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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
CLAVECIN
CLOCHES
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DEEJAY
DIDGERIDOO
DULCIMER
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The Silence In Between
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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Vous avez sélectionné:
The Silence In Between
Partitions à imprimer
19 partitions trouvées
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1
Sound Silences (cello octet) (a Zen experience)
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Contemporain
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Drake Mabry
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Sound Silences
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Drake Mabry
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SheetMusicPlus
Large Ensemble Cello - Level 3 - SKU: A0.799299 Composed by Drake Mabry. Contemporary. Score and parts. 15 pages. Drake Mabry #2014537. Published by Dra...
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Large Ensemble Cello - Level 3 - SKU: A0.799299 Composed by Drake Mabry. Contemporary. Score and parts. 15 pages. Drake Mabry #2014537. Published by Drake Mabry (A0.799299). Sound Silences (a Zen experience) explores the friendly partnership between sound and silence with the cellos often playing passages with rich timbral colors including sul ponticello, col legno battuto, pizzicato and sul tasto. Sound Silences was composed for Marc Benyahia-Kouider, Professor of cello at the Conservatory of Music in Poitiers in 2003. This work is a companion piece to Timbral Timbres. The duration is 6'20.Sound Silences was premiered by the CNR Cello Ensemble conducted by Marc Benyhia-Kouider at the CNR in Poitiers, France on March 22, 2003.
$6.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
The Sound Of Silence
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Film/TV
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Rock
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Simon And Garfunkel
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Eve C
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The Sound Of Silence
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Zene Strings
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.515766 By Simon And Garfunkel. By Paul Simon. Arranged by Eve C. Mailly. Film/TV,Pop,Rock. Score and par...
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String Ensemble,String Trio - Level 2 - SKU: A0.515766 By Simon And Garfunkel. By Paul Simon. Arranged by Eve C. Mailly. Film/TV,Pop,Rock. Score and parts. 13 pages. Zene Strings #4610605. Published by Zene Strings (A0.515766). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. This arrangement is for string trio. The gentle guitar part is played initially by the middle part, with the cello and violin in unison. As the song develops, the melody changes between the three instruments.This string trio arrangement can be played by violin, viola and cello as well as by two violins and cello. The middle part is included in both treble and alto clef, giving you greater performance flexibility.Enjoy! From your friends at Zene Strings!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$12.99
CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers (Color Coded Notes)
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Sharon Wilson
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Sharon Wilson Music
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CHOPSTICKS: The Celebrated Cho
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Sharon Wilson
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SheetMusicPlus
Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arrang...
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Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arranged by Sharon Wilson Music. 20th Century,Children,Folk,Instructional,March. 46 pages. Sharon Wilson #6616395. Published by Sharon Wilson (A0.569889). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For most of the song, the Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.The first 31 measures progress through the melody one time and can be used as a stand-alone performance. This first part of the arrangement is perfect for introducing new players to Bells and Boomwhackers®. Beginning in measure 32, the arrangement becomes more challenging by embellishing the melody, adding eighth notes, and alternating the chopstick theme between the parts. This second section utilizes more advanced note-reading and rhythmic skills and helps develop the ringing and whacking techniques needed for more advanced songs. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. In addition, a complete set of scores for 4 ringers and 3 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 7 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Notes used for each instrument are as follows: Bells ~ C D E F G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G B Note assignment suggestions are provided. Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, plastic tubes, elementary classroom music
$10.00
How Deep The Father's Love For Us
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Christian contemporain
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Musique Sacrée
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Phillips, Craig & Dean
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Sharon Wilson
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How Deep The Father's Love For
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Sharon Wilson
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SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1354736 By Phillips, Craig & Dean. By Stuart Townend. Arranged by Sharon Wilson. Christ...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1354736 By Phillips, Craig & Dean. By Stuart Townend. Arranged by Sharon Wilson. Christian,Contemporary,Easter,Lent,Sacred. 13 pages. Sharon Wilson #939436. Published by Sharon Wilson (A0.1354736). This sheet music is arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. An optional repeat is included for playing additional verses. Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one score in standard format with black and white notes and the second score with color-coded notes).  Lyrics are provided on the Handbell staff.A color-coded note chart is provided showing the Handbell notes used for this arrangement as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. As a reminder for beginning ringers, all sharps and flats are displayed (shown in the key of C) on the color-coded score. Note assignment suggestions are provided.As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers.  This separate color-coded score uses the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$12.99
Silence
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Sergio Roberto de Oliveira
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Silence
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Sergio Roberto de Oliveira
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SheetMusicPlus
Woodwind Ensemble - SKU: A0.962359 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. 51 pages. Sergio Roberto de Oliveira #574482...
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Woodwind Ensemble - SKU: A0.962359 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. 51 pages. Sergio Roberto de Oliveira #5744823. Published by Sergio Roberto de Oliveira (A0.962359). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio. Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York. To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series). His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording. He died from pancreatic cancer in 2017.
$35.19
White Christmas
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Bing Crosby
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Des McNutty
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White Christmas
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Des Press
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1335183 By Bing Crosby. By Irving Berlin. Arranged by Des McNutty. Baroque,Broadway,Christmas,Classical,Early Music,...
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String Ensemble - Level 2 - SKU: A0.1335183 By Bing Crosby. By Irving Berlin. Arranged by Des McNutty. Baroque,Broadway,Christmas,Classical,Early Music,Musical/Show. 13 pages. Des Press #921029. Published by Des Press (A0.1335183). White Christmas was written by Irving Berlin for the 1942 musical film Holiday Inn. It won an Academy Award for Best Original Song and Bing Crosby's recording topped the Billboard chart in 1942, 1943 and 1944. It returned to the charts several more times, selling more than 50 million physical copies to date. This amount is doubled when cover versions by other artists are included. This arrangement is a Baroque-style instrumentation; two violins, a soloistic obbligato viola da gamba, organ and/or harpsichord (played tasto) and a part for a bass instrument or two, figured for the optional lute or theorbo. This is a new arrangement, rather than a transcription of a known version. It is in the same tonality as Bing Crosby's hit record but has only one framed chorus. The organ/ cembalo part, where treetops glisten in the snow, has a cheeky reference to a concert in which an organist triumphantly flipped the last page of their hardback score with such gusto that it dropped onto the keys in the silence between the end of an oratorio and the start of the applause. The part for viola da gamba might need some preparation by a competent player and would be quite a challenge for a daring cellist. The other parts are on the easy side of intermediate. Duration: ca 1'50'' May your days be merry and bright!
$12.99
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and ...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99
Silent Durations Fifty (a Zen experience)
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Contemporain
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Drake Mabry
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Silent Durations Fifty
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Drake Mabry
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Ney Flute,Tenor Recorder - Level 4 - SKU: A0.799482 Composed by Drake Mabry. Contemporary. Score and parts. 3 pages....
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Instrumental Duet Instrumental Duet,Ney Flute,Tenor Recorder - Level 4 - SKU: A0.799482 Composed by Drake Mabry. Contemporary. Score and parts. 3 pages. Drake Mabry #3010901. Published by Drake Mabry (A0.799482). Written in 2014, this Silent Durations Fifty (a Zen experience) differs from most of the others due to its mostly non-synchronous organization. Each player plays independently and in their own tempo. Dynamics are flexible. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. There is a detailed explanation found in the program notes of the score. The work is written for the tenor recorder and Turkish Kiz ney. The duration is between 5 and 10 minutes.Silent Durations Fifty was premiered by TWO – Maria Dorner-Hofmann and Drake Mabry at the Burgkappelle Hof am Regen, Nittenau, Germany on October 2, 2014.
$4.99
Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano)
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Musique Sacrée
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Joybells Ringing Songs of Prai
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Sharon Wilson
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SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albri...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albright Hoffman, Fanny J. Crosby, Henri F. Hemy, John Bacchus Dykes, Reginald Heber, Robert Lowry, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Traditional. 96 pages. Sharon Wilson #943238. Published by Sharon Wilson (A0.1358777). This collection contains 10 hymns and praise choruses arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Most songs include an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). If the combined score is more than three pages, a separate Piano only score is also provided.A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. As a reminder for beginning ringers, all sharps and flats are displayed (shown in the key of C) on the color-coded score. As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers.  These separate color-coded scores use the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers. These familiar hymns and choruses are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Be Still and KnowFaith of Our FathersHoly, Holy, HolyKum Ba YahPraise Him! Praise Him!Shall We Gather at the RiverThe Lord Is My ShepherdTo God Be the GloryWhat a Wonderful SaviorYou May Have the Joy-bellsVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$19.99
I Come From Water/Parts
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Contemporain
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Theresa Koon
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I Come From Water/Parts
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023434 Composed by Theresa Koon. 20th Century,Contemporar...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023434 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722325. Published by Theresa Koon (A0.1023434). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf. The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$14.99
I Come From Water--Piano/Vocal Score
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Contemporain
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Theresa Koon
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I Come From Water--Piano/Vocal
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023432 Composed by Theresa Koon. 20th Century,Contemporar...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - SKU: A0.1023432 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722277. Published by Theresa Koon (A0.1023432). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf.The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$4.99
Japanese Garden
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Igor Korneitchouk
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Japanese Garden
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Studio at the Post
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio...
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Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio at the Post #739944. Published by Studio at the Post (A0.1139673). Duration: 15 minutes, 26 pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the two performers (alto flute doubling piccolo and guitar), comprise the semi-flexible score of Japanese Garden and are to be arranged, within the guidelines presented, like the rocks and plants of a traditional Japanese garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; duet otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$5.02
kare sansui
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Igor Korneitchouk
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kare sansui
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Studio at the Post
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SheetMusicPlus
Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio a...
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Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio at the Post #742121. Published by Studio at the Post (A0.1141735). Duration: 9 minutes, 28pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the three performers (violinist, guitarist, percussionist), comprise the semi-flexible open-form score of kare sansui and are to be arranged like the rocks of a traditional Japanese karesansui garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; ensemble otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$5.02
Silent Durations II (a Zen experience)
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Contemporain
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Drake Mabry
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Silent Durations II
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Drake Mabry
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Guitar,Violin - Level 3 - SKU: A0.799518 Composed by Drake Mabry. Contemporary. Score and parts. 31 pages. Drake Mab...
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Small Ensemble Cello,Clarinet,Flute,Guitar,Violin - Level 3 - SKU: A0.799518 Composed by Drake Mabry. Contemporary. Score and parts. 31 pages. Drake Mabry #3676091. Published by Drake Mabry (A0.799518). Silent Durations II (a Zen experience) was written in 2003 for my friends in Ensemble Berlingot. The first movement is primarily monadic in nature with a few instances of duos and one trio passage. The second movement is a scherzo alternating between chordal passages and melodic fragments stretched over time. The third movement is an essay on the varying colors and moods of a single Eb. Â These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric.The duration is 24'40. The work also exists as a woodwind quintet (Silent Durations IIa).
$7.99
Two Original Backing Vamps
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Kurt Bremer
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drum kit)
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Two Original Backing Vamps
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Kurt Bremer
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SheetMusicPlus
Level 2 - SKU: A0.1282133 Composed by Kurt Bremer. 21st Century,Chamber,Contest,Festival,Holiday,Multicultural,World. 22 pages. Kurt Bremer #873476. Pub...
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Level 2 - SKU: A0.1282133 Composed by Kurt Bremer. 21st Century,Chamber,Contest,Festival,Holiday,Multicultural,World. 22 pages. Kurt Bremer #873476. Published by Kurt Bremer (A0.1282133). Part of Kurt Bremer's INSTANT OKTOBERFEST series, this arrangement is designed for flexible ensemble (four instrumental voices & drum kit). Your download will include:-Full Score-Part 1 (in C, Bb & Eb)-Part 2 (in C, Bb, Eb & F)-Part 3 (in C, Bb, Eb & F)-Part 4 (in C, Bb & Eb)-Drum KitAbout the work:These Two Original Backing Vamps are perfect for maintaining the momentum of a live set, offering simple yet pleasant music to fill any prolonged silences that may arise between songs. Examples of where they can be used include:- During instances of particularly long audience chat- When setting up an interactive segment or game- If a light scuffle breaks out and you don’t know what to do
$9.99
Holy, Holy, Holy (for One Octave Handbell Choir with Piano accompaniment)
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Sharon Wilson
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Sharon Wilson
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Holy, Holy, Holy
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Sharon Wilson
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SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1452199 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon ...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - SKU: A0.1452199 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon Wilson. 19th Century,Children,Christian,Easter,Sacred. 10 pages. Sharon Wilson #1031518. Published by Sharon Wilson (A0.1452199). This arrangement is one of the 10 songs in the collection Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano).This sheet music is arranged for a one octave, 8-note diatonic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody. An optional repeat is included for playing additional verses.Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one score in standard format with black and white notes and the second score with color-coded notes). Lyrics are provided on the Handbell staff.A color-coded note chart is provided showing the Handbell notes used for this arrangement as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers.On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Note assignment suggestions are provided.As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers. This separate color-coded score uses the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme.Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
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The Silence In Between
