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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Sudden Light
Non classifié
17
Piano & claviers
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24
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5
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1
1 Piano, 4 mains
1
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Vents
Ensemble de Flûtes
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Quatuor de Clarinettes: 4 clarinettes
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Saxophones: 4 saxophones
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Flûte traversière et Piano
1
Saxophone Baryton, Piano
1
Quatuor de Flûtes : 4 flûtes
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Saxophone Alto et Piano
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Euphonium, Piano (duo)
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1
Trombone et Piano
1
Trompette
1
Cor et Piano
1
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Quatuor à cordes: 2 violons, alto, violoncelle
6
Trio à Cordes: violon, alto, violoncelle
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Sudden Light
Partitions à imprimer
17 partitions trouvées
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1
Songs for a Rainbow People
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Songs for a Rainbow People
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SheetMusicPlus
A collection of hymns and songs by this talented New Zealand composer. The selections are light-hearted, creative and uplifting. Notes on the hymns are included...
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A collection of hymns and songs by this talented New Zealand composer. The selections are light-hearted, creative and uplifting. Notes on the hymns are included
Song List
: Across a Dark, Autumnal Sky I Saw a Flock of Wild Geese Fly (Honking Hymn) As Everyone Knows, or Thinks They Know from the Book of Genesis (The Tale of a Snake) A Stable Lamp Is Lighted Every Hair upon Your Head Fancy Noah Sailing in the Ark (Rainbow People) For Everyone Born a Place a the Table Gentle God, the Candle Flickers God in the Darkness, God Beyond Our Knowing God of the Bible, God in the Gospel(Fresh as the Morning) God Rest Us, Rest that Part of Us which Is Tired Great and Deep the Spirit's Purpose Here to Celebrate God's Loving How Much Am I Worth? I'm a Fishbowl Christian I'm Gonna Take Another Step Along the Way (Treksong) It All Depends on Where I'm Going Listen to the Voices, Listen to the Voices of the Earth Lord, I Wait for the Tide to Turn Lord Jesus, Look on This We Do Merry Christmas Rag Nothing Is Lost on the Breath of God Now as We Go, Kind Spirit Keep Us O Spring in the Desert, O Shelter from Heat (Prayer for the Presence) Snap Us Out of It, Lord (The Ho-Hum Hymn) Sometimes the Boundless Beauty of the World Strong Word of God, Spoken to All The Grace of God on You Distill The Lord God Walked in Paradise (Callings) There's Straw in the Manger (The Folly of Love Carol) These Hills Where the Hawk Flies Lonely This Tree We Plant in Loving Memory When I Was a Child I Thought as a Child When Our Lives Know Sudden Shadow
$9.95
Rossetti Interludes (Live World Premiere Recording)
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Contemporain
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Seattle Choral Company, Fred C
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Rossetti Interludes
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William Hawley
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SheetMusicPlus
Level 5 - SKU: A0.1157050 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary. Full Performance. Duration 1047....
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Level 5 - SKU: A0.1157050 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary. Full Performance. Duration 1047. William Hawley #757376. Published by William Hawley (A0.1157050). This is the Live Recording of the World Premiere Performance of William Hawley's Rossetti Interludes, performed by the Seattle Choral Company, Fred Coleman, Conductor, Meany Theatre, Seattle, June 2, 1996. The work is a setting of five poems by Dante Gabriel Rossetti (1828-1882) for Chorus and Orchestra, commissioned by the Seattle Choral Company. The following PDF files are also available at SMP Press: 1. Full Score 2. Vocal Score with piano reduction, with permission to make multiple copies as needed for the Conductor, Rehearsal Pianist, and Chorus. Suggested Double Chorus size: 32 singers (4S, 4A, 4T, 4B / 4S, 4A, 4T, 4B ). 3. Set of Orchestral Parts: Instrumentation: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb Timpani 1 Percussion (Glockenspiel, Medium Hand Cymbals, Medium Suspended Cymbal, Medium Triangle, Snare Drum Harp Strings (with permission to copy multiple String Parts as required. Suggested minimum strings: 6,6,4,4,2 for a Chorus of 32 singers): Violin I Violin II Viola Violoncello Contrabass The audio sample contains the opening section of the first setting, Sudden Light. Performance duration of the entire work: ca. 15 minutes. ASCAP https://williamhawley.net.
$3.99
Santa's Magical Workshop
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Brian L
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Brian L
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Santa's Magical Workshop
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BLM Music Publications
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SheetMusicPlus
Percussion Septet Bell (or Triangle),Sleigh Bells,Xylophone - Level 1 - SKU: A0.1316786 Composed by Brian L. Monroe. Arranged by Brian L. Monroe. Chambe...
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Percussion Septet Bell (or Triangle),Sleigh Bells,Xylophone - Level 1 - SKU: A0.1316786 Composed by Brian L. Monroe. Arranged by Brian L. Monroe. Chamber,Christmas,Instructional. 20 pages. BLM Music Publications (https://brianmonroemusic.com) #905464. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1316786). Santa's Magical Workshop:  Written for beginning percussion students.  Santa's Magical Workshop includes 3 Bells, Xylophone, Triangle, Temple Blocks and Sleighbells.  The piece has been written in Alphanotes (where the note names are in the note heads) and limited material to make a great piece for beginning percussionists.  This promises to be a hit on a concert!!!!!Here's the Story!!!T'was the day before Christmas, at the North Pole.The elves were working to finish the toys, and they were on a roll.For they knew that tonight, Santa would be on his waytaking the presents to the children, in his enchanted sleigh.The elves worked hard until the night, singing Christmas songs in delight,  and finishing the toys so Santa could take flight. The sudden jingling of bells meant Santa was here.It was time to pack the sleigh, and get the reindeer.and when it was done, the elves let out a great cheer, it was time to rest,for Santa's Magical Workshop was closed for the rest of the year.
$12.00
Emoticons III for Reed Quintet
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Contemporain
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Sy Brandon
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Emoticons III for Reed Quintet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3604157. Published by Sy Brandon (A0.755261). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet. I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness. II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality. III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement. IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation. V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds. VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction. VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound. VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99
åƒè¬é‡Œè·¯ "Qian Wan Li Lu"
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Javin Tham
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åƒè¬é‡Œè·¯ &quo
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Javin Tham
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.781826 Composed by Javin Tham. Contemporary,World. Score and parts. 10 pages. Javin Tham #3601911. Published by Javin...
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Small Ensemble - Level 4 - SKU: A0.781826 Composed by Javin Tham. Contemporary,World. Score and parts. 10 pages. Javin Tham #3601911. Published by Javin Tham (A0.781826). åƒè¬é‡Œè·¯ Qian Wan Li Lu (A Thousand Miles Journey)作曲：èšå‡±å‡ï¼ˆäºŒèƒ¡èˆ‡é‹¼ç´ï¼‰äººè‡ªç”Ÿä¾†ï¼Œä¾¿æœ‰ç„¡çª®ç„¡ç›¡çš„é“è·¯è¦èµ°ï¼Œå¥½æ¯”那一åƒé‡Œã€ä¸€è¬é‡Œçš„è·¯ã€‚å› çˆ²åœ¨äººæ†‚å‚·ã€çµ•æœ›ã€å¤±è½ã€æ†¤æ€’的時候，會有著絲絲的感觸, æ¤æ›²ä»¥æ‚²æ†¤çš„調å來敘述人的一生。åŽå·ä¹‹è·¯äººåœ¨ä¸€ç”Ÿä¸ï¼Œéƒ½é€ƒé¿ä¸äº†å……滿èŠæ£˜çš„é“路，無論如何都得é¢å°ã€‚所以æ¯å€‹äººçš„人生都難å…有淚水。是悲哀的，也是感動的。狂奔在氣æ¯æœ€æ—ºç››çš„那一刻，人生出ç¾äº†ç„¡æ•¸æ¬¡çš„高峯和深谷。緊張的ç´è²ã€è²é‡çš„變化，顯示了那一刻的起起è½è½ã€‚è·¯é™çŸ¥é¦¬åŠ›å†æ€Žéº¼é ，也會累。æ‡æ¯ä¹‹æ™‚，æ‰æ„Ÿå—到自己走了多é 。åŒæ™‚，憶想起éŽåŽ»ç•™ä¸‹çš„éºæ†¾ã€‚é 走高飛é“路走完了嗎？忽然間，沉é‡çš„è…³æ¥è®Šè¼•äº†ï¼Œå½·å½¿å·²åˆ°äº†å¦ä¸€å€‹åœ°æ–¹ã€‚A piece for erhu and piano. The music depicts the sadness and sorrows of one's life journey. This approximately 6-minute long piece comprises of 4 sections:Bumpy Roadit's unavoidable to be carrying on with a life journey full of thorns, we'll have to face it anyway. Therefore, tears are inevitable in everyone's life. It may be sadness, or a kind of sensation moving.BoltedAt the moment when the breath is the most vigorous, life has seen numerous peaks and deep valleys. The tension and dynamic from the piano depict the ups and downs of those moments.Proof of the PuddingNear or far, we will be tired one day. As we rest, we realize how far we've gone. At the same time, we recall the regrets left in the past.EmigratedAre we done with the journey? The heavy footsteps became lighter all of a sudden, as if we've arrived at another realm.
$8.99
A Gander in the Gloaming
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Greg Woodward
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A Gander in the Gloaming
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Greg Woodward
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SheetMusicPlus
String Ensemble Cello - Level 2 - SKU: A0.1458746 Composed by Greg Woodward. 21st Century,Chamber,Classical,Contemporary. 10 pages. Greg Woodward #10376...
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String Ensemble Cello - Level 2 - SKU: A0.1458746 Composed by Greg Woodward. 21st Century,Chamber,Classical,Contemporary. 10 pages. Greg Woodward #1037678. Published by Greg Woodward (A0.1458746). A Gander in the Gloaming is a charming minature for four cellos, written in 2023 and inspired by observing our new family of geese taking their family walks under strict instruction from the paterfamilias*. The harmonic language is largely diatonic and relies largely on bouncy rhythmic interplay and dynamics for forward momentum, although there are some forays into dissonance and distant key centres. The mood is wistful but optimistic and fun. This would make a great encore piece - the sudden ending in particular - and is highly accessible for younger players.The link is an multitrack recording - all parts played by me.Visit my YouTube page for more performances, arrangements and compositions.*Gander - a male goose; Gloaming - twilight, early evening.
$25.00
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sac...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
A Walk in Nature
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Contemporain
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JJ Bartley
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and thus begins the C theme
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A Walk in Nature
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JJ Bartley
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.612888 Composed by JJ Bartley. Contemporary. Score and parts. 18 pages. JJ Bartley #222086. Published by JJ Bart...
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Brass Ensemble Horn - Level 4 - SKU: A0.612888 Composed by JJ Bartley. Contemporary. Score and parts. 18 pages. JJ Bartley #222086. Published by JJ Bartley (A0.612888). A Walk in Nature is my first composition and follows the story of someone journeying through the woods. As the piece begins, the sun has just risen and awoken the life inside and surrounding the home. Each entrance represents the different lifeforms waking up on the beautiful day. Finally, the birds are chirping, the sky is filled with light, a breeze makes the woods feel alive, and the journey begins. As the “B†section begins the wanderer begins to look inward and think about themselves, life, and begins to feel nostalgic. This continues until suddenly, it begins to rain; and thus begins the C theme. This minor section represents the darkness the wanderer is feeling from their thoughts as well as the rain that has begun to soak their clothes. Finally, the clouds slowly begin to part and, just as the day started, the sun begins to bring light and warmth through the clouds. The journey is almost over, but not before the beauty of nature reveals itself one last time.
$2.00
A Prayer for Harmonic Convergence" for Soprano Sax, B Flat Clarinet, and Bass Clarinet
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David Jaedyn Conley
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A Prayer for Harmonic Converge
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Mydnyte Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.1006443 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV. 14 pages. Mydn...
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Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.1006443 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV. 14 pages. Mydnyte Publishing #2016307. Published by Mydnyte Publishing (A0.1006443). A Prayer for Harmonic Convergence is a musical meditation for Soprano Sax, B Flat Clarinet, and Bass Clarinet. It is written in free time, and is more of an exercise in vertical development versus horizontal. A degree of tonal indeterminacy is implied and demanded, as the nature of the instruments that it was written for requires the player to make adjustments of their embouchure in order to keep the pitch in tune with the other lines. In a piece where a note which acts as a third suddenly finds itself acting as a fifth or a root means that slight variations of intonation is inevitable. This is a desired effect. Slight overtones from the instruments are meant to combine and mingle. Occasionally the overtones converge and cause the sinusoidal waveform to beat at different frequencies. There is no way to predict how and when the phenomena will happen, and therefore there is no real way to perform this piece the same way twice. While the performer should take care to keep their intonation complimentary to the other players, a degree of latitude is intended so that the performer may experiment with this concept. It is suggested that the players perform from the score so as to anticipate the entrances and exits of the other performers.
$9.99
Flicker
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Contemporain
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Kyle Rowan
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Flicker
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Penguinman Music
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SheetMusicPlus
Bass Clarinet Solo - Level 5 - SKU: A0.1023049 Composed by Kyle Rowan. Contemporary. Individual part. 8 pages. Penguinman Music #4595925. Published by P...
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Bass Clarinet Solo - Level 5 - SKU: A0.1023049 Composed by Kyle Rowan. Contemporary. Individual part. 8 pages. Penguinman Music #4595925. Published by Penguinman Music (A0.1023049). Flicker is a varied and playful work for solo bass clarinet composed for Calvin Falwell. The piece provides the larger clarinet with a degree of lightness perhaps more characteristic of its smaller brethren, with sections of agile flourishes, pointillistic staccato, and lyrical melodies juxtaposed against each other. The instrument's strength remains evident, however, particularly in the lower register. The playfulness emerges not only in the materials, but in the formal design, as the clarinetist flits from one character to another quickly and suddenly, rarely staying in one place for very long. The virtuosity that the work requires is therefore about more than technical skill; the performer must also navigate these changes of character and style with a balance and fluency that allows for cohesion between these disparate elements.
$12.00
A Thanksgiving Outing
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Lewis A
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A Thanksgiving Outing
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Lewis A. Kocher
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SheetMusicPlus
Small Ensemble Flugelhorn,Piano - Level 3 - SKU: A0.943035 Composed by Lewis A. Kocher. Contemporary,Folk,Holiday. Score and parts. 14 pages. Lewis A. K...
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Small Ensemble Flugelhorn,Piano - Level 3 - SKU: A0.943035 Composed by Lewis A. Kocher. Contemporary,Folk,Holiday. Score and parts. 14 pages. Lewis A. Kocher #4796015. Published by Lewis A. Kocher (A0.943035). A THANKSGIVING OUTING For Piano and Flugelhorn or Bb Trumpet/CornetPlaying time: Appx. 3:35Concert/Recital venue: Thanksgiving seasonThis work offers a contemporary setting to Thanksgiving traditions. I come from an age where sleigh bells were replaced with the surprisingly similar sound of car tire chains tinkling in the snow. And although our outings were in a car and not in a horse-drawn sleigh, they were just as exciting and as full of anticipation whether we were on the road to visit grandma's house, or merely taking a Thanksgiving drive.In this musical story a Thanksgiving drive is represented by the main theme. Then suddenly, a far-too-usual scene plays out when a tire goes flat! The Horn plays solo as father goes out on his own to change the tire. Soon, the snow starts to lightly fall. Tire replaced, the snow slowly flutters to a few stray flakes as we are on our way once more, yet that wintery pause was only temporary as we come to our journey's end.May this piece be a welcome addition to your Autumn/Christmas repertoire! God bless, and Happy Thanksgiving!
$8.95
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole) (mp3)
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Guitar,Medium Voice - Level 3 - SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. ...
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Guitar,Medium Voice - Level 3 - SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 1608. David Warin Solomons #863477. Published by David Warin Solomons (A0.1271084). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, ... etc.
$10.50
Bad Guy
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Pop musique
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Billie Eilish
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Jason Sullivann
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Bad Guy
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Green Bicycle Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.951092 By Billie Eilish. By Billie Ei...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.951092 By Billie Eilish. By Billie Eilish O'Connell, Billie O Connell, Finneas O Connell, and Finneas O'Connell. Arranged by Jason Sullivann. Jazz,Pop. Score and parts. 31 pages. Green Bicycle Music #5715181. Published by Green Bicycle Music (A0.951092). For Big Band Sax section (quintet), Acoustic Bass, optional finger snaps and/or hand claps. Here's an arrangement of the Billie Eilish Hit with a difference. The arranger was struck by the instrumental (synth) riff, which has a slight Jazz feel to it.He has created a version that swings, with or without cool-cat finger snappers. Then, in the throes of Pop-Jazz transmogrification, a Band Leader that had a TV show for oh, a few decades, suddenly popped into his head. What if he were still around? What would a version of his of this song sound like? Here's a tough one: See if you can guess who the mystery bandleader IS...and cheers to Billie and Finneas.
$12.99
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
'Adagio' from 'Gran Partita'
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Classique
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Wolfgang Amadeus Mozart
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Conrad Ho
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'Adagio' from 'Gran Partita'
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Conrad Ho
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - SKU: A0.1339643 Composed by Wolfgang Amadeus Mozart. Arranged by Conrad Ho...
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Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - SKU: A0.1339643 Composed by Wolfgang Amadeus Mozart. Arranged by Conrad Ho. 19th Century,Chamber,Classical. 42 pages. Conrad Ho #925343. Published by Conrad Ho (A0.1339643). On the page it looked nothing. The beginning simple, almost comic. Just a pulse, bassoons and basset horns, like a rusty squeezebox. Then suddenly; high above it, an oboe, a single note, hanging there unwavering, till a clarinet took over and sweetened it into a phrase of such delight! This was no composition by a performing monkey! This was a music I’d never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the very voice of God.--- 'Amadeus' (1984)This is one of the most gorgeous woodwind ensemble composition written during in the Classical period, by W.A. Mozart. It is now a common knowledge that Mozart was not fond of flute as an instrument, therefore we see the instrumention in the original version was without flute. In this arrangement, the melodies and accompaniment are separated with all the main melodies played by soloists which corresponds to the original principal parts. Horn is also arranged into Alto Saxophones which is more common in a woodwind ensemble.
$19.99
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