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Summer's Gone
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Vous avez sélectionné:
Summer's Gone
Partitions à imprimer
7 partitions trouvées
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Summer's Gone
String Orchestra - Level 3 - Digital Download SKU: A0.1516362 Composed by Ryan Brec…
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String Orchestra - Level 3 - Digital Download SKU: A0.1516362 Composed by Ryan Brechmacher. 21st Century,Classical,Instructional. 10 pages. Ryan Brechmacher #1090541. Published by Ryan Brechmacher (A0.1516362). Summer's Gone for String Orchestra is a lyrical piece that is perfect to program for your intermediate level ensemble.
$35.00
32.27 €
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Ryan Brechmacher
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Summer's Gone
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Ryan Brechmacher
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SheetMusicPlus
Summer is Gone
Large Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,E-Flat Clarinet - Level 4 - Digital Do…
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Large Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.612786 Composed by Samuel Coleridge-Taylor. Arranged by Stephen Ian Savage. Classical,Instructional,Romantic Period. Score and parts. 13 pages. Stephen Ian Savage #221976. Published by Stephen Ian Savage (A0.612786). ã€ï½‰ï½Žï½†ï½ã€‘ ð™Žð™ªð™¢ð™¢ð™šð™§ ð™žð™¨ ð™‚ð™¤ð™£ð™š for Clarinet Choir is beautifully and idiomatically arranged for 3 Bflat parts (minimum 6 players), 1 Alto part, and 1 Bass part (with optional 2nd bass substituting for alto). This arrangement focuses on Coleridge-Taylor's stunning, melancholy, and compelling setting of the Christina Rosetti poem of the same name. This short piece is a great addition to your clarinet choir's repertory and a great addition to any concert! Concisely formatted for practical usage professional to educational settings. Page turns are minimized or eliminated and parts are clearly legible. Score and substitute parts included where applicable. Run Time ~ 2'30 ã€ï½‚ｉï½ã€‘ ð™Žð™©ð™šð™¥ð™ð™šð™£ ð™„ð™–𙣠ð™Žð™–ð™«ð™–ð™œð™š is an arranger, teacher, performer, and composer. His arrangements focus on authenticity, originality, playability, and enjoyment. He has arranged for SXSW and Daniel Tannenbaum, who helped produce Kendrick Lamar's ð˜¿ð™–ð™¢ð™£. As a composer, he works in all kinds of mediums, chamber groups to electronics, and he has self-produced several full-length albums. He currently lives in Austin, Texas with his husband Fehérló. ð°ð°ð°.ð¬ððžð©ð¡ðžð§ð¢ðšð§ð¬ðšð¯ðšð ðž.ðœð¨ð¦.
$16.00
14.75 €
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Samuel Coleridge-Taylor
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Stephen Ian Savage
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Summer is Gone
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Stephen Ian Savage
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SheetMusicPlus
Our Bright Summer Days Are Gone
Small Ensemble Clarinet,Viola,Violin - Level 3 - Digital Download SKU: A0.881491 Co…
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Small Ensemble Clarinet,Viola,Violin - Level 3 - Digital Download SKU: A0.881491 Composed by Stephen Collins Foster. Arranged by W. David Hedrick. Folk. Score and parts. 8 pages. William David Hedrick #2025871. Published by William David Hedrick (A0.881491). Our Bright Summer Days Are Gone is a lesser known song by American composer Stephen Collins Foster from the mid-1800s. It is typical Foster style with a simple melody and harmony. It is treated in this arrangement as a flowing, lyrical piece that is suitable for any concert venue, festival, or contest. The melody is constant with the clarinet in different registers while the strings support the solo with various flowing accompaniments. The conductor's score has one set of instrumental parts and the clarinet solo. This is a beautiful rendition of a less familiar Foster song that is worthy of a fine classical clarinetist. The audio clip is a computer rendering in Finale.
$4.99
4.6 €
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Stephen Collins Foster
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W
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Our Bright Summer Days Are Gone
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William David Hedrick
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SheetMusicPlus
Last Of The Summer Wine Theme
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797799 Composed by Rona…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797799 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 12 pages. Derek Hasted #6109013. Published by Derek Hasted (A0.797799). LAST OF THE SUMMER WINE - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s longest running comedies.The music elegantly captures the calm of country life and the simplicity of times gone by, and makes for a refreshing and accessible concert item whether you know the original music or not.In my arrangement, Guitar 1 and Guitar 2 take turns to play the tune - each part is clearly labelled - and the weaving motifs of the haunting melody are underpinned by an accompaniment that mirrors the rhythm and harmony of the original.Fingering for the upper parts is left to the players - some may want to stay up the neck throughout for a rich and mellow tone, others may feel more confident coming lower down the neck for the lower notes to keep the majority of them off the wire-wound strings.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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Ronald Hazlehurst and Ronnie Hazlehurst
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Derek Hasted
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Last Of The Summer Wine Theme
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Derek Hasted
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SheetMusicPlus
River Music
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.10280…
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. Burbury Lane Music #3368591. Published by Burbury Lane Music (A0.1028052). River Music is a fun and accessible piece that has received much positive feedback in the clarinet world and has been performed many times, including at the International Clarinet Association's ClarinetFest. It is an approximately 8 minute piece for two Bb clarinets and bass clarinet that would be equally at home on an environmental-themed concert or any other type of program. It is a relatively advanced piece but has been performed by high school students. River Music was written for Clarinets for Conservation.Program Note: River Music was inspired by my time one summer spent on the Chattahoochee River and at the Chattahoochee Nature Center near Atlanta, Georgia. I have always had a connection to bodies of water, having spent many summers and weekends at the lake by my grandparents’ house in New York. While sometimes I feel like an outsider as a New Yorker living in the South, as soon as I got on the river, canoeing down the Chattahoochee, I felt at home again. Something about the river reminds me of my childhood on Lake Peekskill, and River Music was partially inspired by that connection.Once I started writing the piece, it took on a life of its own, as water and nature (and composing) often does. One reason I’ve always felt strongly about environmentalism and protecting our natural environment is that all of it – the trees, the earth, the rivers, the lakes – has been here long before we came along and started messing it up, and it will (hopefully) be here long after we’re gone, as long as we make sure to protect these natural spaces and wilderness areas. I often think about how much trees have seen, and as I wrote this piece I started thinking about how much the river has seen too. I hear stories in River Music, and to me it’s the river telling us some, though certainly nowhere near all, of its stories.Perhaps River Music will take you, the listener, on a journey down the river-not just through space, but through time. You might hear some of the same stories I hear. Or you may not. Part of the beauty of writing a piece inspired by a river is that I hope you hear in it whatever the river means to you.Note: The sheet music includes a score, regular set of parts, and a bonus set of parts that include a partial score underneath the main part.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$15.99
14.74 €
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Sarah Hersh
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River Music
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Burbury Lane Music
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Hungarian Folksongs, - instruments in four parts
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882 – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Ãltal mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virÃt a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
$4.99
4.6 €
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Bela Bartok
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Paul Burnell
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Hungarian Folksongs, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
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Summer's Gone
