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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
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DEEJAY
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
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Non classifié
8503
PIANO & CLAVIERS
Piano, Voix
1123
Piano seul
678
Piano Facile
342
Piano Trio: piano, violon, violoncelle
163
Piano, Voix et Guitare
85
Orgue
52
Piano Quintette: piano, 2 violons, alto, violoncelle
48
Instruments en Do
48
Accompagnement Piano
47
Piano Quatuor: piano, violon, alto, violoncelle
47
1 Piano, 4 mains
42
Accordéon
28
2 Pianos, 4 mains
27
Piano Quatuor: piano, 2 violons, violoncelle
7
Accordéon, Voix
4
Fake Book
4
Piano (partie séparée)
3
Clavecin
3
2 Pianos, 8 mains
2
2 Accordéons
2
1 Piano, 6 mains
1
Instrument seul et Orgue
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
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GUITARES
Guitare
212
Guitare notes et tablatures
127
Ukulele
95
2 Guitares (duo)
63
Ligne De Mélodie, (Paroles) et Accords
43
Piano, Guitare (duo)
16
Basse electrique
15
4 Guitares (Quatuor)
14
Mandoline
7
2 Ukuleles
5
3 Guitares (trio)
3
Guitare, Flûte, Clarinette
2
Guitare, Quatuor à cordes
2
Paroles et Accords
1
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
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VOIX
Chorale SATB
630
Chorale 3 parties
153
Chorale TTBB
85
Pack Instrumental pour Chorale
83
Chorale 2 parties
58
Chorale SSAA
44
Voix Soprano, Piano
41
Voix Alto, Piano
36
Voix basse, Piano
30
Voix Tenor, Piano
30
Voix duo, Piano
23
Chorale Unison
22
Chorale SSAATTBB
22
Voix Baryton, Piano
11
Voix duo
10
Voix Soprano
7
Voix haute
6
Chorale SSATB
6
Voix Tenor
6
Voix Soprano, Orchestre
5
Soli, choeur mixte et accompagnement
5
Voix moyenne, Piano
3
Chorale SSATTB
3
Chorale SATBB
3
Voix basse
3
Chorale
2
Male Voice
2
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
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VENTS
Quatuor de Saxophones: 4 saxophones
940
Flûte traversière et Piano
916
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
854
2 Flûtes traversières (duo)
762
Flûte, Hautbois, Clarinette, Basson
725
2 Saxophones (duo)
611
Clarinette et Piano
572
Hautbois, Piano (duo)
506
Quintette de Saxophone: 5 saxophones
442
Quatuor de Clarinettes: 4 clarinettes
440
Flûte traversière
435
Saxophone Alto et Piano
376
Clarinette
325
2 Clarinettes (duo)
296
3 Clarinettes (trio)
271
Saxophone Tenor et Piano
256
Quatuor de Flûtes : 4 flûtes
254
3 Saxophones (trio)
238
Saxophone Soprano et Piano
232
Saxophone Alto
195
2 Hautbois (duo)
193
Saxophone Tenor
172
Saxophone Baryton, Piano
171
2 Flûte à bec (duo)
148
Hautbois (partie séparée)
137
Flûte, Clarinette (duo)
133
Saxophone (partie séparée)
123
Flûte à bec Soprano
111
Ensemble de Clarinettes
108
Hautbois
105
Trio de Flûtes: 3 flûtes
105
Hautbois, Basson (duo)
96
Hautbois, Clarinette (duo)
89
Flûte à bec Alto
79
Flûte, Hautbois, Clarinette (trio)
79
Clarinette, Basson (duo)
79
Flûte, Violoncelle
76
Ensemble De Flûte à bec
75
Ensemble de saxophones
73
Flûte et Guitare
73
Saxophone Baryton
69
Saxophone Soprano
69
Cor anglais, Piano
69
Ensemble de Flûtes
68
Flûte, Clarinette et Basson
67
Hautbois, Violoncelle
60
Flûte, Hautbois, Basson
59
Clarinette, Violoncelle (duo)
59
Hautbois, Clarinette, Basson (trio d'anches)
58
Harmonica
57
Flûte, Hautbois (duo)
49
Quatuor de Flûtes à bec
48
Quintette de Clarinettes: 5 clarinettes
48
Hautbois, Guitare (duo)
42
Clarinette (partie séparée)
40
2 Flûtes traversières, Piano
36
Clarinette Basse, Piano
35
Flute (partie séparée)
33
Flûte à Bec
31
Clarinette, Guitare (duo)
29
Flûte, Violon
28
Quintette de Flûte : 5 flûtes
25
5 Flûtes à bec
24
Flûte, Alto (duo)
24
Flûte à bec Tenor
24
Clarinette, Violon (duo)
20
Hautbois et alto (duo)
18
Clarinette et Alto
17
Cor Anglais
17
Flûte, Clarinette, Cor, Basson (Quartet)
14
Flûte, Violoncelle, Piano (trio)
14
Piccolo, Piano
14
Hautbois, violon (duo)
14
2 Clarinettes, Basson
12
Clarinette, Violoncelle, Piano (trio)
11
Piccolo
11
3 Hautbois
11
Flûte à bec Alto, Piano
11
3 Flûtes à bec (trio)
11
4 Hautbois
9
Flûte, Trombone (duo)
8
Hautbois, Flûte
7
Clarinette Basse
7
Flûte, Violon, Piano
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
6
2 Clarinettes, Piano
6
Saxophone et Guitare
6
Flûte à Bec, Piano
6
2 Cors Anglais Et Pianoforte
6
Flûte et Trio à cordes
5
Flûte, Clarinette, Piano (trio)
5
2 Saxophones, Piano
5
Flûte, Tuba (duo)
5
Flûte, Basson et Piano
5
Flûte, Trompette (duo)
4
Ensemble à vent
4
Flûte, Saxophone (duo)
4
Clarinette, Trompette (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette, Basson, Piano (trio)
3
Saxophone
3
Hautbois, Basson et Piano
3
Hautbois, trombone (duo)
3
Flûte, Hautbois, Piano (trio)
3
Hautbois, Trompette (duo)
3
Hautbois, Clarinette et Piano (Trio)
3
Flûte, Alto et Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Saxophone, Clarinette (duo)
2
Flûte traversière, Basse continue
2
Clarinette, Alto et Piano (trio)
2
2 Hautbois, Piano
2
Flûte, Violon et Violoncelle
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Guitare
2
Clarinette, Trombone (duo)
1
Flûte traversière, Orchestre
1
Flûte, alto et harpe
1
Cor anglais et Harpe (duo)
1
Clarinette, Orchestre
1
2 Flûtes, Basse continue
1
Saxophone, Basson (duo)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Tuba
1
Clarinette, Contrebasse (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Violon (trio)
1
Cornemuse
1
Flûte à bec Soprano, Basse continue
1
Instruments en Mib
1
Flute, harpe et violon
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1020
Trompette, Piano
443
Trombone et Piano
398
Cor et Piano
354
Tuba et Piano
312
Trompette
282
Cor
246
Quatuor de Cuivres: 2 trompettes, Cor, trombone
242
Trombone
229
Tuba
212
Quatuor de Cuivres
208
2 Trompettes (duo)
203
2 Cors (duo)
194
2 Trombones (duo)
193
Quatuor de Cuivres : 2 trompettes, trombone, tuba
169
Trompette, Trombone (duo)
96
2 Tubas (duo)
96
Cor anglais, Piano
69
Quatuor de cuivres: 4 trombones
68
Ensemble de Trompettes
68
Quatuor de cuivres: 4 cors
64
Trompette, Cor (duo)
53
Trompette (partie séparée)
45
Quatuor de cuivres: 4 trompettes
42
3 Trombones (trio)
34
Euphonium, Piano (duo)
34
Cor, Violoncelle (duo)
31
Trombone (partie séparée)
30
Trio de Cuivres
29
Ensemble de Cors
27
Trompette, Basson (duo)
25
Trompette, Violoncelle (duo)
24
Tuba et Orgue
22
Ensemble de Trombones
21
Trombone, Cor (duo)
20
Cor et Basson (duo)
20
Cor Anglais
17
Trombone, Tuba (duo)
15
Trombone basse et Piano
15
Cor, Tuba (duo)
14
Trompette, Tuba (duo)
14
Trombone basse
13
2 Euphoniums et 2 Tubas
13
4 Tubas
13
Cor (partie séparée)
11
Tuba (partie séparée)
9
3 Trompettes (trio)
9
3 Tubas (trio)
8
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Euphonium
7
2 Cors Anglais Et Pianoforte
6
Cor, Orchestre
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
3 Cors (trio)
4
Trompette et Guitare
4
2 Euphoniums (duo)
4
Trombone, Violon (duo)
3
Euphonium, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Saxophone (duo)
2
Trompette, Orchestre
1
2 Cors, Piano
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Bass Clef Instruments
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Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Instruments en Sib
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Cor, Trompette, Trombone (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2338
Violon et Piano
742
Violoncelle, Piano
606
Alto, Piano
512
Trio à Cordes: violon, alto, violoncelle
463
Quintette à cordes: 2 violons, alto, violoncelle, basse
421
2 Violons (duo)
349
Violon, Violoncelle (duo)
331
Violoncelle
314
Violon
305
Contrebasse, Piano (duo)
270
2 Violoncelles (duo)
252
Alto seul
243
2 Altos (duo)
239
Contre Basse
212
Violon, Alto (duo)
193
Alto, Violoncelle (duo)
118
2 Contrebasses (duo)
86
Trio à Cordes: 2 violons, violoncelle
85
4 Violoncelles
66
Trio à Cordes: 3 violoncelles
59
Alto (partie séparée)
55
Violon, Basson (duo)
52
Harpe
51
Trio à cordes: 3 violins
47
Violon (partie séparée)
45
Violoncelle , Guitare (duo)
45
Quatuor à cordes: 4 violons
42
Trio à cordes: 3 altos
40
Violon, Guitare (duo)
38
Alto et Basson
34
Quintette à cordes: 2 violons, 2 altos, violoncelle
29
Quatuor à cordes : 4 altos
28
Piano Trio: Violon, Alto, Piano
28
Violoncelle (partie séparée)
20
Alto, Guitare (duo)
18
Trio à Cordes: 2 violons, alto
16
Harpe, Flûte (duo)
15
Contrebasse (partie séparée)
13
Violoncelle, Orchestre
12
Violoncelle, Contrebasse (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Harpe, Violon, Violoncelle
8
Ensemble de Violoncelles
6
Harpe et mandoline
5
2 Harpes (duo)
5
Harpe, Violon (duo)
5
Violoncelle, Basse continue
4
2 Altos, Piano
4
Harpe, Quatuor à cordes
4
Violon, Tuba (duo)
3
2 Violoncelles, Piano
3
Flûte, Contrebasse (duo)
3
3 Contrebasses
3
Ensemble de Violons
3
2 Violons, Piano
3
Ensemble d'Altos
2
Violon, Violoncelle, Clarinette
2
Violon, Clarinette, Piano (trio)
2
4 Harpes
2
Trio à cordes
1
2 Violons et Basse continue
1
Harpe, Voix
1
4 Contrebasses
1
3 Harpes
1
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Violon, Orgue
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre de chambre
2235
Orchestre
470
Orchestre à Cordes
456
Orchestre d'harmonie
232
Ensemble de cuivres
94
Jazz combo
40
Piano et Orchestre
33
Ensemble de Percussions
32
Ensemble Jazz
31
Marimba
28
Cloches
23
Percussion (partie séparée)
20
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
20
Xylophone, Piano
19
Orchestre, Violon
18
Vibraphone
10
Percussion
9
Big band
8
Xylophone
6
Fanfare
4
Batterie
4
Timbales (partie séparée)
4
Timbales
2
Instrumentation Flexible
2
Voix et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
2 Xylophones
1
Vibraphone et Marimba
1
Ensemble d'École
1
Quintette à Vent
1
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8501
The Oboe
Piano Quartet - Level 5 - Digital Download SKU: A0.1329920 Composed by James E. And…
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Piano Quartet - Level 5 - Digital Download SKU: A0.1329920 Composed by James E. Andersson. 19th Century,21st Century,Classical,Comedy,Contemporary. 35 pages. Sahale Studios #917904. Published by Sahale Studios (A0.1329920). Once there was an oboist who was a member of a chamber ensemble consisting of flute, oboe, cello, and, piano. The oboist was highly skilled; a virtouoso who could ornament without the slighest effort. They were notorious for doing so.One day during dress rehearsal, the oboist, familiar enough with the music began ornamenting and adding stylistic flourishes, becoming increasingly carried away with their part. It finally reaches a point where the others stop playing and let the oboe go completely overboard with a full cadenza. Not far into the solo, the oboe realizes everyone else has stopped playing and stops themself and the rehearsal continues. However, not much farther along, the oboist becomes carried away in their part again, resulting in the other musicians pausing again as the oboist proceeds into another cadenza passage before realizing the others have stopped again.The rehearsal continues, and they all get further along (due to the oboe simply not playing), but when the oboe plays the melody, the ornaments and finesse return in full display, and finally the piano cuts the oboe off. At the slightest hint of an ornament all the other musicians in the ensmeble join in and cut off the oboe. From this, the oboist sinks into low spirits.The rehearsal continues unabated through the next section, and when the oboist enters, they play their part as written, but the ornamentations begin creeping in again. But rather than admonish the oboist the others instead speed the music up into the recapitulation section and for the remainder of the piece and rehearsal they all go wild with flourishes and ornamentations of their own, bringing the piece to a rollicking and lively conclusion.
$22.99
20.85 €
#
James E
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The Oboe
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Sahale Studios
#
SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
31.73 €
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.12654…
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Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #858250. Published by jmsgu3 (A0.1265431). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces, published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the wedding in 1613 of the Princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasies. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and made significant contributions to the repertoire of keyboard and choral music during that era.
$32.95
29.88 €
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Dr
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James M
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Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
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jmsgu3
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SheetMusicPlus
Othello Suite, Op. 79 for Brass Choir
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Dow…
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,March,Multicultural,World. 110 pages. Charles Decker Music Press #732911. Published by Charles Decker Music Press (A0.1132715). This multi-movement brass choir arrangement adapted from Samuel Coleridge-Taylor's orchestral Othello Suite, Op. 79 provides a technical and musical showpiece to highlight any performance. Four distinctive movements in this Suite include a driving Dance, melancholy Funeral March, languid Willow Song featuring a flugelhorn solo and a rousing Military March to conclude. Every player gets an opportunity to shine and display not only their technical expertise but also their musicianship as well. The work is arranged for a brass choir of four B-trumpets with trumpet I doubling on piccolo B-flat trumpet and flugelhorn, 4 F horns, 3 trombones, euphonium and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
36.26 €
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Samuel Coleridge-Taylor
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Richard Decker
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Othello Suite, Op. 79 for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - Digital Download S…
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B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - Digital Download SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christmas,Contest,Easter,Festival,Praise & Worship. 42 pages. Charles Decker Music Press #756379. Published by Charles Decker Music Press (A0.1156067). Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. His numerous choir anthems offer dramatic performance opportunities for church or the concert hall. His festival anthem SATB choral anthem Lift Up Your Heads is an expressive and dramatic work enhanced with brass quartet accompaniment of two B-flat trumpets and two trombones with alternate F horn and treble clef euphonium parts provided for the trombone parts. The organ/piano part can be used for chorus preparation as well as additional support for performances if desired. However, not using the keyboard part in its entirety for a performance in addition to the brass group will create a more interesting interplay of different timbres. Conductors should ensure accompaniment parts don't overwhelm the chorus especially if the keyboard part is added with the brass. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$19.99
18.12 €
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Samuel Coleridge-Taylor
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Richard Decker
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Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
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Charles Decker Music Press
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SheetMusicPlus
The Girl In The Green Bandanna
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1169176 By Franklyn Grace. By Franklyn Grace. Chamber,Contemporary. 39 pages. Franklyn Grace Creative Arts #769302. Published by Franklyn Grace Creative Arts (A0.1169176). The Girl In the Green Bandanna is a contemporary woodwind quintet for flute, oboe, clarinet, bass clarinet, and bassoon. It is based upon the classical Rondo Form, with this particular pattern of the form being ABACBA. These six sections that comprise the piece all focus in some capacity on two individual themes: the first, slower theme of the A Section and the contrastingly more lively theme that follows immediately afterward in the B Section.Below is a theoretical analysis of the parts and how they each have their own unique nod, whether big or small, to these two main themes. A1 (mm. 1-9): The opening section of the piece, which introduces Theme 1.B1 (mm. 10-22): Directly following the opening, this section introduces Theme 2.A2 (mm. 23-58): After a brief interlude from the bassoon part, the main motif from Theme 1 returns, presented as motivic manipulation in the clarinet part of this section, underneath the flute melody.C (mm. 59-123): A new, more jaunty section not yet heard in the piece, though which still contains occasional traces of the main motif from Theme 2.B2 (mm. 124-144): Theme 2 in a modulated key and with a more majestic energy. Here, the two themes merge together momentarily, as Theme 1 can be heard briefly in the Clarinet part during the first eight measures of this section, much akin to A2.A3 (mm. 145-149): The outro of the piece, which is a polytonal rendering of the modulated key from B2 and the original opening key.
$9.99
9.06 €
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Franklyn Grace
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The Girl In The Green Bandanna
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Franklyn Grace Creative Arts
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SheetMusicPlus
The Emotional Lives of Colors (for trumpet, piano, and percussion)
B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Compos…
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B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
27.19 €
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
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Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.32 €
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Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
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Alastair Lodge
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Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Wold Meridian
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SheetMusicPlus
The Journey (Downloadable Piano/Vocal Score)
6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0  
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6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0 — 1 perc — hp, pf — str —Solo Voices — SATB Chorus) - Digital Download SKU: MQ.5969-E Composed by David Conte. Instrument part. 47 pages. E. C. Schirmer Music Company - Digital #5969-E. Published by E. C. Schirmer Music Company - Digital (MQ.5969-E). The Journey is a twenty-minute cantata extracted from the opera The Dreamers. The opera was commissioned and produced by the Sonoma City Opera in 1996; Antoinette Kuhry, producer; musical direction by John Miner; stage direction by Sanrda Bernhard. The Dreamers captures a formative moment in American history where characters are separated by their cultural and racial differences, and brought together by their dreams and their longing for a new home. The Journey was commissioned by the Oakland East Bay Symphony, Michael Morgan, conductor, and was premiered at the Paramount Theater in Oakland, CA on May 18th, 2001. To set the scene for the excerpt here entitled The Journey: The entire town of Sonoma is gathered at The Collonade Theater to watch an amateur production of Shakespeare's Othello. An unpleasant racial incident occurs which brings the performance to a halt. To smooth thingsover, a sing-a-long is proposed. The song chosen is My Old Kentucky Home by Stephen Foster. After a brief statement of that tune in the orchestra, the entire company enters a dream-state, as six characters from the opera, with commentary by the chorus, sing arias about home. Johnny Rowe, an American soldier stationed in Sonoma, serves as a kind of master-of-ceremonies. Black Sam is a freed slave working as a gambler in Sonoma to earn money to buy his wife out of slavery. Indian Princess Isadora is the last of her tribe. Jim and Mary Eastin have migrated to California from Kentucky. Lizzy Fine is a widow who sings a farewell to her departed husband. The finale of this sequence is an Octet, where all six characters and the men and women of the chorus sing their various texts together, ending with the words from Stephen Foster: Weep no more.
$16.00
14.51 €
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David Conte
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Antoinette Kuhry, producer
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The Journey
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Bamboula Rhapsodic Dance for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$39.95
36.22 €
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Samuel Coleridge-Taylor
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Charles Decker
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The Bamboula Rhapsodic Dance for Brass Band
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Charles Decker Music Press
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SheetMusicPlus
The Bamboula Rhapsodic Dance for Brass Choir
Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SK…
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Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 123 pages. Charles Decker Music Press #651405. Published by Charles Decker Music Press (A0.1046907). This brilliant brass choir arrangement captures the excitement of the composer’s 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The ten-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat), 4 horns, 3 trombones, euphonium and tuba and is a tour de force for ambitious brass choirs guaranteed to inspire performers and excite audiences.  The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
36.26 €
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Samuel Coleridge-Taylor
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Richard Decker
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The Bamboula Rhapsodic Dance for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
The Charleston (1923) for Brass Choir
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Downloa…
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272). From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$15.99
14.5 €
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James P
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Charles Decker
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
22.67 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Chamber Symphony
Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed…
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Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00
49.87 €
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
4.52 €
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Alm@music
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SheetMusicPlus
Chamber Music for Three Flutes
Flute SKU: HL.4474540 Composed by Various. Edited by H. Voxman. Arranged by H. Voxm…
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Flute SKU: HL.4474540 Composed by Various. Edited by H. Voxman. Arranged by H. Voxman. Ensemble Collection. Classical. 32 pages. Rubank Publications #RUBL272. Published by Rubank Publications (HL.4474540). ISBN 9781423444978. UPC: 073999745405. 9.0x12.0x0.111 inches.Easy to medium level flute trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Bach, Corelli, Faber, Handel, Haydn, Mozart, Quantz, Schubert and others.
Song List: Allegro (Mozart) Adagio Cantabile (Haydn) Air From Sonata Iii (Mattheson) Allegro Scherzando (Bach Cpe) Andantino (Trio In D Hook) At Christmastide Bourree (Part. In F Faber) Canon At 2nd (Mozart) Canon At Unison & Octave (Mozart) Christ Lay In Bonds Of Death (Bach) Gigue(Son. Iii Mattheson) Largo & Minuetto (Trio D) Quantz Let Every Heart Be Merry (Vecchi March (Son.Iii Mattheson) March In B Flat (Handel) Menuet Antique (Scheurer) Romanze (Div. V Mozart) Sarabande In D Minor Scherzino (Metzger) Sonata Iii (Mattheson) Theme-Fl.Trio,Op.37 (Walckiers) Three American Folk Songs German Dance Adagio
Song List
: Allegro (Mozart) Adagio Cantabile (Haydn) Air From Sonata Iii (Mattheson) Allegro Scherzando (Bach Cpe) Andantino (Trio In D Hook) At Christmastide Bourree (Part. In F Faber) Canon At 2nd (Mozart) Canon At Unison & Octave (Mozart) Christ Lay In Bonds Of Death (Bach) Gigue(Son. Iii Mattheson) Largo & Minuetto (Trio D) Quantz Let Every Heart Be Merry (Vecchi March (Son.Iii Mattheson) March In B Flat (Handel) Menuet Antique (Scheurer) Romanze (Div. V Mozart) Sarabande In D Minor Scherzino (Metzger) Sonata Iii (Mattheson) Theme-Fl.Trio,Op.37 (Walckiers) Three American Folk Songs German Dance Adagio
$7.99
7.24 €
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Various
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H
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Chamber Music for Three Flutes
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Rubank Publications
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SheetMusicPlus
In the Dark Pine-Wood (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.72 €
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strings in the Earth and Air (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.72 €
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Pantheon for Horn, Violin and Piano
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Compo…
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
40.8 €
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Elizabeth Raum
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Pantheon for Horn, Violin and Piano
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Gordon Cherry
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SheetMusicPlus
Partire 622 for Baroque or modern chamber ensemble with Viola da gamba
Cello,Flute,Harpsichord,Viola da gamba,Violin - Level 5 - Digital Download SKU: A0.1491…
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Cello,Flute,Harpsichord,Viola da gamba,Violin - Level 5 - Digital Download SKU: A0.1491619 Composed by Mark Rimple. Baroque,Chamber,Contemporary. 55 pages. Mark Rimple (Nuova Corda Music) #1068301. Published by Mark Rimple (Nuova Corda Music) (A0.1491619). Partire 622 is a single movement work dedicated to the memory of my stepmother, Lynne N. Fein, whose father lived at this address on a street in South Philadelphia, she found mystical attachment to this number. When she died, I wrote this piece in her memory, and used these numbers in subtle ways to create the work. Melomanie performed and recorded the work on their CD Flourescence under its original title, Partita 622 [sic]. The harpsichord should be tuned as close to equal temperament as possible if playing with modern instruments, but a slight tinge of mean tone is highly acceptible. Melomanie performed with a viola da gamba but with otherwise modern instruments. Parts are included in the score.
$14.99
13.59 €
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Mark Rimple
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Partire 622 for Baroque or modern chamber ensemble with Viola da gamba
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Mark Rimple
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SheetMusicPlus
The Last Brigade (Duet for Flute and 3-Octave Marimba)
Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Compose…
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Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #5214719. Published by Adam Lenhart (A0.949371). The Last Brigade utilizes the F harmonic minor scale to evoke imagery of an intense battle scene. The contrasting timbres of each instrument must work together over both legato and marcato phrases. Fun and driving, this piece perfectly blends the elements of energizing the audience and showcasing the players' abilities. The marimba part for this piece is suitable for a three-octave instrument (F3-F6) and can be performed with two mallets or four. Medium-hard rubber or yarn mallets are recommended. Includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
4.52 €
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Adam Lenhart
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The Last Brigade
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Adam Lenhart
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SheetMusicPlus
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336…
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Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pages. James Siddons Music and Writings #903081. Published by James Siddons Music and Writings (A0.1314336). Description This “Meditation,†in the unusual combination of flute, clarinet, tenor saxophone, and trumpet, uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. The trumpet gives a clarion sound to entrances of the hymn tunes but elsewhere is mellowed by the three woodwinds. As is common practice in chamber music, each performer will need to listen to the other instruments to achieve a balanced sound. For this reason, relatively few dynamic markings are in the parts, as the performers will determine these in each performance environment. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a standard woodwind quartet (fl ob cl bsn). The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
9.97 €
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James Siddons
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Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
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James Siddons Music and Writings
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SheetMusicPlus
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
13.6 €
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Spiritual
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Maria Thompson Corley
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"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
The Theremin Play Along Book
C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - Digital Download SKU: A0…
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C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - Digital Download SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classical,Contemporary,Instructional,Opera. Individual part. 65 pages. Tim Labor #809664. Published by Tim Labor (A0.1212146). Patented in 1928 by Russian/Soviet television and surveillance researcher Leon Theremin, the instrument named for him is one of the world’s oldest electronic musical instruments.As a performer, the Thereminist pays some prices. They do not touch their instrument when playing, they cannot operate the device with people in range of the sensors (there are no Theremin sections in symphony orchestras), and compared to other instruments there are few teachers. Learning to play a Theremin is a lonely experience.Enter the public domain and the Digital Age, where increased online resources for listening to music on free streaming services and other platforms, form a special opportunity to jam.The Theremin Play-Along Book is a collection of twenty-eight imaginary parts for classical compositions that allow the Thereminist to solo along with existing recordings, integrate into a Western orchestral or chamber concert, or hone playing and listening skills by singing in an online shower. The volume includes selections from Puccini, Verdi, Faure, Debussy and even adaptations of Wagner's Liebestod and Rimsky-Korsakov's Flight of the Bumble Bee.
$15.99
14.5 €
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See description
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Tim Labor
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The Theremin Play Along Book
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Tim Labor
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SheetMusicPlus
The Boy And The Heron
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 3 - Digita…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1418119 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. 8 pages. Glauco Fernandes #999669. Published by Glauco Fernandes (A0.1418119). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.
$7.99
7.24 €
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Joe Hisaishi
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the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself
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Glauco Fernandes
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The Boy And The Heron
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Glauco Fernandes
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SheetMusicPlus
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