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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
BLUEGRASS
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Note4Piano
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SheetMusicPlus
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Non classifié
3488
PIANO & CLAVIERS
Piano seul
2167
Piano Facile
1078
Piano, Voix et Guitare
904
Piano, Voix
498
Instruments en Do
154
Piano grosses notes
139
Accompagnement Piano
85
Orgue
72
1 Piano, 4 mains
72
Piano (partie séparée)
38
Piano Trio: piano, violon, violoncelle
35
Accordéon
26
Piano Quatuor: piano, violon, alto, violoncelle
15
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
4
Clavecin
4
1 Piano, 6 mains
3
Ensemble d'Accordéons
1
Accordéon, Corde(s)
1
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GUITARES
Guitare notes et tablatures
1025
Ligne De Mélodie, (Paroles) et Accords
526
Guitare
438
Ukulele
380
Paroles et Accords
295
Basse electrique
239
Guitare (partie séparée)
55
Dulcimer
48
Banjo
23
Piano, Guitare (duo)
20
Mandoline
17
Ensemble de Ukulélés
16
2 Guitares (duo)
16
Basse électrique (partie séparée)
15
4 Guitares (Quatuor)
9
2 Dulcimers (duo)
6
Ensemble de guitares
6
3 Guitares (trio)
3
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
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VOIX
Chorale SATB
986
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504
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297
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275
Chorale SSAA
192
Chorale Unison
111
Voix duo, Piano
54
Voix seule
41
Chorale
19
Voix duo
18
Voix Soprano, Piano
11
Voix haute
9
Chorale SSATB
4
Chorale SSAB, Piano
3
Voix Tenor, Piano
3
Chorale SSAB a cappella
3
Chorale SSAATTBB
3
Voix Tenor
2
Voix moyenne, Piano
1
Chorale SSAATB
1
Voix Alto, Piano
1
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VENTS
Saxophone (partie séparée)
483
Quatuor de Saxophones: 4 saxophones
320
Flûte traversière
284
Saxophone Alto
259
2 Saxophones (duo)
250
Flûte, Hautbois, Clarinette, Basson
212
Clarinette
195
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
165
Quatuor de Clarinettes: 4 clarinettes
140
2 Clarinettes (duo)
135
Flûte traversière et Piano
133
Saxophone Tenor
131
2 Flûtes traversières (duo)
130
Clarinette (partie séparée)
104
Saxophone, Clarinette (duo)
101
Saxophone Alto et Piano
92
Clarinette et Piano
89
Hautbois, Piano (duo)
83
Saxophone Soprano
76
Quintette de Saxophone: 5 saxophones
74
Hautbois (partie séparée)
73
Saxophone Tenor et Piano
72
Clarinette, Violon (duo)
70
Quatuor de Flûtes : 4 flûtes
53
Flûte, Clarinette (duo)
52
Quintette de Clarinettes: 5 clarinettes
48
Ensemble de Flûtes
47
Clarinette, Trompette (duo)
43
2 Hautbois (duo)
42
Hautbois, Clarinette (duo)
41
Trio de Flûtes: 3 flûtes
39
Flute (partie séparée)
39
Hautbois, Basson (duo)
38
Flûte, Violon
37
Flûte, Saxophone (duo)
37
Hautbois, Flûte
35
Harmonica
34
Ensemble de Clarinettes
33
3 Clarinettes (trio)
33
Saxophone Soprano et Piano
33
Clarinette et Alto
33
Ensemble de saxophones
29
Flûte et Guitare
29
3 Saxophones (trio)
28
Flûte, Trompette (duo)
27
Hautbois
25
Flûte, Alto (duo)
20
Saxophone Baryton, Piano
17
Hautbois, Guitare (duo)
12
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette, Violoncelle (duo)
8
Flûte à Bec
8
Saxophone et Guitare
7
Clarinette, Basson (duo)
7
Ocarina
6
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
6
Flûte, Violon, Piano
6
Cor anglais, Piano
6
Clarinette, Guitare (duo)
5
3 Flûtes à bec (trio)
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Cor Anglais
5
Ensemble De Flûte à bec
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Clarinette et Basson
5
Flûte, Hautbois (duo)
5
Flûte à bec Soprano
5
Flûte, Violon et Violoncelle
5
Saxophone Baryton
5
Flûte, Violoncelle
4
Quatuor de Flûtes à bec
4
Hautbois, Violoncelle
3
Clarinette Basse
3
4 Hautbois
3
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto
2
Hautbois et alto (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Basson
2
Hautbois, violon (duo)
2
Flûte, Trombone (duo)
2
Flûte et Trio à cordes
2
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
1
Instruments en Mib
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo
1
Hautbois, Harpe
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Violon
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Soprano, Piano
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
Saxophone et Piano
1
Clarinette, Orgue
1
Clarinette, Tuba
1
Flûte traversière, Orgue (duo)
1
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CUIVRES
Trompette
271
Trompette (partie séparée)
259
Trombone
245
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
208
Quatuor de Cuivres : 2 trompettes, trombone, tuba
194
Trombone (partie séparée)
184
Cor
134
Trompette, Piano
86
Trombone et Piano
84
Trompette, Saxophone (duo)
77
2 Trompettes (duo)
70
2 Trombones (duo)
65
Cor (partie séparée)
60
Quatuor de Cuivres
52
Trompette, Trombone (duo)
52
Cor et Piano
46
Tuba
44
Tuba (partie séparée)
36
Tuba et Piano
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
2 Euphoniums et 2 Tubas
19
Quatuor de cuivres: 4 trombones
17
4 Tubas
15
Quatuor de cuivres: 4 cors
14
2 Cors (duo)
10
Trio de Cuivres
9
Euphonium, Piano (duo)
9
Cor anglais, Piano
6
3 Trompettes (trio)
5
Cor Anglais
5
Ensemble de Trombones
5
Trompette, Cor (duo)
4
Ensemble de Trompettes
3
Trompette, Tuba (duo)
3
Trompette, Harpe
2
Trompette, Trombone, Piano
2
Euphonium
2
Cor et Harpe
2
Ensemble de Cors
2
Trompette et Guitare
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Tuba et Orgue
1
Trombone basse
1
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cornet et Piano
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
Bass Clef Instruments
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
984
Violon
375
Alto seul
211
Violon, Violoncelle (duo)
202
Violoncelle
170
Violon et Piano
170
2 Violons (duo)
150
Violoncelle (partie séparée)
147
Trio à Cordes: violon, alto, violoncelle
146
Harpe
135
Violoncelle, Piano
118
2 Violoncelles (duo)
102
Alto, Piano
90
Violon, Alto (duo)
81
Violon (partie séparée)
75
Contrebasse (partie séparée)
72
Trio à Cordes: 2 violons, violoncelle
65
Alto (partie séparée)
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
60
2 Altos (duo)
54
Contre Basse
39
Contrebasse, Piano (duo)
30
Trio à cordes
23
4 Violoncelles
22
Violon, Guitare (duo)
22
2 Harpes (duo)
21
Violoncelle , Guitare (duo)
19
Alto, Violoncelle (duo)
17
Piano Trio: Violon, Alto, Piano
10
Harpe, Flûte (duo)
9
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
6
Alto, Guitare (duo)
6
Quatuor à cordes : 4 altos
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
5
Violon, Basson (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
3
Violon, Contrebasse (duo)
3
2 Violons, Piano
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Alto et Basson
1
Harpe (partie séparée)
1
Violon, Orgue
1
Violon, Tuba (duo)
1
Ensemble de Violoncelles
1
Flûte, Contrebasse (duo)
1
Violon, Trompette et Piano
1
2 Contrebasses (duo)
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1061
Ensemble Jazz
246
Orchestre à Cordes
174
Orchestre
171
Batterie
143
Cloches
118
Ensemble de cuivres
108
Fanfare
105
Ensemble de Percussions
102
Percussion (partie séparée)
87
Batterie (partie séparée)
84
Jazz combo
42
Xylophone
29
Orchestre de chambre
28
Percussion
15
Marimba
9
Vibraphone
6
Quintette à Vent
5
Timbales (partie séparée)
5
Caisse Claire
4
Quintette de Cuivres: autres combinaisons
2
Xylophone, Piano
2
Timbales
2
2 Xylophones
2
Vibraphone et Marimba
2
Cajon
2
Vibraphone (partie séparée)
1
Bodhran
1
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3476
We Gather Together (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 …
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 By Sharon Wilson. By Folk Song and Netherlands Folk Song. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Christian,Folk,Holiday,Sacred. 10 pages. Sharon Wilson #3416477. Published by Sharon Wilson (A0.565102). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: *  chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: *  have the melody played by other instruments with a range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse * use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes*  use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.52 €
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Sharon Wilson
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We Gather Together
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Sharon Wilson
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.05 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.05 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
I Sing the Mighty Power of God (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 …
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Sacred,Traditional. 10 pages. Sharon Wilson #3409393. Published by Sharon Wilson (A0.565097). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other instruments with a chromatic scale range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.52 €
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Sharon Wilson
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Sharon Wilson
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I Sing the Mighty Power of God
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Sharon Wilson
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.83 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Offbeat in Two - Trumpet Quartet
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412055. Published by Phil Beaman (A0.844476). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trumpet Quartet; 4 Bb Trumpets. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - Trumpet Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - French Horn Quartet
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Be…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412099. Published by Phil Beaman (A0.844478). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for French Horn Quartet. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - French Horn Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Trombone Quartet
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phi…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414557. Published by Phil Beaman (A0.844481). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trombone Quartet. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - Trombone Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Baritone Horn Quartet
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Ph…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414561. Published by Phil Beaman (A0.844483). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Baritone Horn Quartet. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - Baritone Horn Quartet
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Phil Beaman
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SheetMusicPlus
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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bl_music
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SheetMusicPlus
Beati II: Pro alios curantibus (For those that care for others) (Downloadable)
Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU:…
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Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0022-E). Latin. Luke 10:33; Isaiah 66:13.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44Instrumentalists play from the choral score.
$3.15
2.9 €
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Howard Goodall
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Isaiah 66:13
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Beati II: Pro alios curantibus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Oboe and Cor Anglais (or English Horn)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.592266 Composed by David McKeown. Children,Concert,Halloween,Rock,Standards. Score and parts. 4 pages. David McKeown #6356639. Published by David McKeown (A0.592266). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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David McKeown
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Polly the Polyrhythmic Poltergeist, Halloween Duet for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Oboe and Violin
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.592267 Composed by David McKeown. Children,Concert,Halloween,Rock,Standards. Score and parts. 4 pages. David McKeown #6356641. Published by David McKeown (A0.592267). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Oboe and one Violin. Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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David McKeown
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Polly the Polyrhythmic Poltergeist, Halloween Duet for Oboe and Violin
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David McKeown
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SheetMusicPlus
Nearer, My God, To Thee
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1110428 Composed by Heather Sorenson, Lowell Mason, and Sarah F. Adams. Arranged by Colin G Dance. Religious. Brass Band. 37 pages. Dance is With Music #712745. Published by Dance is With Music (A0.1110428). This modern brass band take on the famous hymn tune ‘Nearer My God To Thee’ is taken from a fabulous vocal version by BYU Vocal Point from America – which I highly reccommend you listen to – it’s superb. The arrangement by nature of the beat and time signatures is rather tricky, but once you have the ‘feel’ of it, it will make sense.
$75.00
69.06 €
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Heather Sorenson, Lowell Mason, and Sarah F
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Colin G Dance
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Nearer, My God, To Thee
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Dance is With Music
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SheetMusicPlus
Mother's Way
Guitar,Voice - Level 3 - Digital Download SKU: A0.1434550 By The Candlelight Guitar…
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Guitar,Voice - Level 3 - Digital Download SKU: A0.1434550 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Guitar Tab with Voice. 11 pages. Geofonica Artistworks #1014688. Published by Geofonica Artistworks (A0.1434550). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation with TAB... (a version in Standard notation without TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$5.99
5.52 €
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
Beati IV: Pro eis sine domo (For the stateless) (Downloadable)
Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - Digital Download SKU…
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Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0032-E Composed by Howard Goodall. Instrument part. 17 pages. Duration 7 minutes, 25 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0032-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0032-E). Latin. Isaiah 4:6; Psalms 31:7.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSAA chorus, organ, cello, synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This movement begins with the soloist singing in English (“Blessed are the stateless; blessed are the homelessâ€). Next the chorus sings Latin settings of Isaiah 4:6 (“And there shall be a tabernacleâ€) and Psalms 31:7 (“Thou art my refugeâ€). The Latin is set in a sort of mantra-like declamatory style, moving through unison into two-part and finally three. All voice return to the opening theme in English originally sung by the soloist. Then the two concepts are overlaid, the solo motif with the declamatory Latin. The choral voices recap the unison-through-three part declamatory section, the soloist briefly returns to the opening theme. Duration 7:25Instrumentalists play from the choral score.
$3.35
3.08 €
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Howard Goodall
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Psalms 31:7
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Beati IV: Pro eis sine domo
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Easter Bonnet Bop for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.591397 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293683. Published by David McKeown (A0.591397). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.75 €
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David McKeown
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The Easter Bonnet Bop for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
The Easter Bonnet Bop for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.591388 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293665. Published by David McKeown (A0.591388). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Oboe and one Violin. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.75 €
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David McKeown
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The Easter Bonnet Bop for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
The Easter Bonnet Bop for Oboe and Cor Anglais Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591387 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293663. Published by David McKeown (A0.591387). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.75 €
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David McKeown
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The Easter Bonnet Bop for Oboe and Cor Anglais Duet
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David McKeown
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SheetMusicPlus
CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers (Color Coded Notes)
Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1…
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Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arranged by Sharon Wilson Music. 20th Century,Children,Folk,Instructional,March. 46 pages. Sharon Wilson #6616395. Published by Sharon Wilson (A0.569889). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For most of the song, the Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.The first 31 measures progress through the melody one time and can be used as a stand-alone performance. This first part of the arrangement is perfect for introducing new players to Bells and Boomwhackers®. Beginning in measure 32, the arrangement becomes more challenging by embellishing the melody, adding eighth notes, and alternating the chopstick theme between the parts. This second section utilizes more advanced note-reading and rhythmic skills and helps develop the ringing and whacking techniques needed for more advanced songs. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. In addition, a complete set of scores for 4 ringers and 3 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 7 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Notes used for each instrument are as follows: Bells ~ C D E F G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G B Note assignment suggestions are provided. Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, plastic tubes, elementary classroom music
$10.00
9.21 €
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Sharon Wilson
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Sharon Wilson Music
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CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers
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Sharon Wilson
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SheetMusicPlus
Beatitude V: Beati qui persecutionem (Blessed are the persecuted) (Downloadable)
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Down…
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Download SKU: MQ.56-0027-E Composed by Howard Goodall. 8 pages. Duration 6 minutes, 4 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0027-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0027-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus (there are two measures of SSA divisi), organ, and handbells, the music has a light, ethereal feeling. The cello begins on a chant-like melody which the soloist repeats. Then all voices take up the melody. The length of the perhaps unfamiliar Latin text is offset by the simplicity of the beautiful vocal line. Duration 6:04Instrumentalists play from the choral score.
$2.75
2.53 €
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Howard Goodall
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Beatitude V: Beati qui persecutionem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Fundamentals of Music Theory - Booklet 1
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. …
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
10.12 €
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theory - Booklet 1
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Circlesquare Music
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SheetMusicPlus
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