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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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7
PIANO & CLAVIERS
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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VOIX
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Flûte, Hautbois, Clarinette, Basson
1
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Quatuor à cordes: 2 violons, alto, violoncelle
26
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String Quartet No.7 in C Score and parts
Partitions à imprimer
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Bourrée and Hornpipe, - instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.835814 Composed by George Fride…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835814 Composed by George Friderick Handel. Arranged by Paul Burnell. Baroque. Score and parts. 18 pages. Paul Burnell #4360641. Published by Paul Burnell (A0.835814). Bourrée and Hornpipe - Movements 7 and 8 from Water Music Suite No. 1 in F major (HMV 348). Composed by George Frideric Handel (1685 - 1759), arranged by Paul Burnell for instruments in four parts.Duration if both movements are played three times c.4:30The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Both movements in various editions of the score include direction on playing each movement three times and suggestions for instrumentation (strings first time, wind 2nd time, tutti 3rd time). Performers of this arrangement may choose to devise a similar scheme providing there are enough players in the ensemble.In this arrangement the range of each part has been reduced, some notes from the melody have been moved to Part 2 and additional rests introduced to assist with breathing for wind players. Programme note:The Water Music is a collection of orchestral movements composed by George Frideric Handel (1685 - 1759). It was first performed on the River Thames in London on 17 July 1717, in response to King George I's request for a concert on the River.The Water Music has been published as three suites, and the Bourrée and Hornpipe appear as movements 7 and 8 in the Suite No. 1 in F major (HMV 348).The Bourrée is a dance of French origin and the Hornpipe is any of several dance forms played and danced in Britain and Ireland from the 16th century onwards.
$3.95
3.61 €
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George Friderick Handel
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Paul Burnell
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Bourrée and Hornpipe, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
SCHWINDL: DIVERTIMENTO IN D MAJOR OPUS 7 No. 6 for flute, violin, viola & cello
Small Ensemble Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.811820…
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Small Ensemble Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.811820 Composed by Friedrich Schwindl (1737 - 1786). Arranged by editor Pat Spence. Classical,Concert,Graduation,Standards,Wedding. Score and parts. 40 pages. Piper Publications #6563273. Published by Piper Publications (A0.811820). The set of six Divertimenti were first published c. 1775 by B. Hummel et fils. They were obviously very popular - as was most of Schwindl’s music during his life - and widely copied by other musicians. This led to this Divertimento and No. 5 in G major later being widely attributed to C. P. E. Bach and catalogued as H.641 and H. 642 respectively.Schwindl was a virtuoso violinist, flute player and keyboard player and wrote well for these instruments. The Divertimenti were written for flute or violin, violin 2, viola and cello continuo, though by the 1770s the keyboard was becoming surplus to requirements as the string quartet and the flute quartet became recognised as stand alone ensembles.Each Divertimento has three movements, here they are Largo, Allegro and Rondeau - tempo di men(uetto). Players of intermediate standard and above will enjoy this piece.This edition has been prepared from the c. 1775 Hummel edition. Editings are clearly shown using parentheses ( ) or dashed lines. Eighteenth century players would have added additional ornaments and dynamics during their performances and contemporary players should feel free to do the same.
$20.00
18.28 €
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Friedrich Schwindl
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editor Pat Spence
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H
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SCHWINDL: DIVERTIMENTO IN D MAJOR OPUS 7 No. 6 for flute, violin, viola & cello
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Piper Publications
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SheetMusicPlus
Six Pieces from First Term at the Piano, - instruments in four parts
Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok.…
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Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul Burnell #5724505. Published by Paul Burnell (A0.835850). Six Pieces from First Term at the Piano by Béla Bartók arranged by Paul Burnell for instruments in four parts.Duration 4:45I Allegro Deciso (No. 17)II Andante (No. 14)III Waltz (No. 18, Keringo)IV Folk Song: Moderato (No. 7, Népdal)V Where Have You Been, My Lamb? - Folksong (No. 13, Hol jártál, báránykám? - Népdal)VI Folksong: Allegro (No. 10, Népdal)The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Performers may wish to consider playing each movement through more than once and, in an ensemble with more than four players, varying the instrumentation for each iteration.The arrangements maintain the keys of the original piano pieces, but many sections have been transposed at the octave.The original metronome indication in Folksong: Allegro has been maintained, but performers may prefer a faster speed.Programme note:‘First Term at the Piano’ (‘Kezdök zongoramuzsikája’ – piano music for beginners) is a collection of pieces for first-year piano students. The collection was collaboration with Sándor Reschofsky with Béla Bartók writing eighteen of the short pieces. The volume was published in 1913 and was intended as the first of a five-volume piano instructional series. This arrangement features six of Bartók’s contributions: Allegro Deciso, Andante, Waltz, and three Folksongs.
$3.99
3.65 €
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Bela Bartok
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Paul Burnell
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Six Pieces from First Term at the Piano, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Air on G String - Brass Quartet (Full Score and Parts)
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1178512 Composed by Joha…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1178512 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Film/TV,Multicultural,Wedding,World. 7 pages. Sheet Music To Play Editions #778474. Published by Sheet Music To Play Editions (A0.1178512). Air on the G String from Orchestral Suite No.3 (BWV1068). Arrangement for Brass Quartet - Bb Trumpet 1, 2, French Horn and Trombone. With Full Score and Individual Parts. Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
11.88 €
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Johann Sebastian Bach
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César Madeira
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Air on G String - Brass Quartet
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Sheet Music To Play Editions
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SheetMusicPlus
Music for Three, Collection No. 7 Klezmer Dances for String Trio/Woodwind Trio/Mixed Trio 57007
Cello,Clarinet,Oboe,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1341877…
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Cello,Clarinet,Oboe,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1341877 Composed by Various. Arranged by Daniel Kelley and Joel Lish. Holiday,Instructional,Jewish,Wedding. 80 pages. Last Resort Music Publishing #927388. Published by Last Resort Music Publishing (A0.1341877). MUSIC for THREE COLLECTIONSCollection No. 7: Klezmer DancesSet of Parts + Score #57007 Set Includes the following Parts Part 1 - Flute or Oboe or Violin Part 2 - Flute or Oboe or ViolinPart 2 - ViolaPart 2 - Clarinet in BbPart 3 - Cello or Bassoon Keyboard or Guitar with chord symbolsScore (Parts 1-3 in C)Available as Separate Parts by Digital DownloadPart 1 - Clarinet in Bb  Part 3 - Bass Clarinet in Bb  Alternate Viola - Add the alternate viola part and make a full string quartet with Part 1 + 2 + 3An incredible collection of Klezmer Dances, arranged for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsBublitchki - Hot BagelsHebrew DanceDer Heyser Bulgar -The Spirited BulgarLebedik un Freylekh - Lively and Happy DanceMa Yofus - How BeautifulOdessa BulgarRussian WaltzDer Shtiler Bulgar - The Quiet Bulgar Pubished by Last Resort Music
$30.00
27.43 €
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Various
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Daniel Kelley and Joel Lish
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Music for Three, Collection No. 7 Klezmer Dances for String Trio/Woodwind Trio/Mixed Trio 57007
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Last Resort Music Publishing
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SheetMusicPlus
Sonata in C Major, Op. 1, No. 7, - instruments in four parts
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835910 Composed by Arca…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burnell #6857749. Published by Paul Burnell (A0.835910). Sonata in C Major, Op. 1, No. 7 by Arcangelo Corelli, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 4:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:The 12 'Sonate da Chiesa' by Italian violinist and composer Arcangelo Corelli were published in Rome in 1681. These 'Church Sonatas' were originally intended for performance in church by two violins with the organ as 'basso continuo' reinforced by the bass viol. These types of work are sometimes known as 'Trio Sonatas' but, because there normally are two people playing the continuo part, there are usually four players in all.The seventh sonata has three movements, with the tempo markings Allegro, Grave, and Allegro.
$3.99
3.65 €
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Arcangelo Corelli
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Paul Burnell
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Sonata in C Major, Op. 1, No. 7, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Oscillation
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.…
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
18.24 €
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contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
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