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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's Not Right
Sheetmusicplus
Non classifié
341
Piano & claviers
Piano seul
284
Piano Facile
117
Piano, Voix
68
Piano, Voix et Guitare
38
Instruments en Do
23
Orgue
7
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano grosses notes
2
Piano (partie séparée)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 9 instrumentations
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Guitares
Guitare
27
Guitare notes et tablatures
22
Basse electrique
7
Banjo
3
2 Guitares (duo)
3
Ukulele
3
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
4 Guitares (Quatuor)
2
Paroles et Accords
2
Mandoline
1
Dulcimer
1
+ 7 instrumentations
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Voix
Chorale SATB
88
Chorale SSAA
20
Chorale 3 parties
20
Chorale 2 parties
17
Chorale TTBB
11
Chorale Unison
11
Voix Alto, Piano
9
Voix duo, Piano
5
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix haute
2
Chorale SSATTB
1
Voix basse
1
Voix moyenne, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 11 instrumentations
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Vents
Saxophone (partie séparée)
17
Quintette de Saxophone: 5 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Ensemble de Flûtes
11
Ensemble de saxophones
11
Flûte traversière et Piano
11
Harmonica
9
Hautbois, Piano (duo)
9
Flûte traversière
8
2 Saxophones (duo)
8
Flûte, Clarinette (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone Baryton, Piano
7
Clarinette et Piano
7
Hautbois, Clarinette (duo)
7
Ensemble de Clarinettes
7
Saxophone Tenor
6
2 Flûtes traversières (duo)
6
Saxophone Tenor et Piano
6
Saxophone Alto
6
Saxophone Soprano et Piano
6
Saxophone, Clarinette (duo)
5
Hautbois (partie séparée)
5
Saxophone Alto et Piano
5
Clarinette
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte, Hautbois (duo)
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
3
Hautbois, Basson (duo)
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
2
Ocarina
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Trompette (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Tuba
8
Trombone et Piano
7
Trombone (partie séparée)
5
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
5
Trombone
4
Trompette, Saxophone (duo)
4
Trompette, Cor (duo)
4
2 Trompettes (duo)
4
Trompette (partie séparée)
4
Trompette, Piano
4
Cor
4
Tuba et Piano
4
Trompette, Trombone (duo)
4
2 Trombones (duo)
3
Trompette
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
2 Cors (duo)
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
4 Tubas
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
Ensemble de Cors
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon, Violoncelle (duo)
34
Harpe
26
Violon
20
Violon et Piano
20
Violoncelle
19
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violoncelle, Piano
7
2 Violoncelles (duo)
5
Alto seul
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
4
2 Altos (duo)
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
2 Violons (duo)
3
Harpe, Voix
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
2
Ensemble de Violons
2
Violon (partie séparée)
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
61
Orchestre
30
Orchestre à Cordes
25
Ensemble Jazz
21
Orchestre de chambre
15
Ensemble de cuivres
13
Cloches
4
Jazz combo
4
Fanfare
2
Ensemble de Percussions
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Batterie
1
Marimba
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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341 partitions trouvées
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326
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
NoteStackers Complete Digital Edition
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Methodes
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Zachary Seckman
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game
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NoteStackers Complete Digital
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ZS Music Publishing
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SheetMusicPlus
Large Ensemble all instruments - Level 1 - SKU: A0.844221 Composed by Zachary Seckman. Instructional. Score and parts; game. 174 pages. ZS Music Publish...
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Large Ensemble all instruments - Level 1 - SKU: A0.844221 Composed by Zachary Seckman. Instructional. Score and parts; game. 174 pages. ZS Music Publishing #6692569. Published by ZS Music Publishing (A0.844221). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one! NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth.Primer Level is the Music Alphabet.Level 1 Is Bass F to Treble G (Middle C Position).Level 2 is Middle C to Treble C.Level 3 is Middle C to Bass C.Level 4 is Treble C to High C.Level 5 is Bass C to Low C.Level 6 is Low C to High C.Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a note in the middle, and students must think of the note that comes before and after the given note. Then, the correct note is written into the grey boxes on the left and right sides, along with the note name. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Bonus Gameplay: For a twist on the game, you can have students practice intervals and think of 3rds, 4ths, 5ths, etc instead of 2nds or steps as the game is set up for. This would be a great way for students to learn and practice the circle of 5ths and circle of 4ths.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$45.99
NoteStackers Primer Level Digital Edition
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ZS Music Publishing
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game
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NoteStackers Primer Level Digi
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ZS Music Publishing
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SheetMusicPlus
Large Ensemble all instruments - Level 1 - SKU: A0.844222 Composed by ZS Music Publishing. Children,Instructional. Score and parts; game. 16 pages. ZS M...
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Large Ensemble all instruments - Level 1 - SKU: A0.844222 Composed by ZS Music Publishing. Children,Instructional. Score and parts; game. 16 pages. ZS Music Publishing #6692547. Published by ZS Music Publishing (A0.844222). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one!NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth. NoteStackers Primer uses only alphabet letters, so they won't need to know notes on the staff just yet!Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a letter in the middle, and students must think of the letter that comes before and after the given letter. Then, the correct answer is written into the grey boxes on the left and right sides. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$7.99
Not that kind of song from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Not that kind of song from Eig
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-3E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-3E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$7.25
Something like that from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Something like that from Eight
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-2E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-2E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
"What a Wonderful Savior" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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Sharon Wilson
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"What a Wonderful Savior&
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569909 By Sharon Wilson. By Elisha Albright Hoffman. Arranged by Sharon Wilson. Easter...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - SKU: A0.569909 By Sharon Wilson. By Elisha Albright Hoffman. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Romantic Period,Sacred. Individual part. 10 pages. Sharon Wilson #6685595. Published by Sharon Wilson (A0.569909). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
"Glory to His Name" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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Sharon Wilson
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"Glory to His Name"
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Sharon Wilson
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SheetMusicPlus
Percussion Ensemble Hand Drum,Handpan,Steel Pan - Level 1 - SKU: A0.657025 By Sharon Wilson. By Elisha Albright Hoffman and John H. Stockton. Arranged b...
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Percussion Ensemble Hand Drum,Handpan,Steel Pan - Level 1 - SKU: A0.657025 By Sharon Wilson. By Elisha Albright Hoffman and John H. Stockton. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 11 pages. Sharon Wilson #266113. Published by Sharon Wilson (A0.657025). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Faith for 8-note C ma
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - SKU: A0.659353 By Sharon Wilson. By Anna B. Warner, Asa B. Everett, Daniel W. Whittle, El...
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Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - SKU: A0.659353 By Sharon Wilson. By Anna B. Warner, Asa B. Everett, Daniel W. Whittle, Elisha Albright Hoffman, James McGranahan, James Montgomery, John H. Stockton, Mary A. Lathbury, Mary Slade, William B. Bradbury, William F. Sherwin, William H. Doane, William J. Kirkpatrick, and etc. Arranged by Sharon Wilson. Children,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 77 pages. Sharon Wilson #267654. Published by Sharon Wilson (A0.659353). This collection contains 10 hymns notated for C major diatonic scale Tongue Drums (suitable for 8, 11, or 13-note drums in the key of C). These hymns can be performed as solos, as rhythmic chord accompaniment for singing, or as duets. Four separate scores are provided for each song to allow maximum flexibility. These scores can be used in numerous ways from solo playing to playing with a partner or as a group. Each song also has an accompanying note and chord reference chart as well as a rhythm pattern chart. Descriptions of each score and chart are detailed on the introduction page and summarized below: Melody Score This score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics are provided below the staff for sing along enjoyment Harmony Score This score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment while someone plays or sings the melody. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments. Grand Staff The Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director using this set of scores in a group setting. If playing with a partner, this score may be easier to use since both players can see what the other person is playing. This score includes Tongue Drum note numbers above the melody staff and below the harmony staff; chord names above the harmony staff for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo Score This score includes both harmony and melody notes to create a fuller sounding solo. Numbers corresponding to the numbers on the Tongue Drum are included above the staff. Note and Chord Chart This chart consists of two separate staff rows. The first staff shows the notes used for the melody and harmony. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm Chart This chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns. Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Break Thou the Bread of LifeFootsteps of Jesus Glory to His Name (Down at the Cross)Go to Dark GethsemaneHow Firm a FoundationI Know Whom I Have Believed Jesus Loves MeLead Me to Calvary Only Trust HimTake the Name of Jesus withYouVisit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$15.00
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
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Edwin Penhorwood
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You Are Not Dying, Madame from
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Solo voices, piano - Medium - SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Pu...
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Solo voices, piano - Medium - SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
That's What People Do
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Pop musique
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Chetwynd Seal & Peter T Wright
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That's What People Do
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Chetwynd Seal
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SheetMusicPlus
Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1139666 Composed by Chetwynd Seal & Peter T Wright. This edition...
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Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1139666 Composed by Chetwynd Seal & Peter T Wright. This edition: Interactive Download. Pop. Score and parts. Duration 206. Chetwynd Seal #37ZCJBGJtkkzhKIRSI0TjA. Published by Chetwynd Seal (A0.1139666). Key: C major.What a person will do when they're in love. Another song written for a girl group. Guitar arrangement (with tab) is accompaniment to song. Includes bass, Lyrics, melody line and chord boxes.
$2.99
If Not Now, When?
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Contemporain
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
Feelin' Alright
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Rock
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Joe Cocker
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Jeff Perholtz
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drum parts are not included
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Feelin' Alright
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - SKU: A0.1183969 By Joe Cocker. By Dave Mason. Arranged by Jeff Perholtz. Rock. Score an...
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Large Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - SKU: A0.1183969 By Joe Cocker. By Dave Mason. Arranged by Jeff Perholtz. Rock. Score and parts. 15 pages. Fab Forward Entertainment #783665. Published by Fab Forward Entertainment (A0.1183969). This arrangement of Joe Cocker's classic Feelin' Alright is great for rock bands that want to perform with a 3 piece horn section. Note that the sax part has been transcribed for either Alto or Tenor. Also included is an intro and outro horn feature. Other than these additions, this arrangement should be used to accompany a band performing the song as it was originally recorded. Includes individual horn parts and score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
An American Civil War Memorial - 8. That They Shall Not Have Died In Vain
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Michael James Karasis
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8
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An American Civil War Memorial
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Michael Karasis
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SheetMusicPlus
Alto Voice,Bass Voice,Choir,Soprano voice,Tenor Voice - SKU: A0.1072459 Composed by Michael James Karasis. Contemporary,Folk,Holiday,Patriotic. Full Per...
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Alto Voice,Bass Voice,Choir,Soprano voice,Tenor Voice - SKU: A0.1072459 Composed by Michael James Karasis. Contemporary,Folk,Holiday,Patriotic. Full Performance. Duration 329. Michael Karasis #3044855. Published by Michael Karasis (A0.1072459). An American Civil War Memorial 8. That They Shall Not Have Died In VainAn Oratorio in Nine Parts for Orchestra, Chorus and Narratorby Michael James KarasisProduced and Conducted by James MacDonaldNarrated by Senator Paul SimonChristine Schultze, Soprano; Brooke Tippett Thompson, Alto; Lawrence Johnson, Tenor; Ray Kasman, BassThe Chicago Businessmen's Orchestra and ARS Musica ChicagoRecorded and edited by Lincoln Music Productions, Ken Abeling, EngineerRecorded March 17 & 31, 2001 at Elmhurst CollegeCopyright 1997 Michael Karasis All Rights Reserved.
$1.99
Of That So Sweet Imprisonment (Downloadable)
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
O Taste and See that the Lord Is Good (Piano Accompaniment Track)
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Carol Troutman Wiggins
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O Taste and See that the Lord
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano,Voice - SKU: A0.1065649 Composed by Carol Troutman Wiggins. Christian,Sacred,Standards. Accompaniment. Duration 143. Carol Troutman Wiggins ...
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Choir,Piano,Voice - SKU: A0.1065649 Composed by Carol Troutman Wiggins. Christian,Sacred,Standards. Accompaniment. Duration 143. Carol Troutman Wiggins #4111633. Published by Carol Troutman Wiggins (A0.1065649). O TASTE AND SEE THAT THE LORD IS GOOD (Piano Track)2-Part Mixed or Equal VoicesWith text adapted from Psalm 34, the message of this upbeat and energetic song is that we should see the Lord's goodness and fear Him! O taste and see that the Lord is good; Blessed is the man who trusts in Him! Oh, fear the Lord, you His saints! There is no want to those who fear Him. But those who seek the Lord shall not lack any good thing. Come, you children, listen to me; I will teach you the fear of the Lord. The eyes of the Lord are on the righteous, and His ears are open to their cry. The righteous cry out, and the Lord hears, and delivers them out of all their troubles. The Lord is near to those who have a broken heart, and saves those that have a contrite spirit. Excellent for advanced upper elementary and above, and any 2-part church choir. Syncopated melody and accompaniment High energy and excitement Excellent for concert, church anthem or offertory.
$9.99
Get This Right
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Kristen Anderson-Lopez and Rob
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Amphibia Cultural Legacy
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Get This Right
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Rhythm Section,Strings 2 Pianos,4 Hands,Bass Clef Instrument,Bass Voice,Cello,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Elec...
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Mixed Percussion,Rhythm Section,Strings 2 Pianos,4 Hands,Bass Clef Instrument,Bass Voice,Cello,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piccolo,Recorder,Rhythm Instrument,Suspended Cymbal,Synthesizer,Treble Clef Instrument,Trombone,Trumpet,Tuba,Viola - SKU: A0.1161189 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Film/TV,Musical/Show,New Age,Opera. 8 pages. Amphibia Cultural Legacy #761522. Published by Amphibia Cultural Legacy (A0.1161189). Get This Right is a cover remixed with additional instruments and vocals by Justin Timberlake and Taylor Louderman. The song was originally an outtake from the hit movie Frozen II, but it has since gained popularity on various music platforms. For those unfamiliar with the concept of a cover, it is simply a new rendition of a normal song that another artist or group performs.Adding Justin Timberlake's smooth vocals and Taylor Louderman's powerful voice to Get This Right creates a new musical experience for listeners. The remix features a catchy beat, stunning harmonies, and dynamic instrumentation that perfectly complement the lyrics. Fans of Frozen II will appreciate this fresh take on one of their favorite tunes from the movie.Justin Timberlake as Alexander Wellington and Taylor Louderman as Victoria Dolence with a singing group and the chorus performed this cover featured in the Victoria Dolence music video.
$50.00
Right To Life (Rehearsal Track)
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Musique Sacrée
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Stephen DeCesare
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Right To Life
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Exultet Music
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SheetMusicPlus
Choir,Flute,Piano,Soprano voice,Tenor Voice - SKU: A0.1052151 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Full Performance. Duratio...
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Choir,Flute,Piano,Soprano voice,Tenor Voice - SKU: A0.1052151 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Full Performance. Duration 297. Exultet Music #2917399. Published by Exultet Music (A0.1052151). Powerful Pro-life song that sings about a woman who is deciding whether or not to have an abortion and the father - begging her not to. Scored for Soprano and Tenor solo, Children's Choir, Flute and Piano. Video Review: https://www.youtube.com/watch?v=JbZh8PT2gjc
$3.99
The Moon's Sun
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Nolwazi Nkwanyana
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The Moon's Sun
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Nolwazi Nkwanyana
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1029742 Composed by Nolwazi Nkwanyana. 20th Century,Contemporary,Roma...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1029742 Composed by Nolwazi Nkwanyana. 20th Century,Contemporary,Romantic Period. Score and parts. 15 pages. Nolwazi Nkwanyana #6884175. Published by Nolwazi Nkwanyana (A0.1029742). For Flute, Bb Clarinet and PianoDuration: 4.5 minutesThe relationship between the sun and the moon is a rather fascinating one. One could imagine that the sun, as bright and glorious as it is, shares its light to help the moon come to life at night. A bright full moon is such a splendid and ethereal sight -but it would not be so without the sun. During the darkest nights, the moon and sun work together to provide the night sky with a timeless illumination. You will find that all three instruments have their beautiful individual moments. However, the most brilliant and splendid sections in the piece are a result of their timbres combined and the way their melodic lines intertwine. The piano part is crucial for setting the mood of each section and should be treated with ultimate delicacy and importance. There is no main instrument in this piece. The flute and clarinet come together bringing additional light and life to the majestic landscape that is provided by the piano.
$11.99
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
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David Catherwood
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Jack's Journey - A new Musical
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Opus 3 Music
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 3 - SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583...
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Choral Piano,Vocal,Voice - Level 3 - SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
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David Catherwood
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Jack's Journey - A Musical ins
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Opus 3 Music
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SheetMusicPlus
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus...
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
Christ Jesus Lay in Death's Strong Bands (Christ lag in Todesbanden) (Downloadable)
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Andrew Peters
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Christ Jesus Lay in Death's St
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation and/or choir, brass quartet, timpani, organ - Moderately Easy - SKU: MQ.20-465-E Composed by Andrew Peters. Easter. MorningStar Music Publi...
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Congregation and/or choir, brass quartet, timpani, organ - Moderately Easy - SKU: MQ.20-465-E Composed by Andrew Peters. Easter. MorningStar Music Publishers - Digital Sheet Music #20-465-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-465-E). A rousing setting of the hymntune CHRIST LAG IN TODESBANDEN. This setting begins with a bright introduction that alternates between brass and organ. The brass writing enhances, but does not compete with the singing of this great hymn. A very musical setting that will please both the brass players and the organist and will add new vitality to the singing of this hymn.
$30.00
On Jordan's Stormy Banks (euphonium solo - unaccompanied)
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Musique Sacrée
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American Folk Hymn from The So
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Alison L
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On Jordan's Stormy Banks
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P. A. Lensey
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SheetMusicPlus
Baritone Horn TC Solo - Level 5 - SKU: A0.890215 Composed by American Folk Hymn from The Southern Harmony (1835), arr. R. McIntosh (1895). Arranged by A...
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Baritone Horn TC Solo - Level 5 - SKU: A0.890215 Composed by American Folk Hymn from The Southern Harmony (1835), arr. R. McIntosh (1895). Arranged by Alison L. Albright. Christian,Sacred. Individual part. 6 pages. P. A. Lensey #3430319. Published by P. A. Lensey (A0.890215). An arrangement of On Jordan's Stormy Banks I Stand for unaccompanied solo euphonium. Bass and Treble Clef parts are included.Two different transpositions of this piece are included. The original spans from low C (2nd space on on Bass Clef) to high B-flat (over an octave above the staff). The second transposition lowers the range so that the highest note is now G above the staff so that intermediate players may also be able to perform this piece.
$1.99
Who's That Man
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Toby Keith
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Bronson Ferdinand Wright
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Who's That Man
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Bronson Ferdinand
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SheetMusicPlus
Guitar - SKU: A0.1477622 By Toby Keith. By Toby Keith. Arranged by Bronson Ferdinand Wright. Country,Instructional,Pop,Rock,Singer/Songwriter. Chords/Ly...
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Guitar - SKU: A0.1477622 By Toby Keith. By Toby Keith. Arranged by Bronson Ferdinand Wright. Country,Instructional,Pop,Rock,Singer/Songwriter. Chords/Lyrics. 2 pages. Bronson Ferdinand #1055005. Published by Bronson Ferdinand (A0.1477622). Guitar chord lead sheet of the classic Toby Keith song.This version is of the radio edit which is the same edit used in the music. It does not include the guitar solo and one chorus is missing. The full version from Boomtown is also available.
$4.99
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