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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The End Of The World
Non classifié
1 935
Piano & claviers
Piano seul
1 046
Piano, Voix
454
Piano Facile
443
Instruments en Do
285
Piano, Voix et Guitare
263
Orgue
89
Piano grosses notes
71
2 Pianos, 4 mains
38
1 Piano, 4 mains
37
Accompagnement Piano
31
Piano Trio: piano, violon, violoncelle
28
Accordéon
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
2
Accordéon, Piano
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
2 Accordéons
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
234
Guitare
122
Ukulele
64
Ligne De Mélodie, (Paroles) et Accords
27
Basse electrique
26
2 Guitares (duo)
18
Mandoline
11
Paroles et Accords
9
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
6
Dulcimer
6
Banjo
5
Mandoline, Guitare (duo)
4
3 Guitares (trio)
4
Ensemble de guitares
3
2 Dulcimers (duo)
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
540
Chorale 3 parties
146
Chorale 2 parties
138
Chorale TTBB
62
Voix duo, Piano
58
Chorale Unison
54
Chorale SSAA
45
Pack Instrumental pour Chorale
26
Voix Soprano, Piano
21
Voix duo
10
Chorale
9
Voix Alto, Piano
8
Voix haute
6
Voix moyenne, Piano
5
Voix basse, Piano
4
Voix Tenor, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix Baryton, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATB
2
Voix seule
1
Chorale SSAB a cappella
1
Chorale SSATTB
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
177
Quatuor de Saxophones: 4 saxophones
172
Quintette de Saxophone: 5 saxophones
143
Flûte traversière et Piano
134
Clarinette et Piano
124
Flûte, Hautbois, Clarinette, Basson
115
Hautbois, Piano (duo)
115
Ocarina
115
Clarinette
111
Flûte traversière
108
2 Saxophones (duo)
92
Saxophone Alto
75
2 Flûtes traversières (duo)
74
Saxophone Tenor et Piano
69
Saxophone Alto et Piano
66
Ensemble de saxophones
58
Saxophone Tenor
57
Saxophone Soprano et Piano
51
Saxophone (partie séparée)
49
2 Clarinettes (duo)
47
Hautbois (partie séparée)
45
Flûte à bec Soprano
43
Quatuor de Clarinettes: 4 clarinettes
43
Flûte, Clarinette (duo)
41
Quatuor de Flûtes : 4 flûtes
39
Hautbois
35
Ensemble de Clarinettes
31
Saxophone Baryton, Piano
29
3 Saxophones (trio)
28
3 Clarinettes (trio)
26
Quintette de Clarinettes: 5 clarinettes
23
Hautbois, Basson (duo)
22
2 Hautbois (duo)
20
Cor anglais, Piano
20
Clarinette Basse, Piano
19
Trio de Flûtes: 3 flûtes
18
Ensemble de Flûtes
17
Clarinette, Basson (duo)
16
Saxophone Soprano
16
Clarinette, Violon (duo)
16
Quintette de Flûte : 5 flûtes
15
Hautbois, Clarinette (duo)
15
2 Flûte à bec (duo)
14
Clarinette (partie séparée)
13
Flute (partie séparée)
13
Saxophone, Clarinette (duo)
13
Clarinette, Violoncelle (duo)
11
Hautbois, Violoncelle
11
Flûte, Violoncelle
9
Flûte et Guitare
9
2 Flûtes traversières, Piano
8
Clarinette, Trompette (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Cor Anglais
8
Flûte, Violon
8
Flûte, Hautbois, Piano (trio)
7
Flûte à Bec
7
Saxophone
7
Hautbois, Flûte
7
Flûte à bec Alto
7
Flûte, Basson et Piano
7
3 Hautbois
7
Flûte, Hautbois, Basson
6
Flûte, Clarinette, Piano (trio)
6
Saxophone Baryton
6
Harmonica
6
2 Clarinettes, Piano
6
Flûte, Alto (duo)
6
Clarinette et Alto
6
Flûte, Violon, Piano
6
Flûte, Hautbois (duo)
5
Flûte à bec Tenor
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette, Harpe (duo)
4
Flûte, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Quatuor de Flûtes à bec
3
Hautbois et alto (duo)
3
Flute, harpe et violon
3
Clarinette, Guitare (duo)
3
Clarinette Basse
3
Hautbois, violon (duo)
3
Flûte, trombone et piano
3
Ensemble de Hautbois
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
4 Hautbois
2
Flûte, Violon et Violoncelle
2
Flûte, Harpe et Violoncelle
2
3 Flûtes à bec (trio)
2
Piccolo, Piano
2
Ensemble De Flûte à bec
2
Flûte, Alto et Piano
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Violon, Piano
2
Flûte, Clarinette, Violon (trio)
1
2 Flûtes traversières, Harpe
1
Flûte et Trio à cordes
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
5 Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Clarinette, Contrebasse (duo)
1
Harmonica, Piano
1
Clarinette, Saxophone, Piano
1
Cornemuse
1
2 Hautbois, Piano
1
Flûte, Violon, Violoncelle et Piano
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
222
Quatuor de Cuivres
132
Trompette
111
Trompette, Piano
90
Trombone et Piano
81
Trombone
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
69
Cor et Piano
68
Cor
51
Tuba
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Tuba et Piano
38
Trombone (partie séparée)
29
Euphonium, Piano (duo)
27
2 Trompettes (duo)
25
2 Trombones (duo)
25
Trompette (partie séparée)
22
Trompette, Trombone (duo)
20
Cor anglais, Piano
20
Ensemble de Trompettes
19
2 Cors (duo)
16
Quatuor de cuivres: 4 trombones
16
Trompette, Cor (duo)
13
Ensemble de Trombones
12
3 Trompettes (trio)
10
Trompette, Saxophone (duo)
8
Quatuor de cuivres: 4 cors
8
Cor Anglais
8
Trio de Cuivres
8
Cor (partie séparée)
7
Tuba (partie séparée)
7
Euphonium
7
Trompette, Violoncelle (duo)
6
Cor, Violoncelle (duo)
6
2 Tubas (duo)
6
Tuba et Orgue
6
3 Trombones (trio)
6
Cor et Basson (duo)
5
Quatuor de cuivres: 4 trompettes
5
Cor et Harpe
4
Trompette, Basson (duo)
3
Trombone, Cor (duo)
3
Ensemble de Cors
3
Trompette, Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums (duo)
1
Trombone basse
1
3 Tubas (trio)
1
Trombone basse et Piano
1
2 Cors, Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle et Piano
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
370
Violon et Piano
191
Violon
161
Violon, Violoncelle (duo)
156
Violoncelle
136
Alto, Piano
125
Violoncelle, Piano
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
99
Alto seul
94
Trio à Cordes: 2 violons, violoncelle
77
2 Violons (duo)
67
Trio à Cordes: violon, alto, violoncelle
59
Violon, Alto (duo)
54
Harpe
52
2 Violoncelles (duo)
52
Contre Basse
37
Contrebasse, Piano (duo)
29
2 Altos (duo)
29
Alto (partie séparée)
22
2 Harpes (duo)
21
Alto, Violoncelle (duo)
16
Violon (partie séparée)
14
Trio à cordes: 3 violins
13
Quatuor à cordes : 4 altos
11
4 Violoncelles
11
Trio à Cordes: 3 violoncelles
10
Violon, Basson (duo)
10
Trio à cordes: 3 altos
7
Ensemble d'Altos
7
Harpe, Flûte (duo)
7
Piano Trio: Violon, Alto, Piano
7
Contrebasse (partie séparée)
7
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
6
Ensemble de Violons
6
Harpe, Voix
5
Violoncelle, Contrebasse (duo)
4
Alto et Harpe
4
Alto et Basson
4
Violoncelle (partie séparée)
4
Violoncelle , Guitare (duo)
3
Harpe, Violon, Violoncelle
3
Harpe, Violoncelle (duo)
3
3 Contrebasses
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Harpe et Piano
2
Harpe et mandoline
1
Alto et orchestre
1
Violon, Orgue
1
Harpe, Trombone (duo)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 060
Orchestre
209
Orchestre à Cordes
123
Ensemble Jazz
55
Orchestre de chambre
49
Ensemble de cuivres
47
Cloches
31
Jazz combo
24
Marimba
22
Fanfare
19
Xylophone
13
Ensemble de Percussions
12
Percussion (partie séparée)
10
Xylophone, Piano
7
2 Xylophones
6
Batterie
5
Vibraphone
4
Timbales (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
1
3 Percussions
1
Vibraphone et Marimba
1
Ensemble d'École
1
Percussion
1
2 Marimbas
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIELLE A RO…
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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VIOLONCELLE
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MEDIEVAL - RENAISSAN…
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Crtitères actifs :
The End Of The World
Partitions à imprimer
1 935 partitions trouvées
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1
26
51
....
1926
The End Of The World - Score Only
#
Skeeter Davis
#
Arco Ensembles
#
The End Of The World - Score O
#
Arco Ensembles Production Corp
#
SheetMusicPlus
Level 2 - SKU: A0.1190974 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Arco Ensembles. Chamber,Jazz,Pop,Standards,Traditional. 7 pages. ...
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Level 2 - SKU: A0.1190974 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Arco Ensembles. Chamber,Jazz,Pop,Standards,Traditional. 7 pages. Arco Ensembles Production Corp #790498. Published by Arco Ensembles Production Corp (A0.1190974). Imagine living in a parallel universe where the 19th-century practice of inviting a few friends over to one's home to read chamber music over finger sandwiches on a Sunday afternoon had never died. Recommend pairing with a bottle of red wine if age appropriate.This reference score is arranged for voice, two violas, piano, and bass. Drums can read off the score. Replace the vocals with another string, or have the vocalist google the lyrics. The possibilities are numerous![Note: mp3 sample and youtube link were recorded in a sight-reading session from this score by an ensemble that had never played together as a whole. Thereby proving you can too].
$7.99
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
#
SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
Luther: Out of the Depths for Bass Flute & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
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Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Oboe d'Amore & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Sta...
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Contrabassoon & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Baritone Horn & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standar...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Piano Trio
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Sc...
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Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
It's The End Of The World As We Know It
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R
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Samantha Hogan
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It's The End Of The World As W
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Coffee Seal Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Flute,Tenor Trombone - Level 2 - SKU: A0.1093632 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry....
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Small Ensemble Alto Saxophone,Flute,Tenor Trombone - Level 2 - SKU: A0.1093632 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Samantha Hogan. Classical,Pop,Rock,Wedding. Score and parts. 5 pages. Coffee Seal Music #697703. Published by Coffee Seal Music (A0.1093632). For a trio of Flute, Alto Sax, and Trombone. ( Brass, Woodwind, and String Trio versions are on the way and will be released soon. Please check my composer page on Sheet Music Press for these or check the Arrangements Page on my website). Difficulty: Easy This is a fun Mashup of the Cannon in D by Pachabelle and It's the end of the world by REM. It can be repeated endlessly if needed or just played for 1 minute. Perfect for Musicians and Couples with a dark sense of humor who want this played while marching down the aisle at their WEDDING. Please visit www.SamanthaHogan.com for more Music and Arrangements.
$12.99
It's Not The End Of The World
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Contemporain
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Emilio
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Kendra McGary
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It's Not The End Of The World
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Kendra McGary
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SheetMusicPlus
Small Ensemble - SKU: A0.960898 By Emilio. By Earl Clark, Larry Boone, and Paul Nelson. Arranged by Kendra McGary. Contemporary. Score and parts. 2 page...
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Small Ensemble - SKU: A0.960898 By Emilio. By Earl Clark, Larry Boone, and Paul Nelson. Arranged by Kendra McGary. Contemporary. Score and parts. 2 pages. Kendra McGary #5722837. Published by Kendra McGary (A0.960898).
$4.99
The Bamboula Rhapsodic Dance for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$39.95
A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
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Joseph Davila
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A Pukwudgie Christmas: A Tale
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JaGlo Music
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SheetMusicPlus
Guitar Ensemble - Level 5 - SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and ...
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Guitar Ensemble - Level 5 - SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and Parts. 17 pages. JaGlo Music #1032873. Published by JaGlo Music (A0.1453659). This is a guitar quartet Christmas piece that I wrote earlier this year. It is for advanced players and is perfect for Holiday Concerts, Christmas parties or recitals. The theme is based on the legend of the Pukwudgie and is the soundtrack to the story below. © Copyright 2024 JaGlo Music. In the quaint village of Hollybrook, Christmas was a time of joy and togetherness. But this year, a malicious pukwudgie named Bramble planned to spread fear and chaos. On Christmas Eve, as villagers gathered around the grand tree for the annual lighting ceremony, Bramble struck. He made the lights flicker and go out and twisted the ornaments into grotesque shapes. He snuck into homes, swapping sugar for ashes and hiding stockings in unreachable places, casting a dark spell over the village. By morning, Hollybrook was in disarray. Children found their stockings missing, cookies ruined, and the tree ominous in the square. Fear gripped the town. Amidst the chaos, a brave girl named Lucy refused to let fear win. She gathered her friends and ventured into the forest, following eerie footprints. They found Bramble muttering dark incantations under a gnarled tree. Caught in a trap made from holly and mistletoe, Bramble hissed his intentions to spread fear. Lucy, with steely resolve, offered him a chance at redemption. Reluctantly, Bramble agreed. They returned to the village, and with Bramble’s help, dispelled the dark enchantments. The ornaments returned to their beautiful forms, sugar replaced the ashes, and the stockings were found. That night, the tree lit up, and Bramble felt warmth in his heart for the first time. The villagers, initially wary, accepted him as he helped create beautiful ice sculptures, adding magic to the festivities. From that year on, Bramble became part of Hollybrook. His dark nature slowly transformed under the light of friendship and acceptance. Every Christmas, his magic brought extra sparkle to the celebrations, reminding everyone that even the darkest hearts could find redemption through kindness and love.
$12.00
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511309. Published by jmsgu3 (A0.552857). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3509491. Published by jmsgu3 (A0.549580). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549583 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Rom...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549583 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3511247. Published by jmsgu3 (A0.549583). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
DvoÅ™ák: Largo from the New World Symphony for Baritone Horn & Piano
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552853 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552853 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494239. Published by jmsgu3 (A0.552853). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius) and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he submitted two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876 and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák therefore to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all in all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
With A Shout (1 Thessalonians 4.16-18 WEB)
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Musique Sacrée
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Chris Monteiro
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With A Shout
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Christopher M. Monteiro
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SheetMusicPlus
Small Ensemble Choir,High Voice,Trumpet - Level 2 - SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pag...
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Small Ensemble Choir,High Voice,Trumpet - Level 2 - SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99
The End Of The World
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Contemporain
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The Carpenters
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Steve Hoover
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The End Of The World
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Steve Hoover Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.764275 By The Carpenters. By Arthur Kent. Arranged by Steve Hoover. Contemporary. Score and parts. 9 pages. ...
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Brass Ensemble Trombone - Level 5 - SKU: A0.764275 By The Carpenters. By Arthur Kent. Arranged by Steve Hoover. Contemporary. Score and parts. 9 pages. Steve Hoover Music #5318471. Published by Steve Hoover Music (A0.764275). THE END OF THE WORLD - trombone quartet.
$14.99
The Bamboula Rhapsodic Dance for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20t...
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Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 123 pages. Charles Decker Music Press #651405. Published by Charles Decker Music Press (A0.1046907). This brilliant brass choir arrangement captures the excitement of the composer’s 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The ten-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat), 4 horns, 3 trombones, euphonium and tuba and is a tour de force for ambitious brass choirs guaranteed to inspire performers and excite audiences.  The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549430 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549430 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494193. Published by jmsgu3 (A0.549430). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494221. Published by jmsgu3 (A0.549434). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic ...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
The End Of The World
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The Carpenters
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Hilary Allen
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The End Of The World
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Hilary Allen
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SheetMusicPlus
Choral Choir (4-Part) - Level 2 - SKU: A0.927751 By The Carpenters. By Arthur Kent. Arranged by Hilary Allen. A Cappella. Octavo. 3 pages. Hilary Allen ...
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Choral Choir (4-Part) - Level 2 - SKU: A0.927751 By The Carpenters. By Arthur Kent. Arranged by Hilary Allen. A Cappella. Octavo. 3 pages. Hilary Allen #4996737. Published by Hilary Allen (A0.927751). Acappella, female 4-part, barbershop-style.
$3.00
The End Of The World
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Contemporain
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The Carpenters
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Rob Bullen
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The End Of The World
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Rob Bullen
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.944734 By The Carpenters. By Arthur Kent. Arranged by Rob Bullen. Contemporary. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.944734 By The Carpenters. By Arthur Kent. Arranged by Rob Bullen. Contemporary. Score and parts. 2 pages. Rob Bullen #5709441. Published by Rob Bullen (A0.944734). Simple lead sheet with voice and guitar chords. Includes separate lyrics. Perfect for a community choir or singing group.
$4.99
The End Of The World
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Contemporain
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The Carpenters
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Paul Keller
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The End Of The World
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Paul Keller
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SheetMusicPlus
Small Ensemble - SKU: A0.929912 By The Carpenters. By Arthur Kent. Arranged by Paul Keller. Contemporary. Score and parts. 4 pages. Paul Keller #4810865...
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Small Ensemble - SKU: A0.929912 By The Carpenters. By Arthur Kent. Arranged by Paul Keller. Contemporary. Score and parts. 4 pages. Paul Keller #4810865. Published by Paul Keller (A0.929912).
$12.99
In Time of War: Prayers and Meditations (Piano/Vocal Score)
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Henry Mollicone
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In Time of War: Prayers and Me
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano solo, percussion, harp and string orchestra - Difficult - SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 pages. Duration 2...
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Soprano solo, percussion, harp and string orchestra - Difficult - SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 pages. Duration 24 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #6446-E. Published by E. C. Schirmer Music Company - Digital (MQ.6446-E). Latin.In Time of War: Prayers and Meditations was completed in June, 2004. The work was written in response to the wartime events of our time, and juxtaposes vocal movements based upon Latin prayers with purely orchestral sections (meditations on wartime subjects). The Latin prayers in this work consist of the Agnus Dei from the Roman Catholic Mass, a prayer which asks God for forgiveness of the 'sins of the world,' and two hymns to the Virgin Mary: Ave Maria and Ave Maris Stella. The concept of the Blessed Mother as the spiritual mother of all humanity is a powerful one which I believe touches us on a deep level. As children, our mothers give us guidance, tenderness, unconditional love and protection in a world where evil exists. In our time, horrific wartime events daily take their toll on innocent civilians, while motherhood is revered in all cultures. This work is about the coexistence of these two disparate but ever present realities, representing the best (unconditional love) and worst (war) aspects of the human condition. -Henry Mollicone Duration: 24' 50 Contents:1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope.
Song List
: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
$9.50
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The End Of The World