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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Fifth Time
Non classifié
79
Piano & claviers
Piano seul
93
Piano, Voix
37
Piano Facile
13
Piano, Voix et Guitare
7
Orgue
4
2 Pianos, 4 mains
1
Instruments en Do
1
1 Piano, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
5
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
31
Chorale 3 parties
5
Chorale 2 parties
2
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Chorale SSAA
1
Voix Alto, Piano
1
Chorale Unison
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte traversière et Piano
4
Clarinette
3
Hautbois, Piano (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor et Piano
3
Flûte traversière
3
Saxophone Alto et Piano
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
2
Saxophone Alto
2
Clarinette et Piano
2
Saxophone Soprano et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone (partie séparée)
1
Ensemble de Flûtes
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Guitare (duo)
1
Flûte et Guitare
1
Cor anglais, Piano
1
Hautbois (partie séparée)
1
Saxophone Tenor
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes (duo)
1
2 Flûtes traversières (duo)
1
Flûte à bec Soprano
1
Saxophone Soprano
1
Piccolo
1
Hautbois, Harpe
1
Hautbois, Flûte
1
+ 27 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Euphonium, Piano (duo)
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
2
Quatuor de Cuivres
2
Tuba et Piano
2
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Trompette
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Trombone
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
10
Alto, Piano
6
Violoncelle
6
Violon et Piano
4
Violoncelle, Piano
4
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
2
2 Altos (duo)
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
4 Contrebasses
1
Violon, Alto (duo)
1
4 Violoncelles
1
Contrebasse, Piano (duo)
1
Contre Basse
1
2 Violons (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
58
Orchestre
12
Ensemble de cuivres
8
Cloches
2
Orchestre à Cordes
2
Piano et Orchestre
1
Vibraphone
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
The Fifth Time
Partitions à imprimer
79 partitions trouvées
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The Elephant
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Bass Trombone,Piano,Tenor Trombone - Level 3 - SKU: A0.1265065 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classic...
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Bass Trombone,Piano,Tenor Trombone - Level 3 - SKU: A0.1265065 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857905. Published by Matthew Nunes Music (A0.1265065). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
The Counter of The Point
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directly contradicting the rul
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jon...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
The Tale Of The Slightly Miffed Dancing Bear
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James Pickering
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The Tale Of The Slightly Miffe
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Forton Music - Digital
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SheetMusicPlus
Tba. pft. - Intermediate-Advanced - SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digi...
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Tba. pft. - Intermediate-Advanced - SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95
Fifth Book of Madrigals ("I Tatti")
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Gavin Bryars
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Fifth Book of Madrigals
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Schott Music - Digital
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SheetMusicPlus
Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score....
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Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score. Schott Music - Digital #Q42747. Published by Schott Music - Digital (S9.Q42747). Italian.The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti, who was a specialist in Bronzino and Pontormo. Bronzino's sonnet is a lament on the death of Pontormo, his teacher; Laura Battiferri's poem is a direct response to that of Bronzino. As I was also asked to set sonnets by Petrarca, I chose two of his closely linked sonnets, numbers 229 and 230 in the Rime Sparse. I had written a work for I Tatti some five years earlier setting Petrarca (A qualunque animale, the first in my Fourth Book of Madrigals) and was familiar with the context. However, through correspondence with Kathryn Bosi, Music Librarian at I Tatti and, through her, Craig Smyth's family, I became increasingly aware of his unusual and quite special character. From his undergraduate days at Princeton and indeed throughout his life, although a great scholar and writer, he was at the same time an aficionado of jazz, loving above all Louis Armstrong, being photographed with Duke Ellington, taking his children to see Thelonious Monk, listening to Ben Webster and playing the tenor saxophone himself. Indeed, he had told Kathryn Bosi that he had been proud to walk in procession at the funerals of black musicians in New Orleans. In some ways his life was almost an obverse mirror image of parts of my own - I was a professional jazz musician but found myself teaching art history for a time. As Fiorella Superbi of I Tatti has said: Craig was a maestro di vita. I raise a glass in his memory and dedicate these sonnets to him. Gavin Bryars.
$16.99
Duets on the Mode 1. Ionian Festival
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Liz Nedela
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Duets on the Mode 1. Ionian Fe
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Liz Nedela
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.938024 Composed by Liz Nedela. Classical,Contest,Festival,Instructional,Multicultural,World. Sco...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.938024 Composed by Liz Nedela. Classical,Contest,Festival,Instructional,Multicultural,World. Score and parts. 40 pages. Liz Nedela #6479525. Published by Liz Nedela (A0.938024). Ionian Festival is from a set of modal duets which illustrate the fifth, emphasizing how each mode creates a different mood. The ionian mode is a major scale. Ionian Festival is based on an old-time barn dance, with a hoe-down sound of open fifths. The melody interchanges between Primo and Secondo. Have fun with this happy duet!
$3.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
The Boar’s Head Carol
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Noël
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English Traditional
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F
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The Boar’s Head Carol
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Sweetwater Brass Press
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SheetMusicPlus
Level 3 - SKU: A0.808669 Composed by English Traditional. Arranged by F. Leslie Smith. Christmas. 20 pages. Sweetwater Brass Press #3006801. Published b...
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Level 3 - SKU: A0.808669 Composed by English Traditional. Arranged by F. Leslie Smith. Christmas. 20 pages. Sweetwater Brass Press #3006801. Published by Sweetwater Brass Press (A0.808669). Everybody gets a turn on this Christmas favorite! On the first time through, Trombone opens, playing alone, then Trumpet 1 joins playing close harmony. The second time through, Trumpet 1 has the melody while Trombone plays an intricate contrapuntal figure; Tuba joins towards the end with a harmony part. The third time, Tuba takes the melody, while Trumpet 1 and Trombone play counterpoint; eventually Horn in F blends in with harmony. The fourth time through, Horn in F has the melody, and Trombone and Tuba play counterpoint; Trumpet 2 joins on the last phrase. The fifth time through, Trumpet 2 again starts with the melody, while Trumpet 1 adds fanfare embellishments. All wind up with a straightforward, triumphant finish. And a good time was had by all!This arrangement was completed in 2012, and performance time runs about 2 minutes, 41 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$4.00
April, the grace and smile for clarinet and classical guitar (mp3)
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András Csáki
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April, the grace and smile for
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506753 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506753 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 102. David Warin Solomons #1082124. Published by David Warin Solomons (A0.1506753). This is the fifth movement of the suite Times of Change. It is based on my setting of my father's translation of a poem about the month of April by Rémi BelleauApril, the grace and smileThat all beguile,The tang and the sweet breath:Perfume of Gods on high,Who from the skyRelish the scent of earth.April, courteous and gentleWho from exileSummons the wanderers,The forkèd swifts that skimTheir way and seemOf Spring the messengers.May-flower and eglantine,And verdant thyme,Lilies and roses redAt this so beauteous tide,Growing in prideWith lovely raiment spread.(c) S N Solomons.
$5.00
The Fundamentals of Music Theory - Booklet 1
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theo
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Circlesquare Music
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SheetMusicPlus
Level 1 - SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare ...
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Level 1 - SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
King Of The Road
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Contemporain
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Randy Travis
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Keith Terrett
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terret...
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Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
The Waterfalls
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Contemporain
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Arsdale Publishing
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The Waterfalls
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Arsdale Publishing
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SheetMusicPlus
Small Ensemble Acoustic Guitar - Level 5 - SKU: A0.1004522 Composed by Arsdale Publishing. 20th Century,Concert,Contemporary. Score and parts. 29 pages....
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Small Ensemble Acoustic Guitar - Level 5 - SKU: A0.1004522 Composed by Arsdale Publishing. 20th Century,Concert,Contemporary. Score and parts. 29 pages. Arsdale Publishing #3555343. Published by Arsdale Publishing (A0.1004522). The Fifth Movement from Yosemite Suite: For Guitar Quartet Contents: Score and 4 Parts (PDF Format) Duration: 6:20 mins. Performing Rights: BMI. Contact Email: dr.van@sbcglobal.net Imagine entering Yosemite National Park and seeing the magnificent Yosemite Falls for the first time. And then the seeing the Bridalveil Falls, and then the Horsetail Falls, each uniquely awe inspiring. Can you capture the beauty and the experience into music? The composer attempts to in Yosemite Suite: For Guitar Quartet. Yosemite Suite is an advanced, modern work for concert performance. It is a somewhat programatic work as each of the five movements depict a various places or elements in Yosemite National Park. The work utilizes various compositional techniques such as: jazz harmony, whole tone scales, polytonality, metric modulation and stereo-effect voicings. The complete score - (all 5 movements) with an accompanying Mp3 file is also available. However, each movement is sold separately with the score and the 4 parts.
$9.99
Blame It On The Bossa Nova
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Contemporain
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Eydie Gorme
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Derek Hasted
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Blame It On The Bossa Nova
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797712 By Eydie Gorme. By Barry Mann and Cynthia Weil. Arranged by Derek Hasted. Contemporary. Score and part...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797712 By Eydie Gorme. By Barry Mann and Cynthia Weil. Arranged by Derek Hasted. Contemporary. Score and parts. 21 pages. Derek Hasted #3688807. Published by Derek Hasted (A0.797712). BLAME IT ON THE BOSSA NOVA - FIVE GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement suits a guitar quintet, or alternatively a guitar quartet and a bass instrument - for example electric or acoustic bass or double bass. The fifth part is supplied in both treble and bass clefs - two versions of the same line. This arrangement has been a firm favorite in the adult ensemble that I run, and audiences love the infectious rhythm. Just like the original, the second verse is a semitone higher, but as the full score suggests, if you play verse one with no open strings, then verse two is simply one fret higher - a magical key-change that delights audiences and is no work at all!I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
The Pilot. A Popular Ballad
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S
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Francis Weiland
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The Pilot. A Popular Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Guitar and voice - SKU: LV.1976 Composed by S. Nelson. Arranged by Francis Weiland. Sailors, Ships, Danger, Fathers & sons, Families, Religion, Storms. ...
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Guitar and voice - SKU: LV.1976 Composed by S. Nelson. Arranged by Francis Weiland. Sailors, Ships, Danger, Fathers & sons, Families, Religion, Storms. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1976). The Pilot. A Popular Ballad. Composed by S. Nelson. Arranged for the Guitar by F. Weiland. Published [n.d.] by G.E. Blake, 13 South Fifth St. in Philadelphia. Composition of strophic with guitar and voice instrumentation. Subject headings for this piece include Sailors, Ships, Danger, Fathers & sons, Families, Religion, Storms. First line reads Oh, Pilot! 'tis a fearful night, there's danger on the deep.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Springs in the Forest
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Xiaogang Ye
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Springs in the Forest
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Schott Music - Digital
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SheetMusicPlus
Zheng - SKU: S9.Q6451 Composed by Xiaogang Ye. This edition: Sheet music. Downloadable. Op. 6. Duration 9 minutes. Schott Music - Digital #Q6451. Publis...
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Zheng - SKU: S9.Q6451 Composed by Xiaogang Ye. This edition: Sheet music. Downloadable. Op. 6. Duration 9 minutes. Schott Music - Digital #Q6451. Published by Schott Music - Digital (S9.Q6451). Springs in the Forest is considered a milestone in contemporary Chinese composition for zheng. It carries the beauty and inner nature of Chinese classical music while blending the techniques and aesthetics of contemporary music, and is one of the most outstanding solo zheng pieces since Fight to Typhoon (a popular piece from the seventies). The work combines a challenging technique with a fresh melodic line, rich and varied rhythmic patterns, and layered timbres, while maintaining a fresh aesthetic vision at same time. This piece has been well-received and praised by the public, and is suited for both refined and popular audiences. It won the Golden (first) Prize in China's Fifth Golden Bell Competition for composition in 2005.
$11.99
No Time To Die
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Film/TV
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Billie Eilish
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Chris Gorman
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No Time To Die
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1095684 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Chris Gorman. Film/TV. Brass Band. 36 pages. Chris Gorman #699667. Published by Chris Gorman (A0.1095684). No Time to Die is a 2021 spy film and the twenty-fifth in the James Bond series produced by Eon Productions, starring Daniel Craig in his fifth and final portrayal of fictional British MI6 agent James Bond. This arrangement is made for a Flugel Horn Solo giving the soloist the opportunity to display the warmth and mystery of their playing.
$25.00
No Time To Die
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Pop musique
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Billie Eilish
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Adrian Horn
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No Time To Die
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AJH Brass
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1210700 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Adrian Horn. Film/TV,Pop. Brass Band. 43 pages. AJH Brass #808448. Published by AJH Brass (A0.1210700). For Soprano Cornet or Tenor Horn and Brass Band.‘No Time To Die’ (2021) is the twenty-fifth in the James Bond series of motion pictures. Starring Daniel Craig in his final outing as Bond, the film’s theme the song of the same name was written and performed by American singer-songwriter Billie Eilish. This arrangement features the soprano cornet or tenor horn as soloist and reflects on both the simplicity and intensity of the original performance’s vocals. The PDF includes: Full Score,Eb Soloist (Soprano Cornet or Tenor Horn), Soprano Cornet (opt.), Solo Cornets, Repiano Cornet, 2nd Cornets, 3rd Cornets,  Flugel Horn, Solo Horn (opt.), 1st Tenor Horn, 2nd Tenor Horn,  1st Baritone, 2nd Baritone,  1st Trombone, 2nd Trombone, Bass Trombone,  Euphoniums,  Eb Basses, BBb Basses,  Timpani, Drum Kit, Vibraphone / Tam Tam,.
$24.99
The Importance of Being Earnest
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Gerald Barry
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The Importance of Being Earnes
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Schott Music - Digital
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SheetMusicPlus
1(pic).1(ca).1.bcl.2(2.cbsn)-2.2(1.Dtpt).1.1-timp.2perc(mar, vib, cym, s.d, b.d, chimes, wind machine, lion's roar, flex, large hammer, white dinner plates, tel...
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1(pic).1(ca).1.bcl.2(2.cbsn)-2.2(1.Dtpt).1.1-timp.2perc(mar, vib, cym, s.d, b.d, chimes, wind machine, lion's roar, flex, large hammer, white dinner plates, telephone, jackboots, gun)-pno(cel)-str(1.1.1.1.1) - difficult - SKU: S9.Q17486 Opera in 3 acts based on the text by Oscar Wilde. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 90 minutes. Schott Music - Digital #Q17486. Published by Schott Music - Digital (S9.Q17486). English.When asked what the theme of his play was, Wilde answered “That we should treat all trivial things in life very seriously, and all serious things in life with a sincere and studied triviality. Gerald Barry’s fifth opera based on the play is genuine comic with a dark heart. The previous four have remarkable libretti, but The Importance of Being Earnest, written in 1894, is all but perfect in its construction, and Barry’s audacious approach triumphantly confounds all expectations. As Barry describes it: The play’s bones are unshatterable. My version is an X-ray of it. The musical references range from Beethoven to Schoenberg, all treated with a reckless panache and impish wit, by turns dazzling, startling and charming the audience.
$66.99
The Real Hero
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Film/TV
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Alan Silvestri
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Chris Gorman
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The Real Hero
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - SKU: A0.1167834 Composed by Alan Silvestri. Arranged by Chris Gorman. Film/TV. Brass Band. 30 pages. Chris Gorman #768187. Published by Chris Gorman (A0.1167834). Avengers: Endgame premiered in Los Angeles on April 22, 2019, and was released in the United States on April 26, as part of Phase Three of the MCU. The film received praise for its direction, acting, musical score, action sequences, visual effects, and emotional weight, with critics lauding its culmination of the 22-film story. The film grossed $2.798 billion worldwide, surpassing Infinity War's entire theatrical run in just eleven days and breaking numerous box office records, including becoming the highest-grossing film of all time from July 2019 until March 2021. It received a nomination for Best Visual Effects at the 92nd Academy Awards, among numerous other accolades. Fifth and sixth Avengers films, titled Avengers: The Kang Dynasty and Avengers: Secret Wars, respectively, are scheduled to be released in 2025 and 2026.
$35.00
The Wounded Angel
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James d'Angelo
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The Wounded Angel
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Forton Music - Digital
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SheetMusicPlus
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Scor...
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Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95
Sleepy Shores (theme From Owen M.d.)
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Johnny Pearson
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Derek Hasted
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Sleepy Shores
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages....
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5222105. Published by Derek Hasted (A0.797767). SLEEP SHORES (theme to Owen MD) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Johnny Pearson was a prolific composer and ran the BBC Top Of The Pops orchestra for 16 years.My arrangement captures every one of the stunning and uplifting key changes of the orchestral version. The key chosen here is different to the original, but it means we can use the full playable range of the guitar and play in some keys that are less alien to guitarists!The original version was scored for piano and orchestra but also featured a guitar to provide a rhythmic backdrop, and that part is captured here too, along with the electric bass guitar line, set for classical or acoustic guitar.From the perspective of a guitar teacher, this piece is a wonderful worked example of the Circle of Fifths in action, and the final key change uses the A#(Bb) and E that are common to the chords of F#7 and C7 to create an effortless movement right across the Circle of Fifths from bottom to top in one easy action!From the perspective of the players, the arpeggios are moveable chords and so the section with the most key changes is also the section that’s easiest to play!And from the perspective of the audience, the key changes make this a remarkable and engaging piece.I hope you enjoy this piece!
$4.99
Good King Wenceslas, A Traditional Christmas Carol in the Minimalist Style from 24 Minimalist Carols
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Noël
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Traditional Czech Song
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Michael Bomier
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#
Good King Wenceslas, A Traditi
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Michael Butkus-Bomier
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano Accompaniment - Level 2 - SKU: A0.862638 Composed by Traditional Czech Song. Arranged by Michael Bomier. 20th Cen...
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Small Ensemble Harpsichord,Organ,Piano Accompaniment - Level 2 - SKU: A0.862638 Composed by Traditional Czech Song. Arranged by Michael Bomier. 20th Century,Christmas,Instructional,Standards. Score and parts. 2 pages. Michael Butkus-Bomier #3077167. Published by Michael Butkus-Bomier (A0.862638). Here is a favorite of both children and adults at ChristmasTime, made easily playable for pianists of just about any level past beginner. The LH ostinato has three notes, which phase or cycle through the 4/4 time throughout. The RH melody is all in perfect fifths, akin to the medieval practise of organum, which is now strangely modern once again. Is the piece in G or in D? You decide, as the melody and accompaniment work singing either the upper or lower note of the tune! Find us online at www.gatewayeditions.com and www.michaelbb.info MBB.
$1.99
Scarborough Fair arr. for violin, cello and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for viol
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Pu...
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Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpa...
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Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for two violins, cello and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for two
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1...
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Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for oboe
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publica...
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Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
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The Fifth Time
