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72
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VENTS
Saxophone (partie séparée)
192
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
166
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155
Flûte traversière et Piano
136
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135
2 Saxophones (duo)
124
Flûte traversière
117
Clarinette et Piano
115
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103
Clarinette
101
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Hautbois
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31
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28
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22
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14
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Clarinette Basse, Piano
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10
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9
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8
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7
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6
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6
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6
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
192
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96
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95
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93
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87
Tuba
73
Tuba et Piano
72
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63
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44
2 Trombones (duo)
43
Quatuor de Cuivres: 2 trompettes, Cor, trombone
37
Euphonium, Piano (duo)
34
2 Trompettes (duo)
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Quatuor de Cuivres
28
2 Cors (duo)
26
Cor (partie séparée)
25
Cor anglais, Piano
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Tuba (partie séparée)
21
2 Tubas (duo)
18
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Trombone basse
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3 Tubas (trio)
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Euphonium, Tuba (duo)
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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3 Cors (trio)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Violon
144
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107
Violoncelle
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92
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68
Alto seul
65
Contrebasse, Piano (duo)
55
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53
Trio à Cordes: violon, alto, violoncelle
53
Contre Basse
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Contrebasse (partie séparée)
39
Violon, Alto (duo)
34
Harpe
33
2 Violoncelles (duo)
32
Alto (partie séparée)
28
2 Altos (duo)
27
Violon (partie séparée)
18
Trio à Cordes: 2 violons, violoncelle
11
2 Harpes (duo)
8
Alto, Violoncelle (duo)
8
4 Violoncelles
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Ensemble d'Altos
6
2 Contrebasses (duo)
6
Ensemble de Violons
6
Trio à cordes: 3 violins
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle (partie séparée)
4
Harpe, Violon (duo)
3
Piano Trio: Violon, Alto, Piano
3
Ensemble de Violoncelles
3
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
Alto et Harpe
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4 Harpes
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Trio à cordes: 3 altos
2
Alto et Basson
2
Violon, Basson (duo)
2
Violon, Guitare (duo)
1
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
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4 Contrebasses
1
Harpe et Piano
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Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Trio à cordes
1
Violoncelle, Orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
937
Orchestre
162
Ensemble Jazz
128
Ensemble de cuivres
94
Orchestre à Cordes
81
Jazz combo
38
Orchestre de chambre
33
Batterie (partie séparée)
32
Batterie
24
Fanfare
23
Percussion (partie séparée)
19
Ensemble de Percussions
17
Cloches
15
Vibraphone
5
Xylophone, Piano
2
2 Marimbas
1
Orchestre, Violon
1
Quintette à Vent
1
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AUTRES
Théorie de la musique
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2276
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336…
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Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pages. James Siddons Music and Writings #903081. Published by James Siddons Music and Writings (A0.1314336). Description This “Meditation,†in the unusual combination of flute, clarinet, tenor saxophone, and trumpet, uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. The trumpet gives a clarion sound to entrances of the hymn tunes but elsewhere is mellowed by the three woodwinds. As is common practice in chamber music, each performer will need to listen to the other instruments to achieve a balanced sound. For this reason, relatively few dynamic markings are in the parts, as the performers will determine these in each performance environment. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a standard woodwind quartet (fl ob cl bsn). The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
9.99 €
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James Siddons
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Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
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James Siddons Music and Writings
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.81 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.54 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.54 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.54 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
Yeshua Adonai
Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 …
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Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.1012213 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Score and parts. 21 pages. James Orcutt #3860631. Published by James Orcutt (A0.1012213). Yeshua Adonai is a praise song for Christians and Hebrew Messianic alike. The piece is done in Finale 2012 and uses instruments that were from Biblical times (or as close as can be replicated by Finale). The lack of a recorded voice (a piano fills that line) leaves room for a soloist to sing, or, better still, the whole church family joins in. This is an interactive piece, so you will be clapping your hands, stomping your feet waving your arms and giving a hearty HEY as you worship the Lord Jesus Christ! The duration is circa 3:00 and there's 2 tempo changes. Jewish feasts were intended to be solemn and worshipful, yet joyous times of celebration also. Now that Yeshua is risen from the dead, focus on the joy this music will bring to each soul who sings or listens. Shalom !!! :).
$1.99
1.81 €
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James Orcutt
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Yeshua Adonai
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James Orcutt
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: …
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.08 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Slide Ride
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Com…
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Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.08 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Slide Ride
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SheetMusicPlus
Big Girls Don't Cry
Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,El…
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Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Piano and Keyboard,Steel Guitar,String Synthesizer,Trumpet,Tuba - Digital Download SKU: A0.1179134 By Fergie. By Stacy Ferguson and Toby Gad. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Musical/Show,New Age,Pop,Spiritual. 13 pages. Amphibia Cultural Legacy #779105. Published by Amphibia Cultural Legacy (A0.1179134). Big Girls Don't Cry one of the most iconic tracks from Fergie's solo career. The song has been remixed and covered countless times, but Amphibia Cultural Legacy's version stands out. The group has put its spin on this classic track by adding additional instruments that take it to a new level.Amphibia Cultural Legacy's version of Big Girls Don't Cry starts with a beautiful guitar intro that sets the tone for the rest of the song. As soon as the vocals kick in, you can feel the emotion pouring out of every note. Adding strings and piano throughout the track adds depth and texture not present in Fergie's original version.Overall, Amphibia Cultural Legacy has done an incredible job with its rendition of Big Girls Don't Cry.
$80.00
72.65 €
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Fergie
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Amphibia Cultural Legacy
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Big Girls Don't Cry
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Amphibia Cultural Legacy
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SheetMusicPlus
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.5…
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
27.2 €
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Therese Brenet
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Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rikki Don't Lose That Number
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download…
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1120578 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Joseph Pugh. Pop,Rock. Score and parts. 11 pages. Joseph Pugh #721825. Published by Joseph Pugh (A0.1120578). Rikki Don't Lose That Number is a single released in 1974 by rock/jazz rock group Steely Dan and the opening track of their third album Pretzel Logic. It was the most successful single of the group's career, peaking at number 4 on the Billboard Hot 100 in the summer of 1974. If you're looking for a good rock tune to show off your String Quintet this, is it.
$19.99
18.15 €
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Steely Dan
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Joseph Pugh
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Rikki Don't Lose That Number
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Joseph Pugh
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SheetMusicPlus
Rikki Don't Lose That Number
Woodwind Ensemble,Woodwind Quintet Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download
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Woodwind Ensemble,Woodwind Quintet Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1120664 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Joseph Pugh. Pop,Rock. 15 pages. Joseph Pugh #721912. Published by Joseph Pugh (A0.1120664). Rikki Don't Lose That Number is a single released in 1974 by rock/jazz rock group Steely Dan and the opening track of their third album Pretzel Logic. It was the most successful single of the group's career, peaking at number 4 on the Billboard Hot 100 in the summer of 1974. If you're looking for a good rock tune to show off your Woodwind Quintet this, is it.
$19.99
18.15 €
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Steely Dan
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Joseph Pugh
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Rikki Don't Lose That Number
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Joseph Pugh
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SheetMusicPlus
It Don't Mean A Thing (if It Ain't Got That Swing)
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.910433 By Duke Ellingt…
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Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.910433 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by David Heywood. Jazz. 61 pages. David Heywood #6437245. Published by David Heywood (A0.910433). Looking for something different? How about some thing VERY different? Here is the 1931 Duke Ellington classic It Don't Mean a Thing (if It Ain't Got that Swing) done as a drum feature, with a very modern harmonic approach and aggressive melodic ideas. This fast swinging chart starts with energetic solo drum time, then the entire flute ensemble trades eights (as a soli based on motives from the melody) with the drums for two choruses before a brief statement of the melody. This is followed by open solos over the original changes, and an open drum solo. The chart then transitions to a half-time swing free-for-all with fragments of the melody flying in all directions, capped of by a brief return of the opening section. Not for the faint of heart, and definitely not the same old jazz flute choir experience! Scored for piccolo, five C flutes, alto and bass flutes, piano, bass, and drums, with optional guitar.
$19.99
18.15 €
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Duke Ellington
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David Heywood
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It Don't Mean A Thing
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David Heywood
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SheetMusicPlus
Yes Sir, That's My Baby
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1078406 Composed by Wal…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1078406 Composed by Walter Donaldson. Arranged by Frank Stubbs. Contemporary. Score and parts. 13 pages. Frank Stubbs #6198009. Published by Frank Stubbs (A0.1078406). Yes Sir, Thats My Baby is a popular song from the 1920's made famous by Frank Sinatra and Bing Crosby who both recorded the song. This version for Flexible Brass Ensemble has parts for Trumpet/Cornet, French Horn, Tenor Horn, Baritone, Euphonium, Trombone and Tuba (the lower parts in Treble and Bass Clef) will also work as a Trumpet/Cornet Quartet. Will suit players from a Grade 5 standard. A roaring piece from the roaring 20's!! .
$16.99
15.43 €
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Walter Donaldson
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Frank Stubbs
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Yes Sir, That's My Baby
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Frank Stubbs
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SheetMusicPlus
I Don't Want To Miss A Thing
Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Lev…
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Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Level 3 - Digital Download SKU: A0.1237426 By Aerosmith. By Diane Warren. Arranged by Dico. Film/TV,Pop,Rock,Wedding. 49 pages. Dico #832939. Published by Dico (A0.1237426). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.I DON'T WANT TO MISS A THING - mega-hit by rock band Aerosmith that was featured on the Armaggedon soundtrack. Here arranged for a flexible sextet for be performed in wedding ceremonies. The primary instrumentation commissioned was Flute (part 1), Trumpet (part 2), Drum Set, Piano, Violin (part 3) and Cello (part 4). - Score- Part 1 (in C, Bb & Eb)- Part 2 (in C, Bb, Eb & F)- Drum Set- Piano- Part 3 (in C, Bb, Eb & F)- Part 4 (in C, Bb & Eb).
$16.00
14.53 €
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Aerosmith
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Dico
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I Don't Want To Miss A Thing
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Dico
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SheetMusicPlus
I Don't Want To Miss A Thing
Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Lev…
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Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Level 3 - Digital Download SKU: A0.1237420 By Aerosmith. By Diane Warren. Arranged by Dico. Film/TV,Pop,Rock,Wedding. 49 pages. Dico Ferreira #832934. Published by Dico Ferreira (A0.1237420). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.I DON'T WANT TO MISS A THING - mega-hit by rock band Aerosmith that was featured on the Armaggedon soundtrack. Here arranged for a flexible sextet for be performed in wedding ceremonies. The primary instrumentation commissioned was Flute (part 1), Trumpet (part 2), Drum Set, Piano, Violin (part 3) and Cello (part 4). - Score- Part 1 (in C, Bb & Eb)- Part 2 (in C, Bb, Eb & F)- Drum Set- Piano- Part 3 (in C, Bb, Eb & F)- Part 4 (in C, Bb & Eb).
$16.00
14.53 €
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Aerosmith
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Dico
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I Don't Want To Miss A Thing
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Dico Ferreira
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SheetMusicPlus
I Don't Want To Miss A Thing
Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Lev…
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Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Level 3 - Digital Download SKU: A0.1237421 By Aerosmith. By Diane Warren. Arranged by Dico. Film/TV,Pop,Rock,Wedding. 49 pages. Dico #832935. Published by Dico (A0.1237421). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.I DON'T WANT TO MISS A THING - mega-hit by rock band Aerosmith that was featured on the Armaggedon soundtrack. Here arranged for a flexible sextet for be performed in wedding ceremonies. The primary instrumentation commissioned was Flute (part 1), Trumpet (part 2), Drum Set, Piano, Violin (part 3) and Cello (part 4). - Score- Part 1 (in C, Bb & Eb)- Part 2 (in C, Bb, Eb & F)- Drum Set- Piano- Part 3 (in C, Bb, Eb & F)- Part 4 (in C, Bb & Eb).
$16.00
14.53 €
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Aerosmith
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Dico
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I Don't Want To Miss A Thing
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Dico
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SheetMusicPlus
I Don't Want To Miss A Thing
Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Lev…
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Strings B-Flat instrument,C Instrument,Drum Set,E-Flat Instrument,F Instrument,Piano - Level 3 - Digital Download SKU: A0.1237425 By Aerosmith. By Diane Warren. Arranged by Dico. Film/TV,Pop,Rock,Wedding. 49 pages. Dico Ferreira #832938. Published by Dico Ferreira (A0.1237425). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.I DON'T WANT TO MISS A THING - mega-hit by rock band Aerosmith that was featured on the Armaggedon soundtrack. Here arranged for a flexible sextet for be performed in wedding ceremonies. The primary instrumentation commissioned was Flute (part 1), Trumpet (part 2), Drum Set, Piano, Violin (part 3) and Cello (part 4). - Score- Part 1 (in C, Bb & Eb)- Part 2 (in C, Bb, Eb & F)- Drum Set- Piano- Part 3 (in C, Bb, Eb & F)- Part 4 (in C, Bb & Eb).
$16.00
14.53 €
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Aerosmith
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Dico
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I Don't Want To Miss A Thing
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Dico Ferreira
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SheetMusicPlus
Ding Dong Merrily On High - 3 Guitars or large ensemble
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1135798 By Traditional.…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1135798 By Traditional. By 16th Century tune. Arranged by Derek Hasted. Christmas. Score and parts. 20 pages. Derek Hasted #735847. Published by Derek Hasted (A0.1135798). DING DONG MERRILY ON HIGH - 3 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This popular Christmas piece fits a guitar trio (or large ensemble) very well. I’ve made a key-change compared to the original, so that the music is comfortable on guitar, and it’s really rather busy so that the audience hears a really interesting sound. There is a bell-like introduction and conclusion to the piece, and you’ll recognise the sound of Big Ben, the bell that is an iconic London sound. There are three verses so that each line has something really interesting yet accessible to play. Guitar 3 is presented in treble and bass clefs to suit classical guitar, a contra guitar or a bass instrument. It’s fine to have both versions of Guitar 3 together in your ensemble, and the bass clef version has a few edits to make sure that everything works at a sensible pitch (especially the sound of Big Ben!) I hope you enjoy playing this arrangement!
$3.99
3.62 €
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Traditional
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Derek Hasted
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Ding Dong Merrily On High - 3 Guitars or large ensemble
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Derek Hasted
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SheetMusicPlus
Ding Dong Merrily On High
Brass Quintet Baritone Horn TC,Trumpet,Tuba - Digital Download SKU: A0.1459445 By W…
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Brass Quintet Baritone Horn TC,Trumpet,Tuba - Digital Download SKU: A0.1459445 By Will Corbin. By Thoinot Arbeau. Arranged by Will Corbin. Christmas. 10 pages. Will Corbin #1038395. Published by Will Corbin (A0.1459445). Ding Dong was composed as a French dance tune in the 16th century. A 19th century Englishman added lyrics that made it a Christmas tune. It was first published as part of a book of carols in 1924. From Wikipedia: The song is particularly noted for the Latin refrain: Gloria, Hosanna in excelsis! (Glory! Hosanna in the highest!), where the sung vowel sound o of Gloria is fluidly sustained through a lengthy rising and falling melismatic melodic sequence, extending the word to a 33-syllable-long lyric. Luckily, since this is purely an instrumental, you don't have to sweat the meaning of melismatic melodic sequence.This arrangement is for two trumpets, horn, baritone TC and tuba. If you need other instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$10.00
9.08 €
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Will Corbin
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Will Corbin
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Ding Dong Merrily On High
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Will Corbin
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SheetMusicPlus
Pardon, Goddess
Instrumental Duet Guitar,High Voice,Instrumental Duet - Level 2 - Digital Download SKU:…
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Instrumental Duet Guitar,High Voice,Instrumental Duet - Level 2 - Digital Download SKU: A0.917262 Composed by Robert Chamberlin. Contemporary. Score and parts. 5 pages. Robert Chamberlin #4782839. Published by Robert Chamberlin (A0.917262). This brief song was composed for a production of Much Ado About Nothing at Webster University in 1996. It is designed to be performed onstage with one guitar on stage and the other off stage. This can also be performed as a brief concert piece. If done as a concert piece, it is suggested that the tenor be center stage and the guitars be placed on either side and slightly behind the tenor.
$3.00
2.72 €
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Robert Chamberlin
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Pardon, Goddess
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Robert Chamberlin
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SheetMusicPlus
Papa Don't Stay late. Song & Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3638 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3638 Composed by L.E. Hicks. Parlors, Keyboard instruments, Correspondence, Desks, Writing materials, Windows, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3638). Papa Don't Stay late. Song & Chorus. Words by Frank Dumont. Music by L.E. Hicks. Published 1869 by Jos. P. Shaw, State Street in Rochester, N.Y. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Keyboard instruments, Correspondence, Desks, Writing materials, Windows, Courtship, Love. First line reads Beautiful girl of my Dreams, Sweet one that ever is night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.44 €
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L
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Papa Don't Stay late. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Don't Think You'll Be Missed
Piano and voice; ukulele - Digital Download SKU: LV.8967 Composed by Charlie Harris…
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Piano and voice; ukulele - Digital Download SKU: LV.8967 Composed by Charlie Harrison, Joe Lyons & Fred Rose. Portraits, Interpersonal relations, Courtship, Bachelors, Quarreling, Absences. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8967). Don't Think You'll Be Missed. By Charlie Harrison, Joe Lyons & Fred Rose. Published 1923 by Waterson, Berlin & Snyder Co., Music Publishers, Strand Theatre Bldg., Broadway at 47th St. in New York. Composition of strophic with chorus with piano and voice; ukulele instrumentation. Subject headings for this piece include Portraits, Interpersonal relations, Courtship, Bachelors, Quarreling, Absences. First line reads Ev'ry day you're braggin' that you're gonna go away from me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.44 €
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Charlie Harrison, Joe Lyons & Fred Rose
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Charlie Harrison, Joe Lyons & Fred Rose
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Don't Think You'll Be Missed
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Mary, Don't You Know
Digital Download SKU: H1.C6077RDP Arranged by Mary McDonald. General Worship, Spiri…
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Digital Download SKU: H1.C6077RDP Arranged by Mary McDonald. General Worship, Spiritual. Rhythm Parts. 44 pages. Hope Publishing - Digital #C6077RDP. Published by Hope Publishing - Digital (H1.C6077RDP). Traditional Spiritual This story-telling spiritual, set in a dynamic blues-gospel style, brings a message of encouragement that in the battles and trials of life, we are not to weep but instead stand on the Rock where Moses stood! The addition of rhythm instruments truly enlivens this anthem which is ideal for church and school choirs alike. Rhythm Parts: Conductor's Score, Keyboard (B3), Electric Guitar, Bass & Drums.
$22.95
20.84 €
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Mary McDonald
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Mary, Don't You Know
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Hope Publishing - Digital
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SheetMusicPlus
Don't Stop Believin'
Small Ensemble Trombone,Tuba - Level 3 - Interactive Download SKU: A0.546902 By Jou…
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Small Ensemble Trombone,Tuba - Level 3 - Interactive Download SKU: A0.546902 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Christopher Bill. This edition: Interactive Download. Pop,Rock. Score and parts. 24 pages. Duration 219. Christopher Bill #1nSBI4piPq0qFVoHnEfbFh. Published by Christopher Bill (A0.546902). Key: E major.As done by the 2017 International Trombone Festival Ensemble, this is the five part arrangement that turned into the large collaboration. Based on a backing loop, so most of the background parts are very repetitive and would be good for more beginner folks. Any octaves are just options and not mandatory!
$19.99
18.15 €
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Journey
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Christopher Bill
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Don't Stop Believin'
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Christopher Bill
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SheetMusicPlus
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