English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
7
Librairie
Musicale
352
Matériel
de Musique
135
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
7
PIANO & CLAVIERS
Piano seul
14
Piano, Voix et Guitare
10
Piano, Voix
6
Piano Facile
2
1 Piano, 4 mains
2
Orgue
2
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
7
Guitare
5
VOIX
Chorale SATB
5
Chorale 3 parties
1
VENTS
Flûte traversière et Piano
3
Flûte traversière
3
Clarinette
2
Saxophone Tenor
2
Saxophone Alto
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Soprano et Piano
1
Saxophone Alto et Piano
1
Clarinette Basse, Piano
1
Hautbois, Piano (duo)
1
Clarinette et Piano
1
Saxophone Baryton, Piano
1
Saxophone Tenor et Piano
1
2 Clarinettes (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Cor
2
Trompette
2
Trombone
2
Trombone et Piano
2
Cor et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto seul
3
Violon
3
Violoncelle
2
Violon, Alto (duo)
1
Violon et Piano
1
Violoncelle, Piano
1
Alto, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
4
Orchestre d'harmonie
3
Orchestre à Cordes
2
Orchestre de chambre
2
Ensemble de cuivres
1
AUTRES
Vous avez sélectionné:
The Point of No Return
Partitions à imprimer
7 partitions trouvées
<
1
Point of No Return Inst. Solo Score
String Ensemble - Level 3 - Digital Download SKU: A0.877814 Composed by Deborah Joh…
(+)
String Ensemble - Level 3 - Digital Download SKU: A0.877814 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 14 pages. Deborah Johnson #33163. Published by Deborah Johnson (A0.877814). Point of No Return Instrumental Solo Score is a beautiful, melodic instrumental solo, intermediate level, written for a C instrument, violin or other. Featured in the Wayfarer’s Journey album, this composition introduces new classically-inspired piano and instrumental solos by Deborah Johnson. Tailored for special occasions such as weddings and events, Point of No Return instrumental solo score includes a total of 14 pages, including score, separate parts and cover. Parts include: Instrumental (violin) solo; Instrumental (violin) bkg; Piano accompaniment. Piano accompaniment includes guitar chords. The term Point of No Return holds dual meanings. It refers to a critical moment in the flight of an aircraft beyond which there's inadequate fuel for a return to the starting point, necessitating the craft to proceed forward. Metaphorically, it signifies a decision-making juncture where one commits oneself irrevocably to a course of action or policy, where turning back or reversal becomes impossible. Point of No Return evokes a sense of critical decision-making and determination, capturing the essence of commitment and irreversible choices. Its emotive qualities make it a powerful choice for special occasions, infusing a sense of significance and resolve into memorable events. Spotify link for MP3 download: https://open.spotify.com/track/4BiRFUTCShDb5zCH87t14Q  Also available is the piano solo version, for intermediate players, the piano solo score with parts and full book of piano solos from Wayfarer’s Journey. Signed CD copies available at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah & David Johnson; Violin: Sandy Mackinga; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
6.54 €
#
Deborah Johnson
#
Instrumental (violin) bkg
#
Point of No Return Inst. Solo Score
#
Deborah Johnson
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552853 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552853 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494239. Published by jmsgu3 (A0.552853). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius) and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he submitted two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876 and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák therefore to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all in all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.81 €
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549430 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549430 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494193. Published by jmsgu3 (A0.549430). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.81 €
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549434 Compose…
(+)
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494221. Published by jmsgu3 (A0.549434). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  Â
$32.95
30.81 €
#
AntonÃn Dvořák
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.81 €
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
The Lost Lady Found
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12515…
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 24 pages. RayThompsonMusic #845816. Published by RayThompsonMusic (A0.1251539). Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.In a similar fashion to these folk songs, many of the movements are in strophic form.This is my arrangement of No.VI. The Lost Lady FoundArranged symphonic wind dectet (double wind quintet) and bassA lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.This movement is based on the ballad of the same name,in which a lady, who while living with her uncle in a village is kidnapped by three Roma. After being missing for a long time, the villagers begin to speculate that the uncle is responsible for her disappearance, later imprisoning him and condemning him to death. At some point, the lady was found in Dublin by a young squire who loved her and was subsequently brought back to the village. Upon return to the village, the villagers, mere moments away from executing the uncle at the gallows, realized their error and set the uncle free, celebrating the lady's return with church bells (which are emulated by the tubular bells in the closing of the movement), music, and frivolity.As this movement was not yet completed at the time of the work's premiere, it was omitted for the performance.For Info:Green Bushes is an English folk song  which is featured in the second movement of Vaughan Williams's English Folk Song Suite, in Percy Grainger's Green Bushes (Passacaglia on an English Folksong), and in George Butterworth's The Banks of Green Willow. The melody is very similar to that of the Lost Lady Found movement.
$17.99
16.82 €
#
Arr
#
Ray Thompson
#
The Lost Lady Found
#
RayThompsonMusic
#
SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
(+)
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
28 €
#
Paul Wehage
#
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
