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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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GUITARE
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HAUTBOIS
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3
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3
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Cor anglais, Piano
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Quatuor à cordes: 2 violons, alto, violoncelle
19
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4
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3
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2
2 Violoncelles (duo)
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Trio à Cordes: violon, alto, violoncelle
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Ensemble de Violoncelles
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2 Violons (duo)
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Orchestre à Cordes
11
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7
Orchestre de chambre
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Orchestre d'harmonie
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The Four Elements
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The Last Brigade (Duet for Flute and 3-Octave Marimba)
Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Compose…
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Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #5214719. Published by Adam Lenhart (A0.949371). The Last Brigade utilizes the F harmonic minor scale to evoke imagery of an intense battle scene. The contrasting timbres of each instrument must work together over both legato and marcato phrases. Fun and driving, this piece perfectly blends the elements of energizing the audience and showcasing the players' abilities. The marimba part for this piece is suitable for a three-octave instrument (F3-F6) and can be performed with two mallets or four. Medium-hard rubber or yarn mallets are recommended. Includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
4.5 €
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Adam Lenhart
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The Last Brigade
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Adam Lenhart
#
SheetMusicPlus
Plaisir d'amour, - instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.835816 Composed by Jean-Paul-Ã…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835816 Composed by Jean-Paul-Égide Martini. Arranged by Paul Burnell. Classical,Wedding. Score and parts. 32 pages. Paul Burnell #4594647. Published by Paul Burnell (A0.835816). 'Plaisir d'amour', composed by Jean-Paul-Égide Martini (1741–1816), arranged by Paul Burnell for instruments in four parts.Duration: 3:40The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.This arrangement utilises the original composition by Martini together with elements from a piano version by Rudolf Strobl (1831-1915) published in 1904.Programme note:'Plaisir d'amour' is a French song written in 1784 by Jean-Paul-Égide Martini (1741–1816). The melody has been arranged and performed in numerous popular music settings, including 'Can't Help Falling in Love' by Elvis Presley.
$3.95
3.56 €
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Jean-Paul-Égide Martini
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Paul Burnell
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Plaisir d'amour, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
"The Five Elements"
Cello,Clarinet,Flute,Vibraphone,Violin - Level 4 - Digital Download SKU: A0.1272600…
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Cello,Clarinet,Flute,Vibraphone,Violin - Level 4 - Digital Download SKU: A0.1272600 By Panagiotis Theodossiou. By Panagiotis Theodossiou. Arranged by Panagiotis Theodossiou. 21st Century,Contemporary,Spiritual. 30 pages. Panagiotis Theodossiou #864824. Published by Panagiotis Theodossiou (A0.1272600). The work The Five Elements for flute, clarinet, violin, cello, and vibraphone op.96 (2023) by Panagiotis Theodossiou is a symbolic representation of the five elements of nature according to Ancient Greek Philosophy. Five movements, five solo monologues by each of the instruments depicting one by one the five basic elements. Clarinet for Water, cello for Earth, flute for Air, violin for Fire, and vibraphone for Ether, the most ambiguous element of today. Four intermezzos for the full ensemble are unfolding between the solo parts. A Prologue at the beginning and an Epilogue at the end accomplish the whole piece.
$20.00
18.04 €
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Panagiotis Theodossiou
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Panagiotis Theodossiou
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"The Five Elements"
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Panagiotis Theodossiou
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SheetMusicPlus
The Elemental Etudes for Piano
Instrumental Solo - Level 4 - Digital Download SKU: A0.1450738 Composed by Irminsul…
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Instrumental Solo - Level 4 - Digital Download SKU: A0.1450738 Composed by Irminsul. 21st Century,Classical,Contemporary. Individual part. 21 pages. Irminsul #1030285. Published by Irminsul (A0.1450738). Four etudes for piano - themed on the basic elements of Earth, Fire, Air and Water. Ranging in difficulty from intermediate to advanced level pianists. Complete audio review of all etudes can be found at:https://soundcloud.com/irminsul_music/sets/the-elemental-etudes
$20.99
18.93 €
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Irminsul
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The Elemental Etudes for Piano
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Irminsul
#
SheetMusicPlus
Prometheus
Mixed choir and soprano solo - advanced - Digital Download SKU: S9.Q11694 For mi…
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Mixed choir and soprano solo - advanced - Digital Download SKU: S9.Q11694 For mixed choir and soprano solo. Composed by Kurt Bikkembergs. This edition: score. Schott Chamber Choir. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q11694. Published by Schott Music - Digital (S9.Q11694). German.The Belgian composer and conductor Kurt Bikkembergs (*1963) has turned Goethe's Sturm und Drang hymn 'Prometheus' into an impressive four-part choral setting with soprano solo: Onomatopoetic and spoken elements alternate with declamatory passages, sound effects with chordal, expressively catapulted sounds, mysterious chord shifts with sprinkles of imitation. Bikkembergs exploits the choral possibilities to the extreme, includes even scenic elements and has created a composition that is rewarding for the performer and exciting for the audience – a valuable addition to the repertoire!
$12.99
11.72 €
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Kurt Bikkembergs
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Prometheus
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Schott Music - Digital
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SheetMusicPlus
The Hourglass
Afl/fl - Intermediate-Advanced - Digital Download SKU: F2.FM394 Composed by Mark Wh…
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Afl/fl - Intermediate-Advanced - Digital Download SKU: F2.FM394 Composed by Mark Whitefield. Solo Alto Flute (or concert flute). Score. 11 pages. Forton Music - Digital #FM394. Published by Forton Music - Digital (F2.FM394). ISBN 9790570482931.Solo Alto Flute (or concert flute) - The Hourglass is a piece cast in four movements. It draws its inspiration from the myth and legend of the romantic ruined fortress of Tintagel on the Cornish coast. Musically speaking the four movements are mainly tonal in character with a slight undercurrent of a melancholic longing which ebbs and flows as the music progresses. Rhythmically the music has a certain syncopated feel, which adds elements of apprehension, excitement and anticipation to the musical discourse.
$9.95
8.97 €
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Mark Whitefield
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The Hourglass
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Forton Music - Digital
#
SheetMusicPlus
The Four Seasonings
Small Ensemble Clarinet,Piano,Trumpet - Level 4 - Digital Download SKU: A0.751158 C…
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Small Ensemble Clarinet,Piano,Trumpet - Level 4 - Digital Download SKU: A0.751158 Composed by Benedikt Brydern. 20th Century,Classical,Contemporary. Score and parts. 44 pages. ConSordino Music Publishing #6252915. Published by ConSordino Music Publishing (A0.751158). This accessible contemporary piece written for clarinet (Bb), trumpet (Bb) and piano by award-winning composer Benedikt Brydern consists of 4 short movements incorporating musical elements from jazz, classical and blues.It was premiered by the UAB Chamber Trio at the Universiry of Alabama at Birmingham Department of Music on Jan 22, 2019.
$14.99
13.52 €
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Benedikt Brydern
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The Four Seasonings
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ConSordino Music Publishing
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SheetMusicPlus
The Londonderry Air
Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 …
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Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An arrangement of this well known melody for wind quintet. Score and parts. 31 pages. Forton Music - Digital #FM605. Published by Forton Music - Digital (F2.FM605). ISBN 9790570485048.Frank Bridge arranged this well known Irish air for string quartet, here presented in a version for wind quintet. Unusually, Bridge starts the arrangement with an extended fantasy upon the main theme, never stating it completely. A series of stabbing chords begin the music, and help to mark out the start of each section. Elements of the tune then weave in and out of the music, and are passed equally between all five players. The first four notes of the theme in rhythmic diminution are transformed into a delicate arpeggio that permeate the music, all accompanied with the lush chords of early 20th century English music. After about one hundred bars the music reaches an impassioned climax before the tune is finally stated in its full form, with each instrument in turn taking a solo phrase accompanied by the others. A final, peaceful coda using the delicate arpeggio of the first sections brings the piece to a close.
$12.95
11.68 €
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Traditional/Frank Bridge
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Robert Rainford
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The Londonderry Air
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Forton Music - Digital
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SheetMusicPlus
THE TABLE NEXT TO MINE (for Tenor voice, classical guitar & string quartet)
Small ensemble Acoustic Guitar,Cello,Tenor Voice,Viola,Violin - Level 3 - Digital Download…
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Small ensemble Acoustic Guitar,Cello,Tenor Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.1206912 Composed by Socrates Arvanitakis. Contemporary. 41 pages. Socrates Arvanitakis #805095. Published by Socrates Arvanitakis (A0.1206912). TAGS EXPLANATIONLEMONIA is a very big saga of songs and instrumental pieces.SUMMER BLAST 1 is the second major part of the above.A DREAM OF LONG AGO is the first part of the above, divided into 10 smaller parts (song cycles) at present.DOUBTING MY EYES is the fourth song cycle of the above and the present song THE TABLE NEXT TO MINE Â is the first song of this cycle.Dates in the PDF can also be and are in most cases structural elements of the song.Instrumentation: Tenor voice, classical guitar & string quartetThe MP3 sample provided is extracted from Sibelius using the Note Performer playback engine.
$10.00
9.02 €
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Socrates Arvanitakis
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THE TABLE NEXT TO MINE
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Socrates Arvanitakis
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SheetMusicPlus
The Porteña Suite
Small Ensemble Accordion,Double Bass,Piano,Violin - Digital Download SKU: A0.934011…
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Small Ensemble Accordion,Double Bass,Piano,Violin - Digital Download SKU: A0.934011 Composed by Scott W. Hallgren. Jazz,Latin,World. Score and parts. 92 pages. Seventeen Pines Music (SESAC) #3054047. Published by Seventeen Pines Music (SESAC) (A0.934011). A four part suite of tangos, dedicated to Diana Holland. A classic style opener, followed by a quirky folk piece, then a waltz, and finishing with an electro tango (mp3 accomp track included). (92 pages, score and parts)An excellent introduction to the music of Argentina & Uruguay, playable by musicians at the college level and above. Contains elements of jazz and improvisation.Appropriate for concerts, arts & cultural events, and dance competitions.
$49.99
45.09 €
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Scott W
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The Porteña Suite
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Seventeen Pines Music
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SheetMusicPlus
Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.5 €
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Johann Sebastian Bach
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James M
#
 
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Bach: Wachet auf for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.5 €
#
Johann Sebastian Bach
#
James M
#
 
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Break Forth, O Beauteous, Heavenly Light
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - Digital Download SKU: A0.88942…
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - Digital Download SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95
8.97 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heavenly Light
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Luis Anjos Teixeira
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SheetMusicPlus
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Pen…
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Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
45.1 €
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Edwin Penhorwood
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You Are Not Dying, Madame from Too Many Sopranos
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Overture to Zaïs
Small Ensemble Trumpet - Level 4 - Digital Download SKU: A0.918840 Composed by Jean…
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Small Ensemble Trumpet - Level 4 - Digital Download SKU: A0.918840 Composed by Jean-Philippe Rameau (1683-1764). Arranged by Justin Bland. Baroque,Classical,Opera. Score and parts. 26 pages. Justin Bland #238285. Published by Justin Bland (A0.918840). Jean-Philippe Rameau's opera Zaïs was first performed on 29 February 1748 at the Opéra in Paris. The opera's overture, represented here, is particularly extraordinary for its depiction of the emergence of the four elements out of chaos. This arrangement for 5 trumpets provides each player an opportunity to play interesting parts. Trumpet 1 is played on piccolo trumpet, trumpet 2 plays B-flat and E-flat trumpets, and trumpets 3-5 play B-flats. About 6 minutes.
$14.99
13.52 €
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Jean-Philippe Rameau
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Justin Bland
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Overture to Zaïs
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Justin Bland
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SheetMusicPlus
Machaut: Rondeau No. 13 - Dame, Se Vous N'Avez for Eb Saxophone Trio
Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 3 - Digital Download SKU: A0…
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Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 3 - Digital Download SKU: A0.1358218 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 12 pages. Jmsgu3 #942678. Published by jmsgu3 (A0.1358218). Guillaume de Machaut's Rondeau No. 13, Dame, Se Vous N'Avez, is a significant work that forms part of his extensive and influential musical output. Machaut, a pinnacle genius of Western music in the Middle Ages, is renowned for his mastery of polyphony and ability to unite melodic and rhythmic elements in his compositions. The rondeau is one of three thirteen-line rondeau poems that Machaut set to music, showcasing his skill in shaping melodic nuances and conceiving forms on a larger scale. The piece is part of Machaut's French songs, which dominated the fourteenth century in terms of quality and volume, further emphasizing its importance in his repertoire. Machaut's work, including Dame, Se Vous N'Avez, has been the subject of scholarly analysis and musical appreciation, underscoring its historical and musical significance. Guillaume de Machaut's Rondeau No. 13 lyrics, Dame, Se Vous N'Avez, express genuine love and devotion. The speaker professes love without deception and invites the lady to test the sincerity of his affection, emphasizing his unwavering commitment to her. The lyrics convey a sense of loyalty and constancy in love, reflecting the themes of courtly love and chivalry prevalent in medieval poetry and music. The poem's emotional depth and romantic expression contribute to its significance as a representative example of medieval lyrical tradition and Machaut's poetic and musical prowess. The musical structure of Guillaume de Machaut's Rondeau No. 13, Dame, Se Vous N'Avez, follows the typical form of a two-part composition, as is common in the musical rondeau. The rondeau is a form of medieval and Renaissance French poetry and a corresponding musical chanson form, typically structured around a fixed pattern of repetition of verse with a refrain. The case of Dame, Se Vous N'Avez is one of three thirteen-line rondeau poems that Machaut set to music, and this form inevitably weights the first part over the second, which is significant for the parodic relationship between the two. The musical setting of the rondeau involves a specific pattern of repetition and refrain, contributing to its characteristic structure within the genre of medieval and Renaissance French music.
$24.95
22.5 €
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Guillaume de Machaut
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James M
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Machaut: Rondeau No. 13 - Dame, Se Vous N'Avez for Eb Saxophone Trio
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jmsgu3
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SheetMusicPlus
Symphony No. 104 'London'
Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - Digital Do…
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Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - Digital Download SKU: F2.FM553 Composed by Franz Joseph Haydn. Arranged by Robert Rainford. Flute Ensemble - Piccolo, 4Flutes, Alto Flute, Bass Flute, Optional Contr'Alto, Contrabass, Obtional Sub and Double Contras. Score and parts. 221 pages. Forton Music - Digital #FM553. Published by Forton Music - Digital (F2.FM553). ISBN 9790570484522.This is an arrangement of the last symphony that Haydn wrote. It was composed and premiered in London in 1795, and was an instant success. Following the standard four movement pattern of the time, it starts with a slow, serious introduction before the lighter, fast first movement begins properly. Using just one main theme, Haydn spins a delightful series of moods and emotions before rushing to the exciting conclusion. The second movement is more measured and controlled, but with episodes of drama and tension. The third movement is a traditional minuet and trio, with the lightness and humour of Haydn. The last movement has elements of folk music, with it's opening low drone and peasant like melody. Haydn however alternates the romping first section ideas with a more sophisticated, legato second section. This creates a delicious balance and has to make for one of the most satisfying symphonies ever written. This arrangement has been created with a range of playing standards in mind. The first and last movements use the full resources of the flute choir right down to the lowest double contrabass in C. The rarer flutes have optional parts so can be safely omitted, but add great depth to the sound. Flute 1 is quite complicated and involved, but then the parts get easier until flute 4 is fairly basic and could be easily realised by players with less experience. The second and third movements have been thinned down, with piccolo, G treble, contr'alto, subcontrabass in G and double contrabass in C being tacet. Also in these movements, flute 1 and 2 take the same line, while flute 3 and 4 are similarly in unison, with an optional contrabass part. These movements may be taken by four or five solo players, or some sections could be solos and others played by the full ensemble, or many other options.
$31.95
28.82 €
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Franz Joseph Haydn
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Robert Rainford
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Symphony No. 104 'London'
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Forton Music - Digital
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SheetMusicPlus
Due a due
Percussion (one player: vibraphone, marimba, cymbals, tom-tom, etc.). Advanced soprano sax…
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Percussion (one player: vibraphone, marimba, cymbals, tom-tom, etc.). Advanced soprano saxophone and percussion - difficult - Digital Download SKU: S9.Q54669 Composed by Bertold Hummel. This edition: performance score. Cymbal sound - multiphonic. Downloadable, Performance score. Volume op. 88a. Duration 8 minutes. Advance Music GmbH - Digital #Q54669. Published by Advance Music GmbH - Digital (S9.Q54669). The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone; over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo.
$16.99
15.32 €
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Bertold Hummel
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Due a due
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Advance Music GmbH - Digital
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SheetMusicPlus
The Scientist
Cello - Level 3 - Digital Download SKU: A0.1423993 By Coldplay. By Chris Martin, Gu…
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Cello - Level 3 - Digital Download SKU: A0.1423993 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Chris McCarthy. Contemporary,Pop,Singer/Songwriter. 7 pages. Fellow Cello Studios #1005194. Published by Fellow Cello Studios (A0.1423993). This is a cello quartet arrangement of Coldplay's The Scientist from their 2002 album, A Rush of Blood to the Head. Designed with the intermediate cellist in mind, this arrangement is perfect for cello studios that are wanting to expand their pop song selections for group classes and/or recitals. It also makes for a quick and easy performance piece for more advanced cellists that already have a cello quartet.Full score and individual parts included. Parts are not marked with fingerings. Musical elements include (in no particular order): tenor clef, double stops (thirds, fourths, fifths & sixths), natural harmonics, ties, sixteenth notes, fermatas, ritardandos, octave doubling, arco, pizzicato, dotted rhythms, repeats.
$19.99
18.03 €
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Coldplay
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Chris McCarthy
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The Scientist
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Fellow Cello Studios
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SheetMusicPlus
ZODIAC - Double Concerto for Violin, Viola and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1420565 By Benedikt Brydern. By Benedikt Brydern. Arranged by Benedikt Brydern. 20th Century,21st Century,Classical,Contemporary. 74 pages. ConSordino Music Publishing #1001998. Published by ConSordino Music Publishing (A0.1420565). ZODIAC, my debut Double Concerto for Violin, Viola and Orchestra, is now accessible in a piano reduction.The premiere performance was given by Olivia Hajioff, Marc Ramirez, and The Washington Metropolitan Orchestra, conducted by Ulysses James, on May 22, 2022, in Alexandria, Virginia.Inspired by the Zodiac, the composition comprises four movements that align the astrological signs with their corresponding elements: Fire, Earth, Air, and Water.The approximate duration is fifteen minutes. Orchestral parts may be rented upon request.
$29.99
27.05 €
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Benedikt Brydern
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Benedikt Brydern
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ZODIAC - Double Concerto for Violin, Viola and Piano
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ConSordino Music Publishing
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SheetMusicPlus
Ain't No Mountain High Enough
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.731900
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.731900 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Quigley. Soul. Score and parts. 4 pages. Thomas Quigley #3420061. Published by Thomas Quigley (A0.731900). A great melody with plenty of rhythmical, harmonic and dynamic interest in the accompaniment makes this a highly satisfying piece to play. There are some classical elements such as articulations, slurs and trills but the four hands combine really cleverly to create an arrangement which is attractive and appealing. It is not quite so easy however, but with practice it is really be enjoyable to perform.
$4.99
4.5 €
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Diana Ross
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Thomas Quigley
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Ain't No Mountain High Enough
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Thomas Quigley
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SheetMusicPlus
Dear Future Husband
Guitar - Level 2 - Digital Download SKU: A0.1469514 By Meghan Trainor. By Kevin Kad…
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Guitar - Level 2 - Digital Download SKU: A0.1469514 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Tabitha Beaven. A Cappella,Pop. Chords/Lyrics. 4 pages. Tabitha Beaven #1047554. Published by Tabitha Beaven (A0.1469514). Part of a 'Pop Song Layer Up' series - these arrangements are designed to be quick, easy wins for choir or singing group warm-ups and fun filler songs. Essentially a 'long form' round, it takes three elements of Meghan Trainor's 'Dear Future Husband' and layers them up. As with singing any round, it provides great brain training and stretch for singers to concentrate and focus on their part and not be swayed by the multiple rhythms and notes moving around their part. The arrangement provides a structure but is designed to be explored and experimented with to see what works, ideal to build confidence for both group leader and singers trying something new together. A key chart showing four different keys has been provided with note range and starting notes should an alternative key be more suitable for your vocal group. Suggest using off-beat finger clicks or a metronome beat to keep time. Backing tracks may be available in future. Suggested structure to try:Start with a group on Voice 1 (alternatively this can be the full group before split into different groups)At the repeat sign Voice 1 moves to Voice 2 and a second group start on Voice 1At the repeat sign, Voice 1 moves to Voice 2, Voice 2 moves to Voice 3 and a third group starts as Voice 1If the third group to come in sings all three parts, it will mean 5 repeats in totalAgree a sign with group and when reaching the end of the last repeat - move to the Coda to finish offMost importantly, it's something to have a little bit of fun with and freshen up warm-ups exercises.
$2.97
2.68 €
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Meghan Trainor
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Tabitha Beaven
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Dear Future Husband
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Tabitha Beaven
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SheetMusicPlus
Mysterium Tremendum
Small Ensemble Multi-Percussion,Organ,Timpani - Level 4 - Digital Download SKU: A0.9767…
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Small Ensemble Multi-Percussion,Organ,Timpani - Level 4 - Digital Download SKU: A0.976702 Composed by Robert Myers. Christian,Contemporary,Sacred. Score and parts. 65 pages. WheatMyer Music #3506367. Published by WheatMyer Music (A0.976702). MYSTERIUM TREMENDUM is an instrumental doxology (Trinitarian hymn of praise) with unique leitmotifs of adoration and praise for each member of the Trinity. God the Father is portrayed in unisons and octaves symbolizing His perfections; God the Son is portrayed in descending perfect fourths and fifths along with tritones displaying His complete divinity along with being a man of sorrows; God the Holy Spirit is set in free-flowing lines combining elements of both prior motives as if emanating from the Father and the Son.MYSTERIUM TREMENDUM features Organ and Timpani , requiring competent musicians on both instruments, but includes characteristic and unusual colors and accents from across the percussion family. It is a moderately large work allowing development of each theme in a broad spectrum of expressions from each instrument. The work climaxes on a reharmonized quotation from the tune NICEA, better known as Holy, Holy, Holy, expressing worship of the Godhead as blessed trinity. MYSTERIUM TREMENDUM is suitable for the concert stage or for instrumental worship.The sheet music package contains a full score and separate parts for organ, timpani, and percussion. The timpani and percussion parts include an organ reduction for coordination among players. Thus, the piece may be either conducted or performed as an independent ensemble.Find more music at https://wheatmyermusic.com/portfolio/ and my Facebook page: https://www.facebook.com/WheatMyerMusic/
$14.99
13.52 €
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Robert Myers
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Mysterium Tremendum
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WheatMyer Music
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SheetMusicPlus
Ubi caritas
Mixed choir (SSAATB) a cappella - advanced - Digital Download SKU: S9.Q46312 Compos…
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Mixed choir (SSAATB) a cappella - advanced - Digital Download SKU: S9.Q46312 Composed by Enjott Schneider. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4:30. Schott Music - Digital #Q46312. Published by Schott Music - Digital (S9.Q46312). Latin.The extremely compositional versatility of Enjott Schneider is evident even in the small(est) form of choral music. In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), the award-winning composer combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. Imbued with calmness and sensuality, the church music composition is based on the text of a Latin antiphon from the Maundy Thursday liturgy. According to the composer, these anonymous verses represent for him the central statement of Christian faith: Ubi Caritas – Where there is love, there is God!In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), Enjott Schneider combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. According to the composer, the text represents for him the central statement of Christian faith: Ubi Caritas – Where there is love, there is God!
$4.99
4.5 €
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Enjott Schneider
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Ubi caritas
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Schott Music - Digital
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SheetMusicPlus
Ponete las pilas
Small Ensemble Accordion,Double Bass,Piano,Violin - Digital Download SKU: A0.934009…
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Small Ensemble Accordion,Double Bass,Piano,Violin - Digital Download SKU: A0.934009 Composed by Scott W. Hallgren. Dance,Jazz,Latin,Pop,World. Score and parts. 19 pages. Seventeen Pines Music (SESAC) #3048249. Published by Seventeen Pines Music (SESAC) (A0.934009). An electro-tango in the modern style, and the fourth and final movement of The Porteña Suite. (19 pages, score & parts)An excellent introduction to the music of Argentina & Uruguay, playable by musicians at the college level and above. Contains elements of jazz, and improvisation opportunities for all instruments.(PLEASE NOTE) Included audio file is for use in performance - a click track in the left channel and the accompanying tracks in the right; a recording of the piece can be heard here: http://magnatune.com/artists/albums/shallgren-studioc?song=4 Appropriate for concerts, arts & cultural events, and dance competitions.
$14.99
13.52 €
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Scott W
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Ponete las pilas
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Seventeen Pines Music
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SheetMusicPlus
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