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The Metronome - Percussion
Partitions à imprimer
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Match Of The Day
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.799274 Composed by Barr…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.799274 Composed by Barry Stoller. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5224117. Published by Derek Hasted (A0.799274). MATCH OF THE DAY THEME - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Both my adult ensemble groups have played this in concert and it’s a lot of fun! It's known to UK audiences as the theme music to the TV program Match Of The Day.This version includes the uplifting key-change in the middle of the piece and if the upper three parts play outside of first position, then it’s a simple two-fret shift and no change to the left hand fingering at all!The X-headed notes are golpé strokes - but on a Classical Guitar with no scratch-protection to the front, it’s best to tap the side-panel of the bridge with the side of the thumb - it gives a great drum sound and the wood is hard and won’t mark.The metronome mark ties in with the speed of the original, but if the fast sections are a little too cumbersome for Guitar One, simply drop the pace a little. Since most of the notes are the same length, it works at almost any speed.I hope you enjoy performing this!
$4.99
4.61 €
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Barry Stoller
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Derek Hasted
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Match Of The Day
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Derek Hasted
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SheetMusicPlus
Suite Metronomique (for Digital Metronome and Electronics)
Instrumental Solo - Level 1 - Digital Download SKU: A0.665635 Composed by Aaron Lee…
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Instrumental Solo - Level 1 - Digital Download SKU: A0.665635 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Individual part. 10 pages. J. Aaron Lee #274660. Published by J. Aaron Lee (A0.665635). Suite Metronomique is a comedic electro-acoustic work for a digital metronome and live audio manipulations. The metronome audio is fed into a computer algorithm that is used to create multi-movement work for solo metronome. As can be seen from the preview, the physical score is very minimal, but the purchase price also includes the digital files required to perform the work (just contact me at the email address provided within). More music, as well as contact information, can be found at www.musicoflee.com.
$4.99
4.61 €
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Aaron Lee
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Suite Metronomique
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J. Aaron Lee
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SheetMusicPlus
Two Songs From the Children's Album, - instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.835846 Composed by Peter Ilyich…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835846 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Children,Classical. Score and parts. 17 pages. Paul Burnell #5303375. Published by Paul Burnell (A0.835846). Two Songs From the Children's Album (Op.39), composed by Pyotr Ilyich Tchaikovsky (1840 - 1893), arranged by Paul Burnell for instruments in four parts.Duration 2:00Score in CI Old French Song (No. 16)II German Song (No. 17)Each movement has been transposed from the original key. The metronome marks and rallentando indications have been added to reflect the different characters of the two pieces.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:The 'Children's Album' is a set of 24 piano pieces composed by Pyotr Tchaikovsky in 1878. The collection is subtitled '24 simple pieces à la Schumann'. The two pieces featured here are No. 16 'Old French Song' and No. 17 'German Song'.
$3.99
3.69 €
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Peter Ilyich Tchaikovsky
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Paul Burnell
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Two Songs From the Children's Album, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
The Journey (Three hands version)
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.902610
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.902610 Composed by Jesica Yap. 20th Century. Score and parts. 5 pages. Jesica Yap #6232713. Published by Jesica Yap (A0.902610). The JourneyThis is the first song (Introduction) to my Instrumental Piano Solo Album titled The JourneyThe Journey is a minimalistic music telling the story about one's Journey.In this piece you will hear lots of different mood.You can also find my both hands (2 hands) arrangement in my SMP press Page.Just click on my SMP Page below: ♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200Duration: 2 mins 32 secondsKey : A MinorTempo: Dotted quarter = 100 bpm Practice suggestions:Use the metronome on Dotted Quarter note equal to 100 meaning 3 Eighth notes equal to 1 click Have fun! About the arranger:Jesica Yap is an Indonesian-born composer for the visual media, a music producer, a pianist and a teacher residing in Los Angeles, California.PRO : BMIContact: jyap@jesicayap.comFollow me on my social media for the latest update about my musical journey and new sheet music post:♫ My Facebook: https://www.facebook.com/jesicayapmusic/♫ My Instagram:http://instagram.com/jesicayap♫ My Website: http://www.jesicayap.com.♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200
$4.99
4.61 €
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Jesica Yap
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The Journey
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Jesica Yap
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SheetMusicPlus
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arran…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
$20.00
18.49 €
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Various
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Socrates Arvanitakis
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Baroque Anthology 2 - 20 easy Pieces for Guitar
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Socrates Arvanitakis
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Blowin' In The Wind
Instrumental Solo,Kalimba - Level 2 - Digital Download SKU: A0.1360402 By Bob Dylan…
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Instrumental Solo,Kalimba - Level 2 - Digital Download SKU: A0.1360402 By Bob Dylan. By Bob Dylan. Arranged by songbooks.info. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Individual part. 4 pages. Songbooks.info #944896. Published by songbooks.info (A0.1360402). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was adapted for the Kalimba with 17 tines and provided with reed numbers/symbols. These symbols are briefly explained in the appendix and can also be seen on most Kalimbas. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement. The sound of a Vibraphone was used in the setting so that the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Blowin’ in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelin’ veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit Stimmzungenzahlen / Symbolen versehen Diese Symbole werden im Anhang kurz erklärt und sind auch auf den meisten Kalimbas ersichtlich. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können. In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Bob Dylan
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songbooks
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Blowin' In The Wind
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songbooks.info
#
SheetMusicPlus
Blowin' In The Wind
Ocarina - Level 2 - Digital Download SKU: A0.1359230 By Bob Dylan. By Bob Dylan. Ar…
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Ocarina - Level 2 - Digital Download SKU: A0.1359230 By Bob Dylan. By Bob Dylan. Arranged by songbooks.info. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Score. 4 pages. Songbooks.info #943689. Published by songbooks.info (A0.1359230). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was adapted for the Ocarina with 10/12 holes and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Blowin’ in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelin’ veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Okarina mit 10/12 Löchern adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$4.99
4.61 €
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Bob Dylan
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songbooks
#
Blowin' In The Wind
#
songbooks.info
#
SheetMusicPlus
Blowin' In The Wind
Ocarina - Level 2 - Digital Download SKU: A0.1359233 By Bob Dylan. By Bob Dylan. Ar…
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Ocarina - Level 2 - Digital Download SKU: A0.1359233 By Bob Dylan. By Bob Dylan. Arranged by songbooks.info. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Score. 4 pages. Songbooks.info #943692. Published by songbooks.info (A0.1359233). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was adapted for the Ocarina with 6 holes and provided with fingering images in English Crossfingering. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Blowin’ in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelin’ veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Okarina mit 6 Löcher adaptiert und mit Griffbildern versehen - in English Crossfingering. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$4.99
4.61 €
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Bob Dylan
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songbooks
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Blowin' In The Wind
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songbooks.info
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SheetMusicPlus
Blowin' In The Wind
Instrumental Solo,Kalimba - Level 2 - Digital Download SKU: A0.1361190 By Bob Dylan…
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Instrumental Solo,Kalimba - Level 2 - Digital Download SKU: A0.1361190 By Bob Dylan. By Bob Dylan. Arranged by Bettina Schipp. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Individual part. 5 pages. Songbooks.info #945688. Published by songbooks.info (A0.1361190). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was adapted for the Kalimba with 17 tines and notated using a simple tablature - no reading of classical music notation necessary! The tablature is explained in the appendix.The arrangement is intended for one player. There is no distinction between ''melody'' and ''accompaniment'', the notation is played as a wholeThe setting was created at a slow tempo with a clearly audible metronome - perfect for learning and practicing. We hope you enjoy making music...!Blowin’ in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelin’ veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit einer einfachen Tabulatur notiert - kein Notenlesen nötig! Die Tabulatur wird im Anhang erklärt.Das Arrangement ist für eine Spielerin / einen Spieler gedacht. Es gibt keine Unterscheidung zwischen ''Melodie'' und ''Begleitung'', die Notation wird gesamt gespielt Die Vertonung wurde in einem langsamen Tempo mit einem klar hörbarem Metronom erstellt - perfekt zum Lernen und Üben. Wir wünschen viel Spaß beim Musizieren...!
$4.99
4.61 €
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Bob Dylan
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Bettina Schipp
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Blowin' In The Wind
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songbooks.info
#
SheetMusicPlus
Singin' In The Rain
Ocarina - Level 2 - Digital Download SKU: A0.1347188 Composed by Arthur Freed and N…
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Ocarina - Level 2 - Digital Download SKU: A0.1347188 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score. 4 pages. Songbooks.info #931984. Published by songbooks.info (A0.1347188). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Ocarina with 10/12 holes and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Okarina mit 10/12 Löchern adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Arthur Freed and Nacio Herb Brown
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songbooks
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Singin' In The Rain
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songbooks.info
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SheetMusicPlus
Singin' In The Rain
Instrumental Solo,Tin Whistle - Level 2 - Digital Download SKU: A0.1347196 Composed…
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Instrumental Solo,Tin Whistle - Level 2 - Digital Download SKU: A0.1347196 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 4 pages. Songbooks.info #931993. Published by songbooks.info (A0.1347196). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Tin Whistle / Penny Whistle in D and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Tin Whistle / Penny Whistle in D adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Arthur Freed and Nacio Herb Brown
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songbooks
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Singin' In The Rain
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songbooks.info
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SheetMusicPlus
Singin' In The Rain
Instrumental Solo,Kalimba - Level 2 - Digital Download SKU: A0.1347200 Composed by …
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Instrumental Solo,Kalimba - Level 2 - Digital Download SKU: A0.1347200 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 4 pages. Songbooks.info #931999. Published by songbooks.info (A0.1347200). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Kalimba with 17 tines and provided with reed numbers/symbols. These symbols are briefly explained in the appendix and can also be seen on most Kalimbas. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement. The sound of a Vibraphone was used in the setting so that the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzt und singt im gleichnamigen Tonfilm von 1952. Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit Stimmzungenzahlen / Symbolen versehen Diese Symbole werden im Anhang kurz erklärt und sind auch auf den meisten Kalimbas ersichtlich. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können. In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Arthur Freed and Nacio Herb Brown
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songbooks
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Singin' In The Rain
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songbooks.info
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SheetMusicPlus
Singin' In The Rain
Ocarina - Level 2 - Digital Download SKU: A0.1347189 Composed by Arthur Freed and N…
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Ocarina - Level 2 - Digital Download SKU: A0.1347189 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score. 4 pages. Songbooks.info #931985. Published by songbooks.info (A0.1347189). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Ocarina with 6 holes and provided with fingering images in English Crossfingering. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Okarina mit 6 Löcher adaptiert und mit Griffbildern versehen - in English Crossfingering. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Arthur Freed and Nacio Herb Brown
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songbooks
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Singin' In The Rain
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songbooks.info
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SheetMusicPlus
The Bluebells of Scotland (Theme and Six Variations on a Scottish Tune for Classical Guitar)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163563 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163563 Composed by Socrates Arvanitakis. Classical,Contemporary,Folk. Individual part. 10 pages. Socrates Arvanitakis #763908. Published by Socrates Arvanitakis (A0.1163563). This set of variations for the classical guitar is part of a series of variation sets based on British ana Irish folk melodies.Metronome marks are only editorial suggestions. Slurring, dynamics, interpretation marks, etc are left to the performer's discretion.
$6.00
5.55 €
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Socrates Arvanitakis
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The Bluebells of Scotland
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Socrates Arvanitakis
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SheetMusicPlus
Singin' In The Rain
Instrumental Solo,Kalimba - Level 3 - Digital Download SKU: A0.1347174 Composed by …
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Instrumental Solo,Kalimba - Level 3 - Digital Download SKU: A0.1347174 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 3 pages. Songbooks.info #931968. Published by songbooks.info (A0.1347174). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Kalimba with 17 tines and notated using a simple tablature - no reading of classical music notation necessary! The tablature is explained in the appendix.The arrangement is intended for one player. There is no distinction between ''melody'' and ''accompaniment'', the notation is played as a wholeThe setting was created at a slow tempo with a clearly audible metronome - perfect for learning and practicing. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Kalimba mit 17 Stimmzungen adaptiert und mit einer einfachen Tabulatur notiert - kein Notenlesen nötig! Die Tabulatur wird im Anhang erklärt.Das Arrangement ist für eine Spielerin / einen Spieler gedacht. Es gibt keine Unterscheidung zwischen ''Melodie'' und ''Begleitung'', die Notation wird gesamt gespielt Die Vertonung wurde in einem langsamen Tempo mit einem klar hörbarem Metronom erstellt - perfekt zum Lernen und Üben. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Arthur Freed and Nacio Herb Brown
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Bettina Schipp
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Singin' In The Rain
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songbooks.info
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SheetMusicPlus
Six Pieces from First Term at the Piano, - instruments in four parts
Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok.…
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Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul Burnell #5724505. Published by Paul Burnell (A0.835850). Six Pieces from First Term at the Piano by Béla Bartók arranged by Paul Burnell for instruments in four parts.Duration 4:45I Allegro Deciso (No. 17)II Andante (No. 14)III Waltz (No. 18, Keringo)IV Folk Song: Moderato (No. 7, Népdal)V Where Have You Been, My Lamb? - Folksong (No. 13, Hol jártál, báránykám? - Népdal)VI Folksong: Allegro (No. 10, Népdal)The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Performers may wish to consider playing each movement through more than once and, in an ensemble with more than four players, varying the instrumentation for each iteration.The arrangements maintain the keys of the original piano pieces, but many sections have been transposed at the octave.The original metronome indication in Folksong: Allegro has been maintained, but performers may prefer a faster speed.Programme note:‘First Term at the Piano’ (‘Kezdök zongoramuzsikája’ – piano music for beginners) is a collection of pieces for first-year piano students. The collection was collaboration with Sándor Reschofsky with Béla Bartók writing eighteen of the short pieces. The volume was published in 1913 and was intended as the first of a five-volume piano instructional series. This arrangement features six of Bartók’s contributions: Allegro Deciso, Andante, Waltz, and three Folksongs.
$3.99
3.69 €
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Bela Bartok
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Paul Burnell
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Six Pieces from First Term at the Piano, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Piano Accompaniment for Air on the G String by Bach (in B minor)
Alto Recorder,Baritone Recorder,Bassoon,Clarinet,English Horn,Flute,Piano - Digital Downlo…
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Alto Recorder,Baritone Recorder,Bassoon,Clarinet,English Horn,Flute,Piano - Digital Download SKU: A0.1072213 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding,World. Accompaniment. Duration 267. Woods Only, Arrangements #6932245. Published by Woods Only, Arrangements (A0.1072213). This piano accompaniment was made thinking of the absence of a pianist in the performance of the piece, the arrangements of this music can be found in this profile. This audio contains four blank bars before the piano begins, two blank bars to give time to play, a bar for metronome marking, and finally a blank bar to finally begin the accompaniment. It follows the structure of the original piece, so you can use it without any fear.
$1.99
1.84 €
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Johann Sebastian Bach
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Ander
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Piano Accompaniment for Air on the G String by Bach
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Woods Only, Arrangements
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SheetMusicPlus
Fawlty Towers
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.797801 Composed by Denn…
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.797801 Composed by Dennis Wilson. Arranged by Derek Hasted. Contemporary. Score and parts. 20 pages. Derek Hasted #6115609. Published by Derek Hasted (A0.797801). FAWLTY TOWERS SUITE - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming suite, or rather the first movement, has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s fines comedies.Not many people know that there are variations on the theme that opens and closes the program, and this arrangement has been transcribed from the original soundtrack then tailored to fit three guitars. The entire suite comprises five pieces, of which the first and last are ostensibly the same. As well as a “scene-settingâ€, creepy sounding Interlude, there are two variations which are quite delightful and deserving to be better known.Fingering is minimal, but the rich chromatic harmonies will require position shifts here and there.The metronome markings are broadly based on the original soundtrack, but a more relaxed pace works well too.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$5.99
5.54 €
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Dennis Wilson
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Derek Hasted
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Fawlty Towers
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Derek Hasted
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SheetMusicPlus
Mary Had A Baby - 6 guitars/large ensemble
Guitar - Level 2 - Digital Download SKU: A0.797753 Composed by Traditional. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.797753 Composed by Traditional. Arranged by Derek Hasted. Christmas,Spiritual. 24 pages. Derek Hasted #4804965. Published by Derek Hasted (A0.797753). MARY HAD A BABY - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This American 19th Century Spiritual about the arrival of the Baby Jesus contains the words The people keep a-comin’ but the train done gone.It’s generally accepted that references to the train in afro-American Gospel Music often refer to The Gospel Train or The Way To A Better Life. But regardless of the actual interpretation for those words, this arrangement just wouldn’t be remotely authentic if it didn’t sound like a steam train. So hopefully, it does!This piece starts in the key of F, and the lower three parts generate a pulse which mimics the power-stroke of a steam locomotive. There’s a train whistle too - the top three parts sound an augmented chord - you might like to slide up into the chord, or fall down the neck after the chord is resolved. Or just play it as written...In the centre, the music rises a semitone then another semitone, picking up speed as it does so, playing the same music a tone higher. At the end of the piece, the music slows, and slows and slows to a standstill with a final bass G to tell the audience that the train has stopped...Before the train picks up speed, there is a gentle choral section, and the dynamic markings will show you where the tune moves about.The amount you choose to pick up speed is entirely your choice - the occasional strange number in the metronome mark is simply the result of my typesetting software performing a long, steady speed change.I hope you enjoy playing this piece!
$3.49
3.23 €
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Traditional
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Derek Hasted
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Mary Had A Baby - 6 guitars/large ensemble
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Derek Hasted
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SheetMusicPlus
Ballad Of Casey Jones
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddi…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5206431. Published by Derek Hasted (A0.797763). CASEY JONES - 6 GUITARS or LARGE ENSEMBLEThe Ballad of Casey Jones - most famously used as the Theme Music to the TV series Casey Jones.Derek Hasted writes This is a great piece for six or more guitars, especially for those with limited experience of playing in ensemble.Schoolteachers - this is ideal for a school ensemble of mixed ability players, as there are parts from 'very much a novice' up to intermediate (which the teacher can help support).My arrangement sets out to make classical guitars sound like a steam locomotive - I hope you find that it works better than you imagined!The slow introduction and the gathering speed doesn’t require a collective accelerando, it’s all done in the writing - the metronome mark stays the same.Be sure to accent the beats where shown, and keep that pulsing accent rippling through the entire piece.Guitar 6 requires the bottom string tuned down to D - as this is the line suited to those with the least experience, you might want to mark up the fret numbers for the bass notes below the open A - they are all two frets higher than they normally are.This piece has featured in concerts played by The Hampshire Guitar Orchestra, and it’s always gone down well.I hope you enjoy playing this piece!
$4.99
4.61 €
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Eddie Newton and Jill Gallina
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Derek Hasted
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Ballad Of Casey Jones
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Derek Hasted
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.67 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Lady Bird
B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283286 By Miles Davis. By Tadd…
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B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283286 By Miles Davis. By Tadd Dameron. Arranged by Leo Maxey. Jazz. 7 pages. Leo Maxey #874459. Published by Leo Maxey (A0.1283286). Fats Navarro's Trumpet Solo on Lady Bird harmonized for trumpet sections and trumpet ensemble.Inspired by great bigband horn sections, the World Saxophone Quartet and Supersax are harmonized! I have harmonized very popular trumpet solos by great and influential trumpeters. In this collection here, are featured solos by Louis Armstrong, Fats Navarro, and Clifford Brown on the tunes Jacqui, Lady Bird, Knee Drops and more!Leo Maxey, TrumpetEd Hrybyk, BassQuincy Phillips, DrumsRussell Kirk, Recording EngineerRecorded at Walker StudiosThe Student should take time to memorize the tune and solo from the original recording. Â Where learning the harmonized parts, the metronome should be dialed back 15-30 clicks/BPM or more, until the line is fluid and able to be played up to tempo, for the best results. Â The transcriptions also serve as a way to work together on phrasing, unit cohesion and aiding in one's own jazz feel and understanding.The GOAL: To form a tight knit trumpet section that compliments the lead voice(and doesn't crowed 'em), thus contributing to the overall vibe of the ensemble. Â In learning parts, the strategy should look like:1. Learn the head2. Learn the lead part (the solo)3. Learn your part (2nd, 3rd or 4th part).
$12.99
12.01 €
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Miles Davis
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Leo Maxey
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Lady Bird
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Leo Maxey
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SheetMusicPlus
Jacqui
B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283261 By Clifford Brown. By R…
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B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283261 By Clifford Brown. By Richard Richie Powell Powell. Arranged by Leo Maxey. Jazz. 6 pages. Leo Maxey #874456. Published by Leo Maxey (A0.1283261). Clifford Brown's trumpet solo on Jacqui harmonized fort trumpet section features and trumpet ensemble.Inspired by great bigband horn sections, the World Saxophone Quartet and Supersax are harmonized arrangements for trumpet! Leo Maxey, TrumpetEd Hrybyk, BassQuincy Phillips, DrumsRussell Kirk, Recording EngineerRecorded at Walker StudiosThe Student should take time to memorize the tune and solo from the original recording. Where learning the harmonized parts, the metronome should be dialed back 15-30 clicks/BPM or more, until the line is fluid and able to be played up to tempo, for the best results. The transcriptions also serve as a way to work together on phrasing, unit cohesion and aiding in one's own jazz feel and understanding.The GOAL: To form a tight nit trumpet section that compliments the lead voice(and doesn't crowed 'em), thus contributing to the overall vibe of the ensemble. In learning parts, the strategy should look like:1. Learn the head2. Learn the lead part (the solo)3. Learn your part (2nd, 3rd or 4th part).
$12.99
12.01 €
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Clifford Brown
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Leo Maxey
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Jacqui
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Leo Maxey
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SheetMusicPlus
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