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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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DEEJAY
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Speed Of Sound
Non classifié
34
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52
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45
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10
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7
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5
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3
Instruments en Do
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
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17
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8
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5
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3
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2
4 Guitares (Quatuor)
2
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2
3 Guitares (trio)
1
+ 3 instrumentations
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Voix
Chorale SATB
5
Chorale SSAA
1
Vents
3 Clarinettes (trio)
6
2 Saxophones (duo)
5
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3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette, Trompette (duo)
2
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2
2 Flûtes traversières (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette, Violon (duo)
2
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2
Saxophone Alto
2
Saxophone Tenor
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone (partie séparée)
1
Flûte, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
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1
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1
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1
Hautbois, Basson (duo)
1
Hautbois, Flûte
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Clarinette et Piano
1
Hautbois, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois (partie séparée)
1
Saxophone et Guitare
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2 Hautbois (duo)
1
Flûte, Violon
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
+ 26 instrumentations
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Cuivres
Trombone
3
Trompette, Saxophone (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Cor
2
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
Tuba
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
2 Harpes (duo)
3
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2
Violon
2
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle (duo)
1
2 Altos (duo)
1
Violoncelle
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Alto seul
1
Contre Basse
1
+ 8 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
23
Orchestre
4
Orchestre de chambre
2
Fanfare
1
Ensemble de cuivres
1
Ensemble Jazz
1
Orchestre à Cordes
1
Ensemble de Percussions
1
Piano et Orchestre
1
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Autres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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34 partitions trouvées
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26
Match Of The Day
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Barry Stoller
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Derek Hasted
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Match Of The Day
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.799274 Composed by Barry Stoller. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. ...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.799274 Composed by Barry Stoller. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5224117. Published by Derek Hasted (A0.799274). MATCH OF THE DAY THEME - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Both my adult ensemble groups have played this in concert and it’s a lot of fun! It's known to UK audiences as the theme music to the TV program Match Of The Day.This version includes the uplifting key-change in the middle of the piece and if the upper three parts play outside of first position, then it’s a simple two-fret shift and no change to the left hand fingering at all!The X-headed notes are golpé strokes - but on a Classical Guitar with no scratch-protection to the front, it’s best to tap the side-panel of the bridge with the side of the thumb - it gives a great drum sound and the wood is hard and won’t mark.The metronome mark ties in with the speed of the original, but if the fast sections are a little too cumbersome for Guitar One, simply drop the pace a little. Since most of the notes are the same length, it works at almost any speed.I hope you enjoy performing this!
$4.99
Sounds of Africa - Slow Speed Backing Track - by Tim Webster
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Tim Webster
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Sounds of Africa - Slow Speed
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Pitch Perfect Music Services
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SheetMusicPlus
Level 2 - SKU: A0.1494336 Composed by Tim Webster. 21st Century,Children,Contemporary. Accompaniment. Duration 233. Pitch Perfect Music Services #107092...
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Level 2 - SKU: A0.1494336 Composed by Tim Webster. 21st Century,Children,Contemporary. Accompaniment. Duration 233. Pitch Perfect Music Services #1070928. Published by Pitch Perfect Music Services (A0.1494336). Sounds of Africa is a song for youth choir with guitar/piano accompaniment, written by Tim Webster, and transcribed and typeset by Pitch Perfect. It is from the Magic of Muziki collection, under the theme Cheering Yourself Up, and explores some Swahili phrases picked up by the writer during his childhood in Kenya. This download consists of the slow speed backing track, for use in choir practise sessions. Run time 3:54.©2019 Tim Webster. All rights reserved.
$2.99
Ballad Of Casey Jones
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Eddie Newton and Jill Gallina
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Derek Hasted
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Ballad Of Casey Jones
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and p...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5206431. Published by Derek Hasted (A0.797763). CASEY JONES - 6 GUITARS or LARGE ENSEMBLEThe Ballad of Casey Jones - most famously used as the Theme Music to the TV series Casey Jones.Derek Hasted writes This is a great piece for six or more guitars, especially for those with limited experience of playing in ensemble.Schoolteachers - this is ideal for a school ensemble of mixed ability players, as there are parts from 'very much a novice' up to intermediate (which the teacher can help support).My arrangement sets out to make classical guitars sound like a steam locomotive - I hope you find that it works better than you imagined!The slow introduction and the gathering speed doesn’t require a collective accelerando, it’s all done in the writing - the metronome mark stays the same.Be sure to accent the beats where shown, and keep that pulsing accent rippling through the entire piece.Guitar 6 requires the bottom string tuned down to D - as this is the line suited to those with the least experience, you might want to mark up the fret numbers for the bass notes below the open A - they are all two frets higher than they normally are.This piece has featured in concerts played by The Hampshire Guitar Orchestra, and it’s always gone down well.I hope you enjoy playing this piece!
$4.99
Carol of the Bells for Beginning Handbells and Intermediate Flute
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Noël
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Traditional Ukrainian Carol at
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c
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Carol of the Bells for Beginni
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C.E. Walz
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SheetMusicPlus
Flute,Handbell,Instrumental Duet - Level 1 - SKU: A0.767652 Composed by Traditional Ukrainian Carol attributed to Mykola Leontovych. Arranged by c.e. wa...
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Flute,Handbell,Instrumental Duet - Level 1 - SKU: A0.767652 Composed by Traditional Ukrainian Carol attributed to Mykola Leontovych. Arranged by c.e. walz. 20th Century,Christmas,Sacred. 4 pages. C.E. Walz #3692991. Published by C.E. Walz (A0.767652). When a generous donor gave our youth choir a set of handchimes, the first thing Maestro said was You gotta teach them CAROL OF THE BELLS! This choir of 7 or 8 started from scratch in September and has already performed twice in church! The key for beginners is chords and consistent rhythm. The handbell/handchime part for this beautiful Christmas piece involves either a single note or one chord per measure. We count measures slowly in rehearsal and increase our speed after each time. They catch on very quickly! The melody is in the flute part, and the whole thing sounds great after just a couple of rehearsals. Permission is granted to make as many copies as necessary for choir and flutist. Key of F, four pages (two for bell choir, two for flutist). Since ability levels vary, tempo and dynamics are left to the discretion of the director. .
$4.99
Silly Love Songs
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Film/TV
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Wings
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Peet du Toit
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Silly Love Songs
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Fi...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
$22.00
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Ghostbusters
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Film/TV
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Halloween
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Ray Parker Jr
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Derek Hasted
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Ghostbusters
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1336072 By Ray Parker Jr. By Ray Parker Jr. Arranged by Derek Hasted. Film/TV. 28 pages. Derek Hasted #921908. Published by D...
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Guitar - Level 3 - SKU: A0.1336072 By Ray Parker Jr. By Ray Parker Jr. Arranged by Derek Hasted. Film/TV. 28 pages. Derek Hasted #921908. Published by Derek Hasted (A0.1336072). GHOSTBUSTERS (Ray Parker Jnr)- GUITAR QUARTET/large ensembleDerek Hasted writes What an audience pleaser this is - they might even shout “Who Ya Gonna Call? Ghostbusters!†from time to time.My arrangement captures the thematic material of the original soundtrack song. It’s one tone lower than the original so that it fits on guitar really well. It comes complete with some spooky sound effects - thumps and creaks.I use the full range of the guitar from bottom E up to A on fret 17. The top part is advanced intermediate if played at the speed of the original (though it works a little slower too). The other parts are intermediate, and the use of slurs in the lower parts means the right hand is not playing quickly.  Guitar 4 is supplied in treble and bass clefs, and you can use either or both versions in your performance.This piece is perfect for a mixed-ability large ensemble as well as a quartet.The optional repeat expands the piece to the same length as the original, or it can be omitted if the piece is played a little slower than indicated.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Elemental Spiral (2005) for soprano saxophone, violoncello, multi-percussion
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Contemporain
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Mark Zanter
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Elemental Spiral
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MJIC Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Pu...
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Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130833. Published by MJIC Music Publishing (ASCAP) (A0.934204). Elemental Spiral is the result of some of my recent work linking elemental aspects of esoteric. The work begins with an electronic prelude, and moves to the instrumental portion at about 4:00.healing and vibration (sound). The concept of matter and form being integrally connected and influenced/formed by sound has been studied since ancient times, and myths from various world cultures mention gods or beings that could manifest form from matter through their voice. Recent work by Hans Jenny verifies the connection between sound and form (see Cymatics).Similarly, the power of music to affect response in individuals is a popular subject of ancient and modern writers. My interest in the work stems from observing how people react to my music, in which I believe certain thoughts and feelings are somehow encoded, transmitted and received during performance. My research stems from a desire to increase my own awareness of sound, its affect, and to connect this to my art. The integration of dance with the music creates a visual relationship that marries the sound and its intention.Elemental Spiral maps elemental associations (earth, water, fire, and air) to the musical context in a deliberate fashion. At this stage my associations are fairly literal, and various qualities (i.e. earth=slow, fire=energetic, air=fast frenetic) are mapped directly onto musical material. The associations become richer when one state changes to another or comes into being (water->air, becoming earth etc.) and when various qualities are mixed (air-pitch with earth rhythm etc.).The intended effect is an overall balancing of the musical structure with desirable or pleasing proportions (the age old compositional question). This balancing is well known to all of us, for instance-elementally-much of Beethoven’s music moves between water and fire elements (mapping of speed and pitch), and the tempos of symphonic movements fast-slow-med. fast-fast is an affirmation that a balance of tempi and musical content is found to be pleasing.I express my deepest gratitude to Donald Laney who choreographed the dance for this work. He was somehow able to convert my musings into movement and in the process far exceeded my expectations. Special thanks also to the WV Commission on the Arts and the NEA whose support made the creation of this work possible.Elemental Spiral is suitable for advanced performers.Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$7.99
Foot Tapper
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Rock
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The Shadows
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Derek Hasted
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Foot Tapper
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Derek Hasted
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1383550 By The Shadows. By Bruce Welch and Hank Marvin. Arranged by Derek Hasted. Pop,Rock. 23 pages. Derek Hasted #968000. P...
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Guitar - Level 2 - SKU: A0.1383550 By The Shadows. By Bruce Welch and Hank Marvin. Arranged by Derek Hasted. Pop,Rock. 23 pages. Derek Hasted #968000. Published by Derek Hasted (A0.1383550). FOOT TAPPER (The Shadows) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic Guitar or Electric GuitarDerek Hasted writes It’s a bit of a blast from the past, but this is a really “under-the-fingers†piece that lives up to its name.My arrangement for 3 early intermediate guitars is devoid of the drum part, so a few extra notes have been added and a few empty bars removed, so that continuity is assured where the short drum breaks of the original took place.That apart, the speed, the key and the structure of the original are all here.Guitar 1 is the tune, and I’ve lifted it up an octave in the slow section so it’s easier to hear amongst the strummed chords, which can be quite heavy sounding on a classical guitar.Guitar 2 is the rhythm guitar part - all the chords are named, so that a school ensemble teacher, for example, can suggest 3- or 4-string versions of the big chords here. And you may find the usual first position G chord is less tiring than the barré version here, though it will sound a little bass-heavy.Either or both of the treble clef and bass clef versions of Guitar 3 can be played. In a large ensemble, having both will give a bigger sound.This exudes foot tapping happiness…I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Entrainment (2009)
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Contemporain
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Eni...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
Speed Of Sound
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Rock
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Coldplay
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Rock
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Speed Of Sound
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Coldplay. Pop; Rock. PNOCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Coldplay. Pop; Rock. PNOCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
Local Hero - Wild Theme
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Film/TV
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Dire Straits
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Derek Hasted
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Local Hero - Wild Theme
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.1277982 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 16 pages....
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Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.1277982 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 16 pages. Derek Hasted #869685. Published by Derek Hasted (A0.1277982). LOCAL HERO - WILD THEME - TENOR SAX and GUITAR DUETSuits Classical, Acoustic or Electric GuitarDerek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for Tenor Sax and Classical Guitar exploits the sustain of the sax and the soft tones of nylon strings and works well at a slightly more modest pace compared to the original. I’ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. My arrangement includes one or two little bits of Mark Knopfler’s quasi-improvised variations on the tune. Note that the guitar part is played with a Capo on the first fret so that both players can enjoy an accessible key signature. The guitar part goes up the neck, and the position numbers are relative to the Capo (ie one fret higher than if there was no Capo fitted).There are two arrangements here - one in the husky low register of the sax, to suit a less experienced player, and one an octave higher that has a few challenging notes at the top, but sings out in a gloriously powerful way. The sound clip on the SheetMusicPlus website has a little of both arrangements.There are no dynamics, but the changing texture of the accompaniment creates the illusion of dynamic changes and you are welcome to add phrasing and dynamics to make the performance “yoursâ€.The guitar part is a little challenging at speed but this will suit confident intermediate players.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Mary Had A Baby - 6 guitars/large ensemble
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Traditional
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Derek Hasted
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Mary Had A Baby - 6 guitars/la
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Derek Hasted
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.797753 Composed by Traditional. Arranged by Derek Hasted. Christmas,Spiritual. 24 pages. Derek Hasted #4804965. Published by ...
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Guitar - Level 2 - SKU: A0.797753 Composed by Traditional. Arranged by Derek Hasted. Christmas,Spiritual. 24 pages. Derek Hasted #4804965. Published by Derek Hasted (A0.797753). MARY HAD A BABY - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This American 19th Century Spiritual about the arrival of the Baby Jesus contains the words The people keep a-comin’ but the train done gone.It’s generally accepted that references to the train in afro-American Gospel Music often refer to The Gospel Train or The Way To A Better Life. But regardless of the actual interpretation for those words, this arrangement just wouldn’t be remotely authentic if it didn’t sound like a steam train. So hopefully, it does!This piece starts in the key of F, and the lower three parts generate a pulse which mimics the power-stroke of a steam locomotive. There’s a train whistle too - the top three parts sound an augmented chord - you might like to slide up into the chord, or fall down the neck after the chord is resolved. Or just play it as written...In the centre, the music rises a semitone then another semitone, picking up speed as it does so, playing the same music a tone higher. At the end of the piece, the music slows, and slows and slows to a standstill with a final bass G to tell the audience that the train has stopped...Before the train picks up speed, there is a gentle choral section, and the dynamic markings will show you where the tune moves about.The amount you choose to pick up speed is entirely your choice - the occasional strange number in the metronome mark is simply the result of my typesetting software performing a long, steady speed change.I hope you enjoy playing this piece!
$3.49
Silent Night Prelude for five marimbas
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Noël
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Pharaoh Publications
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Silent Night Prelude for five
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Pharaoh Publications
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SheetMusicPlus
Small Ensemble Marimba - Level 2 - SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications...
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Small Ensemble Marimba - Level 2 - SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications #5363017. Published by Pharaoh Publications (A0.935384). Silent Night Prelude for five marimbas arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and keyboard parts require only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At letter D, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 2:20. A recording of this arrangement scored for percussion octet is available under the listing for Silent Night Prelude for Percussion Octet. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Kumbaya for Tin whistle with chords
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Musique Sacrée
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Traditional
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Ian Buxton
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Kumbaya for Tin whistle with c
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Ian Buxton
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SheetMusicPlus
Instrumental Solo,Tin Whistle - Level 1 - SKU: A0.895921 Composed by Traditional. Arranged by Ian Buxton. Christian,Instructional,Praise & Worship,Sacre...
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Instrumental Solo,Tin Whistle - Level 1 - SKU: A0.895921 Composed by Traditional. Arranged by Ian Buxton. Christian,Instructional,Praise & Worship,Sacred,World. Individual part. 3 pages. Ian Buxton #56045. Published by Ian Buxton (A0.895921). Kumbaya is a traditional song arranged by Ian Buxton for D Tin whistle in D Major. Click on the 'Listen' button above to hear how the first half of the piece will sound. Normal speed and slow speed MP3 music files are also available to download from sheetmusicplus.com to help you learn to play this piece. Just search for 'Ian Buxton' on sheetmusicplus.com to find them. Useful for players who find it easier to pick up the rhythm by listening rather than by reading. Contact ian.buxton1@virgin.net for feedback, help, questions and requests including key changes if you are using a whistle in a different key.
$1.99
Visiting with Cecil Forsyth, 1914
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Jason V
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Visiting with Cecil Forsyth, 1
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Barabba Music
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SheetMusicPlus
Flute,Horn,Voice - Level 4 - SKU: A0.1381380 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Historic. 36 pages. Barabba Music...
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Flute,Horn,Voice - Level 4 - SKU: A0.1381380 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Historic. 36 pages. Barabba Music #966091. Published by Barabba Music (A0.1381380). For Flute, Horn and NarratorTexts taken from Forsyth’s Orchestration. Commissioned by Peggy Moran with Kent Leslie, Bernhard Scully and Angela Winter Duration Approximately 11 minutesDecisions about the narration should be made with the acoustics of the hall and the voice of the narrator in mind. If no amplification is needed, that’s great. All the narrator’s parts are in the bold, boxed texts with quote marks. When a specific beat is not indicated, the text can be ready calmly and at a comfortable speed without concern for meter or pulse. The narrator should read the text with a sense of importance, but also sound relaxed…like an academic lecture. Even in places where the text is indicated for a specific beat within a measure, they should sound natural and not performative..pdf download include a full set of performance parts. For more information visit www.jasonbarabba.com.
$31.40
Blue Moon
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Contemporain
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Elvis Presley
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Phil Thrift
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Blue Moon
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Phil Thrift
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 page...
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Brass Ensemble Trombone - Level 4 - SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 pages. Phil Thrift #5769067. Published by Phil Thrift (A0.955729). Blue Moon is best performed by not telling your audience what is coming! Many listeners will be unfamiliar with the almost recitative-style opening that follows the four-measure intro. So when the well-known tune is finally heard at measure 23, some at least will be pleasantly surprised. But don’t decorate the melody too much here; just enjoy it as it is, let that warm trombone sound shine through! The 2nd trombone can decorate the melody a little more from measure 31 onward, but don’t let any swing feeling creep in before measure 38. You may wish to speed up a bit more than I have indicated at measures 47 and 62, but don’t play the swing sections too fast – this is not an up-tempo version. Just strengthen the swing feeling a little each time. This piece will test your quartet’s ability to play an easy swing really tight – especially when the melody is being pulled around, the lead player is playing a little behind the beat. As is usual with my arrangements, every player has the lead at some point, and maybe the chance to introduce a few of their own ideas. This arrangement gives you plenty of opportunity to exploit those all-important trombone characteristics: slide vibrato, bends, and smears, but above all, a warm sound!Listen to a full-length licensed recording on SoundCloud:
$14.99
Bandkraft 1
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Giuseppe Verdi, Gordon Jacob,
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Bandkraft 1
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Forsyth Brothers Ltd
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.887517 Composed by Giuseppe Verdi, Gordon Jacob, John Golland, and Michael Ball. Arranged by Gordon Jacob, Harry Mortimer (editor), John Golland, Michael Ball, and Roy Newsome. Standards. Brass Band. 154 pages. Forsyth Brothers Ltd #3486125. Published by Forsyth Brothers Ltd (A0.887517). A great value set of FIVE original compositions/arrangements by prominent 20th Century British big band arrangers John Golland, Gordon Jacob, Roy Newsome and Michael Ball, and edited by Harry Mortimer.The Bandkraft series is a collection of superb arrangements and original compositions (actually gems) for brass band that is challenging and enjoyable for polished performers, while within the grasp of players of more limited technique. The flexible nature of the arrangements means that the pieces can also be played successfully when not every part is present.Includes:1. Bandkraft – John GollandA substantial piece with an exciting syncopated rhythm introduced in the opening bars and referred to throughout in a fanfare-like manner, to which a hint of dissonance adds extra thrill to the sound.2. Saraband – Gordon JacobA stately Elizabethan dance of great beauty that utilises modal harmony in Jacob’s characteristic style. Constant speed, full note values and careful playing will achieve a beautiful, delicate effect.3. La Donna E Mobile – Verdi, arr. Roy NewsomeAn amusing arrangement of a popular favourite by a conductor and adjudicator of international acclaim. Easy and enjoyable to play and to listen to.4. Spike’s Rag – Michael BallA skilfully written piece in the true tradition of Scott Joplin, with the ragtime rhythms the backdrop to an unfolding conversation between the sections of the band. Really persuasive entertainment.5. National Anthem (British) – arr. John GollandA simple first verse setting the scene for the colourful and majestic second, utilising chromatic harmonies and an optional tenor counter melody for added splendour.Instrumentation:Soprano CornetCornet 1Cornet 2/FlugelCornet 3Horn 1Horn 2Horn 3Baritone 1/Trombone 1Baritone 2/Trombone 2Bass TromboneEuphoniumE Flat BassB Flat BassPercussionFull score (including two stave reduction)All BandKraft titles assume a reasonable level of competence on each instrument (approx. Grade 3 - 4), and are a suitable challenge for the more advanced youth band.
$19.99
In My Life
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Rock
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
Small Ensemble A Clarinet Solo - Level 2 - SKU: A0.588389 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual...
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Small Ensemble A Clarinet Solo - Level 2 - SKU: A0.588389 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5325401. Published by David McKeown (A0.588389). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged in a suitable key and range for solo Clarinet in A. Piano/Guitar chords in concert pitch are included above the stave.Musicians at an early intermediate level will find In My Life ideal for formal and informal concert performance. Most of the solo is straightforward, although the transcribed piano solo is at a higher level of difficulty; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
In My Life
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Rock
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.588905 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Mc...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.588905 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 4 pages. David McKeown #5324677. Published by David McKeown (A0.588905). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged as a duet for one Oboe and one Cor Anglais or English Horn. Musicians at an intermediate level will find In My Life ideal for formal and informal concert performance. Most of the duet is straightforward though the transcribed piano solo is difficult for both players; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. The full YouTube performance above is the Clarinet Duet version of In My Life.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
I'm On Fire
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Bruce Springsteen
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Steven Pope
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I'm On Fire
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Steven Pope
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1456081 By Bruce Springsteen. By Bruce Springsteen. Arranged by Steven Pope. 20th Century,Contemporary,Rock. Guitar Tab. 2 pa...
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Guitar - Level 1 - SKU: A0.1456081 By Bruce Springsteen. By Bruce Springsteen. Arranged by Steven Pope. 20th Century,Contemporary,Rock. Guitar Tab. 2 pages. Steven Pope #1035232. Published by Steven Pope (A0.1456081). Easy fingerstyle guitar arrangement of I'm On Fire by Bruce Springsteen.This arrangement of one of the many great songs by Bruce Springsteen will help you to work on some of the key skills for an acoustic guitar player. The arpeggiated chords in the introduction will get your right hand moving while the melodies will require a careful touch to make sure all the notes sound clearly.This arrangement will help you to practise: arpeggiated chords, fast tempos, accompanying a melody in the bass, right hand picking speed and technique.
$4.99
Butterfly Jig - Advanced for Harp
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Traditional Irish Jig
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Butterfly Jig - Advanced for H
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Learning the Harp
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SheetMusicPlus
Lever Harp - Level 5 - SKU: A0.1513472 Composed by Traditional Irish Jig. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Celtic,Irish,Traditio...
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Lever Harp - Level 5 - SKU: A0.1513472 Composed by Traditional Irish Jig. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Celtic,Irish,Traditional. Score. 9 pages. Learning the Harp #1088346. Published by Learning the Harp (A0.1513472). This arrangement of Butterfly Jig is fun, upbeat and sounds REALLY impressive on the harp! It’s a great performance piece to show off your technical skills and speed. This level is the most complex out of the two with a faster speed, impressive intros at the beginning, and more complexity between the hands.Difficulty Level and Skills Required: Advanced. The right hand plays the melody with quick, repetitive fingerwork, grace notes, and a long series of overlapping brackets. The left hand consists of 4-2-1 patterns, 5th intervals, and octaves. This piece is fast with quite a bit of jumping between registers, quick dynamic changes, and tricky placing.Type of Harp: The big harp version is for 33 string harps and larger, but the small harp version works for 26 string harps and largerRange: For big harps: the lowest note is E one and a half octaves below middle C, and the highest note is D, just more than two octaves above middle C. For small harps: the lowest note is C one octave below middle C, and the highest note is D, just more than two octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). No lever changes throughout.
$5.99
Barbados
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Parker Charlie
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Bronson Ferdinand Wright
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Barbados
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Bronson Ferdinand
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SheetMusicPlus
Guitar - SKU: A0.1466255 By Parker Charlie. By Charlie Parker. Arranged by Bronson Ferdinand Wright. 20th Century,Blues,Instructional,Jazz,Standards. Gu...
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Guitar - SKU: A0.1466255 By Parker Charlie. By Charlie Parker. Arranged by Bronson Ferdinand Wright. 20th Century,Blues,Instructional,Jazz,Standards. Guitar Tab. 1 pages. Bronson Ferdinand #1044866. Published by Bronson Ferdinand (A0.1466255). Guitar tab arrangement of the classic blues head by Charlie ParkerThis version includes detailed articulations to facilitate the development of speed on the instrument, and to mimic the legato sound of a saxophoneA great study piece for jazz guitar students.
$5.99
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Speed Of Sound