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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
2 226
Piano & claviers
Piano seul
8 309
Piano, Voix
1 160
Accordéon
844
Piano Facile
492
Piano, Voix et Guitare
278
Accompagnement Piano
229
Orgue
160
Instruments en Do
131
1 Piano, 4 mains
70
2 Pianos, 4 mains
51
Piano Trio: piano, violon, violoncelle
24
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano grosses notes
7
Clavecin
4
2 Accordéons
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon, Voix
1
+ 18 instrumentations
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Guitares
Guitare
1 618
Basse electrique
1 469
Guitare notes et tablatures
376
Ukulele
131
Ensemble de Ukulélés
114
Ligne De Mélodie, (Paroles) et Accords
90
Guitare (partie séparée)
25
2 Guitares (duo)
17
Mandoline
13
Paroles et Accords
9
Piano, Guitare (duo)
9
Partitions De Groupes
7
4 Guitares (Quatuor)
7
Dulcimer
6
3 Guitares (trio)
5
Banjo
5
Basse électrique (partie séparée)
1
Ensemble de guitares
1
Guitare, Quatuor à cordes
1
Orchestre à Plectres
1
+ 15 instrumentations
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Voix
Voix seule
1 430
Chorale SATB
722
Chorale 3 parties
226
Chorale 2 parties
183
Chorale TTBB
147
Chorale SSAA
59
Chorale Unison
44
Voix duo, Piano
38
Chorale
35
Voix Soprano, Piano
27
Voix duo
24
Voix haute
23
Voix Alto, Piano
19
Voix Tenor, Piano
6
Voix moyenne, Piano
6
Chorale SSAATTBB
6
Voix Baryton, Piano
6
Pack Instrumental pour Chorale
5
Voix basse, Piano
5
Chorale SSATB
3
Voix basse
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Voix, Guitare
1
Chorale SSAATB
1
Chorale SATBB
1
+ 21 instrumentations
Retracter
Vents
Saxophone
5 525
Flûte traversière
2 383
Clarinette
2 381
Saxophone Alto
431
Flûte à Bec
392
Saxophone Tenor
386
Ocarina
278
Hautbois
236
Flûte traversière et Piano
226
Saxophone (partie séparée)
198
Clarinette et Piano
170
Quatuor de Saxophones: 4 saxophones
168
Quatuor de Clarinettes: 4 clarinettes
156
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
146
Clarinette (partie séparée)
144
Saxophone Alto et Piano
142
Saxophone Soprano
139
Ensemble de Flûtes
134
Flûte, Hautbois, Clarinette, Basson
131
Ensemble de Clarinettes
130
Quatuor de Flûtes : 4 flûtes
114
Hautbois, Piano (duo)
105
Ensemble de saxophones
86
Saxophone Tenor et Piano
82
2 Saxophones (duo)
74
Flute (partie séparée)
68
Quintette de Saxophone: 5 saxophones
64
2 Flûtes traversières (duo)
62
Saxophone Soprano et Piano
59
Hautbois (partie séparée)
55
2 Clarinettes (duo)
39
Saxophone Baryton, Piano
39
Quintette de Clarinettes: 5 clarinettes
32
Clarinette Basse, Piano
31
3 Clarinettes (trio)
30
3 Saxophones (trio)
27
Trio de Flûtes: 3 flûtes
26
Flûte et Guitare
21
Flûte, Violoncelle
19
Cor anglais, Piano
16
Flûte, Clarinette et Basson
15
2 Hautbois (duo)
14
Flûte, Clarinette (duo)
13
Hautbois, Basson (duo)
12
Flûte, Violon
11
Saxophone, Clarinette (duo)
10
Quatuor de Flûtes à bec
10
Clarinette, Guitare (duo)
8
Instruments en Mib
8
2 Clarinettes, Piano
8
Clarinette, Basson (duo)
8
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Trompette (duo)
6
Flûte, Hautbois, Basson
6
2 Flûte à bec (duo)
6
Hautbois, Violoncelle
6
Clarinette, Violon (duo)
6
Hautbois, Clarinette (duo)
6
Flûte, Violon, Piano
6
Clarinette, Violoncelle (duo)
6
Quintette de Flûte : 5 flûtes
5
Hautbois, Flûte
5
5 Flûtes à bec
5
Flûte à bec Soprano
5
Saxophone et Piano
5
Flûte, Saxophone (duo)
5
Flûte, Clarinette, Piano (trio)
5
Saxophone et Guitare
5
Flûte, Violon et Violoncelle
5
Clarinette et Alto
4
Saxophone Baryton
4
Cor anglais, Guitare (duo)
4
Clarinette, Basson, Piano (trio)
4
Flûte à bec Alto
4
2 Flûtes traversières, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Trompette (duo)
3
Flûte à bec Tenor
3
Clarinette Basse
3
Flûte, Violoncelle, Piano (trio)
3
3 Hautbois
2
Flûte, Alto (duo)
2
Piccolo
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano, Piano
2
Flûte traversière, Orgue (duo)
2
Harmonica
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Cornemuse
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano, Basse continue
1
Flûte, Violon, Guitare
1
Hautbois, Harpe
1
Cor Anglais
1
2 Hautbois, Piano
1
2 Saxophones, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et Harpe
1
Flûte, Tuba (duo)
1
Flûte à Bec, Piano
1
Flûte, Hautbois (duo)
1
Flûte à bec, Harpe
1
Saxophone et Orgue
1
Flûte, Harpe et Violoncelle
1
3 Flûtes à bec (trio)
1
Saxophone, Violon (duo)
1
+ 102 instrumentations
Retracter
Cuivres
Trompette
2 094
Trombone
1 969
Cor
229
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
186
Euphonium
182
Trombone (partie séparée)
149
Trompette (partie séparée)
143
Tuba
143
Trompette, Piano
120
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Trombone et Piano
97
Cor (partie séparée)
76
Cor et Piano
70
Tuba (partie séparée)
52
Euphonium, Piano (duo)
37
Quatuor de Cuivres
24
Tuba et Piano
24
2 Trompettes (duo)
20
Quatuor de cuivres: 4 trombones
20
Quatuor de cuivres: 4 cors
18
Cor anglais, Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
2 Cors (duo)
14
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
Ensemble de Trompettes
10
Trompette, Cor (duo)
8
Ensemble de Trombones
8
Trompette, Saxophone (duo)
7
Instruments en Sib
7
Bass Clef Instruments
6
Trompette, Basson (duo)
6
Trompette, Violoncelle (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
2 Tubas (duo)
5
Cor et Basson (duo)
4
Trombone basse
4
Cor anglais, Guitare (duo)
4
Cor, Violoncelle (duo)
4
Tuba ou Euphonium ou Saxhorn
3
4 Tubas
3
Trombone, Cor (duo)
3
Ensemble de Cors
3
Cor et Harpe
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse et Piano
2
3 Trombones (trio)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
1
Cor, Tuba (duo)
1
Trompette, violon (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
Cor Anglais
1
3 Trompettes (trio)
1
Trompette, Tuba (duo)
1
Trompette, Trombone, Piano
1
2 Cors, Piano
1
4 Euphoniums
1
Tuba et Orgue
1
Cor, Trompette, Trombone (trio)
1
Trompette, Violoncelle et Piano
1
Trompette, Harpe
1
Trompette, Orchestre
1
+ 60 instrumentations
Retracter
Cordes
Violon
1 453
Violoncelle
934
Alto seul
902
Quatuor à cordes: 2 violons, alto, violoncelle
415
Violon et Piano
347
Violoncelle, Piano
215
Alto, Piano
172
Harpe
85
Violon, Violoncelle (duo)
73
Contre Basse
72
2 Violons (duo)
57
2 Violoncelles (duo)
55
Trio à Cordes: violon, alto, violoncelle
45
Violon (partie séparée)
42
Contrebasse (partie séparée)
36
Violon, Alto (duo)
22
Alto (partie séparée)
20
2 Altos (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Trio à Cordes: 2 violons, violoncelle
15
Violon, Guitare (duo)
14
Piano Trio: Violon, Alto, Piano
14
2 Harpes (duo)
11
4 Violoncelles
11
Trio à cordes: 3 violins
11
Contrebasse, Piano (duo)
11
Alto, Violoncelle (duo)
11
Trio à Cordes: 2 violons, alto
9
2 Violons, Piano
8
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Alto, Guitare (duo)
7
Harpe, Flûte (duo)
6
Violoncelle , Guitare (duo)
6
Harpe, Violoncelle (duo)
6
Violon, Basson (duo)
5
Violoncelle (partie séparée)
5
Alto et Basson
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 altos
3
2 Violoncelles, Piano
3
Violon, Basse continue
2
Alto et Harpe
2
Violoncelle, Orchestre
2
Ensemble de Violoncelles
2
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Harpe, Trombone (duo)
1
Harpe et Orgue
1
Harpe et Piano
1
4 Contrebasses
1
2 Altos, Piano
1
+ 50 instrumentations
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Orchestre & Percussions
Batterie
1 967
Orchestre d'harmonie
1 591
Orchestre
349
Fanfare
177
Orchestre à Cordes
155
Ensemble de cuivres
105
Percussion (partie séparée)
97
Ensemble Jazz
83
Orchestre de chambre
71
Percussion
67
Cloches
50
Timbales (partie séparée)
24
Jazz combo
22
Batterie (partie séparée)
15
Marimba
7
Ensemble de Percussions
6
Timbales
5
Vibraphone
5
Xylophone
4
Orchestre, Violon
3
Quintette à Vent
2
Ensemble d'École
2
Caisse Claire
1
Xylophone, Piano
1
3 Percussions
1
+ 20 instrumentations
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Théorie de la musique
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2226
Finnish National Anthem for String Orchestra
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Fredrik Pacius
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Keith Terrett
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Finnish National Anthem for St
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Pra...
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String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [ˈmɑːmːe]) or Vårt land (Finland Swedish: [ˈvoːrt ˈlɑnːd]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min izāmō (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
$8.99
Luther: Out of the Depths for Bass Flute & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
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Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Oboe d'Amore & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Sta...
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Contrabassoon & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Baritone Horn & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standar...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Piano Trio
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Sc...
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Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Bass Flute & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549824 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christ...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549824 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 48 pages. Jmsgu3 #3547907. Published by jmsgu3 (A0.549824). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 48 pages. Jmsgu3 #3547921. Published by jmsgu3 (A0.549825). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549807 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549807 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 16 pages. Jmsgu3 #3541697. Published by jmsgu3 (A0.549807). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Bass Flute & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549687 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christ...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549687 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520299. Published by jmsgu3 (A0.549687). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Oboe d'Amore & Piano
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chri...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549688 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 14 pages. Jmsgu3 #3520331. Published by jmsgu3 (A0.549688). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
La Foi, L’Espérance et La Charité (Faith, Hope, and Charity) - Brass Trio Arrangement
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Adolphe Danhauser
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Andrew Lamb
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La Foi, L’Espéran
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Andrew Lamb
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SheetMusicPlus
Horn,Trumpet - Level 3 - SKU: A0.1289864 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber,Romantic Period. 21 p...
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Horn,Trumpet - Level 3 - SKU: A0.1289864 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber,Romantic Period. 21 pages. Andrew Lamb #880564. Published by Andrew Lamb (A0.1289864). La Foi, L’Espérance et La Charité (Faith, Hope, and Charity) - Brass Trio ArrangementElevate your brass ensemble's repertoire with this enchanting arrangement of Adolphe Danhauser's La Foi, L’Espérance et La Charité. Originally composed as a Secular Chorus, this timeless piece has been masterfully reimagined for brass trio, adding a unique and captivating dimension to its rich history. This arrangement, with two trumpets, one French horn, and an optional tenor horn part for added flexibility, is set at a medium difficulty level, making it an excellent choice for concerts, recitals, and educational purposes.Composer's Legacy: Adolphe Danhauser, a celebrated French composer, breathed life into this captivating composition, and now, this arrangement allows you to experience its beauty in a fresh and exciting way. La Foi, L’Espérance et La Charité explores universal themes of faith, hope, and charity, making it a poignant addition to any musical program.Versatile Instrumentation: This arrangement is skillfully crafted for a brass trio, featuring two trumpets and one French horn. Additionally, it offers the option of incorporating a tenor horn part, providing added flexibility and tonal variety to your performance.Moderate Challenge, Maximum Reward: Rated at a medium level of difficulty, this arrangement strikes the perfect balance between challenge and accessibility. It is well-suited for brass players looking to expand their repertoire and enhance their ensemble skills.Versatile Usage: La Foi, L’Espérance et La Charité is a versatile piece that can shine in various settings:1. Concerts: Infuse your concert repertoire with elegance and sophistication. This arrangement's melodic beauty and historical significance will captivate your audience.2. Recitals: Showcase your brass trio's talent with a memorable performance that will leave a lasting impression on your listeners.3. Educational Purposes: Utilize this arrangement as a valuable teaching tool to introduce students to classical music and ensemble playing while exploring its historical and cultural context.Unveil the Timeless Beauty: With this arrangement of La Foi, L’Espérance et La Charité, you have the opportunity to breathe new life into a classic work of art. Adolphe Danhauser's composition, reimagined for brass instruments, will resonate with audiences and transport them to a world of musical enchantment. Discover the enduring power of faith, hope, and charity through this captivating musical journey. Don't miss the chance to incorporate this piece into your brass ensemble's repertoire and experience its timeless beauty for yourself.
$4.00
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Contemporain
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales o
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksand...
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
The Peanut Vendor (el Manisero)
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Contemporain
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Louis Armstrong & His Orchestr
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Des McNutty
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The Peanut Vendor
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. S...
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Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438143. Published by Des Press (A0.977352). Part of the series A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
Heroic Music - No. 5. L'Armement (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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Heroic Music - No. 5. L'Armeme
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Regis Bookshar
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SheetMusicPlus
Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173857 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,...
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Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173857 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 13 pages. Regis Bookshar #774009. Published by Regis Bookshar (A0.1173857). Heroic Music - No.  5. L'Armement - Georg Philipp Telemann - Brass Quintet, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, Heroic Music - No.  5. L'Armement, is arranged for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Tuba and a Timpani, and is associated with the heroic quality of Rearmament. There is also a version without a Timpani, if you would prefer. Included are a score and a complete set of parts (13 pages).These selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences for years to come.
$16.00
L'Armement (from "Heroic Music") (Bb) (Trumpet Quintet, Timpani)
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Georg Philipp Telemann
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Regis Bookshar
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L'Armement
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Regis Bookshar
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SheetMusicPlus
Timpani,Trumpet - Level 3 - SKU: A0.1179642 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March...
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Timpani,Trumpet - Level 3 - SKU: A0.1179642 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 13 pages. Regis Bookshar #779615. Published by Regis Bookshar (A0.1179642). L'Armement (from Heroic Music) - Georg Philipp Telemann - Trumpet Quintet, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any musuc library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, L'Armement (from Heroic Music), is arranged for a Trumpet Quintet and Timpani and is associated with the heroic quality of Rearmament. There is also a version without the Timpani, if you would prefer. Included are a score and a complete set of parts (13 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to searh for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find sometthong else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$16.00
Heroic Music - No. 5. L'Armement (Bb) (Trumpet Quintet, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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Heroic Music - No. 5. L'Armeme
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Regis Bookshar
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SheetMusicPlus
Timpani,Trumpet - Level 3 - SKU: A0.1170650 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March...
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Timpani,Trumpet - Level 3 - SKU: A0.1170650 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 13 pages. Regis Bookshar #771001. Published by Regis Bookshar (A0.1170650). Heroic Music - No.  5. L'Armement - Georg Philipp Telemann - Trumpet Quintet, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchase individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Booksh Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a solist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, Heroic Music - No. 5. L'Armement, is arranged for a Trumpet Quintet and Timpani and is associated with the heroic quality of Rearmament. Included are a score and a complete set of parts (13 pages)These selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshat, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$16.00
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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James Smith
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Variations, Für Elise
1
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Next Level Bassoon: Etudes, Ex
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Ensemble Llama Music
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SheetMusicPlus
Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Metho...
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Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
Nigerien National Anthems "La Nigerienne" & "L'Honneur de la Patrie" for Brass Quintet
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Keith Terrett
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Keith Terrett
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Nigerien National Anthems &quo
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - SKU: A0.1489412 By Keith Terrett. By Unknown. Arranged by Keith Terre...
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - SKU: A0.1489412 By Keith Terrett. By Unknown. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 23 pages. Keith Terrett #1066158. Published by Keith Terrett (A0.1489412). La Nigérienne (French pronunciation: [la ni.ʒe.ʁjɛn]; The Nigerien) is the former national anthem of Niger. The lyrics are by Maurice Albert Thiriet; Robert Jacquet and Nicolas Abel François Frionnet wrote the music. It was adopted as Niger's anthem in 1961 and relinquished in 2023.The anthem was written by French film composer Maurice Albert Thiriet. The music was composed by two other Frenchmen, Robert Jacquet and Nicolas Abel François Frionnet. It was adopted in 1961, a year after Niger gained independence from France.On 21 November 2019, President Mahamadou Issoufou announced that he had decided to change the national anthem. The decision followed criticism that some of the lyrics appeared to express gratitude to the former coloniser, France, with Nigeriens on social media challenging lines three and four. A committee chaired by Prime Minister Brigi Rafini was charged with reflecting on the current anthem by providing corrections and if possible find a new anthem that responds to the current context of Niger. Created in 2018, it was composed of several members of the Government and about fifteen experts experienced in writing and musical composition. Assamana Malam Issa, the Minister of Cultural Renaissance, said a hymn must be found that can galvanize the population, be for us a kind of war cry to touch our patriotic fiber.On 22 June 2023 the National Assembly adopted The Honor of the Fatherland as Niger's new anthem.The Honor of the Fatherland (French L'Honneur de la Patrie) is the national anthem of Niger. It was adopted on June 23, 2023, replacing La Nigerienne, which was adopted in 1961, a year after the country's gaining of independence.Niger, a former colony of France, became an independent country in 1960. The following year, the country adopted La Nigerienne as its national anthem. In 2019, President Mahamadou Issoufou announced his plans to replace La Nigerienne, following concerns that the lyrics expressed perceived gratitude towards the colonial power. A committee was established to reflect on the current anthem and find a new anthem if necessary. On June 22, 2023, the National Assembly adopted The Honor of the Fatherland as the country's new anthem to replace La Nigerienne.
$12.99
L'Espoir Que Jay and Branle - Pierre Attaignant - Paris 1529, 1530 (with lyrics)
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Pierre Attaignant
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Alastair Lodge
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L'Espoir Que Jay and Branle -
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1447150 Composed by Pierre Attaignant. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1026929. ...
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Level 2 - SKU: A0.1447150 Composed by Pierre Attaignant. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1026929. Published by Wold Meridian (A0.1447150). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editionsYou can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=Mf3HSjh6_DgAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=bswT9dNVWRMLine 3 is featured at https://www.youtube.com/watch?v=lMw3JHA-yIYLine 4 is featured at https://www.youtube.com/watch?v=4q1RO1i9zUw
$2.50
Burgundian Air/March of the Three Kings (F min) (French Horn Quintet)
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.813069 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Mu...
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Brass Ensemble Horn - Level 3 - SKU: A0.813069 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. Score and parts. 21 pages. Regis Bookshar #6097367. Published by Regis Bookshar (A0.813069). French Horn Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 French Horns by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Euphonium Quintet - Bass Clef)
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813066 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instruction...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813066 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. Score and parts. 22 pages. Regis Bookshar #6096683. Published by Regis Bookshar (A0.813066). Euphonium Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Euphoniums, by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts, written in Bass Clef (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Euphonium Quintet - Treble Clef)
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813067 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instruction...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813067 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. Score and parts. 22 pages. Regis Bookshar #6096687. Published by Regis Bookshar (A0.813067). Euphonium Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Euphoniums by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts, written in Treble Clef (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional french melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Violoncello Quintet)
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813078 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical...
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String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813078 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. Score and parts. 22 pages. Regis Bookshar #6097399. Published by Regis Bookshar (A0.813078). Violoncello Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Violoncellos, by Regis Bookshar. It would be a great addition to any music library. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Burgundian Air/March of the Three Kings (F min) (Oboe Quintet)
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Oboe - Level 3 - SKU: A0.813070 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional...
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Woodwind Ensemble Oboe - Level 3 - SKU: A0.813070 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 21 pages. Regis Bookshar #6097371. Published by Regis Bookshar (A0.813070). Oboe Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Oboes by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
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