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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tango Final
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Ensemble de Clarinettes
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+ 1 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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MANDOLINE
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OCARINA
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Vous avez sélectionné:
Tango Final
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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1
Assassin's Tango
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Tango
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John Powell
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Elio Bachmann
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Assassin's Tango
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Elio Bachmann
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1308998 Composed by John Powell. Arranged by Elio Bachmann. 21st Century,Film/TV,Latin,Multicultural,World. Brass Band. 66 pages. Elio Bachmann #898211. Published by Elio Bachmann (A0.1308998). Assassin's Tango is a beautiful piece composed by John Powell. It accompanies an intense dance scene in the film Mr. and Mrs. Smith. This arrangement by Elio Bachmann is written for traditional British Brass Band and offers different instruments the opportunity to express themselves soloistically. The contrast from the quiet but tense beginning to the loud final part can be excellently realised by the brass band instrumentation.Score and individual parts are both included in this file.
$80.00
Tango Andaluza
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Timothy Brown
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Tango Andaluza
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The FJH Music Company - Digital
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SheetMusicPlus
Piano Ensemble - Late Intermediate - SKU: F0.E1096 This title is on the 2017-2021 National Federation of Music Clubs list. Composed by Timothy Br...
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Piano Ensemble - Late Intermediate - SKU: F0.E1096 This title is on the 2017-2021 National Federation of Music Clubs list. Composed by Timothy Brown. Sheet Music. The FJH Piano Ensemble Series. Solo Sheet. 11 pages. The FJH Music Company - Digital #E1096. Published by The FJH Music Company - Digital (F0.E1096). UPC: 674398232376.Rhythmic and romantic, this passionate tango would make a rousing finale to a recital. Starts in the key of B minor and modulates to E minor in the middle section. Requires expert ensemble playing. Just as impressive as the dance itself, audiences will appreciate the dramatic flair and grand style of this tango. About FJH Piano Ensemble SeriesCreative material especially written to explore aspects of artistic ensemble performance.
$3.95
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
La Cumparsita
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Contemporain
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G
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Cristian Gomez
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La Cumparsita
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Kike G
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.968985 Composed by G.H. Matos Rodriguez. Arranged by Cristian Gomez. Contemporary. 8 pages. Kike G #...
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Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.968985 Composed by G.H. Matos Rodriguez. Arranged by Cristian Gomez. Contemporary. 8 pages. Kike G #5011215. Published by Kike G (A0.968985). Tango cuya melodÃa fue creada y escrita entre finales del año 1915 y principios de 1916 por el músico uruguayo Gerardo Matos RodrÃguez . Poco después ya pedido de Matos RodrÃguez, recibió arreglos musicales de Roberto Firpo quien posteriormente a esto, la tocó junto a su orquesta por primera vez en público. Su letra más popular pertenece al argentino Pascual Contursi . Está considerado el tango más difundido a nivel mundial.
$12.99
Ponete las pilas
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Scott W
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Ponete las pilas
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Seventeen Pines Music
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SheetMusicPlus
Small Ensemble Accordion,Double Bass,Piano,Violin - SKU: A0.934009 Composed by Scott W. Hallgren. Dance,Jazz,Latin,Pop,World. Score and parts. 19 pages....
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Small Ensemble Accordion,Double Bass,Piano,Violin - SKU: A0.934009 Composed by Scott W. Hallgren. Dance,Jazz,Latin,Pop,World. Score and parts. 19 pages. Seventeen Pines Music (SESAC) #3048249. Published by Seventeen Pines Music (SESAC) (A0.934009). An electro-tango in the modern style, and the fourth and final movement of The Porteña Suite. (19 pages, score & parts)An excellent introduction to the music of Argentina & Uruguay, playable by musicians at the college level and above. Contains elements of jazz, and improvisation opportunities for all instruments.(PLEASE NOTE) Included audio file is for use in performance - a click track in the left channel and the accompanying tracks in the right; a recording of the piece can be heard here: http://magnatune.com/artists/albums/shallgren-studioc?song=4 Appropriate for concerts, arts & cultural events, and dance competitions.
$14.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
The Christmas Waltz
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Noël
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Jule Styne and Sammy Cahn
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Thomas Graf
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The Christmas Waltz
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.498415 Composed by Jule Styne and Sammy Cahn. Arranged by Thomas Graf. Christmas,Jazz. 16 pages. Tho...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.498415 Composed by Jule Styne and Sammy Cahn. Arranged by Thomas Graf. Christmas,Jazz. 16 pages. Thomas Graf - the-hit-factory.com #112018. Published by Thomas Graf - the-hit-factory.com (A0.498415). You may not recognize this by the title, but Libertango is one of the most well-known tangos throughout the world. Written with sultry lines for all parts, this distinctive arrangement develops slowly with an enormous tension and lead to an orchestral finale - Including a solo for your bass player. This song surely deserves a place in your library. Instrumentation: Clarinet 1/2/3/4 in Bb, Bass Clarinet in Bb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
$15.00
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