, Corelli, Handel, Marcello, Pergolesi, Vivaldi and more!Set of parts - includes 3 parts for Violin, Viola and Cello - SOLD SEPARATELYTable of ContentsConcerto in G, Op. 5, No. 4, 1st Mvt. (Albinoni)Brandenburg Concerto No. 5, 1st Mvt (Bach)Brandenburg Concerto No. 5, 2nd Mvt (Bach)Brandenburg Concerto No. 5, 3rd Mvt (Bach)Brandenburg Concerto No. 6, 1st Mvt (Bach)Concerto in D Minor (Double), 1st Mvt (Bach)Concerto in D Minor (Double), 2nd Mvt (Bach)Concerto in D Minor (Double), 3rd Mvt (Bach)Te Deum (Charpentier)Trio Sonata No. 7 in C, 1st Mvt (Corelli)Trio Sonata No. 7 in C, 2nd Mvt (Corelli)Entrance of the Queen of Sheba (Handel)March from St. Cecilia (Handel)Piangi Pur, from Tolomeo (Handel)Arm Ye The Brave, from Judas Maccabeus (Handel)Hornpipe, from Water Music (Handel)Concerto Grosso, Op. 6, No. 2, 1st Mvt (Handel)Oboe Concerto in C Minor, 1st Mvt (Marcello)Largo from Violin Concerto in G Minor (Pergolesi)Trio in F for Recorder, Violin & Continuo, 1st Mvt (Telemann)Trio in F for Recorder, Violin & Continuo, 2nd Mvt (Telemann)Trio in F for Recorder, Violin & Continuo, 3rd Mvt (Telemann)Concerto for Viola in G, 1st Mvt (Telemann)Concerto for Viola in G, 2nd Mvt (Telemann)Violin Concerto in G Major, 1st Mvt (Vivaldi)Violin Concerto in G Major, 2nd Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 1st Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 2nd Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 3rd Mvt (Vivaldi)Laudamus Te, from Gloria (Vivaldi)Domine Deus, from Gloria (Vivaldi)Largo, from Winter (Vivaldi)Published by Middle Fiddle Music/Distributed by Last Resort Music Publishing Inc. www.lastresortmusic.com
$18.50
16.75 €
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Various
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Joel Lish
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Basically Baroque - Part 2 for Clarinet in Bb #10223
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Last Resort Music Publishing
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SheetMusicPlus
Corelli, Sonata op.3 n.6 in G major
Small Ensemble Cello,Harpsichord,Organ,Violin - Level 3 - Digital Download SKU: A0.9585…
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Small Ensemble Cello,Harpsichord,Organ,Violin - Level 3 - Digital Download SKU: A0.958578 Composed by Arcangelo Corelli. Arranged by Alessandro Bares. Baroque. Score and parts. 20 pages. Musedita Edizioni #3915503. Published by Musedita Edizioni (A0.958578). for 2 violins, violone (cello) or archlute and organ (b.c.). One of the 48 famous trio-sonatas by Corelli (published by the Italian publishing house Musedita). Suitable for professional and non-professional players. Typical baroque da chiesa musical language. Duration: aprox. 8 minutes Performing edition based on the first print: no added bowings, fingerings, slurs, phrasing. No continuo realization provided.
$6.00
5.43 €
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Arcangelo Corelli
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Alessandro Bares
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Corelli, Sonata op.3 n.6 in G major
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Musedita Edizioni
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.07 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.07 €
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
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