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10732
PIANO & CLAVIERS
Piano seul
4399
Piano, Voix
4145
Piano, Voix et Guitare
2772
Piano Facile
1529
Instruments en Do
693
Accompagnement Piano
429
Orgue
245
Piano grosses notes
144
Piano Trio: piano, violon, violoncelle
104
1 Piano, 4 mains
98
Piano (partie séparée)
59
Accordéon
58
Orgue, Trompette (duo)
31
2 Pianos, 4 mains
25
Piano Quatuor: piano, 2 violons, violoncelle
25
Orgue, Piano (duo)
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Clavier
8
Clavecin
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
1 Piano, 6 mains
3
Instrument seul et Orgue
3
2 Pianos, 8 mains
2
Accordéon, Voix
1
Ligne De Mélodie, Piano
1
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1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
935
Guitare notes et tablatures
777
Basse electrique
481
Guitare
393
Paroles et Accords
287
Ukulele
198
Piano, Guitare (duo)
136
Guitare (partie séparée)
131
Dulcimer
51
2 Guitares (duo)
26
Mandoline
15
4 Guitares (Quatuor)
15
Banjo
12
Ensemble de guitares
7
3 Guitares (trio)
4
Ukulele Baryton
3
Guitare, Violon, Violoncelle (trio)
2
Basse électrique (partie séparée)
2
2 Mandolines (duo)
2
Ensemble de Ukulélés
1
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VOIX
Chorale SATB
1388
Chorale 3 parties
475
Chorale TTBB
420
Chorale SSAA
341
Chorale 2 parties
210
Chorale Unison
106
Voix duo, Piano
78
Voix seule
61
Voix duo
45
Voix Soprano, Piano
45
Voix Alto, Piano
41
Chorale
36
Voix haute
34
Voix Tenor, Piano
32
Voix Baryton, Piano
18
Voix moyenne, Piano
16
Voix Tenor
11
Voix Soprano
6
Voix basse, Piano
5
Chorale SSAATTBB
4
Voix basse
3
Chorale SSAB, Piano
1
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Chorale SSATBB
1
Chorale SSATB
1
Chorale SSATTB
1
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Clarinette
3113
Clarinette et Piano
2847
Clarinette (partie séparée)
2346
Saxophone (partie séparée)
2082
Flûte traversière et Piano
569
Flûte, Clarinette (duo)
506
Hautbois, Piano (duo)
504
Saxophone Alto
499
Flûte traversière
472
Saxophone Alto et Piano
444
2 Saxophones (duo)
434
Saxophone Tenor et Piano
390
Quatuor de Clarinettes: 4 clarinettes
371
Saxophone Tenor
328
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
317
2 Clarinettes (duo)
315
2 Flûtes traversières (duo)
287
Flûte, Hautbois, Clarinette, Basson
270
Quatuor de Saxophones: 4 saxophones
246
Hautbois, Clarinette (duo)
219
Clarinette, Basson (duo)
192
Clarinette, Violon (duo)
189
Hautbois (partie séparée)
187
Saxophone
171
Clarinette, Violoncelle (duo)
157
Ensemble de Clarinettes
152
3 Clarinettes (trio)
112
Quintette de Clarinettes: 5 clarinettes
90
Clarinette et Alto
85
Quintette de Saxophone: 5 saxophones
81
Flûte, Trompette (duo)
78
Saxophone Soprano et Piano
77
Quatuor de Flûtes : 4 flûtes
73
2 Saxophones, Piano
71
3 Saxophones (trio)
69
Clarinette Basse, Piano
66
Instruments en Mib
63
Saxophone, Clarinette (duo)
59
Flute (partie séparée)
56
Flûte, Clarinette, Piano (trio)
52
Saxophone Baryton, Piano
46
2 Hautbois (duo)
45
2 Flûte à bec (duo)
40
Saxophone Soprano
32
Cor anglais, Piano
32
Clarinette, Trombone (duo)
32
Ensemble de saxophones
32
2 Clarinettes, Piano
32
Hautbois, Trompette (duo)
31
Ensemble De Flûte à bec
29
Clarinette, Harpe (duo)
29
Flûte, Clarinette et Basson
29
Hautbois, Basson (duo)
28
Flûte, trombone et piano
27
Trio de Flûtes: 3 flûtes
27
Clarinette Basse
26
Hautbois
25
Flûte, Hautbois, Clarinette (trio)
24
Clarinette, Trompette (duo)
24
Flûte et Guitare
24
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette, Tuba
22
Clarinette, Violoncelle, Piano (trio)
22
Flûte à bec Soprano
20
Ensemble de Flûtes
19
Flûte, Violon
17
Flûte à bec Alto
16
Hautbois, Flûte
16
Clarinette, Guitare (duo)
15
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
15
Clarinette, Contrebasse (duo)
14
Clarinette, trompette et piano
12
Flûte, Saxophone (duo)
11
Saxophone Baryton
10
2 Flûtes traversières, Piano
10
Flûte, Alto (duo)
10
Quatuor de Flûtes à bec
9
Flûte à Bec
9
Quintette de Flûte : 5 flûtes
8
Flute, harpe et violon
7
2 Clarinettes, Basson
7
Saxophone et Piano
6
Flûte, Hautbois, Basson
6
Cor Anglais
6
Harmonica
6
Flûte, Violoncelle, Piano (trio)
5
Piccolo
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Violoncelle
5
Flûte, Violon, Piano
5
Ocarina
4
Flûte, Violon et Violoncelle
4
Flûte, Alto et Piano
4
3 Hautbois
4
Flûte, Violon, Violoncelle et Piano
4
Hautbois, Guitare (duo)
3
Saxophone et Guitare
3
Saxophone et Orgue
3
Clarinette, Orgue
3
Flûte irlandaise
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Basson, Piano (trio)
2
Hautbois, Violoncelle et Piano
2
Flûte à bec Soprano, Piano
2
Piccolo, Piano
2
4 Hautbois
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Hautbois (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
Harmonica, Piano
1
Clarinette, Orchestre
1
Flûte et Quatuor à Cordes
1
Hautbois, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble à vent
1
Flûte, alto et harpe
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Basson et Piano
1
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Trompette
3660
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2844
Trompette, Piano
2171
Trombone (partie séparée)
1587
Trombone et Piano
537
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500
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441
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393
Tuba
295
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285
Trompette, Cor (duo)
269
2 Trompettes (duo)
202
Cor
200
Quatuor de Cuivres : 2 trompettes, trombone, tuba
188
Quatuor de Cuivres
176
2 Trombones (duo)
166
Cor et Piano
152
Tuba et Piano
145
Cor (partie séparée)
136
Tuba ou Euphonium ou Saxhorn
126
Quatuor de Cuivres: 2 trompettes, Cor, trombone
108
Euphonium
81
Cornet A Pistons
70
Trompette, Saxophone (duo)
68
Instruments en Sib
67
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64
Trompette, Violoncelle (duo)
61
Trompette, Tuba (duo)
49
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45
Quatuor de cuivres: 4 trombones
43
Ensemble de Trombones
36
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33
Cor anglais, Piano
32
Trompette, Basson (duo)
27
2 Cors (duo)
26
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19
Trio de Cuivres
18
2 Trompettes, Clavier (piano ou orgue)
17
Trompette, Harpe
16
Trompette, Trombone, Piano
15
3 Trompettes (trio)
15
2 Tubas (duo)
14
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 cors
11
Euphonium, Tuba (duo)
10
Bass Clef Instruments
10
Trompette et Guitare
9
Trombone basse
7
3 Trombones (trio)
7
Tuba et Orgue
6
Ensemble de Cors
6
Cor Anglais
6
4 Tubas
5
2 Euphoniums (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trombone et orchestre
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Trombone, Cor (duo)
2
Trombone, Orgue
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Trombone basse et Piano
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Trombone, Violon (duo)
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Clarinette, Cor (duo)
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3 Tubas (trio)
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Cor, Tuba (duo)
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3 Cors (trio)
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Ensemble de Tubas
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2 Cors, Piano
1
Cornet et orchestre
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3 Euphoniums
1
Euphonium (partie séparée)
1
2 Trombones, Piano
1
Instruments en Fa
1
Trompette, Euphonium (duo)
1
4 Euphoniums
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
838
Violon et Piano
711
Violon
617
Violoncelle, Piano
541
Alto, Piano
469
Violoncelle
465
Alto seul
266
Violon, Violoncelle (duo)
247
2 Violons (duo)
213
2 Violoncelles (duo)
197
Harpe
196
2 Altos (duo)
126
Trio à Cordes: violon, alto, violoncelle
118
Alto (partie séparée)
105
Violon, Alto (duo)
103
Contrebasse (partie séparée)
82
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
Contre Basse
56
2 Harpes (duo)
53
Trio à Cordes: 2 violons, violoncelle
51
Contrebasse, Piano (duo)
50
Piano Trio: Violon, Alto, Piano
44
Violon (partie séparée)
26
Violon, Guitare (duo)
19
Alto, Violoncelle (duo)
17
Trio à Cordes: 3 violoncelles
15
4 Violoncelles
13
2 Violons, Piano
13
Violoncelle , Guitare (duo)
12
Harpe, Flûte (duo)
10
Violon, Clarinette, Piano (trio)
10
2 Contrebasses (duo)
10
Trio à cordes: 3 violins
10
Trio à Cordes: 2 violons, alto
10
Violoncelle, Contrebasse (duo)
9
2 Violoncelles, Piano
9
Harpe, Violoncelle (duo)
7
Alto et Harpe
6
Violoncelle (partie séparée)
6
Trio à cordes: 3 altos
6
Harpe, Violon (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Basse continue
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violoncelle, Orchestre
4
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
3
Quatuor à cordes: 4 violons
3
Ensemble d'Altos
2
Harpe, Voix
2
Ensemble de Violoncelles
1
Harpe (partie séparée)
1
2 Altos, Piano
1
Trio à cordes
1
Violon, Trompette et Piano
1
Alto et Basson
1
Violon, Basson (duo)
1
4 Harpes
1
4 Contrebasses
1
Ensemble de Violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
9533
Ensemble Jazz
503
Orchestre
362
Ensemble de cuivres
271
Orchestre à Cordes
262
Cloches
240
Fanfare
230
Batterie
179
Jazz combo
164
Orchestre de chambre
154
Batterie (partie séparée)
76
Ensemble de Percussions
58
Marimba
31
Percussion (partie séparée)
31
Percussion
12
Vibraphone
11
Quintette de Cuivres: autres combinaisons
7
Ensemble d'École
7
Piano et Orchestre
6
Timbales
4
Orchestre, Violon
3
Xylophone
3
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Big band
1
Vibraphone (partie séparée)
1
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
2 Caisses Claires (duo)
1
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9976
The Girl In The Green Bandanna
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1169176 By Franklyn Grace. By Franklyn Grace. Chamber,Contemporary. 39 pages. Franklyn Grace Creative Arts #769302. Published by Franklyn Grace Creative Arts (A0.1169176). The Girl In the Green Bandanna is a contemporary woodwind quintet for flute, oboe, clarinet, bass clarinet, and bassoon. It is based upon the classical Rondo Form, with this particular pattern of the form being ABACBA. These six sections that comprise the piece all focus in some capacity on two individual themes: the first, slower theme of the A Section and the contrastingly more lively theme that follows immediately afterward in the B Section.Below is a theoretical analysis of the parts and how they each have their own unique nod, whether big or small, to these two main themes. A1 (mm. 1-9): The opening section of the piece, which introduces Theme 1.B1 (mm. 10-22): Directly following the opening, this section introduces Theme 2.A2 (mm. 23-58): After a brief interlude from the bassoon part, the main motif from Theme 1 returns, presented as motivic manipulation in the clarinet part of this section, underneath the flute melody.C (mm. 59-123): A new, more jaunty section not yet heard in the piece, though which still contains occasional traces of the main motif from Theme 2.B2 (mm. 124-144): Theme 2 in a modulated key and with a more majestic energy. Here, the two themes merge together momentarily, as Theme 1 can be heard briefly in the Clarinet part during the first eight measures of this section, much akin to A2.A3 (mm. 145-149): The outro of the piece, which is a polytonal rendering of the modulated key from B2 and the original opening key.
$9.99
9.06 €
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Franklyn Grace
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The Girl In The Green Bandanna
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Franklyn Grace Creative Arts
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SheetMusicPlus
Whom God Hath Joined Together
Vocal SKU: HL.8738433 Vocal Solo. Composed by Various. Vocal collect. Fred B…
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Vocal SKU: HL.8738433 Vocal Solo. Composed by Various. Vocal collect. Fred Bock Publications. General Worship, Sacred, Wedding. 48 pages. Fred Bock Music Company #BG0670. Published by Fred Bock Music Company (HL.8738433). ISBN 9780634003493. UPC: 073999384338. 9.0x12.0x0.158 inches.13 wedding selections for vocal solo, including: God Has Given You to Me * Let Us Climb the Hill Together * O Perfect Love * The Greatest of These Is Love * The Lord's Prayer * The Wedding Song * and more.
Song List: When Adam Was Created Can Two Walk Together (B Leech) Fanfare and Processional (Bock) God Has Given You to Me (B Leech) Let Us Climb the Hill Together (P Clark) O Perfect Love (F Bock/D Gurney) O Tell Me with Thine Eyes (G Young) Recessional (R Carmichael) Whither Thous Goest (Richard Dewey) GREATEST OF THESE IS LOVE, THE (A & D DICKAU) LORD'S PRAYER, THE (INEZ WILLIAMSON) LOVE THAT LASTS A LIFETIME, THE (B LEECH) WEDDING SONG, THE (G HALLQUIST)
$12.95
11.74 €
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Various
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Whom God Hath Joined Together
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Fred Bock Music Company
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SheetMusicPlus
Four Favorite Hymns from the Movie - "Stars In My Crown"
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
7.24 €
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John R
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Ginny Saltzman
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Four Favorite Hymns from the Movie - "Stars In My Crown"
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Ginny's House of Music
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SheetMusicPlus
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.5 €
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Various
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B
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.5 €
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Various
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B
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"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.5 €
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Various
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B
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"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.5 €
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Various
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B
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"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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bl_music
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SheetMusicPlus
... And Together We'll Find the Treasure
Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - Digit…
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Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.529310 Composed by Caelan Chan. Contemporary. Score and parts. 15 pages. Caelan Chan Music #139709. Published by Caelan Chan Music (A0.529310). Duration: ca. 5'30 … And Together We’ll Find the Treasure is a duet for soprano clarinet and bass clarinet that musically depicts a story of my own creation. Each instrument represents two friends who go on an adventure to find treasure. Due to increasing irritation with each other, they fall out and end their friendship. While one of them finds the treasure, he cannot truly celebrate due to lingering sadness. Realizing how friendship is important to them both, they find each other again, reconcile, and share the treasure. This piece was an opportunity for me to depict a story through musical aspects and ideas like leitmotifs, key centers, and dialogue. Two principal themes appear in this piece: the Treasure Theme, which represents its namesake, as well as the Friendship Theme, which represents the bond between the two main characters. These two themes appear, twist and turn throughout the piece as our two main characters go through obstacles. Key centers also change as the friendship between the two main characters crumble and recover again.
$11.99
10.87 €
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Caelan Chan
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... And Together We'll Find the Treasure
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Caelan Chan Music
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SheetMusicPlus
And Then We See (Arranged for Flugelhorn)
Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho…
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Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published by Marco leong (A0.1284795). Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.34 €
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
And Then We See
Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho F…
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Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.34 €
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
The Emotional Lives of Colors (for trumpet, piano, and percussion)
B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Compos…
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B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
27.19 €
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
Father, We Thank You (Rendez a Dieu)
By Michael Burkhardt. For Congregation / Organ, Brass Quartet. Occasion: General; Theme(s)…
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By Michael Burkhardt. For Congregation / Organ, Brass Quartet. Occasion: General; Theme(s): Praise/Thanksgiving. Sacred, Thanksgiving. Medium. Published by MorningStar Music Publishers - Digital Sheet Music
$10.00
9.07 €
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Michael Burkhardt
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Theme(s): Praise/Thanksgiving
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Father, We Thank You
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
With A Shout (1 Thessalonians 4.16-18 WEB)
Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768…
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Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99
2.71 €
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Chris Monteiro
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With A Shout
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Christopher M. Monteiro
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SheetMusicPlus
The Sunshine Of Your Smile
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1104241 By Leslie Cooke. By Lilian Ray. Arranged by Rita Arendz. 20th Century,Contemporary,Contest,Festival,Standards,Wedding. Brass Band. 38 pages. Rita Arendz #707448. Published by Rita Arendz (A0.1104241). For voice and Brass band. Looking for something nostalgic? The Sunshine of Your Smile was written in 1913 by Lilian Ray with lyrics by Leonard Cooke. Ray was a pseudonym used by English composer John Neat. This song was very popular among the soldiers during the First World War as a ballad to their sweethearts. Since then, it has had many famous covers. In 1941, Frank Sinatra and Tommy Dorsey recorded this song in a jazz idiom and it remained popular for the remainder of World War II. Later, in 1980, Michael Berry did a cover where it reached the top 10 in the UK Singles Chart. Great for recitals, concerts (love-themed), weddings, and other special occasions. Voice range sits well for mezzo-soprano or alto. Duration ~3:30. 38 pages.
$53.99
48.95 €
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Leslie Cooke
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Rita Arendz
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The Sunshine Of Your Smile
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Rita Arendz
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SheetMusicPlus
The Escape - (small/medium percussion ensemble)
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1288799 Composed by Frits Renting. Arranged by Frits Renting. Film/TV. 35 pages. Frits_Renting #879651. Published by Frits_Renting (A0.1288799). Side note: This version is for small/medium percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$70.00
63.47 €
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Frits Renting
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Frits Renting
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The Escape -
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Frits_Renting
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SheetMusicPlus
In The Summertime (score - vln, vla, cel)
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861849 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Connor Musik International #6203883. Published by Mark O'Connor Musik International (A0.861849). In The Summertime (score – vln, vla, cel) MO167AScore (parts available)Music by Mark O’Connor10 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together. We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167ACopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
6.8 €
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
In The Summertime (viola part - vln, vla, cel)
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861851 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203887. Published by Mark O'Connor Musik International (A0.861851). In The Summertime (viola part – vln, vla, cel) MO167CViola Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167CCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.08 €
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
In The Summertime (violin part - vln, vla, cel)
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861850 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203885. Published by Mark O'Connor Musik International (A0.861850). In The Summertime (violin part – vln, vla, cel) MO167BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167BCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.08 €
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
The Midsummer Marriage
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Di…
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
68.9 €
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Sir Michael Tippett
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The Midsummer Marriage
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Schott Music - Digital
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SheetMusicPlus
Sacred Trios (B-flat Treble Clef)
Trio - Grade 2 - Digital Download SKU: XM.50310003 Composed by Various. Arranged by…
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Trio - Grade 2 - Digital Download SKU: XM.50310003 Composed by Various. Arranged by Andrew Balent. Christian. Score and Parts. 15 pages. LudwigMasters Digital #50310003. Published by LudwigMasters Digital (XM.50310003). ISBN 9781682967546. 9 x 12 inches.A collection of 12 well-known hymn tunes, this compilation of like trios can also be played in any combination of three instruments as long as the players have the correct book. Simply assign or select a part then make beautiful music! The first part, when played on violin, will have some range concerns that make the part slightly more difficult than the grade 2 rating. A Mighty Fortress; Come Thou Almighty King; Faith of Our Fathers; Praise God from Whom All Blessings Flow; Praise to the Lord; My Faith Looks Up to Thee; Abide With Me; We Gather Together; Amazing Grace; For the Beauty of the Earth; This Is My Father's World; Come, Thou Founttion of 12 well-known hymn tunes, this compilation of like trios can also be played in any combination of three instruments as long as the players have the correct book. Simply assign or select a part then make beautiful music! The first part, when played on violin, will have some range concerns that make the part slightly more difficult than the grade 2 rating.
$6.95
6.3 €
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Various
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Andrew Balent
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Come Thou Almighty King
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Sacred Trios
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LudwigMasters Digital
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.53 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartho…
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Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
40.8 €
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Piano Concerto in B-flat major, KV 595
Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1302391 Composed by W…
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Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1302391 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 114 pages. Mastery for Strings Press #892006. Published by Mastery for Strings Press (A0.1302391). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. His early Vienna concertos were scored for full orchestra, but conceived as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836. The accompanying ensemble in these arrangements consists not of strings alone but flute, violin, and cello. The participation of the instruments is in fact optional, as the orchestral tuttis are incorporated into the piano part so that a single piano soloist can perform the entire work. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this beautiful work in the absence of a full orchestra, and 2) that pianists might use this version to get Mozart’s original solo part in their fingers with a minimum of alteration, for such occasions when they are called upon to perform it.
$15.99
14.5 €
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in B-flat major, KV 595
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Mastery for Strings Press
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SheetMusicPlus
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