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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Suite III G minor
Sheetmusicplus
Non classifié
13
Piano & claviers
Piano seul
2
Orgue, Piano (duo)
1
Guitares
Voix
Vents
Flûte traversière et Piano
1
Flûte à bec Alto, Basse continue
1
Saxophone Tenor et Piano
1
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1
2 Violoncelles (duo)
1
Violon, Violoncelle (duo)
1
Orchestre & Percussions
Ensemble de cuivres
4
Orchestre à Cordes
3
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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VIOLONCELLE
XYLOPHONE
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
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PUNK
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Vous avez sélectionné:
Suite III G minor
SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
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1
Suite for Unspecified Instrumentation in G Minor: VIII. Gigue
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Classique
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Mitch Boucher
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Suite for Unspecified Instrume
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Mitch Boucher
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SheetMusicPlus
Instrumental Solo - Level 5 - Interactive Download SKU: A0.513026 Composed by Mitch Boucher. This edition: Interactive Download. Classical. Individual pa...
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Instrumental Solo - Level 5 - Interactive Download SKU: A0.513026 Composed by Mitch Boucher. This edition: Interactive Download. Classical. Individual part. 3 pages. Duration 474. Mitch Boucher #rO3L03x6FLGpafTiqyNYo. Published by Mitch Boucher (A0.513026). Key: Bb major.After almost a year of writing, this movement concludes my G minor suite for unspecified instrumentation! I hope you enjoy this gigue. It was written at the keyboard completely by hand.
$9.99
Suite for Unspecified Instrumentation in G Minor: VIII. Gigue
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Classique
#
Mitch Boucher
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Suite for Unspecified Instrume
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Mitch Boucher
#
SheetMusicPlus
Instrumental Solo - Level 5 - Interactive Download SKU: A0.513025 Composed by Mitch Boucher. This edition: Interactive Download. Classical. Individual pa...
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Instrumental Solo - Level 5 - Interactive Download SKU: A0.513025 Composed by Mitch Boucher. This edition: Interactive Download. Classical. Individual part. 3 pages. Duration 474. Mitch Boucher #4BIa0n4AvtOuOvR1oVBwon. Published by Mitch Boucher (A0.513025). Key: Bb major.After almost a year of writing, this movement concludes my G minor suite for unspecified instrumentation! I hope you enjoy this gigue. It was written at the keyboard completely by hand.
$9.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Classical Studies for Clarinet
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Himie Voxman
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Classical Studies for Clarinet
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Rubank Publications
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SheetMusicPlus
Book Only Clarinet SKU: HL.4470840 Clarinet Method. Composed by Himie Voxman. Woodwind Method. Studies. Clarinet studies book (softcover). With st...
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Book Only Clarinet SKU: HL.4470840 Clarinet Method. Composed by Himie Voxman. Woodwind Method. Studies. Clarinet studies book (softcover). With standard notation. 72 pages. Rubank Publications #RUBL139. Published by Rubank Publications (HL.4470840). ISBN 9781458417961. UPC: 073999373189. 9x12 inches. Edited by H. Voxman.This wonderful set of studies presents the solo sonatas, partitas and suites of J.S. Bach and G.F. Handel for unaccompanied violin and cello, arranged by master teacher H. Voxman. They provide the serious student a wealth of fine music well-suited to the study of phrasing and articulation, and unlimited possibilities in the development of musicianship.
Song List
: Allegro Allegro Maestoso Sarabande Allegro from Violin Sonata II Allegro Assai from Violin Sonata III Presto from Violin Sonata I Partita I in B Minor Partita II in D Minor Partita III in E Cello Suite I Cello Suite II Cello Suite III Cello Suite IV Cello Suite VI Moderato Allegro from Flute Sonata in E Gigue
$10.99
Suite for Unspecified Instrumentation in G Minor: III. Allemande
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Classique
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Mitch Boucher
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Suite for Unspecified Instrume
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Mitch Boucher
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SheetMusicPlus
Instrumental Solo - Level 5 - Interactive Download SKU: A0.511452 Composed by Mitch Boucher. This edition: Interactive Download. Classical. Individual pa...
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Instrumental Solo - Level 5 - Interactive Download SKU: A0.511452 Composed by Mitch Boucher. This edition: Interactive Download. Classical. Individual part. 1 pages. Duration 198. Mitch Boucher #1pOTBjZ4xcOUtNTVGqXP2U. Published by Mitch Boucher (A0.511452). Key: Bb major.
$9.99
G minor Suite - III. 4/4
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W
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G minor Suite - III. 4/4
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Paroxymoxide Music
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SheetMusicPlus
Small Ensemble Clarinet,Double Bass,Flute - Level 3 - SKU: A0.1010618 Composed by W. Stubbs. 20th Century,Classical,Contemporary,Instructional. Score an...
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Small Ensemble Clarinet,Double Bass,Flute - Level 3 - SKU: A0.1010618 Composed by W. Stubbs. 20th Century,Classical,Contemporary,Instructional. Score and parts. 12 pages. Paroxymoxide Music #2893211. Published by Paroxymoxide Music (A0.1010618). A short piece for beginner to intermediate level orchestra including a clarinet or flute solo (parts interchangeable) for intermediate level player. A simple piece that works like a music box type idea that is easy for beginner students to play in a small orchestra, and a solo part for a woodwind player looking to try something a little harder.Original music perfect for:School ensemblesSmall gatheringsProgrammed as a 'nice' interludeThis is the projected third part in a four movement piece. The first movement is a 6-4 almost 'Russian' sounding march with a short fugue during the development.
$1.99
Suite for Unspecified Instrumentation in G minor: III. Allemande
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Classique
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Mitch Boucher
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Suite for Unspecified Instrume
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Mitch Boucher
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SheetMusicPlus
Small Ensemble Guitar,Harpsichord,Piano - Level 5 - SKU: A0.990510 Composed by Mitch Boucher. Baroque. Score and parts. 1 pages. Mitch Boucher #6658295....
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Small Ensemble Guitar,Harpsichord,Piano - Level 5 - SKU: A0.990510 Composed by Mitch Boucher. Baroque. Score and parts. 1 pages. Mitch Boucher #6658295. Published by Mitch Boucher (A0.990510).
$9.99
Suite for Unspecified Instrumentation in G Minor: VIII Gigue
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Classique
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Mitch Boucher
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Suite for Unspecified Instrume
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Mitch Boucher
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SheetMusicPlus
Small Ensemble Guitar,Harpsichord,Piano - Level 5 - SKU: A0.990515 Composed by Mitch Boucher. Baroque. Score and parts. 3 pages. Mitch Boucher #6658307....
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Small Ensemble Guitar,Harpsichord,Piano - Level 5 - SKU: A0.990515 Composed by Mitch Boucher. Baroque. Score and parts. 3 pages. Mitch Boucher #6658307. Published by Mitch Boucher (A0.990515).
$19.99
Minuet 3
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Nícolas Denofre Soares Ribeir
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Minuet 3
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Denofres
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1468306 By Nícolas Denofre Soares Ribeiro. By Johann Sebastian Bach. Arrange...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1468306 By Nícolas Denofre Soares Ribeiro. By Johann Sebastian Bach. Arranged by Nícolas Denofre Soares Ribeiro. Baroque,Classical,Early Music,Multicultural,World. 2 pages. Denofres #1046619. Published by Denofres (A0.1468306). Minuet III from Suite in G minor, BWV 822 (Bach, Johann Sebastian).
$2.99
Music for Four Brass - Volume 1 - Part 3 French Horn in F 60132
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass - Volume
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - SKU: A0.530442 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Concert,Romantic Period,Wedding. Score ...
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Brass Ensemble Horn - Level 5 - SKU: A0.530442 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Concert,Romantic Period,Wedding. Score and parts. 42 pages. Last Resort Music Publishing #3604123. Published by Last Resort Music Publishing (A0.530442). Part 3 for French Horn in F #60132Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets. Available for the following instrumentation: Part 1 Bb Trumpet Part 2 Bb Trumpet Part 2 French Horn in F Part 3 Trombone Part 3 French Horn in F Part 4 Bass Trombone or TubaKeyboard or Guitar Score (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Little Fugue in G Minor (Bach) Rondeau from Orchestral Suite #2 in B Minor (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Ode to Joy from Symphony #9 (Beethoven) St. Anthony Chorale from Haydn Variations (Brahms) Trumpet Voluntary (Clarke) Gavotte (Gossec) Gavotte from Holberg Suite, Op. 40 (Grieg) Bourree, Menuet, La Rejouissance from Fireworks Music (Handel) Largo from Xerxes (Handel) Air, Allegro, Andante, Hornpipe from The Water Music (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Elegie from Incidental Music to Les Erinnyes (Massenet) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Canon (Pachelbel) Rondeau from Incidental Music to Abdelazer (Purcell) Trumpet Tune (Purcell) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Londonderry Air (Traditional Irish Melody) Simple Gifts (Traditional Shaker Hymn) Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner)
$18.50
Music for Four Brass - Volume 1 - Part 3 Trombone 60131
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass - Volume
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.530808 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Wedding. Score and ...
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Brass Ensemble Trombone - Level 5 - SKU: A0.530808 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Wedding. Score and parts. 42 pages. Last Resort Music Publishing #6427921. Published by Last Resort Music Publishing (A0.530808). Part 3 for Trombone #60131Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets.Available for the following instrumentation:Part 1 Bb Trumpet Part 2 Bb TrumpetPart 2 French Horn in F Part 3 TrombonePart 3 French Horn in FPart 4 Bass Trombone or TubaKeyboard or GuitarScore (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach)Jesu, Joy of Man's Desiring from Cantata #147 (Bach)Little Fugue in G Minor (Bach)Rondeau from Orchestral Suite #2 in B Minor (Bach)Sheep May Safely Graze from Cantata #208 (Bach)Ode to Joy from Symphony #9 (Beethoven)St. Anthony Chorale from Haydn Variations (Brahms)Trumpet Voluntary (Clarke)Gavotte (Gossec)Gavotte from Holberg Suite, Op. 40 (Grieg)Bourree, Menuet, La Rejouissance from Fireworks Music (Handel)Largo from Xerxes (Handel)Air, Allegro, Andante, Hornpipe from The Water Music (Handel)Presto from String Quartet in F Major, Op. 74, #2 (Haydn)Elegie from Incidental Music to Les Erinnyes (Massenet)Wedding March from A Midsummer Night's Dream (Mendelssohn)Rondeau from Sinfonies de Fanfares (Mouret)Canon (Pachelbel)Rondeau from Incidental Music to Abdelazer (Purcell)Trumpet Tune (Purcell)Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert)Londonderry Air (Traditional Irish Melody)Simple Gifts (Traditional Shaker Hymn)Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi)Bridal Chorus from Act III of Lohengrin (Wagner)
$20.00
Der fliegende Holländer
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Classique
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder -
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
Music for Three, Volume 1 Score 50199
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Various
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Daniel Kelley
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Music for Three, Volume 1 Scor
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score...
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Small Ensemble - Level 5 - SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
$39.95
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Suite III G minor
