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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Feeding
Sheetmusicplus
Non classifié
12
Piano & claviers
Piano, Voix
5
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3
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2
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2
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8
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
The Feeding
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
#
Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Wexford Carol SATB flute or violin or cello and piano
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Connie Boss
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Wexford Carol SATB flute or vi
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1319598 Composed by Irish Traditional. Arrang...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1319598 Composed by Irish Traditional. Arranged by Connie Boss. Christian,Christmas,Holiday. 11 pages. Connie Boss #906502. Published by Connie Boss (A0.1319598). This Irish Christmas song calls all to gather to celebrate Christ's birth. This version is for SATB quartet or choir with optional flute or violin or cello and piano. Parts are included with this purchase. The harmonies add so much to this pretty song. Questions or requests, email cdboss@cvalley.netGood people all, this Christmas time,Consider well and bear in mindWhat our good God for us has done,In sending His belovèd Son.With Mary holy we should prayTo God with love this Christmas Day;In Bethlehem upon the mornThere was a blest Messiah born.The night before that happy tideThe noble virgin and her guideWere long time seeking up and downTo find a lodging in the town.But mark how all things came to pass:From every door repelled, alas!As long foretold, their refuge allWas but a humble oxen stall.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheep;To whom God’s angels did appearWhich put the shepherds in great fear.“Prepare and goâ€, the angels said,“To Bethlehem, be not afraid;For there you’ll find, this happy morn,A princely Babe, sweet Jesus born.
$7.99
Recipe for Life
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Contemporain
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Pat Holmberg
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Recipe for Life
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Patricia Tanttila Holmberg
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SheetMusicPlus
Small Ensemble Flute,High Voice,Medium Voice,Piano - SKU: A0.852594 Composed by Pat Holmberg. 20th Century,Concert,Contemporary. Score and parts. 10 pag...
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Small Ensemble Flute,High Voice,Medium Voice,Piano - SKU: A0.852594 Composed by Pat Holmberg. 20th Century,Concert,Contemporary. Score and parts. 10 pages. Patricia Tanttila Holmberg #2002959. Published by Patricia Tanttila Holmberg (A0.852594). This would be classified as an art song. It is a duet with soprano and baritone voices, accompanied by flute and piano. The text is: Men and women are complex creatures. They each possess a multitude of features. One of the oldest ones; one of the strongest ones is the need to be fed; the need to be nourished; the need to be fed and nourished in body, mind and spirit; in body, mind and spirit; in body, mind and spirit. Feeding only one part and ignoring the others leads to an empty heart and a body and a mind hungry for food they cannot find. So partake of the food that the earth provides, and nourish your mind with knowledge and ideas you find. Â And always remember that the fruit of the spirit is joy; the fruit of the spirit is love. Eat it and pass it around. Eat it and pass it around. Eat it and pass it around. Â There are lovely melodies woven throughout this piece.
$3.99
Fair Phyllis I saw sitting all alone (mp3)
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Renaissance
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John Farmer
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David Warin Solomons
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Fair Phyllis I saw sitting all
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059403 Composed by John Farmer. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 87. David Warin Solomons #338...
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Choir - SKU: A0.1059403 Composed by John Farmer. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 87. David Warin Solomons #3383549. Published by David Warin Solomons (A0.1059403). Arrangement for men's voices of John Farmer's famous madrigal.Fair Phyllis I saw sitting all aloneFeeding her flock near to the mountain side.The shepherds knew not,they knew not whither she was gone,But after her lover Amyntas hied,Up and down he wanderedwhilst she was missing;When he found her,O then they fell a-kissing.
$2.00
Peace Is Like Starlight, sacred vocal solo
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Musique Sacrée
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Kevin G
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Peace Is Like Starlight, sacre
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Kevin G. Pace
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 p...
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Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 pages. Kevin G. Pace #653450. Published by Kevin G. Pace (A0.1049056). A beautiful vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
$3.99
Christmas Carols (Coventry and Wexford) SSAA Flute or Cello or Violin and piano
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Noël
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by lully lullay Lullay thou li
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Unknown
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Connie Boss
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Christmas Carols
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Flute,Piano,Soprano voice - Level 2 - SKU: A0.1097719 Composed by Unknown. Arranged by Connie Boss. Christmas,Holiday. Score a...
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Small Ensemble Alto Voice,Flute,Piano,Soprano voice - Level 2 - SKU: A0.1097719 Composed by Unknown. Arranged by Connie Boss. Christmas,Holiday. Score and parts. 13 pages. Connie Boss #701660. Published by Connie Boss (A0.1097719). I have combined two beautiful pieces from England and Ireland into one piece. This is for SSAA, flute and piano. I have other arrangements on here as well. For requests or questions email cdboss@cvalley.net Lyrics: Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day. Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. “Prepare and go the Angel’s said To Bethlehem, be not afraid†For there you’ll find this happy morn A princely babe, sweet Jesus born. Ending: By by lully lullay.
$5.99
Christmas Carols - Coventry and Wexford - SATB flute/violin/cello and Piano parts included
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Noël
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by lully lullay
Lullay
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Unknown
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Connie Boss
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Christmas Carols - Coventry an
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801659 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages....
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801659 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6370123. Published by Connie Boss (A0.801659). This is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. I also added an accent instrumental part that can be played by flute or violin or cello - parts are all included. The original piece has the flute written in it but all are added at the end with one page for each part. cdboss@cvalley.netLyrics:Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss  (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay  Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day.  Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall  Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. Prepare and go the Angel’s said To Bethlehem, be not afraid For there you’ll find this happy morn A princely babe, sweet Jesus born.  Ending: By by lully lullay
$5.50
Christmas Carols - Coventry and Wexford - Strings and Piano with parts included
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Noël
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by lully lullay
Lullay
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Unknown
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Connie Boss
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Christmas Carols - Coventry an
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Connie Boss
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SheetMusicPlus
Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801703 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 16...
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Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.801703 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 16 pages. Connie Boss #6427569. Published by Connie Boss (A0.801703). This is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. Parts for 5 part strings and piano. cdboss@cvalley.netLyrics: Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss  (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay  Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day.  Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall  Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. Prepare and go the Angel’s said To Bethlehem, be not afraid For there you’ll find this happy morn A princely babe, sweet Jesus born.  Ending: By by lully lullay Â
$5.50
Christmas Carols - Coventry and Wexford - Strings and Piano
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Noël
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by lully lullay
Lullay
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Unknown
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Connie Boss
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Christmas Carols - Coventry an
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Connie Boss
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SheetMusicPlus
Cello,Piano,Viola,Violin - SKU: A0.1067518 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. Duration 241. Con...
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Cello,Piano,Viola,Violin - SKU: A0.1067518 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. Duration 241. Connie Boss #6429829. Published by Connie Boss (A0.1067518). This mp3 is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. Parts for 5 part strings and piano. Purchase sheet music on here. cdboss@cvalley.netLyrics: Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss  (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay  Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day.  Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall  Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. Prepare and go the Angel’s said To Bethlehem, be not afraid For there you’ll find this happy morn A princely babe, sweet Jesus born.  Ending: By by lully lullay Â
$1.99
Firefly Elegy
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Contemporain
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Gilad Cohen
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Firefly Elegy
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Gilad Cohen
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohe...
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Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohen #4286339. Published by Gilad Cohen (A0.898932). Firefly Elegy uses a 12-note melodic theme, which through the course of the piece undergoes a series of transformations - mirroring the metamorphosis that takes place over a firefly's brief life span. The piece comprises four sections that reflect the four life stages of the firefly. During the motionless egg stage, some types of fireflies glow dimly; the opening section of the piece (following a short fanfare of flashing-light) is likewise static and calm, while at the same time features an internal motion hinting at subdued energy. The following groovy section is at times aggressive, not unlike the firefly during its larva stage, when it is hunting and digesting insects using special enzymes. The firefly hibernates through the pupa stage - reflected in the third section of the piece by seemingly everlasting sustained chords in the strings. Like a flash of light, each new phrase begins with an ascending scale, while the harp provides groups of repeated notes, recalling the synchronized flashes that are found in groups of tropical fireflies. Firefly Elegy ends with an elegy in which the now mature firefly looks back at its life. It has gone through such an extensive journey but only long enough to mate and lay eggs, sometimes without feeding during its adult stage. In the summertime, I often watch the firefly in his lonely flutter, flashing about and looking for a mate so he can complete the sole purpose of his short life before dying away. He must sometimes look back and wonder: was it all worth it?
$20.00
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