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5230
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2806
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783
Piano, Voix et Guitare
582
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96
1 Piano, 4 mains
82
Accordéon
48
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
13
2 Pianos, 4 mains
12
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Piano Quatuor: piano, 2 violons, violoncelle
6
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56
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35
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29
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26
Voix Soprano, Piano
26
Voix Alto, Piano
11
Voix Baryton, Piano
8
Voix duo
8
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5
Voix haute
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4
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4
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2
Chorale
1
Voix, Guitare
1
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1
Chorale SAATB A Cappella
1
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VENTS
Hautbois, Piano (duo)
318
Clarinette et Piano
313
Flûte traversière et Piano
303
Saxophone Alto et Piano
214
Saxophone Tenor et Piano
187
Flûte traversière
175
2 Saxophones (duo)
167
Clarinette
159
Saxophone Alto
152
Quatuor de Saxophones: 4 saxophones
143
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
113
Flûte, Hautbois, Clarinette, Basson
112
Saxophone Tenor
91
Hautbois (partie séparée)
87
Saxophone (partie séparée)
77
Quintette de Saxophone: 5 saxophones
68
2 Flûtes traversières (duo)
60
Hautbois
54
Quatuor de Clarinettes: 4 clarinettes
46
2 Clarinettes (duo)
41
Saxophone Soprano et Piano
39
Flûte, Clarinette (duo)
32
Saxophone Baryton, Piano
30
2 Flûte à bec (duo)
27
3 Saxophones (trio)
26
2 Hautbois (duo)
24
Quatuor de Flûtes : 4 flûtes
22
Ensemble de saxophones
21
Quintette de Clarinettes: 5 clarinettes
20
Ensemble de Clarinettes
17
Ensemble de Flûtes
17
Saxophone Soprano
16
Flûte à Bec
13
Hautbois, Basson (duo)
13
Clarinette, Basson (duo)
13
Trio de Flûtes: 3 flûtes
13
Flûte, Violon
13
Hautbois, Clarinette (duo)
12
Clarinette, Violon (duo)
12
Saxophone Baryton
12
3 Clarinettes (trio)
12
Flûte, Trombone (duo)
11
Flûte, Clarinette et Basson
11
Flûte à bec Soprano
11
Flûte, Violoncelle
10
Quatuor de Flûtes à bec
9
Clarinette, Violoncelle (duo)
9
Hautbois, Violoncelle
8
Flûte et Guitare
8
Cor anglais, Piano
8
Flûte, Alto (duo)
7
Quintette de Flûte : 5 flûtes
7
Cor Anglais
7
5 Flûtes à bec
6
Saxophone, Clarinette (duo)
6
Clarinette Basse, Piano
6
Clarinette et Alto
6
Saxophone
6
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6
Hautbois et alto (duo)
5
Hautbois, Guitare (duo)
4
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4
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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Flûte et Trio à cordes
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Ocarina
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Flute, harpe et violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Guitare
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
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CUIVRES
Trompette
232
Trombone et Piano
222
Trompette, Piano
186
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
166
Trombone
120
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Cor et Piano
95
Cor
94
Tuba
87
Tuba et Piano
54
Trompette (partie séparée)
41
Trompette, Trombone (duo)
40
Quatuor de Cuivres
38
2 Trompettes (duo)
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
2 Cors (duo)
30
2 Trombones (duo)
30
Trombone (partie séparée)
28
Trompette, Cor (duo)
18
2 Tubas (duo)
14
Trompette, Saxophone (duo)
11
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 trombones
10
Tuba et Orgue
8
Cor anglais, Piano
8
Cor Anglais
7
Euphonium
5
Bass Clef Instruments
4
Ensemble de Trompettes
4
Ensemble de Trombones
4
3 Trompettes (trio)
3
Instruments en Sib
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Trio de Cuivres
3
Trombone, Cor (duo)
2
Tuba (partie séparée)
2
Trompette, Violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Guitare (duo)
2
Cor (partie séparée)
2
4 Tubas
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Trombone, Orgue
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Trombone, Tuba (duo)
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Trombone et orchestre
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Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
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Instruments en Fa
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3 Euphoniums
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Trompette, Tuba (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
486
Violon
349
Violon et Piano
338
Alto, Piano
295
Violoncelle, Piano
263
Violon, Violoncelle (duo)
212
Violoncelle
194
Trio à Cordes: violon, alto, violoncelle
149
Alto seul
144
Harpe
75
Quintette à cordes: 2 violons, alto, violoncelle, basse
70
Contre Basse
61
2 Violons (duo)
57
Violon, Alto (duo)
54
Contrebasse, Piano (duo)
54
2 Violoncelles (duo)
48
Alto (partie séparée)
36
2 Altos (duo)
32
Trio à Cordes: 2 violons, violoncelle
21
2 Contrebasses (duo)
14
Contrebasse (partie séparée)
13
2 Harpes (duo)
12
Piano Trio: Violon, Alto, Piano
12
Alto, Violoncelle (duo)
11
Violon, Basson (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon (partie séparée)
7
4 Violoncelles
7
Violoncelle , Guitare (duo)
7
Trio à Cordes: 3 violoncelles
5
Violoncelle, Contrebasse (duo)
4
Violon, Guitare (duo)
4
Violoncelle (partie séparée)
3
Trio à cordes: 3 violins
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
2 Altos, Piano
1
Harpe, Violon, Violoncelle
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
4 Harpes
1
Alto et Basson
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Flûte, Contrebasse (duo)
1
Ensemble de Violons
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
533
Ensemble Jazz
207
Orchestre à Cordes
188
Ensemble de cuivres
155
Orchestre
125
Fanfare
119
Cloches
64
Batterie
60
Orchestre de chambre
43
Ensemble de Percussions
29
Jazz combo
24
Marimba
12
Xylophone
6
Xylophone, Piano
6
Batterie (partie séparée)
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
2 Xylophones
4
Percussion (partie séparée)
3
Vibraphone
2
Marimba, Piano (duo)
1
Conga
1
Caisse Claire
1
Bongos
1
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AUTRES
Formation musicale - Solfège
1
Théorie de la musique
1
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
(+)
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.88 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
(+)
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.88 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
And Then We See (Arranged for Flugelhorn)
Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho…
(+)
Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published by Marco leong (A0.1284795). Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.34 €
#
Ho Fong Leong
#
and Leo, a ‘cellist
#
And Then We See
#
Marco leong
#
SheetMusicPlus
And Then We See
Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho F…
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Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.34 €
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
The Troubles of an Automaton, or The Table and the Chair
Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A…
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Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair. Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration) For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator Text: Clementina Maria Black (1853-1922) / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments. Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum. The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note. From bar 62 to the end the cimbalom may be played an octave higher than written. The cimbalom and gongs are played laissez vibrer throughout. The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique. The narrator may choose one of two texts: A: The Troubles of an Automaton (Excerpt) by Clementina Maria Black B: The Table and the Chair by Edward Lear. The start of each section of Narrator text is indicated in the score with boxed text. Where necessary the end of a text section is shown as unboxed text. The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'. 'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876. The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton. 'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870. In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
$3.95
3.58 €
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Paul Burnell
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The Troubles of an Automaton, or The Table and the Chair
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Paul Burnell
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SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
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Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.32 €
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Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
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Alastair Lodge
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Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Wold Meridian
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SheetMusicPlus
The Complete Instrumentalist Book One
Level 2 - Digital Download SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler …
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Level 2 - Digital Download SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 94 pages. DaCapo Primary Music #904114. Published by DaCapo Primary Music (A0.1315388). This Book Contains 68 songs for the instrumentalist.This new edition of the DaCapo Complete Instrumentalist contains the same material as when first published in 2000, with one big change - many of the songs have been re-worded by our writer in residence, Tracey Mathias, to make them more engaging for very young children.Singing is the foundation of all musical skills.The book concentrates on the building of musicianship, is not clef specific and is therefore suitable for ANY instrument. It has been written on a reduced stave of 1, 2 or 3 lines in order to develop the skill of hearing the music from the page. The songs are classified by their note range, using solfa symbols and handsigns to identify relative pitches.The collection starts with the  so  mi interval and moves progressively to cover the complete major pentatonic scale. These intervals are easier to pitch accurately and you have the added advantage of working in canon. You may find another section more appropriate for the early stages of your instrument. A violinist or cellist may find the  so  do section better as a starting point for example, whilst  la  so might be more comfortable on a fife or recorder.Each section starts with a list of ideas for very simple activities used to teach a song and establish it in the pupil's mind. There follows a variety of more complex and creative ideas which will enhance their musicianship. The activities are at three levels and we suggest that first you learn lots of the songs and then return to them later, tackling some of the more challenging suggestions.Whilst every attempt has been made to research the source material, if you think we have not credited an original song please let us know.We hope that you enjoy becoming a Complete Instrumentalist. Jane CutlerYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
7.24 €
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DaCapo Primary Music
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The Complete Instrumentalist Book One
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DaCapo Primary Music
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SheetMusicPlus
The Londonderry Air
Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 …
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Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An arrangement of this well known melody for wind quintet. Score and parts. 31 pages. Forton Music - Digital #FM605. Published by Forton Music - Digital (F2.FM605). ISBN 9790570485048.Frank Bridge arranged this well known Irish air for string quartet, here presented in a version for wind quintet. Unusually, Bridge starts the arrangement with an extended fantasy upon the main theme, never stating it completely. A series of stabbing chords begin the music, and help to mark out the start of each section. Elements of the tune then weave in and out of the music, and are passed equally between all five players. The first four notes of the theme in rhythmic diminution are transformed into a delicate arpeggio that permeate the music, all accompanied with the lush chords of early 20th century English music. After about one hundred bars the music reaches an impassioned climax before the tune is finally stated in its full form, with each instrument in turn taking a solo phrase accompanied by the others. A final, peaceful coda using the delicate arpeggio of the first sections brings the piece to a close.
$12.95
11.74 €
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Traditional/Frank Bridge
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Robert Rainford
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The Londonderry Air
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Forton Music - Digital
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SheetMusicPlus
Fanfare: Starter for Ten (Rob Bushnell) - Brass and Percussion
Baritone Horn TC,Bass Trombone,Cornet,E-Flat Tuba TC,Euphonium,Trumpet - Level 3 - Digital…
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Baritone Horn TC,Bass Trombone,Cornet,E-Flat Tuba TC,Euphonium,Trumpet - Level 3 - Digital Download SKU: A0.752371 Composed by Rob Bushnell. Contemporary. 27 pages. RBMusic #4888989. Published by RBMusic (A0.752371). This piece was written in March 2008 to open the Leeds University Union Music Society (LUUMS) Wind Band's concert that took place on 27th April 2008. It features the brass (3 trumpets and 3 trombones) and percussion (drum kit, timpani and vibraphone). The title comes from University Challenge, where the initial question per set of questions (or the starter question) is worth 10 points, hence the quizmaster saying Here's your starter for ten.The piece is a great piece to start a concert with, perfect for junior and senior/professional ensembles alike. It has alternative parts so that other members of the brass family (French horns, tenor horns and tubas, as well as parts in treble clef) can either be substituted for the originals or can also play to ensure no brass player misses out. It will work for larger ensembles such as orchestras, wind/concert bands, military bands and brass bands, as well as smaller ensembles from brass sextets to brass dectets (assuming a drummer can be found). And the beginning can also feature the non-brass/percussion players with jungle-like sounds (optional, of course).
$16.50
14.96 €
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Rob Bushnell
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Fanfare: Starter for Ten
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RBMusic
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SheetMusicPlus
The Escape - (small/medium percussion ensemble)
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1288799 Composed by Frits Renting. Arranged by Frits Renting. Film/TV. 35 pages. Frits_Renting #879651. Published by Frits_Renting (A0.1288799). Side note: This version is for small/medium percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$70.00
63.47 €
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Frits Renting
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Frits Renting
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The Escape -
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Frits_Renting
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.65 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.65 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Two For The Road
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download …
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1083633 Composed by Henry Mancini and Leslie Bricusse. Arranged by Uwe Roessler / Rössler / Rassler. Film/TV,Jazz,Pop,Standards,Wedding. Score and parts. 13 pages. Uwe Roessler #687840. Published by Uwe Roessler (A0.1083633). Another Mancini Classic: “Two For The Road†- an all time great! This arrangement follows the form of the original soundtrack (hence the youtube link). Original keys: Starting in C Major, going to G Major. Starts with an optional intro (bars 1-7) from another Mancini version. You can skip this intro, and start the song in bar 8. Form of the song is: (A) theme in violin, (B) theme in cello, (A) theme in violin, (A) first half of the theme in piano, second half joined by tutti. Duration: approx 3.00 min. For Piano Trio / Quartet / Quintet. Minimal instrumentation: violin1, cello, piano. Optional voices for violin2, and bass included. Comes with full score, and complete individual parts. Level: intermediate/advanced. I´ve arranged quite a lot of Mancini songs, as well as other Movie Themes and classic Pop songs for this kind of instrumentation. And I´m working on other Mancini classics, as well. Browse ;-) Have fun with my arrangements!
$20.00
18.13 €
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Henry Mancini and Leslie Bricusse
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Two For The Road
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Uwe Roessler
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SheetMusicPlus
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
Piano Trio Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.1103955
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Piano Trio Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.1103955 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 19th Century,Baroque,Classical,Contemporary,Jazz. 32 pages. Uwe Roessler #707239. Published by Uwe Roessler (A0.1103955). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String†(BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bachâ€- version (hence the video link), and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition. There are several options of playing this arrangement: “Air†has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00
27.2 €
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
Polka from "The Bartered Bride" (Smetana) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1372035 Composed by Bedrich Smetana. Arranged by Rob Bushnell. 19th Century,Classical,Folk,Opera,Traditional. Brass Band. 121 pages. RBMusic #956255. Published by RBMusic (A0.1372035). Considered a major contribution to the develop of Czech music, The Bartered Bride by BedÅ™ich Smetana is a comic opera in three acts that premiered, in its final version, in 1870; having not been a great success when the original two-act version premiered at the Provisional Theatre, Prague on 30 May 1866. The opera was part of Smetana’s aim to create a native Czech music after the conductor Johann von Herbeck commented that Czechs were incapable of making music of their own. Whilst he avoided the direct use of folksongs, Smetana did use numerous traditional Bohemian dance forms, such as the furiant and the polka, leading to music that was Czech in spirit.“Sold Brideâ€, a more accurate translation of the original Czech title (Prodaná nevÄ›sta), tells the story of two lovers (MaÅ™enka and Jenik) who want to marry despite MaÅ™enka’s father’s obligations for his daughter to marry the son of a wealthy landowner, Micha. Scheming, condition proposals and secret identities leads to a happy ending.The polka was not in the original 1866 version. A revision in October 1866 saw the addition of a gypsy dance near the start of act 2. But by the next performance in January 1869, this had been replaced by a polka. In June 1869, a new polka replaced the January version’s (as well as being moved to the end of act 1) and this is the one that we know and love today.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=UE8B93XD8NM.
$44.99
40.79 €
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Bedrich Smetana
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Rob Bushnell
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Polka from "The Bartered Bride"
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RBMusic
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SheetMusicPlus
AIR ON THE G STRING, Intermediate Level for String Trio, Woodwind Trio, any combination of two trebl
Bassoon,Cello,Flute,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.521362 C…
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Bassoon,Cello,Flute,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.521362 Composed by George Frideric Handel. Arranged by Sherry Lewis. Baroque,Christmas,Easter,Wedding. 9 pages. Sherry Lewis Publishing #5983535. Published by Sherry Lewis Publishing (A0.521362). AIR ON THE G STRING for trio of 2 treble and 1 bass instrumentScore 3 pagesparts: 3 pagestime: 4'15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles.Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.89 €
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George Frideric Handel
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Sherry Lewis
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https://www
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AIR ON THE G STRING, Intermediate Level for String Trio, Woodwind Trio, any combination of two trebl
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Sherry Lewis Publishing
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SheetMusicPlus
THE SWAN for Trio for String Trio, Woodwind Trio, any combination of two treble clef instruments an
Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.521384…
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Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.521384 Composed by C. Saint Saëns. Arranged by Sherry Lewis. Holiday,Romantic Period,Wedding. 10 pages. Sherry Lewis Publishing #6008919. Published by Sherry Lewis Publishing (A0.521384). THE SWAN, LE CYGNE Trio of any 2 Treble and 1 Bass instrumentIntermediate LevelScore: 4 pagesParts: 3 pages Time: 2'20MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.89 €
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C
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Sherry Lewis
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THE SWAN for Trio for String Trio, Woodwind Trio, any combination of two treble clef instruments an
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Sherry Lewis Publishing
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SheetMusicPlus
THE SWAN for Duo for String Duo, Woodwind Duo, any combination of a treble clef instrument and a ba
Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.…
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Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.521385 Composed by C. Saint Saëns. Arranged by Sherry Lewis. Holiday,Romantic Period,Wedding. 7 pages. Sherry Lewis Publishing #6015465. Published by Sherry Lewis Publishing (A0.521385). THE SWAN, LE CYGNE Duo of any 1 Treble and 1 Bass instrumentIntermediate LevelScore: 2 pagesParts: 2 pages Time: 2'20MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
4.08 €
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C
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Sherry Lewis
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https://www
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THE SWAN for Duo for String Duo, Woodwind Duo, any combination of a treble clef instrument and a ba
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Sherry Lewis Publishing
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SheetMusicPlus
AIR ON THE G STRING Intermediate Level for Duo for any treble instrument and one bass instrument of
Bassoon,Cello,Flute,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.521363 C…
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Bassoon,Cello,Flute,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.521363 Composed by Johann Sebastian Bach. Arranged by Sherry Lewis. Baroque,Christmas,Easter,Wedding. 7 pages. Sherry Lewis Publishing #5983541. Published by Sherry Lewis Publishing (A0.521363). AIR ON THE G STRING for duo of 1 treble and 1 bass instrumentScore 2 pagesparts: 2 pagestime: 4'15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
4.08 €
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Johann Sebastian Bach
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Sherry Lewis
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AIR ON THE G STRING Intermediate Level for Duo for any treble instrument and one bass instrument of
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Sherry Lewis Publishing
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SheetMusicPlus
Ukrainian Bell Carol - Carol of the Bells- WOODWIND QUARTET
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 2 - Digital Download …
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 2 - Digital Download SKU: A0.521180 Composed by Mykola Leontovich. Arranged by Sherry Lewis Publishing. Christmas,Multicultural,Renaissance,Spiritual,World. 19 pages. Sherry Lewis Publishing #3879733. Published by Sherry Lewis Publishing (A0.521180). UKRAINIAN BELL CAROL, Woodwind Quartet of 2 flutes, clarinet and bassoon Intermediate LevelScore: 6 pagesParts: 8 pages Time: 2'30MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.89 €
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Mykola Leontovich
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Sherry Lewis Publishing
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Ukrainian Bell Carol - Carol of the Bells- WOODWIND QUARTET
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Sherry Lewis Publishing
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SheetMusicPlus
Ukrainian Bell Carol - Carol of the Bells WOODWIND SOLO or any treble clef instrument (for woodwind
Flute,Oboe,Soprano Recorder,Violin - Level 2 - Digital Download SKU: A0.521183 Comp…
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Flute,Oboe,Soprano Recorder,Violin - Level 2 - Digital Download SKU: A0.521183 Composed by Mykola Leontovich. Arranged by Sherry Lewis. Christmas,Multicultural,Renaissance,Spiritual,World. 5 pages. Sherry Lewis Publishing #3880367. Published by Sherry Lewis Publishing (A0.521183). UKRAINIAN BELL CAROL, Woodwind Solo, Treble PartIntermediate LevelScore: 0 pagesParts: 2 pages Time: 2'30MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
4.08 €
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Mykola Leontovich
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Sherry Lewis
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Ukrainian Bell Carol - Carol of the Bells WOODWIND SOLO or any treble clef instrument
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Sherry Lewis Publishing
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SheetMusicPlus
They Saw a Star Teen Christmas Cantata for duet/trio optional flute and piano
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0…
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Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1319996 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Instructional. 47 pages. Connie Boss #908548. Published by Connie Boss (A0.1319996). This cantata is perfect for kids that are able to start singing parts in music. There are 5 songs in the cantata. There is narration before each song.1. Ave Maria Christmas version - This song has the lyrics Ave Maria throughout - which means Hail Mary. Some of the lyrics are a translation of the original Ave Maria. The rest of the lyrics are written for Christmas. The melody is the same as Ave Maria. It is intended for a soloist with duet harmonies. 2. A Little Baby - original song is written for duet. A Little Baby in a stall - A Little Baby oh so small - A Little baby born for all - A Little Baby3. Pachelbel Canon Christmas medley - this iconic song has lyrics from 4 Christmas songs - While Shepherds Watched Their Flocks by Night, Away in a Manger, What Child is This and The First Noel. There are parts where one part will ahh while the other sings the lyrics and then parts where they both sing the lyrics together in harmony. So pretty.4. They Saw a Star - original song about the star leading people to Bethlehem5. We Three Kings - uses the lyrics of We Three Kings, but the melody of Scarborough Fair - it flowed very well together.and has a different harmony than the Simon and Garfunkel version. Fun to perform.If you would like the accompaniment, email me proof of purchase and I will email it to you.Any questions or requests, email cdboss@cvalley.net.
$7.99
7.24 €
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Connie Boss
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Connie Boss
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They Saw a Star Teen Christmas Cantata for duet/trio optional flute and piano
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Connie Boss
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SheetMusicPlus
From The Start
Trumpet Quartet Flugelhorn,Trumpet - Level 4 - Digital Download SKU: A0.1406230 By …
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Trumpet Quartet Flugelhorn,Trumpet - Level 4 - Digital Download SKU: A0.1406230 By Laufey. By Laufey and Spencer Stewart. Arranged by Caleb James. 21st Century,Chamber,Jazz,Pop,Singer/Songwriter. 55 pages. Caleb James #989203. Published by Caleb James (A0.1406230). Immerse your ensemble in the captivating melodies of From The Start by Laufey with this specially crafted arrangement for flugelhorn quartet. Designed with the high school musician in mind, this arrangement offers an engaging and accessible opportunity for aspiring performers to explore the rich timbres and expressive capabilities of the flugelhorn. This arrangement balances technical challenge with musicality, offering opportunities for ensemble cohesion and individual growth. With its manageable range and lyrical passages, it serves as an ideal piece for high school musicians looking to expand their repertoire and develop their ensemble skills. Whether performed at your next concert, solo and ensemble competetion, or just for fun, this piece is sure to challenge and inspire.
$18.99
17.22 €
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Laufey
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Caleb James
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From The Start
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Caleb James
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SheetMusicPlus
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