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TRI ET FILTRES
Tri et filtres :
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1301
PIANO & CLAVIERS
Piano seul
5454
Piano, Voix
2572
Piano Facile
189
Orgue
146
Piano, Voix et Guitare
78
1 Piano, 4 mains
53
Accordéon
34
Accompagnement Piano
22
Instruments en Do
18
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
16
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
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2
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1
Piano (partie séparée)
1
Clavecin
1
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GUITARES
Guitare
57
Guitare notes et tablatures
40
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
Mandoline
5
2 Guitares (duo)
4
Ukulele
4
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
3
Dulcimer
2
3 Guitares (trio)
2
Basse electrique
2
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1
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1
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1
Banjo
1
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VOIX
Chorale SATB
1324
Chorale Unison
354
Chorale 3 parties
173
Chorale 2 parties
157
Voix Alto, Piano
84
Voix Soprano, Piano
84
Voix Tenor, Piano
79
Voix duo, Piano
60
Chorale SSAA
37
Chorale TTBB
34
Voix duo
10
Voix Baryton, Piano
6
Voix seule
5
Voix moyenne, Piano
4
Voix haute
4
Chorale SSAATTBB
4
Chorale SSATTB
3
Voix Tenor
2
Voix Mezzo-Soprano, Piano
2
Voix basse
2
Chorale SSAB a cappella
1
Voix Soprano
1
Voix basse, Piano
1
Chorale
1
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VENTS
Flûte traversière et Piano
189
Hautbois, Piano (duo)
152
Clarinette et Piano
86
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quatuor de Saxophones: 4 saxophones
51
Flûte traversière
46
Saxophone Alto et Piano
45
2 Saxophones (duo)
43
Flûte, Hautbois, Clarinette, Basson
39
2 Flûtes traversières (duo)
37
Clarinette
32
Saxophone Alto
30
Saxophone Tenor et Piano
28
Quatuor de Flûtes : 4 flûtes
26
Quatuor de Clarinettes: 4 clarinettes
23
Saxophone Soprano et Piano
22
2 Clarinettes (duo)
20
Hautbois
18
Quintette de Saxophone: 5 saxophones
18
Cor anglais, Piano
16
Ensemble de Clarinettes
15
Saxophone Tenor
15
Ensemble de Flûtes
14
Flûte, Clarinette (duo)
14
2 Hautbois (duo)
12
Saxophone
11
Saxophone Soprano
10
Flûte à Bec
10
Saxophone Baryton, Piano
10
Hautbois (partie séparée)
9
3 Saxophones (trio)
9
Flûte, Violoncelle, Piano (trio)
8
Flûte, Violoncelle
8
Saxophone, Clarinette (duo)
8
Clarinette, Violoncelle (duo)
8
Flûte, Clarinette, Piano (trio)
7
Clarinette, Basson (duo)
7
Clarinette (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Clarinette, Violon (duo)
6
Clarinette, Harpe (duo)
6
Hautbois, Basson (duo)
6
Saxophone Baryton
6
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Flûte
5
Flûte, Violon
5
Clarinette, Trompette (duo)
4
3 Clarinettes (trio)
4
2 Flûtes traversières, Piano
4
Hautbois, Violoncelle
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Ensemble de saxophones
4
2 Clarinettes, Piano
4
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Basson et Piano
3
Clarinette Basse, Piano
3
Flûte, Violon, Piano
3
Flûte, Hautbois, Basson
3
Flûte, Trompette (duo)
3
Clarinette, trompette et piano
3
Flûte, Alto et Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Alto (duo)
3
Flûte, Violon et Violoncelle
3
Flute (partie séparée)
2
Flûte, Saxophone (duo)
2
Saxophone (partie séparée)
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
2 Flûte à bec (duo)
2
Flûte, trombone et piano
2
Flûte, Trombone (duo)
2
Hautbois et alto (duo)
2
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
Flute, harpe et violon
1
Flûte et Guitare
1
Flûte, Violon, Violoncelle et Piano
1
Cornemuse
1
Flûte, Hautbois (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Soprano
1
Saxophone et Orgue
1
2 Flûtes traversières, Harpe
1
5 Flûtes à bec
1
Hautbois, Orgue
1
Hautbois, Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trombone et Piano
43
Cor et Piano
38
Trompette
37
Trombone
30
Cor
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Tuba et Piano
20
Tuba
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Cor anglais, Piano
16
2 Trompettes (duo)
14
Quatuor de Cuivres
12
2 Trombones (duo)
11
Euphonium, Piano (duo)
10
2 Cors (duo)
9
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 trombones
6
Cor, Violoncelle (duo)
5
Trompette, Trombone (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Cor (duo)
4
Trio de Cuivres
4
Trompette (partie séparée)
4
Quatuor de cuivres: 4 cors
4
2 Euphoniums et 2 Tubas
3
Trompette, Violoncelle et Piano
3
Cor (partie séparée)
3
Euphonium
3
Trombone (partie séparée)
3
Trombone basse et Piano
3
Ensemble de Trombones
2
2 Tubas (duo)
2
Tuba (partie séparée)
2
3 Trombones (trio)
1
Trombone, Orgue
1
Tuba et Orgue
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
Trompette, violon (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
Instrumentations suivantes
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CORDES
Violon et Piano
223
Quatuor à cordes: 2 violons, alto, violoncelle
152
Violoncelle, Piano
103
Harpe
69
Alto, Piano
64
Violon
49
Violoncelle
37
2 Violons (duo)
28
Alto seul
25
Trio à Cordes: violon, alto, violoncelle
22
Violon, Violoncelle (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contrebasse, Piano (duo)
14
2 Violoncelles (duo)
12
Harpe, Flûte (duo)
11
2 Altos (duo)
11
2 Harpes (duo)
10
Violon (partie séparée)
10
Contre Basse
10
Alto (partie séparée)
9
Piano Trio: Violon, Alto, Piano
8
Violon, Alto (duo)
6
Harpe, Violoncelle (duo)
5
4 Violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Harpe, Violon (duo)
4
Alto, Violoncelle (duo)
4
Alto et Basson
3
Contrebasse (partie séparée)
3
Violon, Basson (duo)
3
Quatuor à cordes: 4 violons
3
Violon, Clarinette, Piano (trio)
3
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto et Harpe
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Violoncelle (partie séparée)
2
Harpe, Trombone (duo)
2
Violoncelle , Guitare (duo)
1
Violon, Trompette et Piano
1
3 Harpes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
677
Cloches
113
Orchestre
98
Orchestre à Cordes
76
Orchestre de chambre
45
Ensemble de cuivres
30
Ensemble Jazz
21
Jazz combo
7
Fanfare
4
Ensemble de Percussions
4
Xylophone, Piano
2
Percussion (partie séparée)
2
Marimba
1
Conga
1
Instrumentations suivantes
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AUTRES
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1301
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.97 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
(+)
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.97 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
A Mother's Journey (Orchestral Parts - One Set)
Small Ensemble - Level 4 - Digital Download SKU: A0.881490 Composed by W. David Hed…
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.881490 Composed by W. David Hedrick. Contemporary. Score and parts. 28 pages. William David Hedrick #2025553. Published by William David Hedrick (A0.881490). A Mother's Journey (Orchestral Parts-One Set) is a lyrical composition for orchestra by W. David Hedrick with the subtitle Remembering the Lives of Mothers. It is dedicated to the composer's mother and is a commemorative piece for all mothers who dutifully led their lives and enriched the lives of others. It is an 8 minute work and requires a Harp (or Piano), solo oboe, solo English horn, bassoon solo, and the usual orchestral instrumentation (included). The composition is elegantly written in for sections or moods: 1. A Journey of Fulfillment; 2. Struggles on the Journey; 3. Peace; 4. The Journey Home. The composition is Romantic in nature and will create mental images for the audience and help them reflect on the lives of their own mothers or other important women in their lives. It is suitable for any orchestral concert venue, contests, and festivals.
$24.99
22.85 €
#
W
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2. Struggles on the Journey
#
A Mother's Journey
#
William David Hedrick
#
SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
#
Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
#
Matthew Scott Phillips
#
SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
No 20, 仰望有你的星空 (Gazing up the sky, where you are.) [Full and Simplified version]
Strings Alto Saxophone,Bass Drum,Cello,Drum Set,Guitar,Horn,Piano,Timpani,Violin,Voice - L…
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Strings Alto Saxophone,Bass Drum,Cello,Drum Set,Guitar,Horn,Piano,Timpani,Violin,Voice - Level 4 - Digital Download SKU: A0.1461281 By P.W.Z(Taiwan). By P.W.Z(Taiwan). Arranged by P.W.Z(Taiwan). 21st Century,Contemporary,Pop,Singer/Songwriter,Wedding. 38 pages. P.W.Z(Taiwan) #1040083. Published by P.W.Z(Taiwan) (A0.1461281). 樂譜pdf檔包含「完整總譜」與「僅包含旋律、歌詞及和弦的簡易譜」The PDF file includes a full score and a simplified score which only includes the melody, lyrics and chords.----這首歌曲描述一對戀人，重回當初互表愛意的地方。並且回想著，若當初沒有那份勇氣向對方傾訴愛意，或許這對戀人將漸行漸遠直到淡忘對方。<mp3範例中，使用的樂器如下>(亦可使用純鋼琴伴奏，或內附的和弦自行發揮)1.中音薩克斯風(代表那位女孩)2.法國號(代表那位男孩)3.小提琴獨奏4.小提琴1部分5.小提琴2部分6.大提琴7.鋼琴8.古典吉他(X)9.定音鼓10.大鼓11.爵士鼓(X)----This song describes a couple revisiting the place where they first confessed their love to each other.As they reminisce, they reflect on how if they hadn't had the courage to express their feelings back then, they might have grown apart and eventually forgotten each other.<In this mp3 demo, Instrumentation used are as follows> (you can also use pure piano accompaniment, or improvise with the included chords)1.Alto saxophone (representing the girl)2.French horn (representing the boy)3.Violin solo4.Violin part 15.Violin part 26.Cello7.Piano8.Guitar(X)9.Timpani10.Bass drum11.Jazz drum set(X)--------【歌詞】(Lyric in Traditional Chinese)[前奏](Intro)我像一道光溫暖的悠游在妳身旁也像一陣風吹過妳微笑著的臉頰我暗自許諾我的餘生我要和妳渡過你是我的光我不曾看見你在我身旁就像一陣風它吹過我的身邊我未曾感受它親愛的你是否有些事想要告訴我[副歌*2](chorus)我要陪妳看星星陪妳過狂風暴雨陪妳太陽下漫步陪妳在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪妳看星星請妳閉上眼感受我在妳的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀[間奏](Inter)親愛的你當時若沒有開口擁抱我我想我就不會發現原來你在我身旁親愛的妳當時若沒有用心感受我我想我也不會有勇氣向妳說出我的愛親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠[副歌大合唱](chorus)我要陪你看星星陪你過狂風暴雨陪你太陽下漫步陪你在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪你看星星請你閉上眼感受我在你的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠.
$79.00
72.23 €
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No 20, 仰望有你的星空
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P.W.Z(Taiwan)
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SheetMusicPlus
No 20, 仰望有你的星空 (Gazing up the sky, where you are.) [Simplified version ONLY]
Alto Saxophone,Drum Set,Guitar,Horn,Piano,Violin,Voice - Level 4 - Digital Download SKU…
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Alto Saxophone,Drum Set,Guitar,Horn,Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.1462609 By P.W.Z(Taiwan). By P.W.Z(Taiwan). Arranged by P.W.Z(Taiwan). 21st Century,Contemporary,Pop,Singer/Songwriter,Wedding. 4 pages. P.W.Z(Taiwan) #1041371. Published by P.W.Z(Taiwan) (A0.1462609). 【注意】此版本為簡易版這份樂譜pdf檔為「僅包含主旋律、歌詞及和弦的『簡易譜』」[Attention]This is a Simplified version.The PDF file contains ONLY: The Melody, Lyrics, and Chords.----這首歌曲描述一對戀人，重回當初互表愛意的地方。並且回想著，若當初沒有那份勇氣向對方傾訴愛意，或許這對戀人將漸行漸遠直到淡忘對方。<mp3範例中，使用的樂器如下>(亦可使用純鋼琴伴奏，或內附的和弦自行發揮)1.中音薩克斯風(代表那位女孩)2.法國號(代表那位男孩)3.小提琴獨奏4.小提琴1部分(X)5.小提琴2部分(X)6.大提琴(X)7.鋼琴8.古典吉他9.定音鼓(X)10.大鼓(X)11.爵士鼓----This song describes a couple revisiting the place where they first confessed their love to each other.As they reminisce, they reflect on how if they hadn't had the courage to express their feelings back then, they might have grown apart and eventually forgotten each other.<In this mp3 demo, Instrumentation used are as follows> (you can also use pure piano accompaniment, or improvise with the included chords)1.Alto saxophone (representing the girl)2.French horn (representing the boy)3.Violin solo4.Violin part 1(X)5.Violin part 2(X)6.Cello(X)7.Piano8.Guitar9.Timpani(X)10.Bass drum(X)11.Jazz drum set--------【歌詞】(Lyric in Traditional Chinese)[前奏](Intro)我像一道光溫暖的悠游在妳身旁也像一陣風吹過妳微笑著的臉頰我暗自許諾我的餘生我要和妳渡過你是我的光我不曾看見你在我身旁就像一陣風它吹過我的身邊我未曾感受它親愛的你是否有些事想要告訴我[副歌*2](chorus)我要陪妳看星星陪妳過狂風暴雨陪妳太陽下漫步陪妳在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪妳看星星請妳閉上眼感受我在妳的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀[間奏](Inter)親愛的你當時若沒有開口擁抱我我想我就不會發現原來你在我身旁親愛的妳當時若沒有用心感受我我想我也不會有勇氣向妳說出我的愛親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠[副歌大合唱](chorus)我要陪你看星星陪你過狂風暴雨陪你太陽下漫步陪你在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪你看星星請你閉上眼感受我在你的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠.
$20.00
18.28 €
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No 20, 仰望有你的星空
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P.W.Z(Taiwan)
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SheetMusicPlus
Telemann – Polish Dances from the Rostock Manuscript TWV 45
Small Ensemble - Level 1 - Digital Download SKU: A0.890779 Composed by Georg Philip…
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Small Ensemble - Level 1 - Digital Download SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts. 32 pages. Sneakwood Editions #5799897. Published by Sneakwood Editions (A0.890779). Georg Philipp Telemann – Polish Dances from the Rostock Manuscript TWV 45 (Danse d`Polones / Danse Polonie)Telemann was seduced by Polish music, especially by his dances and popular musicI became acquainted there and also in Krakau with Polish and Moravian music in its true, barbaric beauty […] […] it is impossible to imagine the fantastic musical ideas they presented between dances when the dancers rested and the musicians improvised music together [‘jammed’] to fill out the time. Anyone who paid very close attention could pick up in 8 days sufficient musical ideas to last a lifetime.(Telemann’s autobiography, published in Mattheson’s Ehren-Pforte, Hamburg, 1740)It is easy to understand, through Telemann’s own words, the great influence that Polish music and Polish dances had on Telemann. It was in 1705 when Telemann become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Żary, in Poland), His career there was cut short in early 1706 by the hostilities of the Great Northern War but his contact with Polish music marked him for life.These Polish dances found in Rostock are a reflection of the music that Telemann heard and transcribed. A reflection of that barbaric beauty.The manuscript was discovered in 1986 at the University of Rostock. It consists of two volumes. One of the volumes contains the violin part and the other the bass part.
$18.00
16.46 €
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Polish Dances from the Rostock Manuscript TWV 45
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Sneakwood Editions
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartho…
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Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
41.14 €
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956663 Composed by Felix Bar…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
41.14 €
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
A Place at the Table
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Wo…
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(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95
13.67 €
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A Place at the Table
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Hope Publishing - Digital
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SheetMusicPlus
Good Friday Reflections: Organ Meditations on Stations of the Cross
“These are written-out improvisations that were a part of the Good Friday noon li…
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“These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included
Song List: An Wasserflussen Babylon Ein Lammlein geht Herzlich tut mich verlangen (Passion Chorale) Herzliebster Jesu Kas Dziedaja Redhead 76 (Gethsemane/Petra) Shades Mountain Stabat mater dolorosa
Song List
: An Wasserflussen Babylon Ein Lammlein geht Herzlich tut mich verlangen (Passion Chorale) Herzliebster Jesu Kas Dziedaja Redhead 76 (Gethsemane/Petra) Shades Mountain Stabat mater dolorosa
$21.50
19.66 €
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Good Friday Reflections: Organ Meditations on Stations of the Cross
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SheetMusicPlus
Tears from My Eyes: Reflection and Contemplation (For Flute Choir)
Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. …
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Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. Concert,Contemporary,New Age. Full Performance. Duration 486. Visionary Quest Records #4718101. Published by Visionary Quest Records (A0.1070239). FLUTE CHOIR: Piccolo, E Flat Flute Solo, E Flat Flute 1-2, Flute 1-3, Alto Flute 1-2, Bass Flute 1-2 Compose by Tito Abeleda (1964 - ) Music score plus parts = 72 pages digital download. Duration: 8:26In 2019 I composed a three-movement piece titled Tear from My Eyes. Tears from My Eyes: Reflection and Contemplation is the second movement to this piece. The first movement is Tears from My Eyes: Remember Your Feelings for full orchestra. The third movement is Tears from My Eyes: Mourning in the Rain for clarinet choir. The entire piece is dedicated to my father and mother. This movement was written for flute choir comprised of piccolo, E flat flutes, flutes, alto flutes, and bass flutes. It is tranquil and meditative to allow one to reflect and contemplate. For me this piece meant reflecting and contemplating in a positive way what my parents have meant to me and all that they have done to support my dreams throughout my life. I wrote these songs to express musically the depth of my gratitude and love for them.
$2.99
2.73 €
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Tito Abeleda
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Tears from My Eyes: Reflection and Contemplation
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Visionary Quest Records
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SheetMusicPlus
O My Father—High-Range Vocal Solo and Piano
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel…
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Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99
4.56 €
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Daniel Carter
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Daniel Carter
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O My Father—High-Range Vocal Solo and Piano
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Daniel Carter
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SheetMusicPlus
Nigerien National Anthems "La Nigerienne" & "L'Honneur de la Patrie" for Brass Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital…
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1489412 By Keith Terrett. By Unknown. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 23 pages. Keith Terrett #1066158. Published by Keith Terrett (A0.1489412). La Nigérienne (French pronunciation: [la ni.ʒe.ʁjɛn]; The Nigerien) is the former national anthem of Niger. The lyrics are by Maurice Albert Thiriet; Robert Jacquet and Nicolas Abel François Frionnet wrote the music. It was adopted as Niger's anthem in 1961 and relinquished in 2023.The anthem was written by French film composer Maurice Albert Thiriet. The music was composed by two other Frenchmen, Robert Jacquet and Nicolas Abel François Frionnet. It was adopted in 1961, a year after Niger gained independence from France.On 21 November 2019, President Mahamadou Issoufou announced that he had decided to change the national anthem. The decision followed criticism that some of the lyrics appeared to express gratitude to the former coloniser, France, with Nigeriens on social media challenging lines three and four. A committee chaired by Prime Minister Brigi Rafini was charged with reflecting on the current anthem by providing corrections and if possible find a new anthem that responds to the current context of Niger. Created in 2018, it was composed of several members of the Government and about fifteen experts experienced in writing and musical composition. Assamana Malam Issa, the Minister of Cultural Renaissance, said a hymn must be found that can galvanize the population, be for us a kind of war cry to touch our patriotic fiber.On 22 June 2023 the National Assembly adopted The Honor of the Fatherland as Niger's new anthem.The Honor of the Fatherland (French L'Honneur de la Patrie) is the national anthem of Niger. It was adopted on June 23, 2023, replacing La Nigerienne, which was adopted in 1961, a year after the country's gaining of independence.Niger, a former colony of France, became an independent country in 1960. The following year, the country adopted La Nigerienne as its national anthem. In 2019, President Mahamadou Issoufou announced his plans to replace La Nigerienne, following concerns that the lyrics expressed perceived gratitude towards the colonial power. A committee was established to reflect on the current anthem and find a new anthem if necessary. On June 22, 2023, the National Assembly adopted The Honor of the Fatherland as the country's new anthem to replace La Nigerienne.
$12.99
11.88 €
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Keith Terrett
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Keith Terrett
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Nigerien National Anthems "La Nigerienne" & "L'Honneur de la Patrie" for Brass Quintet
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Keith Terrett
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SheetMusicPlus
1809 - The Solent
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Leve…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.948672 Composed by J Farrow. Contemporary. Score and parts. 66 pages. Jamie Farrow #5983915. Published by Jamie Farrow (A0.948672). Turner’s The Sun Setting Through Vapour was my inspiration because of the different layers and zones of interest which influenced my composition’s structure. The central focus of the painting is the setting sun in the central background of the work. The reflection of the sun draws the eye into the foreground and the market scene in the front right zone. This created the first section of my composition, the idea of the sun setting through the vapour before revealing a market scene which then fades back into the atmospheric sun setting through the vapour. The second section moves to the story of the Napoleonic War ships in the middle and backgrounds of the painting using percussion. Reflecting this the section centres around the narrative of a naval battle; the manoeuvring into position and flexing of strength; the pre-battle planning; the calm before and finally the battle itself. The third section draws together two aspects: the sun setting and the prison ship, drawing us from the aftermath of the battle to the journey back to shore showing the juxtaposing emotions of the imagined victorious British (the piccolo) and French prisoners (the cello). Closer to shore the vapour descends and we hear inflections of the market before returning to the sun setting through the vapour with the harbour clock (Tubular Bells) grounding us in real time.
$3.99
3.65 €
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J Farrow
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1809 - The Solent
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Jamie Farrow
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SheetMusicPlus
Four Reflections (Perspectives on America)
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.108…
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Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1081913 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and parts. 136 pages. Pete Strohm Music #686045. Published by Pete Strohm Music (A0.1081913). Four Reflections (Perspectives on America) from American composer P. F. Strohm, is a combined setting of two other works, Dialogue and Trilogy in a single concert piece. This setting is scored for a 10-part brass ensemble, comprised of two brass quintets, one using tuba and one using bass trombone.Combining the two works makes the resulting work an ideal brass section concert showcase. Opening with a hard-hitting, four minute, straight-ahead jazz movement with trumpet solos, the work follows with a lovely chorale-like 3/2 movement that lasts another four minutes. Then comes a powerful three-and-a-half minute incantation, which bursts into a two-and-a-half minute dance in 7/4. The work is solid brass, rewarding for both performers and listeners. Four Reflections is both demanding and exciting, perfect for recital or concert. Level of difficulty is Medium-Advanced, and total performance time is 14:10. Member, ASCAP.
$18.95
17.32 €
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P
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Four Reflections
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Pete Strohm Music
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SheetMusicPlus
My Baby (A Mother's Lullaby) - violin duet and piano
String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss…
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String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331181. Published by Connie Boss (A0.801631). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - duet and piano
Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Compo…
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Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Composed by Connie Boss. Children,Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6330861. Published by Connie Boss (A0.801630). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is a piano accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - cello and violin duet and piano
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331183. Published by Connie Boss (A0.801632). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
The Cross Kirk and the lang walk
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.57 €
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Let There Be Christmas
Choral - Digital Download SKU: HX.314952 By Traditional Carols. Arranged by Joseph …
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Choral - Digital Download SKU: HX.314952 By Traditional Carols. Arranged by Joseph M. Martin. Christmas, Sacred, Winter. Choral Instrumental Pack, part. Hal Leonard - Digital #265809. Published by Hal Leonard - Digital (HX.314952). This service in song is a joyous celebration of hope and peace for the Christmas season. Using carols, narration, congregational participation and original anthems, this approachable work is the perfect choice for choirs of any size. From jubilant songs of praise to reflective carols of peace, this cantata is filled with moments designed to energize the spirit of the season in your community of faith. Extra musical suggestions offer directors creative options for presentation, and the wonderfully crafted and colorful orchestrations by Brant Adams further enhance the festive potential of this thoughtful work. Songs include: Christmas Overture and Processional; The Advent Rose; The Divine Expectation; Concertato on O Little Town of Bethlehem; Carols from a Quiet Manger; Arise! (Hodie Christus natus est); Bleak Midwinter's Gift; Let There Be Christmas; A Joyful Gathering of Carols..
$75.00
68.57 €
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Traditional Carols
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Joseph M
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The Advent Rose
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Let There Be Christmas
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Hal Leonard - Digital
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SheetMusicPlus
18/04/'21 A Reflection
Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - Digital Download …
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Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - Digital Download SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 pages. Jeremy Graham Hart #705661. Published by Jeremy Graham Hart (A0.1102258). 18/04/’21: A Reflection is written as a tentative expression of the tumultuous emotions experienced by the composer, upon watching so many landmarks of their home be threatened or destroyed by the fire which ravaged Table Mountain on the 18th and 19th of April 2021. The most impactful symbol of this tragedy is, for the composer, the heart-rending body of images showing the Jagger Reading Room ablaze. The score expresses the composer’s experiences in a collage, drawing from C. Debussy’s La Cathedral Engloutie and W. A. Mozart’s Requiem in evocation of the emotions surrounding the burning library, and enacts them in a three-part narrative. The opening is articulated as a collection of sporadic outbursts heard against a slower melody and a rising bell motif. This is an evocation of the shifting uncertainty of the early hours of the fire shortly after it had consumed the Rhodes Memorial Restaurant. This slowly becomes the evocation of horror and dismay that characterises the second section, as the fire takes hold of Mostert’s Mill, various parts of the University of Cape Town forcing students into a full evacuation of their residences, and eventually the Jagger Reading Room. The finality of the second section’s ending is followed by the muted resignation and mourning of the third and final section. The slowed melody from the first section returns, without the frenetic outbursts. All the listener is left with is the certainty of what has happened. The melody tries to rise to triumph, as the fire is held back from any further destruction, but ultimately falls back down and limps its way to an unsatisfactory and inconclusive closing statement.
$14.95
13.67 €
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Jeremy Hart
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18/04/'21 A Reflection
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Jeremy Graham Hart
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SheetMusicPlus
String Reflections 2-Digital Download
Digital Download SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Dig…
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Digital Download SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). Joshua Evanovich.Nine traditional hymns Preludes, postludes, Communion meditations, special music selections and recital pieces are all possible uses for this collection. Soaring, majestic lines weave gracefully throughout the violin parts, offering a variety of texture and range while remaining accessible to many skill levels. The piano accompaniment is creative and intricate, yet not too difficult, offering support for the violin and also sharing in the musicality. Suggestions for violin phrasing and bowing are provded but may be altered at the performer's discretion.
Song List: Come, Ye Thankful People Come Day by Day Fairest Lord Jesus Fantasia on an Early American Tune For The Beauty Of The Earth I Sing the Mighty Power of God Let All Things Now Living On Christmas Day In The Morning Tell Me The Story Of Jesus The First Noel What Wondrous Love Is This
Song List
: Come, Ye Thankful People Come Day by Day Fairest Lord Jesus Fantasia on an Early American Tune For The Beauty Of The Earth I Sing the Mighty Power of God Let All Things Now Living On Christmas Day In The Morning Tell Me The Story Of Jesus The First Noel What Wondrous Love Is This
$26.95
24.64 €
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String Reflections 2-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
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