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That Thing Called Love

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Crazy Little Thing Called Love #Rock #Dwight Yoakam #Stephen Rockey #Crazy Little Thing Called Love #Stephen Rockey #SheetMusicPlus

String Ensemble,String Quintet - Level 4 - SKU: A0.761323 By Dwight Yoakam. By Freddie Mercury and Frederick Mercury. Arranged by Stephen Rockey. Rock. ...(+)

$13.00

Crazy Little Thing Called Love #Dwight Yoakam #Dico #Crazy Little Thing Called Love #Dico Ferreira #SheetMusicPlus

B-Flat Trumpet,Cello,Double Bass,Drum Set,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.1273049 By Dwight Yoakam. By Freddie Mercury. Arranged by Dico. Ja...(+)

$25.00

Crazy Little Thing Called Love #Dwight Yoakam #Dico #Crazy Little Thing Called Love #Dico #SheetMusicPlus

B-Flat Trumpet,Cello,Double Bass,Drum Set,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.1273053 By Dwight Yoakam. By Freddie Mercury. Arranged by Dico. Ja...(+)

$25.00

Crazy Little Thing Called Love #Dwight Yoakam #Dico #Crazy Little Thing Called Love #Dico #SheetMusicPlus

B-Flat Trumpet,Cello,Double Bass,Drum Set,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.1273048 By Dwight Yoakam. By Freddie Mercury. Arranged by Dico. Ja...(+)

$25.00

Crazy Little Thing Called Love #Dwight Yoakam #Dico #Crazy Little Thing Called Love #Dico Ferreira #SheetMusicPlus

B-Flat Trumpet,Cello,Double Bass,Drum Set,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.1273054 By Dwight Yoakam. By Freddie Mercury. Arranged by Dico. Ja...(+)

$25.00

Crazy Little Thing Called Love #Rock #Queen #Jim Farley - www #Crazy Little Thing Called Love #Jim Farley arrangementsone.com #SheetMusicPlus

Small Ensemble Alto Saxophone,Bass Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.997757 By Queen. By Freddie Mercury. ...(+)

$40.00

Nothing Compares (Anthem) - Orchestration #Musique Sacrée #Gospel Spirituel #Christopher R #Nothing Compares #Christopher Brown #SheetMusicPlus

Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. C...(+)

$49.99

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets a #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...(+)

Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score â€“ piano, vln, cel) MO160APiano Score (parts available)Music by Mark Oâ€™Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A

$22.50

Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets a #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...(+)

Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part â€“ piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark Oâ€™Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.

$15.00

Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets a #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...(+)

Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part â€“ piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark Oâ€™Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.

$15.00

Nights In White Satin #Folk Rock #Rock #The Moody Blues #Diane L #issue(vol #Nights In White Satin #Diane L. Correa #SheetMusicPlus

Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. Correa. Folk,Pop...(+)

Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. Correa. Folk,Pop,Rock. 13 pages. Diane L. Correa #675354. Published by Diane L. Correa (A0.1071669). #DianaFlutist Are you performing this piece? This is a Flute Ensemble arrangement of the of the Moody Blues classic. In the words of Justin Hayward, (Performing Songwriter Magazine; issue(vol.)13, â€œNights in White Satin was about a very romantic set of white satin sheets, about Love, about the end of one big affair and the beginning of another. It was about real things that were happening in my life.â€ â€œIt sort of had that double meaning, which was intentional, sort of medieval knights as well..â€ Justin Hayward (Performing Songwriter magazine: issue (vol.)13. This is a flute choir ensemble arrangement of the interpretation of a romantic set of white satin sheets, that has a strong thread of Love weaved in and out throughout the piece if you listen with extra care, wrapped up carefully in unrequited Love. Additional note: In the original album where Nights in White Satin first debuted is a concluding poem written by the groupâ€™s drummer Graeme Edge. The poem was called â€œLate Lamentâ€ which gave Nights in White Satin itâ€™s carefully written ornamental completion. The original album was called Days of Future Passed, and the beginning lines of the poem Late Lament goes like thisâ€¦â€Breathe deep the gathering gloom, Watch lights fade from every room,..please enjoy performing this flute choir ensemble arrangement of Nights in White Satin, it was arranged with Love.

$19.99

Lullaby of Hope Strings #Allan Strickland #Lullaby of Hope Strings #Allan Strickland #SheetMusicPlus

Small Ensemble Cello,Piano,Viola,Violin,Voice - Level 2 - SKU: A0.925435 Composed by Allan Strickland. Children,Christian,Sacred,Spiritual. Score and pa...(+)

Small Ensemble Cello,Piano,Viola,Violin,Voice - Level 2 - SKU: A0.925435 Composed by Allan Strickland. Children,Christian,Sacred,Spiritual. Score and parts. 11 pages. Allan Strickland #5336987. Published by Allan Strickland (A0.925435). Inspired by Billy Joel's Lullabye (Goodnight, My Angel), Lullaby of Hope answers the deeper questions that little ones may have about things to come. This inspiring original composition by Allan Strickland shines with hope and peace and tells of a place called heaven where loved ones have gone before. It tells of a God above who's watching us and a Jesus who loves me..

$1.99

It Is Well With My Soul (When Peace Like a River) #Horatio Spafford #Michael E #It Is Well With My Soul #Michael E. Ropp #SheetMusicPlus

Small Ensemble Horn,Trumpet,Tuba - Level 3 - SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp....(+)

Small Ensemble Horn,Trumpet,Tuba - Level 3 - SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spaffordâ€™s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the crossâ€¦ The horn gets the melody, evoking the sound of Spaffordâ€™s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spaffordâ€™s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spaffordâ€™s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.

$5.99

Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano #Opera #Classique #Pietro Mascagni #Rob Bushnell #Intermezzo from "Cavaller #RBMusic #SheetMusicPlus

B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0....(+)

B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, â€œRustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: â€œI identified with the drama to such an extent that I felt it within myself in terms of music.â€ After two monthsâ€™ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that â€œit is a pity I wrote Cavalleria first for I was crowned before I became king.â€ He died, penniless, in 1945.Today, few people have heard of Mascagniâ€™s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the â€œEaster Hymnâ€ from the same opera), it is the only reason Mascagni features in the Classic FMâ€™s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

$15.99

Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet #Opera #Classique #Pietro Mascagni #Rob Bushnell #Intermezzo from "Cavaller #RBMusic #SheetMusicPlus

Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged ...(+)

Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, â€œRustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: â€œI identified with the drama to such an extent that I felt it within myself in terms of music.â€ After two monthsâ€™ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that â€œit is a pity I wrote Cavalleria first for I was crowned before I became king.â€ He died, penniless, in 1945.Today, few people have heard of Mascagniâ€™s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the â€œEaster Hymnâ€ from the same opera), it is the only reason Mascagni features in the Classic FMâ€™s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

$19.99

Fiddle Music of Prince Edward Island-Celtic and Acadian Tunes in Living Tradition #Ken Perlman #Intermediate #Fiddle Music of Prince Edward #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Fiddle - Beginning; Intermediate; Advanced - SKU: M0.95393BCDEB Celtic and Acadian Tunes in Living Tradition. Composed by Ken Perlman. Celtic / I...(+)

Fiddle - Beginning; Intermediate; Advanced - SKU: M0.95393BCDEB Celtic and Acadian Tunes in Living Tradition. Composed by Ken Perlman. Celtic / Irish, World. Canadian-Maritime. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95393BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95393BCDEB). ISBN 9781610655224. 8.75x11.75 inches.The over 425 reels, jigs, set-tunes, waltzes, marches, strathspeys, and airs transcribed from the playing of traditional fiddlers in this collection, represent a large portion of the current Island repertoire. It is believed that over 100 of these tunes have never been in print previously. Even the titles that have appeared in print before, feature new and intriguing details. Because each tune is a transcription of a specific performance by an individual player, many subtleties of style--such as ornamentation, double stops, and slursâ€”are included. Also included are each playerâ€™s melodic idiosyncrasiesâ€”called twists in local parlance. You will find living, breathing versions of tunes filled with the vitality of a people whose great love for their music is expressed in every bow-stroke. Includes access to online audio.

$27.99

Saint Augustine In Hell #Sting #Raymond Fenech #Saint Augustine In Hell #Raymond Fenech #SheetMusicPlus

Woodwind Ensemble - Level 3 - SKU: A0.760475 By Sting. By Ken Dodd, Norman Newell, Paolo Conte, Sting, and Vito Pallavicini. Arranged by Raymond Fenech....(+)

Woodwind Ensemble - Level 3 - SKU: A0.760475 By Sting. By Ken Dodd, Norman Newell, Paolo Conte, Sting, and Vito Pallavicini. Arranged by Raymond Fenech. Contemporary,Pop. 11 pages. Raymond Fenech #4596363. Published by Raymond Fenech (A0.760475). In 1968 Paolo Conte writes (in collaboration with maestro Michele Virano), a music that cannot be called a rock, or a ballad, or anything, no doubt original, with lyrics that Vito Pallavicini tailored to Celentano including all his issues - ecology, love, religion - matched to a catchy refrain. This popular song is arranged for (2 Tenor Saxaphones; Piano and Optional Drum Set). It is ideal for school concerts and activities The Duration is approx. 2.06 minutes and the level is Intermediate.

$5.99

People Need The Lord #Gospel Spirituel #Musique Sacrée #Steve Green #Peet du Toit #People Need The Lord #Peet du Toit #SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christi...(+)

Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!

$18.00

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