Partitions Numériques de The Painting

Vous avez sélectionné:

The Painting

Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - Digital Download SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.

Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.948672 Composed by J Farrow. Contemporary. Score and parts. 66 pages. Jamie Farrow #5983915. Published by Jamie Farrow (A0.948672). Turnerâ€™s The Sun Setting Through Vapour was my inspiration because of the different layers and zones of interest which influenced my compositionâ€™s structure. The central focus of the painting is the setting sun in the central background of the work. The reflection of the sun draws the eye into the foreground and the market scene in the front right zone. This created the first section of my composition, the idea of the sun setting through the vapour before revealing a market scene which then fades back into the atmospheric sun setting through the vapour. The second section moves to the story of the Napoleonic War ships in the middle and backgrounds of the painting using percussion. Reflecting this the section centres around the narrative of a naval battle; the manoeuvring into position and flexing of strength; the pre-battle planning; the calm before and finally the battle itself. The third section draws together two aspects: the sun setting and the prison ship, drawing us from the aftermath of the battle to the journey back to shore showing the juxtaposing emotions of the imagined victorious British (the piccolo) and French prisoners (the cello). Closer to shore the vapour descends and we hear inflections of the market before returning to the sun setting through the vapour with the harbour clock (Tubular Bells) grounding us in real time.

Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.

The Old Castle

Alto saxophone and piano - easy to intermediate - Digital Download SKU: S9.Q7324 (+)

Alto saxophone and piano - easy to intermediate - Digital Download SKU: S9.Q7324 From Pictures at an Exhibition. Composed by Modest Petrovich Mussorgsky. Arranged by Heinz Both. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7324. Published by Schott Music - Digital (S9.Q7324). With his piano cycle Pictures at an Exhibition from 1874, Mussorgsky created a classic example of programme music. Based on the paintings of his deceased friend Viktor Hartmann, he also composed the lyrical serenade 'Il vecchio castello' (The Old Castle), among others. Hartmann's picture shows a medieval Italian castle with a singing troubadour who accompanies himself on the lute. In Maurice Ravel's subsequent famous orchestral version, the beautiful, melancholy melody was played by the alto saxophone. Accompaniment, prelude and interludes are reminiscent of playing a medieval hurdy-gurdy with its pervading drone bass. Therein lies the continuity of the piece, thereabove lies the quiet romance with its melancholy character â€“ the unrequited love of the troubadour. This separate edition now gives all saxophonists the opportunity to play the piece with piano accompaniment.
$10.99 10.14 € #Modest Petrovich Mussorgsky #Heinz Both #The Old Castle #Schott Music - Digital #SheetMusicPlus

Le jardin des délices (the Garden of Earthly Delights, score only - Score Only

Level 5 - Digital Download SKU: A0.1448925 Composed by Jean-Thierry Boisseau. 21st …(+)

Level 5 - Digital Download SKU: A0.1448925 Composed by Jean-Thierry Boisseau. 21st Century,Chamber,Classical. 38 pages. Musik Fabrik Music Publishing #1028742. Published by Musik Fabrik Music Publishing (A0.1448925). A work for ten instruments inspired by the painting by Hieronymus Bosch by the noted French composer. This item is the score only. The score and parts are available for sale as a seperate item.
$25.95 23.95 € #Jean-Thierry Boisseau #Le jardin des délices #Musik Fabrik Music Publishing #SheetMusicPlus

Instrumental Duet Instrumental Duet,Mandolin,Violin - Level 3 - Digital Download SKU: A0.971649 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 13 pages. Musicart Publications #4367746. Published by Musicart Publications (A0.971649). Inner Rhythm (six small paintings) for solo mandolin or violin is inspired by a series of six pastel chalk paintings of the same title by the composer. (Duration, 9 min. 45 sec. in performance) With Inner Rhythm, the music parallels the visual gestures and textures seen in the paintings. The pitches of the melodies are related to the visual color of the paintings. In a similar way that the eye tracks or views the paintings, the music of Inner Rhythm is heard in time. The development of the music follows an organic development, the melody moving like the gestures in the paintings. Images of the paintings are available directly from the composer to project during the performance if desired.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hooverâ€™s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hooverâ€™s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.