Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Still The One - Bass
Non classifié
606
Piano & claviers
Piano seul
581
Piano, Voix
125
Piano, Voix et Guitare
111
Piano Facile
102
Instruments en Do
38
Accompagnement Piano
30
Orgue
23
1 Piano, 4 mains
22
2 Pianos, 4 mains
9
Piano grosses notes
7
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
71
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
25
Guitare (partie séparée)
12
Ukulele
10
Paroles et Accords
9
Piano, Guitare (duo)
7
2 Guitares (duo)
5
Ukulele Baryton
2
3 Guitares (trio)
2
Mandoline
1
Dulcimer
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
217
Chorale 3 parties
51
Chorale 2 parties
41
Chorale TTBB
40
Chorale SSAA
25
Voix moyenne, Piano
12
Voix duo
10
Voix seule
10
Chorale Unison
10
Voix haute
7
Voix duo, Piano
6
Voix Baryton, Piano
5
Voix Soprano, Piano
5
Chorale SSATTB
5
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix Alto, Piano
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
221
Saxophone Alto et Piano
113
Saxophone (partie séparée)
86
Saxophone Tenor et Piano
64
Saxophone Soprano et Piano
63
Flûte traversière et Piano
56
2 Saxophones (duo)
47
Quintette de Saxophone: 5 saxophones
47
Clarinette et Piano
45
Hautbois, Piano (duo)
41
Saxophone Alto
39
3 Saxophones (trio)
37
Saxophone Tenor
35
Clarinette
33
2 Flûtes traversières (duo)
32
Saxophone
31
Flûte traversière
26
Hautbois (partie séparée)
20
Saxophone Baryton, Piano
20
Ensemble de saxophones
15
Saxophone, Clarinette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Cor anglais, Piano
9
Flûte, Clarinette (duo)
9
2 Clarinettes (duo)
9
Clarinette, Trompette (duo)
7
Clarinette, Violon (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Flute (partie séparée)
7
Ensemble de Clarinettes
6
Quintette de Flûte : 5 flûtes
6
Flûte, Saxophone (duo)
6
Trio de Flûtes: 3 flûtes
5
Flûte à bec Soprano
4
Flûte, Violon
4
Clarinette (partie séparée)
4
Clarinette, Violoncelle (duo)
4
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
4
Flûte, Trompette (duo)
3
2 Hautbois (duo)
3
3 Clarinettes (trio)
3
Ocarina
3
Clarinette et Alto
3
Flute, harpe et violon
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte et Guitare
3
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
2
Hautbois, Violoncelle
2
Clarinette, Harpe (duo)
2
Flûte à bec Alto
2
Piccolo, Piano
2
Flûte à bec Alto, Piano
1
Ensemble De Flûte à bec
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
Saxophone et Orgue
1
Flûte, Trombone (duo)
1
Cor anglais, Guitare (duo)
1
Instruments en Mib
1
Saxophone Soprano
1
Quatuor de Flûtes à bec
1
Harmonica
1
Flûte à Bec
1
2 Flûtes traversières, Piano
1
3 Hautbois
1
Ensemble à vent
1
3 Flûtes à bec (trio)
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
126
Quatuor de Cuivres : 2 trompettes, trombone, tuba
118
Trombone et Piano
91
Trombone (partie séparée)
61
Trombone
56
Quatuor de Cuivres
50
Ensemble de Trompettes
30
Trompette (partie séparée)
29
Trompette, Piano
28
Trompette
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Cor et Piano
20
Euphonium, Piano (duo)
17
2 Trombones (duo)
16
Cor
15
Ensemble de Trombones
15
Trio de Cuivres
12
Quatuor de cuivres: 4 trombones
11
2 Trompettes (duo)
10
Cor anglais, Piano
9
Cor (partie séparée)
9
Tuba
9
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
7
Tuba et Piano
6
Tuba (partie séparée)
6
Ensemble de Cors
5
2 Cors (duo)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
4
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Instruments en Sib
2
2 Trompettes, Clavier (piano ou orgue)
2
Tuba et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette et Guitare
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
4 Tubas
1
3 Trombones (trio)
1
3 Cors (trio)
1
Trompette, Trombone, Piano
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
164
Violon et Piano
62
Violoncelle, Piano
39
Alto, Piano
35
Violon
32
Violoncelle
28
2 Violons (duo)
26
Violon, Violoncelle (duo)
26
Trio à Cordes: violon, alto, violoncelle
25
Harpe
24
Alto seul
13
Violon, Alto (duo)
12
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
7
Piano Trio: Violon, Alto, Piano
6
Alto (partie séparée)
6
Violon (partie séparée)
6
2 Altos (duo)
5
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Trio à cordes: 3 violins
3
2 Harpes (duo)
3
Ensemble d'Altos
3
Ensemble de Violons
3
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Violoncelle (partie séparée)
2
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
157
Ensemble Jazz
103
Fanfare
57
Orchestre
56
Orchestre à Cordes
38
Ensemble de cuivres
31
Cloches
17
Orchestre de chambre
11
Ensemble de Percussions
8
Batterie (partie séparée)
7
Jazz combo
7
Batterie
4
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
Xylophone
1
Vibraphone
1
Marimba, Piano (duo)
1
+ 13 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
606
Librairie Musicale
4 273
Matériel de Musique
287
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Still The One - Bass
Partitions à imprimer
606 partitions trouvées
<
1
26
51
....
601
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
(+)
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
(+)
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
#
Musique Sacrée
#
Samuel Coleridge-Taylor
#
Richard Decker
#
Anthem: Lift Up Your Heads for
#
Charles Decker Music Press
#
SheetMusicPlus
B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20...
(+)
B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christmas,Contest,Easter,Festival,Praise & Worship. 42 pages. Charles Decker Music Press #756379. Published by Charles Decker Music Press (A0.1156067). Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. His numerous choir anthems offer dramatic performance opportunities for church or the concert hall. His festival anthem SATB choral anthem Lift Up Your Heads is an expressive and dramatic work enhanced with brass quartet accompaniment of two B-flat trumpets and two trombones with alternate F horn and treble clef euphonium parts provided for the trombone parts. The organ/piano part can be used for chorus preparation as well as additional support for performances if desired. However, not using the keyboard part in its entirety for a performance in addition to the brass group will create a more interesting interplay of different timbres. Conductors should ensure accompaniment parts don't overwhelm the chorus especially if the keyboard part is added with the brass. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$19.99
Guthrie: The Trombone Choir Christmas Book
#
Noël
#
Traditional
#
James M
#
Guthrie: The Trombone Choir Ch
#
jmsgu3
#
SheetMusicPlus
Trombone - Level 2 - SKU: A0.550705 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4...
(+)
Trombone - Level 2 - SKU: A0.550705 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4777875. Published by jmsgu3 (A0.550705). The Trombone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Trombone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your trombone choir can perform the Trombone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible. The Trombone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Trombone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Trombone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
#
Johann Sebastian Bach
#
Alberto Mandarini
#
Contrapunctus I - From The Art
#
Alm@music
#
SheetMusicPlus
Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. ...
(+)
Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
The Lord our Rock - voice and harp
#
Regina Ederveen
#
#
The Lord our Rock - voice and
#
R. Ederveen
#
SheetMusicPlus
Small Ensemble Harp,Voice - Level 4 - SKU: A0.859370 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 12 pages. R. Ederv...
(+)
Small Ensemble Harp,Voice - Level 4 - SKU: A0.859370 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 12 pages. R. Ederveen #3542471. Published by R. Ederveen (A0.859370). The Lord our Rock - voice and harp An old traditional Sabbath melody arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 3'49'' For information contact via www.reginaederveen.nl This song is part of ''Songs of Peace'', a collection of 4 Biblical songs for voice and harp. Songs of Peace consists of: 1 The Lord our Rock 2 Psalm 34 3 Psalm 121 4 Psalm 150 ''Praise God with the lute and with the harp.'' Songs of Peace - Part 1 - The Lord our Rock The Lord, our Rock Whose bread we've eaten. Eaten our fill and yet there's still, there's still over, yes, there's over as has God instructed us. Thus from the bread. In accord with the word of Adonai. He nourishes His needy world, our Shepherd, Father mine. We've eaten of His bread and drunk His wine. Therefore we will thank Him, we will praise Him and respond again, There's no one holy as our Lord our Adonai. Therefore we will thank Him, we will praise Him and respond hereby, holy our holy Adonai. Have mercy in Your graciousness we pray You, Lord our Rock and do God bless the temple of your flock. The dwelling place, the holy place, the temple Zion thus... David Your servant He will come and will redeem us. Bread of life Messiah King will come and will redeem us. Thus He will come and will redeem us. The Temple will rebuild again restored will City Zion. There we'll sing our praises on and on! The Holy One, the Mighty One, the Shepherd so caressing. Over a glass of wine according to His blessing. The Holy One the Mighty One the Shepherd of His flock. Blessing of Adonai the Rock.
$7.99
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early...
(+)
Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Lady, Why GrieveYou Still Me? for Trombone or Low Brass Quartet
#
Renaissance
#
Eric Burger Music
#
Lady, Why GrieveYou Still Me?
#
Eric Burger Music
#
SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.508307 Arranged by Eric Burger Music. Renaissance. Score and parts. 8 pages. Eric Burger Musi...
(+)
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.508307 Arranged by Eric Burger Music. Renaissance. Score and parts. 8 pages. Eric Burger Music #3563767. Published by Eric Burger Music (A0.508307). View the score with playback at: https://youtu.be/t3vArLrqwHU Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Quartet works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$9.00
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
#
McCorkle, Dennis F
#
and he made him drunk
#
Pour me Another One
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCor...
(+)
Choral Choir (4-Part) - Level 3 - SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Now the Dove Flies
#
Christian contemporain
#
Musique Sacrée
#
Connie Pwll Walck Tyler
#
Now the Dove Flies
#
Connie Tyler
#
SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie...
(+)
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00
Still The One
#
Contemporain
#
Orleans
#
Ellsworth McMeen
#
Still The One
#
Ellsworth McMeen
#
SheetMusicPlus
Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 3 - SKU: A0.806181 By Orleans. By Johanna Hall and John Hall. Arranged by Ellsworth McMeen. ...
(+)
Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 3 - SKU: A0.806181 By Orleans. By Johanna Hall and John Hall. Arranged by Ellsworth McMeen. Contemporary. Score and parts. 8 pages. Ellsworth McMeen #4350427. Published by Ellsworth McMeen (A0.806181). Tasty, contemporary, uptempo fingerstyle guitar arrangement in an open tuning (CGDGAD) of this classic from John and Johanna Hall, made famous by Orleans. The arranger, guitarist El McMeen, is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeen.
$8.99
Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano)
#
Musique Sacrée
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
Joybells Ringing Songs of Prai
#
Sharon Wilson
#
SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albri...
(+)
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albright Hoffman, Fanny J. Crosby, Henri F. Hemy, John Bacchus Dykes, Reginald Heber, Robert Lowry, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Traditional. 96 pages. Sharon Wilson #943238. Published by Sharon Wilson (A0.1358777). This collection contains 10 hymns and praise choruses arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Most songs include an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). If the combined score is more than three pages, a separate Piano only score is also provided.A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. As a reminder for beginning ringers, all sharps and flats are displayed (shown in the key of C) on the color-coded score. As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers.  These separate color-coded scores use the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers. These familiar hymns and choruses are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Be Still and KnowFaith of Our FathersHoly, Holy, HolyKum Ba YahPraise Him! Praise Him!Shall We Gather at the RiverThe Lord Is My ShepherdTo God Be the GloryWhat a Wonderful SaviorYou May Have the Joy-bellsVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$19.99
A Place at the Table
#
A Place at the Table
#
Hope Publishing - Digital
#
SheetMusicPlus
(Choral) - SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hop...
(+)
(Choral) - SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95
The Craft of Musical Composition
#
The Craft of Musical Compositi
#
Schott Music - Digital
#
SheetMusicPlus
SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). ...
(+)
SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). English.Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition The Craft of Musical Composition.Parts 1 and 2 of the Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America. The translation of part 3 with exercises for three-part composition completes the English edition of The Craft of Musical Composition.
$22.99
Guthrie: The Tuba Choir Christmas Book
#
Noël
#
Traditional
#
James M
#
Guthrie: The Tuba Choir Christ
#
jmsgu3
#
SheetMusicPlus
Tuba - Level 2 - SKU: A0.550704 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Sacred,Standards. 68 pages. Jmsgu3 #4777043. Pub...
(+)
Tuba - Level 2 - SKU: A0.550704 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Sacred,Standards. 68 pages. Jmsgu3 #4777043. Published by jmsgu3 (A0.550704). The Tuba Christmas BookChristmas Reharmonizations by James M. Guthrie. The Tuba Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your tuba choir can perform the Tuba Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. tubas read from the score on one stand, while the Euphoniums each use the parts on separate stands. The Tuba Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Tuba Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Tuba Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$38.95
Guthrie: The French Horn Choir Christmas Book
#
Noël
#
Traditional
#
James M
#
Guthrie: The French Horn Choir
#
jmsgu3
#
SheetMusicPlus
Horn - Level 2 - SKU: A0.550710 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #47856...
(+)
Horn - Level 2 - SKU: A0.550710 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #4785609. Published by jmsgu3 (A0.550710). The French Horn Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The French Horn Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your Horn choir can perform the French Horn Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. I & III read from the score on one stand, while the II & IV use the parts on a separate stand. The French Horn Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the French Horn Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the French Horn Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of brasswind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Godfather I - Love Theme (instrumental)
#
Nino Rota
#
Dico
#
Godfather I - Love Theme
#
Dico Ferreira
#
SheetMusicPlus
Small Ensemble B-Flat Trumpet,Cello,Clarinet,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Violin - Level 2 - SKU: A0.513558 Composed by...
(+)
Small Ensemble B-Flat Trumpet,Cello,Clarinet,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Violin - Level 2 - SKU: A0.513558 Composed by Nino Rota. Arranged by Dico. Film/TV,Wedding. Score and parts. 16 pages. Dico Ferreira #124309. Published by Dico Ferreira (A0.513558). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.THE GODFATHER - Love Theme- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Flute | Oboe | Clarinet | Sop sax | Tenor sax)- Piano- Violin 1- Violin 2- Cello
$20.00
Four Castles of Stone
#
Margaret Brandman
#
Four Castles of Stone
#
Jazzem Enterprises
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.939229 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. 6 pages. Jazzem Enterprises #2926589. ...
(+)
Medium Voice,Vocal Solo - Level 4 - SKU: A0.939229 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. 6 pages. Jazzem Enterprises #2926589. Published by Jazzem Enterprises (A0.939229). Four Castles of Stone ( Taurus song) is a contemporary art song is set for Mezzo-Soprano voice or Baritone voice. It is the second song in Margaret Brandman's 'Cosmic Wheel of the Zodiac' Song Cycle. The lyrics are by astrologer and poet Benita Rainer who has artfully distilled the individual characteristics of this star sign in her text thereby making this song ideal birthday song for those born under the Taurus star sign. Duration 2'44 Suitable for concert performances. The work was premiered by Baritone Martin Cooke accompanied by the composer at a concert in September 2016 in Sydney, Australia. Registered with A.P.R.A ( Australian Performing Rights Association). The Audio file presents the vocal part performed on woodwinds with piano accompaniment. A video sampler of the performance can be viewed on the composer's website and the DVD of the entire performance is available from the composer's website. www.margaretbrandman.com. www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman-2a435a1 https://twitter.com/margbrandmusic5 .
$5.95
Mysterious Moment for oboe and string trio
#
Contemporain
#
David Warin Solomons
#
Mysterious Moment for oboe and
#
David Warin Solomons
#
SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
(+)
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
#
Spiritual
#
Maria Thompson Corley
#
"Wade in the Water"
#
Maria Thompson Corley
#
SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
(+)
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
And the Glory of the Lord (from "Messiah" (F) (French Horn Quintet)
#
Classique
#
George Frideric Handel
#
Regis Bookshar
#
And the Glory of the Lord
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.813159 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,St...
(+)
Brass Ensemble Horn - Level 4 - SKU: A0.813159 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. Score and parts. 20 pages. Regis Bookshar #6130475. Published by Regis Bookshar (A0.813159). French Horn Quintet - Advanced/Intermediate - . This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 French Horns, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G but this version is written in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. Other versions of this selection, in both the keys of Concert F and the original key of Concert G, are available for a variety of instrumental ensembles. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase the version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00
And the Glory of the Lord (from "Messiah") (F) (Violoncello Quintet)
#
Classique
#
George Frideric Handel
#
Regis Bookshar
#
And the Glory of the Lord
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Cello - Level 4 - SKU: A0.813168 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instru...
(+)
String Ensemble,String Quintet Cello - Level 4 - SKU: A0.813168 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. Score and parts. 20 pages. Regis Bookshar #6130509. Published by Regis Bookshar (A0.813168). Violoncello Quintet - Advanced/Intermediate - . This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 Violoncellos, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G but this version is written in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. Other versions of this selection, in both the keys of Concert F and the original key of Concert G, are available for a variety of instrumental ensembles. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase the version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00
And the Glory of the Lord (from "Messiah") (F) (Oboe Quintet)
#
Classique
#
George Frideric Handel
#
Regis Bookshar
#
And the Glory of the Lord
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Oboe - Level 4 - SKU: A0.813160 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred...
(+)
Woodwind Ensemble Oboe - Level 4 - SKU: A0.813160 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. 20 pages. Regis Bookshar #6130479. Published by Regis Bookshar (A0.813160). Oboe Quintet - Advanced/Intermediate - . This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 Oboes, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts (20 pages). Handel's original version is written in the key of Concert G but this version is written in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. Other versions of this selection, in both the keys of Concert F and the original key of Concert G, are available for a variety of instrumental ensembles. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase the version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.
$24.00
<
1
26
51
....
601
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Still The One - Bass
