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VENTS
Quatuor de Saxophones: 4 saxophones
210
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121
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97
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40
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38
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38
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37
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31
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26
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23
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21
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18
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14
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
119
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
116
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68
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Trombone
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33
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Quatuor de cuivres: 4 trombones
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Trompette, Piano
26
Trompette
25
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19
2 Trombones (duo)
19
Cor et Piano
18
Euphonium, Piano (duo)
17
Cor (partie séparée)
14
Cor
13
Trio de Cuivres
13
2 Trompettes (duo)
12
Trompette, Saxophone (duo)
10
Cor anglais, Piano
9
Tuba
8
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8
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8
Tuba et Piano
7
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
2 Tubas (duo)
4
Ensemble de Cors
4
2 Euphoniums et 2 Tubas
3
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2
Trompette, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Bass Clef Instruments
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Orgue
2
Instruments en Sib
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4 Tubas
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Trompette, Basson (duo)
1
Trompette, Trombone, Piano
1
Trompette et Guitare
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
155
Violon et Piano
61
Violoncelle, Piano
39
Alto, Piano
33
Violon
31
2 Violons (duo)
28
Violon, Violoncelle (duo)
25
Trio à Cordes: violon, alto, violoncelle
24
Harpe
22
Violoncelle (partie séparée)
20
Violon, Alto (duo)
13
Contrebasse (partie séparée)
13
2 Violoncelles (duo)
11
Alto seul
10
Violoncelle
9
Violon (partie séparée)
8
2 Altos (duo)
7
4 Violoncelles
7
Contre Basse
6
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6
Alto (partie séparée)
6
Piano Trio: Violon, Alto, Piano
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Flûte (duo)
4
2 Harpes (duo)
4
Trio à Cordes: 3 violoncelles
4
Ensemble de Violons
3
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Ensemble d'Altos
3
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
194
Ensemble Jazz
101
Orchestre
84
Orchestre à Cordes
54
Ensemble de cuivres
43
Fanfare
22
Orchestre de chambre
17
Cloches
14
Jazz combo
14
Batterie (partie séparée)
14
Ensemble de Percussions
12
Batterie
4
Xylophone
2
Percussion (partie séparée)
2
Marimba
1
Marimba, Piano (duo)
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Ensemble d'École
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Vibraphone
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Xylophone, Piano
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AUTRES
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.21 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
(+)
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.21 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
All The Things You Are
A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - Digital…
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A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - Digital Download SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #704858. Published by Davi Rocha Campos (A0.1101492). All the Things You Are for voice, Bb clarinet, A clarinet, guitar, accordion. Words & music by Oscar Hammerstein li and Jerome Kern. Como ler os acidentes na Partitura How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$12.99
12.13 €
#
Jack Leonard with Tommy Dorsey Orchestra
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
Guthrie: The Saxophone Choir Christmas Book
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Do…
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550709 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 68 pages. Jmsgu3 #4784649. Published by jmsgu3 (A0.550709). The Saxophone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Saxophone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your sax choir can perform the Saxophone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. Soprano & Alto read from the score on one stand, while the Tenor & Bass uses the parts on a separate stand. The Saxophone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Saxophone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Saxophone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of wind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
32.65 €
#
Traditional
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James M
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Alto
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Guthrie: The Saxophone Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - Digital Download S…
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B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - Digital Download SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christmas,Contest,Easter,Festival,Praise & Worship. 42 pages. Charles Decker Music Press #756379. Published by Charles Decker Music Press (A0.1156067). Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. His numerous choir anthems offer dramatic performance opportunities for church or the concert hall. His festival anthem SATB choral anthem Lift Up Your Heads is an expressive and dramatic work enhanced with brass quartet accompaniment of two B-flat trumpets and two trombones with alternate F horn and treble clef euphonium parts provided for the trombone parts. The organ/piano part can be used for chorus preparation as well as additional support for performances if desired. However, not using the keyboard part in its entirety for a performance in addition to the brass group will create a more interesting interplay of different timbres. Conductors should ensure accompaniment parts don't overwhelm the chorus especially if the keyboard part is added with the brass. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$19.99
18.67 €
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Samuel Coleridge-Taylor
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Richard Decker
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Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
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Charles Decker Music Press
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SheetMusicPlus
Still The One
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voi…
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.765395 By Orleans. By Johanna Hall and John Hall. Arranged by Jim Farley www.arrangementsone.com. Contemporary,Pop,Rock. Score and parts. 54 pages. Jim Farley arrangementsone.com #6231433. Published by Jim Farley arrangementsone.com (A0.765395). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$49.99
46.7 €
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Orleans
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Jim Farley www
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Still The One
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Jim Farley arrangementsone.com
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SheetMusicPlus
Theme From "the A Team"
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
37.36 €
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Mike Post and Pete Carpenter
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Rob Bushnell
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Theme From "the A Team"
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RBMusic
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SheetMusicPlus
Guthrie: The Trombone Choir Christmas Book
Trombone - Level 2 - Digital Download SKU: A0.550705 Composed by Traditional. Arran…
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Trombone - Level 2 - Digital Download SKU: A0.550705 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4777875. Published by jmsgu3 (A0.550705). The Trombone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Trombone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your trombone choir can perform the Trombone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible. The Trombone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Trombone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Trombone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
32.65 €
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Traditional
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James M
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Guthrie: The Trombone Choir Christmas Book
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jmsgu3
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SheetMusicPlus
The Lord our Rock - voice and harp
Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859370 Composed by R…
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Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859370 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 12 pages. R. Ederveen #3542471. Published by R. Ederveen (A0.859370). The Lord our Rock - voice and harp An old traditional Sabbath melody arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 3'49'' For information contact via www.reginaederveen.nl This song is part of ''Songs of Peace'', a collection of 4 Biblical songs for voice and harp. Songs of Peace consists of: 1 The Lord our Rock 2 Psalm 34 3 Psalm 121 4 Psalm 150 ''Praise God with the lute and with the harp.'' Songs of Peace - Part 1 - The Lord our Rock The Lord, our Rock Whose bread we've eaten. Eaten our fill and yet there's still, there's still over, yes, there's over as has God instructed us. Thus from the bread. In accord with the word of Adonai. He nourishes His needy world, our Shepherd, Father mine. We've eaten of His bread and drunk His wine. Therefore we will thank Him, we will praise Him and respond again, There's no one holy as our Lord our Adonai. Therefore we will thank Him, we will praise Him and respond hereby, holy our holy Adonai. Have mercy in Your graciousness we pray You, Lord our Rock and do God bless the temple of your flock. The dwelling place, the holy place, the temple Zion thus... David Your servant He will come and will redeem us. Bread of life Messiah King will come and will redeem us. Thus He will come and will redeem us. The Temple will rebuild again restored will City Zion. There we'll sing our praises on and on! The Holy One, the Mighty One, the Shepherd so caressing. Over a glass of wine according to His blessing. The Holy One the Mighty One the Shepherd of His flock. Blessing of Adonai the Rock.
$7.99
7.46 €
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Regina Ederveen
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The Lord our Rock - voice and harp
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R. Ederveen
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed b…
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Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
70.01 €
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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jmsgu3
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SheetMusicPlus
The Entertainer
Large Ensemble Alto Saxophone,Cello,Clarinet,Descant Recorder,Double Bass,Euphonium,Flute,…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Descant Recorder,Double Bass,Euphonium,Flute,Glockenspiel,Guitar,Keyboard,Piano Accompaniment,Tenor Horn,Tenor Recorder,Tenor Saxophone,Treble Recorder,Trombone,Trumpet,Tuba,Ukulele,Viola,Violin,Xylophone - Level 2 - Digital Download SKU: A0.842462 Composed by Scott Joplin. Arranged by Tony Tournoff. Contemporary. Score and parts. 37 pages. Fairways Music #6062325. Published by Fairways Music (A0.842462). Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 36 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. Since March 2020 they have been in Lockdown and unable to meet. It was agreed that they would continue to make music through a form of distanced learning. They receive an arrangement from me to work on and are given a date to submit their audio file which is then collated into a whole piece for all of them to listen to. This is one of the arrangements they have worked on.
$30.00
28.02 €
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Scott Joplin
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Tony Tournoff
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The Entertainer
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Fairways Music
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.34 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Love The One You're With
Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Keyboard,Percussion,Piano,Tenor …
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Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Keyboard,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.718403 By Stephen Stills. By Stephen Stills. Arranged by Daryl McKenzie. Contemporary,Funk,Rock,Soul. 44 pages. Daryl McKenzie #6088411. Published by Daryl McKenzie (A0.718403). Arranged in the style of Luther Vandross and transposed for Female Vocal (no part included) with Small Band (Alto Sax, Tenor Sax, Bari Sax, 2 Trumpets, Trombone, Piano, Keyboards, Guitar, Bass, Drums, Percussion) and Backing Vocals Key of DmNo Lead vocal part included.Playable with One Sax, One Trumpet & Trombone - or just with Rhythm Section
$49.99
46.7 €
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Stephen Stills
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Daryl McKenzie
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Love The One You're With
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Daryl McKenzie
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SheetMusicPlus
Love The One You're With
Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Keyboard,Percussion,Piano,Tenor …
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Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Keyboard,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.718402 By Stephen Stills. By Stephen Stills. Arranged by Daryl McKenzie. Contemporary,Funk,Rock,Soul. 44 pages. Daryl McKenzie #6088395. Published by Daryl McKenzie (A0.718402). Arranged in the style of Luther Vandross for Male Vocal (no part included) with Small Band (Alto Sax, Tenor Sax, Bari Sax, 2 Trumpets, Trombone, Piano, Keyboards, Guitar, Bass, Drums, Percussion) and Backing Vocals Key of AmNo Lead vocal part included.Playable with One Sax, One Trumpet & Trombone - or just with Rhythm Section
$49.99
46.7 €
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Stephen Stills
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Daryl McKenzie
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Love The One You're With
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Daryl McKenzie
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SheetMusicPlus
Lady, Why GrieveYou Still Me? for Trombone or Low Brass Quartet
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.508307 …
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.508307 Arranged by Eric Burger Music. Renaissance. Score and parts. 8 pages. Eric Burger Music #3563767. Published by Eric Burger Music (A0.508307). View the score with playback at: https://youtu.be/t3vArLrqwHU Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Quartet works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$9.00
8.41 €
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Eric Burger Music
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Lady, Why GrieveYou Still Me? for Trombone or Low Brass Quartet
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Eric Burger Music
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SheetMusicPlus
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCor…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.79 €
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McCorkle, Dennis F
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and he made him drunk
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Pour me Another One
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Now the Dove Flies
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Compo…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00
7.47 €
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.34 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Still The One
Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.806181 By Orleans. By Johanna Hall and John Hall. Arranged by Ellsworth McMeen. Contemporary. Score and parts. 8 pages. Ellsworth McMeen #4350427. Published by Ellsworth McMeen (A0.806181). Tasty, contemporary, uptempo fingerstyle guitar arrangement in an open tuning (CGDGAD) of this classic from John and Johanna Hall, made famous by Orleans. The arranger, guitarist El McMeen, is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeen.
$8.99
8.4 €
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Orleans
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Ellsworth McMeen
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Still The One
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Ellsworth McMeen
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SheetMusicPlus
You're Still The One
Solo Guitar - Level 1 - Digital Download SKU: A0.1106431 By Shania Twain. By Robert…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1106431 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709547. Published by Rene Alves (A0.1106431). Guitar sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
5.6 €
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Shania Twain
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Rene Alves
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You're Still The One
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Rene Alves
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SheetMusicPlus
Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano)
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.13587…
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albright Hoffman, Fanny J. Crosby, Henri F. Hemy, John Bacchus Dykes, Reginald Heber, Robert Lowry, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Traditional. 96 pages. Sharon Wilson #943238. Published by Sharon Wilson (A0.1358777). This collection contains 10 hymns and praise choruses arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Most songs include an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). If the combined score is more than three pages, a separate Piano only score is also provided.A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. As a reminder for beginning ringers, all sharps and flats are displayed (shown in the key of C) on the color-coded score. As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers.  These separate color-coded scores use the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers. These familiar hymns and choruses are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Be Still and KnowFaith of Our FathersHoly, Holy, HolyKum Ba YahPraise Him! Praise Him!Shall We Gather at the RiverThe Lord Is My ShepherdTo God Be the GloryWhat a Wonderful SaviorYou May Have the Joy-bellsVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$19.99
18.67 €
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Sharon Wilson
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Sharon Wilson
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Joybells Ringing Songs of Praise
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Sharon Wilson
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SheetMusicPlus
The Cross Kirk and the lang walk
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
37.37 €
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
A Place at the Table
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Wo…
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(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95
13.97 €
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A Place at the Table
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Hope Publishing - Digital
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SheetMusicPlus
Down by the Salley Gardens (Mixed Ensemble)
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Euphonium,Flute,Guitar,Horn,Piano…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Euphonium,Flute,Guitar,Horn,Piano,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Viola,Violin - Level 2 - Digital Download SKU: A0.842459 Composed by Irish Traditional. Arranged by Tony Tournoff. Contemporary. Score and parts. 43 pages. Fairways Music #6062317. Published by Fairways Music (A0.842459). Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 36 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. Since March 2020 they have been in Lockdown and unable to meet. It was agreed that they would continue to make music through a form of distanced learning. They receive an arrangement from me to work on and are given a date to submit their audio file which is then collated into a whole piece for all of them to listen to. This is one of the arrangements they have worked on.
$30.00
28.02 €
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Irish Traditional
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Tony Tournoff
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Down by the Salley Gardens
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Fairways Music
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SheetMusicPlus
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